ABRAHAM CRUZVILLEGAS

 

BIBLIOGRAPHY

 

Selected Monographs:

 

2018

Varadinis, Mirjam, ed., Autorreconstrucción: Social Tissue, published by Zürcher Kunstgesellschaft / Kunsthaus Zürich, Zürich, Switzerland, 2018

 

2016    

Frost, Jaime Soler, ed., Textos sobre la obra de Abraham Cruzvillegas, published by Secretaría de Cultura / Dirección General de Publicaciones, Mexico City, Mexico, 2016

Colah, Zasha, Karolina Majewska, and Patrycja Ryłko, eds., Autodestrucción6: Chichimecachubo: Matzerath@S13, published by Gdańsk City Gallery, Gdańsk, Poland, and Bom Dia Boa Tarde Boa Noite, Berlin, Germany, 2016

Frank, Anselm, Robin Adèle Greeley, and Sunjung Kim, Challenge of Failure and Confusion of Possibility, published by Samuso, Seoul, South Korea, 2016

Greeley, Robin Adèle, ed., The Logic of Disorder: The Art and Writing of Abraham Cruzvillegas, published by Harvard University Press, Cambridge, MA, 2016

 

2015    

Godfrey, Mark, Empty Lot, published by Tate Publishing, London, UK, 2015

 

2014    

Cruzvillegas, Abraham, Autoconstrucción, published by Ediciones Tecolote, Mexico City, Mexico, 2014

Cruzvillegas, Abraham, La voluntad de los objectos, published by Editorial Sexto Piso, Mexico City, Mexico, 2014

 

2013    

Cruzvillegas, Abraham, Verónica Gerber Bicecci, Patricia Falguières, Catalina Lozano, David Miranda, and Sergio González Rodríguez, Abraham Cruzvillegas: The Autoconstrucción Suites, published by Walker Art Center, Minneapolis, MN, 2013

 

2012    

Cruzvillegas, Abraham, Abraham Cruzvillegas: 100 Notes, 100 Thoughts, Documenta Series No057, published by Hatje Cantz, Berlin, Germany, 2012

 

2009    

Durham, Jimmie, Mark Godfrey, Ryan Inouye, and Clara Kim, Autoconstrucción: the book, published by California Institute of the Arts/REDCAT, Los Angeles, CA, 2009

 

2008    

Cruzvillegas, Abraham, Autoconstrucción, published by The Centre for Contemporary Arts, Glasgow, UK, 2008

 

2007    

Bourgeois, Caroline, Abraham Cruzvillegas: Lauréat Altadis 2006, published by Actes Sud, and Altadis, Paris, France, 2007

 

2006    

Ponce, Alexandra Garcia, ed., Los Dos Amigos, published by A&R Press, Mexico, 2006

Cruzvillegas, Abraham, Ici, published by Château de Tours, Tours, France, 2006


Cruzvillegas, Abraham, Round de Sombra, published by Consejo Nacional para la Cultura y las Artes, Mexico City, Mexico, 2006

 

2005    

Cruzvillegas, Abraham, Abraham Cruzvillegas, published by The Breeder, Athens, Greece, 2005

 

2004    

Morsiani, Paola, Perspectives 139: Abraham Cruzvillegas, published by Contemporary Arts Museum Houston, Houston, TX, 2004

 

1999    

Cruzvillegas, Abraham, La ruta de la enemistad, published by Ediciones Casper, Mexico City, Mexico, 1999

 

Selected Catalogues and Publications:

 

2018

ReCycle, published by Galerie Chantal Crousel, Paris, France, 2018

 

2017

Lerner, Jesse, and Rubén Ortiz-Torres, eds., How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney, published by Black Dog Publishing, London, UK, 2017

 

2016    

Bock, John, Max Hollein, Martina Wein­hart, Anja Osswald, Lea Schleiffenbaum, and Ulf Erdmann Ziegler, ICH, published by Walther König, Cologne, Germany, 2016

Fajardo-Hill, Cecilia, and Carlos E. Palacios, Monochrome Undone, published by RM, Mexico City, Mexico and Sayago & Pardon, Irvine, CA, 2016

 

2015    

Ríos de la Rosa, Alberto, Traces and Remains, published by Colección CIAC, A.C., Mexico City, Mexico, 2015, pp. 114 – 115 [ill.]

Fernández Torres, Jorge, ed., 12th Havana Biennial, published by Maretti Editore, Falciano, San Marino, 2015

Braunstein, Susan L., and Jens Hoffmann, Repetition and Difference, published by The Jewish Museum, New York, NY, 2015

Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015

 

2014    

Abaroa, Eduardo, Tatiana Cuevas, Néstor Garcia Canclini, and Susan Hiller, Traces and Remains, published by Colección Isabel y Agustín Coppel, Mexico City, Mexico, 2014

Macel, Christine, ed., A History. Art, Architecture, Design from the 1980s Until Today, published by Centre Pompidou, Flammarion, Paris, France, 2014

ElDahab, Mai Abu, Anthony Huberman, and Camille Pageard, eds., A Needle Walks into a Haystack, published by Liverpool Biennial, Liverpool, UK, and Walther König, Cologne, Germany, 2014

Amirsadeghi, Hossein, Contemporary Art Mexico, published by Transglobe Publishing Limited, London, UK, 2014

 

2013    

Jones, William E., William E. Jones: Imitation of Christ, published by Hammer Museum, Los Angeles, CA, 2013

Arriola, Magalí, Juan Gaitán, Valeria Luiselli, and Ignacio Perales, El Cazador y La Fabrica, published by Fundacion/Coleccion Jumex, Ecatepec, Mexico, 2013

 

2011    

Neves, Joana, Pour un art pauvre (inventaire du monde et de l’atelier), published by Carré d’art, Nîmes, France, 2011

 

2010    

Trust, Media City Seoul 2010 - 6th Seoul International Media Art Biennale, published by Seoul Museum of Art, Seoul, South Korea, 2010

 

2009    

Köb, Edelbert, Christian Kravagna, Eugenio López Alonso, and Viktor Zamudio Taylor, Zwischenzonen, published by Fundación/Colección Jumex, Mexico City, Mexico, and MOMUK Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria, 2009

Amor, Mónica, Carlos Basualdo, Sabina Berman, Antoine de Galbert, and Elmer Mendoza, Mexico: Expected/Unexpected, published by TEA Tenerife Espacio Artes, Spain, Madrid, 2009

 

2008      

Ferguson, Russell, Ana Ellena Mallet, and Taiyana Pimentel, Las implicaciones de la imagen, published by MUAC-UNAM Museo Universitario de Arte Contemporáneo, Mexico City, Mexico, 2008

 

2007    

Flood, Richard, Massimiliano Gioni, Laura Hoptman, and Trevor Smith, Unmonumental: The Object in the 21st Century, published by New Museum, NY, and Phaidon Press, London, UK 2007


Debroise, Olivier, and Cuauthémoc Medina, The Age of Discrepancies, published by Turner Libros, and Museo Universitario Arte Contemporáneo, Mexico City, Mexico, 2007

Widholm, Julie Rodrigues, ed., Escultura Social: A New Generation of Art from Mexico City, published by Museum of Contemporary Art, Chicago, IL, and Yale University Press, New Haven, CT, 2007 

 

2005    

Bonami, Francesco, Carol Becker, Alain de Boton, Robert Fitzpatrick, Lucy Lippard, Susan Sontag and Nancy Spector, Universal Experience. Art, Life And The Tourist’s Eye, published by Museum of Contemporary Art, Chicago, IL, 2005

Elucubraciones: German Venegas, essay “Bestia Hermosa” by Abraham Cruzvillegas, published by Museo de la Secretaría de Hacienda y Crédito Público, Mexico City, Mexico, 2005

 

2004    

Los usos de la imagen. Fotografía, film y video en La Colección Jumex, published by Fundación Eduardo F. Constantini, Buenos Aires, Argentina, 2004

Abaroa, Eduardo, Miguel Calderón, Guillermo Fadanelli, Carlo McCormick, and Cuauhtémoc Medina, La Panaderia, published by Turner Libros, Mexico City, Mexico, 2004

Herbert, Lynn M., and Theresa Papanikolas, Perspectives @25: A quarter century of new art in Houston, published by Contemporary Arts Museum Houston, Houston, TX, 2004


 

2003    

Charpenel, Patrick, and Silvia Karman Cubiñá, Inter-Play, published by The Moore Space, Miami, FL, 2003

 

2002    

Cruzvillegas, Abraham, essay “The Joy of Energy” in Iconografias Metropolitanas, published by XXV Bienal de São Paulo, São Paulo, Brazil, 2002

Bremer, Cristina Faesler, Ximena Pérez Grobet, and Jerónimo Hagerman, ABCDF. Palabras de Ciudad, published by CONACULTA Consejo Nacional para la Cultura y las Artes, and INBA Instituto Nacional de Bellas Artes, Mexico City, Mexico, 2002

 

2001    

Escultura Mexicana. De la Academia a la Instalación, published by Palacio de Bellas Artes, Mexico City, Mexico, 2001

Cruzvillegas, Abraham, essay “The Polytechnical Artist or the Donkey that played the Flute” in El Final Del Eclipse: El arte de America latina en la transicion al siglo XXI, published by Fundacion Telefonica, Madrid, Spain, 2001

 

2000    

EXIT México, published by Exit, Mexico City, Mexico, 2000


Moi et ma circonstance, published by Musée des beaux-arts de Montréal, Montreal, Canada, 2000


 

1999    

Zamudio Taylor, Victor, Cinco continentes y una ciudad/Segundo Salón Internacional de Pintura, published by Museo de la Ciudad de México, Mexico City, Mexico, 1999

 

1996    

Medina, Cuauhtémoc, Ortega Luis Felipe, and Baudelio Lara, Acné o el Nuevo Contrato Social Ilustrado, published by Museo de Arte Moderno, Mexico City, Mexico, 1996

 

1993    

Nuevas Manías, published Fundación para el Arte Contemporáneo, Mexico City, Mexico, 1993

 

1992    

Ortega, Luis Felipe, Desalojo, published by Galería Arte Contemporáneo, Mexico City, Mexico, 1992 

 

Selected Articles and Reviews:

 

2018

Rosenmeyer, Aofie. “Abraham Cruzvillegas.” Art in America (May 2018) p. 117 [ill.]

Engelhard, Vered. “As Governments Build Walls Between Us, Tapping into the Creative Potential of Destruction.” Hyperallergic (May 1, 2018) [ill.] [online]

Angeleti, Gabriella. “Mexican artist Abraham Cruzvillegas brings acrobatics and improvised sculptures to New York.” The Art Newspaper (April 4, 2018) [ill.] [online]
“Abraham Cruzvillegas’ ‘Autorreconstrucción: To Insist, to Insist, to Insist...’ at The Kitchen.” Blouin Artinfo (April 04, 2018) [ill.] [online]
Fahy, Jo. “Abraham Cruzvillegas - Turning Discarded Items into Art.” BBC: In The Studio (March 2018) [ill.] [online]
“The Brief: Abraham Cruzvillegas.” Art in America (February 2018) p. 19 [ill.]
Griffin, Jonathan. “Primordial Saber Tararear Proverbiales Silabas Tonificantes.” frieze Issue 192 (January/February 2018) p. 143 [ill.]

2017

Stoilas, Helen. “In pictures: Art Basel in Miami Beach Public sector.” The Art Newspaper (December 9, 2017) [ill.] [online]
Stromberg, Matt. “Primordial Saber Tararear Proverbiales Sílabas Tonificantes Para Sublevar Tecnocracias Pero Seguir Tenazmente Produciendo Sociedades Tántricas – Pedro Salazar Torres (Partido Socialista Trabajador) at Regen Projects.” Carla (Winter 2017) p. 46 [ill.] [online]
Wagley, Catherine. “5 Free Art Shows to See in L.A. This Week.” L.A. Weekly (October 18, 2017) [ill.] [online]  
Griffin, Jonathan. “Primordial Saber Tararear Proverbiales Sílabas Tonificantes.” frieze (October 13, 2017) [ill.] [online]
Mizota, Sharon. “Dialogue bubbles up.” The Los Angeles Times (September 2017) [ill.]
Maerkle, Andrew. “Abraham Cruzvillegas: Pt III, At The Waterfall.” ART-iT (August 9, 2017) [ill.] [online]
Maerkle, Andrew. “Abraham Cruzvillegas: Pt II, At The Waterfall.” ART iT (August 2, 2017) [ill.] [online] 
Maerkle, Andrew. “Abraham Cruzvillegas: Pt I, At The Waterfall.” ART iT (July 28, 2017) [ill.] [online] 

 

2016    

Minera, María. “Ready Made.” Cultured (Winter 2016) pp. 324 – 325 [ill.]

Knight, Christopher. “An imaginative look at L.A. car culture.” The Los Angeles Times (October 13, 2016) p. E4 [ill.]

Piejko, Jennifer. “Critics’ Picks: Abraham Cruzvillegas.” Artforum (October 7, 2016) [ill.] [online] 
Miranda, Carolina A. “Other views from back seat.” The Los Angeles Times (October 6, 2016) pp. E1, E6 [ill.]
Williams, Maxwell. “Abraham Cruzvillegas Challenges Los Angeles’s Culture of Trash at Regen Projects.” Artnet News (September 22, 2016) [ill.] [online] 

Slenske, Michael. “Self-Built Man: A South-of-the-border odyssey with Abraham Cruzvillegas.” Modern Painters (September 2016) pp. 60 – 67 [ill.]

Mota, Melissa. “Entrevista | Abraham Cruzvillegas.” gastv (May 2016) [ill.] [online]

Angulo, Annuska. “Construir a Abraham Cruzvillegas.” Gatopardo (May 2016) [ill.] [online]

Breen, Matt. “What’ s sprouting in Tate Modern’ s Turbine Hall?.” Time Out London (February 15, 2016)

Slenske, Michael. “'The Friday Workshop': a superlative Mexican group show at Kurimanzutto.” Wallpaper* (February 4, 2016) [ill.] [online] 

 

2015    

Molesworth, Helen. “Best of 2015.” Artforum (December 2015) p. 198

Barry, Robert. “Auto-Constructing Abraham: From Frieze Masters to the Tate Modern.” The Quietus (October 24, 2015) [ill.] [online]

Wright, Karen. “Abraham Cruzvillegas, Artist: ‘I never thought I would have a studio as big as the Tate Modern Turbine Hall’.” The Independent (October 22, 2015) [ill.] [online]


L. B. Cruzvillegas builds a field of hopes and dreams.” The Art Newspaper (October 15, 2015) p. 18 [ill.]

Jessel, Ella. “Mudern art: tonne of soil from Hackney Marshes transported to Tate.” Hackney Citizen (October 15, 2015) [ill.] [online]

Slight, Tilly. “Growth Opportunity: Abraham Cruzvillegas at the Tate Turbine Hall.” Wallpaper* (October 14, 2015) [ill.] [online]


Barnes, Freire. “Touching the Void.” Time Out n° 2350 (October 13 – 19, 2015) pp. 102 – 103

Spence, Rachel. “Abraham Cruzvillegas: Empty Lot, Turbine Hall, Tate Modern, London.” Financial Times (October 13, 2015) [ill.] [online]

Campbell-Johnston, Rachel. “Watch Tate’s garden grow.” The Times (October 13, 2015) pp. 4, 8 [ill.]


Buck, Louisa. “Where hope grows.” The Art Newspaper (October 13, 2015) pp. 14 – 15 [ill.]

Hudson, Mark. “Abraham Cruzvillegas: Empty Lot, Tate Modern, Turbine Hall, review: 'mega-art in a mega-space'.” The Telegraph (October 12, 2015) [ill.] [online]

Luke, Ben. “Abraham Cruzvillegas: Empty Lot, exhibition review – Slow- burning installation that gives a stage to London’s life forces.” Evening Standard (October 12, 2015) [ill.] [online]

Moran, Fiontán. “An interview with Abraham Cruzvillegas.” Tate Etc. (October 5, 2015) [ill.] [online]

Judah, Hettie. “Abraham Cruzvillegas set to dig deep into the national consciousness with his earthy installation in the Tate’s Turbine Hall.” The Independent (October 4, 2015) [ill.] [online]

Clayton, Jace. “Locally Sourced.” Frieze N°174 (October 2015) pp. 244 – 248

Hernández, Aline. “Outside, But Very Close, War Rages.” Parkett no. 97 pp. 90 – 95 [ill.]

Chong, Doryun. “Intercontinental Missive.” Parkett no. 97 (2015) pp. 76 – 81 [ill.]

McDonough, Tom. “The Berlin Wall.” Parkett no. 97 (2015) pp. 62 – 69 [ill.]

Minera, María. “El escarabajo del arte contemporáneo.” El País (September 16, 2015) [ill.] [online]

Courtens, Laurent. “Atopolis, Le monde est beau.” L’Art Même N°66 (Summer 2015) p. 33

Park, Christine J. “Critics’ Picks: Abraham Cruzvillegas at Art Sonje Center.” Artforum (May 2015) [ill.] [online]

Perry, Colin. “Abraham Cruzvillegas. Museo Jumes, Mexico City.” Frieze n°170 (April 2015) p. 145

Ruiz, Isaura. “Abraham Cruzvillegas - Museo Jumex.” ArtNexus n°96 (March – May 2015) pp. 106 – 107

Jauregui, Gabriela. “Abraham Cruzvillegas: The Autoconstrucción Suites.” ArtReview (March 2015) pp. 150 [ill.]

Forrest, Nicholas. “Tate Modern Names Abraham Cruzvillegas for Inaugural Hyundai Commission.” Blouin Artinfo (January 22, 2015) [ill.] [online]

Brown, Mark. “Mexican artist Abraham Cruzvillegas accepts Turbine Hall commission.” The Guardian (January 22, 2015) [ill.] [online]

Greeley, Robin Adele. “The Logic of Disorder: The Sculptural Materialism of Abraham Cruzvillegas.” October (Issue 151, Winter 2015) pp. 78-107 [ill.]

“Artista del Año: Abraham Cruzvillegas.” La Tempestad (Number 100, January- February 2015) pp. 82-87 [ill., cover] 

 

2014    

Preece, Robert. “Objects Are Alive: A Conversation with Abraham Cruzvillegas.” Sculpture Magazine Vol. 33, No. 6 (July/August 2014) pp. 26 – 31 [ill., cover]

Harris, Gareth. “Mexico’s 21st-century Duchamp.” The Art Newspaper n°253 (January 2014) p. 30

“Abraham Cruzvillegas autodestruccion4: demolicion.” Artupdate (March 12, 2014)

Frankel, Eddy. “Abraham Cruzvillegas - Time out says.” Time Out (April 10, 2014)

 

2013    

Golden, Regan, “Abraham Cruzvillegas.” Modern Painters (November 2013) p. 106 [ill.]

Sherman, Aaron. “VIDEO: Mexico’s Abraham Cruzvillegas at The Walker.” Blouin Artinfo (September 13, 2013) [ill.] [online]

Bryan-Wilson, Julia. “Abraham Cruzvillegas: Walker Art Center.” Artforum (September 2013) p. 418 [ill.]

Jauregui, Gabriela. “Abraham Cruzvillegas: Museo Experimental El Eco, Mexico City.” Frieze (September 2013) p. 170

Dante, Carlos. “A Warm System—The Autoconstrucción Suites.” The Gradient (July 2013)

Yang, Haegue. “Abraham Cruzvillegas.” Bomb Magazine (Summer 2013) pp. 114 – 123

“First mid-career exhibition of Mexico City-based artist Abraham Cruzvillegas opens at the Walker Art Center.” artdaily.org (May 7, 2013) [ill.]

Quemin, Alain. “Arco à la peine.” Le Journal des Arts N°386 (March 1 - 14, 2013) p. 28

De La Garza Mata, Amanda. “Subversion through inefficiency.” Flash Art (March/April 2013)

Cruzvillegas, Abraham. El Cultural (February 15, 2013) p. 1

Moshayedi, Aram. “Abraham Cruzvillegas - Regen Projects.” Artforum (February 2013) pp. 254 – 255

Steffen, Patrick. “Reviews - Abraham Cruzvillegas.” Flash Art n°288 (January/February 2013) p. 98

Sharp, Chris. “Abraham Cruzvillegas.” Art Review n°65 (January/February 2013) p 81

 

2012    

Mohseni, Yasmine. “5 L.A. Gallery Shows You Should Go See Right Now.” The Los Angeles Times (December 20, 2012)

Soto, Paul. “Open Systems: Q + A with Abraham Cruzvillegas.” Art in America (December 18, 2012
) [online]

Ito, Gregory. “Abraham Cruzvillegas at Regen Projects, Los Angeles.” San Francisco Arts Quarterly (December 2012)

Knight, Christopher. “When Resistance Proves Fruitful.” The Los Angeles Times (November 16, 2012)

Myers, Holly. “Review: In Sculpture, Abraham Cruzvillegas trumpets resistance.” The Los Angeles Times (November 15, 2012)

Kagel, Jenna. “At Regen Projects, Abraham Cruzvillegas explores a person, a few places, and many things.” 89.3 KPCC (November 7, 2012)

“Abraham Cruzvillegas’ First Exhibition with Regen Projects opens in Los Angeles.” Art Daily (November 4, 2012)

Dambrot, Shana Nys. “You Are What You Build.” LA Weekly (November 2, 2012)

Berardini, Andrew. ‘‘A Fortuitous Encounter with color in the street: interview with Abraham Cruzvillegas.’’ Mousse Magazine N° 34 (Summer 2012) pp. 214 – 219

Michalska, Julia. “Squatting, slums and sex on film.” The Art Newspaper (June 13, 2012)

Bucio, Erika B. “Toma Cruzvillegas calles de Alemania.” Reforma (June 12, 2012) [ill.]

Benassini, Oscar. “Abraham Cruzvillegas.” La Tempestad no 83 (March 2012) [ill.]

Macmasters, Merry. “Cruzvillegas rescata sus dibujos mediante un equilibrio entre el cuerpo y el espacio.” La Jornada (February 22, 2012) [ill.]

Gonzales Rodriguez, Sergio. “País de primates.” Reforma (February 4, 2012) p. 21


“Abraham cruzvillegas - artista invitado del mes (1).” Farenheitmagazine.com (February 2, 2012) [ill.] [online]

Garcia Hernandez, Roberto. “Desde la posición de un mono.” Gato Pardo no128, (February 2012) [ill.]

G. Frias, Elizabeth. “Nuestra imagen actual: Nueva exposición de Abraham Cruzvillegas en Kurimanzutto.” Revista Codigo.com (January 30, 2012) [ill.] [online]

“Abraham Cruzvillegas.” www.museografo.com (January 28, 2012) [ill.] [online]           

Cid De Léon, Oscar. “Inaugura exposición ‘Nuestra imagen actual’.” Reforma (January 27, 2012) p. 22 [ill.]

“Abraham Cruzvillegas / Nuestra imagen actual, Autorretratos recientes.” tomo.com.mx (January 26, 2012)

Avila, Sonia. “Primates encarnan retratos de familia.” Excélsior (January 25, 2012) p. 11 [ill.]

 

2011    

Lequeux, Emmanuelle. “La riche idée de l'art pauvre.” Lemonde.fr (December 7, 2011)

Launay, Aude. “Homo Faber. Abraham Cruzvillegas - Autoconstrucción (extraits).” 02 n°59 (Automne 2011)

Bellis De, Vicenzo. “Leave it Suspended Indefinitely.” Mousse Magazine Num. 27  (February/March 2011)

Diaz, Pamela. “Abraham Cruzvillegas.” Taxi Around the Art No. 3 (2011)

 

2010    

Sharp, Chris. “Abraham Cruzvillegas’s “La Petite Ceinture” at Galerie Chantal Crousel, Paris.” art-agenda.com (November 2010)

Cruzvillegas, Abraham. “Thomas Hirschhorn by Abraham Cruzvillegas.” Bomb Magazine n°133 (Fall 2010)

Montero, Daniel. “Autconstrucción. Abraham Cruzvillegas y Antonio Castro.” Código 06140 (June/July 2010)

Macmasters, Merry. “El escultor Abraham Cruzvillegas emprende un proyecto escénico y visual.” La Jornada (May 23, 2010)

Sierra, Sonia. “La autoconstrucción es algo inacabado, como la identidad.” El Universal (May 15, 2010)

Cid De León, Oscar. “Conciben teatro en ‘obra negra.’” Reforma (May 14, 2010)

Flores Rodriguez, Oliver. “Montan inacabada autoconstrucción.” Excélsior (May 14, 2010)

Viedma, Andrea. “Activar la Autoconstrucción.” Chilango (May 2010)

Gleason Albores, Montserrat. “Abraham Cruzvillegas.” Artforum (March 17, 2010)

 

2009    

Decker-Parks, Arden. “Interview with Abraham Cruzvillegas.” Museo n°11 (2009)

Mackenzie, Florence. “Modern Ruins.” Frieze n°121 (March 2009)

Lowndes, Sarah. “Abraham Cruzvillegas.” Frieze n°120 (January 2009)

 

2008    

Vincent, Martin. “Abraham Cruzvillegas: CCA Glasgow.” Art Monthly n°321 (November 2008)

 

2007    

Thorne, Sam. “Stay Forever & Ever & Ever.” Frieze n°109 (September 2007)

Palasse-Leroux, Elodie. “Le nouveau cru d’Altadis.” Connaissance des Arts n°647 (March 2007)

Maertens, Marie. “Lauréats du prix Altadis.” L’oeil n°589 (March 2007)

Barrett, David. “Stay Forever and Ever and Ever: South London Gallery London.” Art Monthly n°307 (June 2007)

 

2006    

Morton, Tom. “Found and Lost.” Frieze n°102 (October 2006)

Carranza Martínez, Guadalupe. “Explica Cruzvillegas el Principio de Equivalencia en el Arte.” El Porvenir (April 10, 2006)

Redacción Excelsior. “Cruzvillegas juega un round de sombra.” Excelsior (March 2006)

 

2005    

Chattopadhyay, Collette. “Abraham Cruzvillegas: Psychogeographies.” Sculpture Magazine n°4, Vol. 24 (May 2005)

Hernández, Edgar Alejandro. “Rechazan participar en colectiva de ARCO.” Reforma (February 4, 2005)

Mac Masters, Merry. “Rechazan artistas la definición oficial del arte de México en Arco: Cruzvillegas y Ortega declinaron sumarse a una colectiva paralela a esa feria.” La Jornada (February 4, 2005)

 

2004    

Hanazawa, Takeo. “Abraham Cruzvillegas.” Studio Voice n°9, Vol. 345 (September 2004)

López, María Luisa. “Abraham Cruzvillegas: El ocio inmoral del arte”. La Revista El Universal (May 10, 2004)

Mayer, Mónica. “Abraham Cruzvillegas en Monterrey.” El Universal (April 10, 2004)

Wario, Bertha. “Abraham Cruzvillegas: Crea un arte libre de etiquetas.” El Norte Monterrey (March 16, 2004)

Ramos, Martha. “Abraham Cruzvillegas: Me interesa desnudar la esencia de las cosas.” Milenio Monterrey (March 15, 2004)

Medina, Cuauhtémoc. “Escuela de convivencia.” Reforma (January 21, 2004)

Vacío, Minerva. “Abraham Cruzvillegas: Por el gusto de aportar nuevos sentidos al arte.” Mercedes n° 15 (2004)

Villarreal, Rogelio. “Aprender del Arte”. Día Siete El Universal n°194, Year 4 (2004)

Kartofel, Graciela. “Abraham Cruzvillegas: Jack Tilton / Anna Kustera Gallery.” Art Nexus n°51 (December 2003 – February 2004)

 

2003    

“Artist to Watch.” Art News n°8 (September 8, 2003)

López-Cuenca, Alberto. “Shells, Sharks, and Boxing Gloves.” Artnews n°8, Vol. 102 (September 2003)

Blanchi, Paolo. “Der veranderte Alltag.” Kunstforum International n°166 (August – October 2003)

González, Berenice. “Nueve mexicanos rumbo a la Bienal de Venecia.” El Independiente (June 8, 2003)

López, María Luisa. “El Cotidiano Alterado de Cruzvillegas, en Venecia”. Milenio Diario (June 2, 2003)

Munguía, Jorge. “Bienal de Venecia número 50: México exporta arte.” Expansión n°867 (June 1, 2003)

Cotter, Holland. “Abraham Cruzvillegas.” The New York Times (May 16, 2003)

Hernández, Edgar Alejandro. “Tienen mexicanos presencia histórica: Van nueve a Bienal de Venecia.” Reforma (April 1, 2003)

 

2002    

Cotter, Holland. “Eduardo Abaroa, Jedediah Caesar and Abraham Cruzvillegas.” The New York Times (August 2, 2002)

López, María Luinsa. “La alegría energética de las metropolis.” Milenio (May 5, 2005)

 

1999    

“Taller General: Abraham Cruzvillegas, Gabriel Kuri, Gabriel Orozco, Damián Ortega.” Museu Barbier-muller d’art precolombi (1999)

 

1998    

Redacción, Harper’s Bazar. “Abraham Cruzvillegas: El Imperio de lo efímero.” Harper’s Bazar Vol. 19, Núm. 2 (February 1998)

 

1995    

Pérez Soler, Eduardo. “Abraham cruzvillegas: Los objectos y el museo.” Artes de Mexico n°28 (1995)

 

1994    

Malkin, Elisabeth. “Limited Arts Funding Sparks a New Kind of Creativity.” Culture Club (February 6, 1994)