_Andrea Zittel
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BIBLIOGRAPHY
SELECTED ARTICLES AND REVIEWS
2010
Neil, Jonathan T.D., "100 Acres," Art Review, Issue 42/ Summer 2010, pp. 102-104 (ill.)
2008
Farocki, Harun, "The Artists' Artists: Best of 2008, Andrea Zittel," ArtForum, December 2008, XLVII, No. 4, pp. 99-110 (ill.)
Holte, Michael Ned, "Andrea Zittel, My Linoleum Floor," ArtForum, December 2008, XLVII, No. 4, p. 279 (ill.)
Cotter, Suzanne, "Andrea Zittel," ArtForum, December 2008, XLVII, No. 4, p. 274 (ill.)
Herbert, Martin, "East Meets West: Monika Sosnowska / Andrea Zittel," Art Review, April 2008, p. 30, ill.
Bossche, Anthony van den, "One or Two Things About our Lucky Generation," Anzimust 30, April 2008, pp. 20-21, ill.
2007
Nevitt, Naomi, "Smock Therapy," ARTnews, September 2007, p. 44, ill.
Nelson, Arty, "Be Your Own Guinea Pig," LA Weekly, April 13-19 2007, pp. 56-57, ill.
Pagel, David, "Andrea Zittel at the Geffen: The artist's almont utilitarian works tweak our designer lives," The Los Angeles Times, March 19, 2007
Travaglini, Cristina, "Andrea Zittel," Mousse, issue 8, April 2007, pp.13-17, ill.
Lion, Lea, "Spaced Out: Andrea Zittel Brings Organization to the Geffen Contemporary," Downtown News, April 16, 2007, p. 23, ill.
Ehrenreich, Ben, "Where the Rebel Meets the Road," The New York Times Style Magazine, Summer 2007, pp. 146-151, ill.
Asper, Colleen, "Vision Request: A-Z West," Beautiful/Decay, Issue T, p. 42, ill.
2006
Lo, Melissa, "Andrea Zittel," contemporary, no. 87, 2006, pp. 102-5, ill.
Khiu, Jacqueline, "Life's Work," surface, #59, pp. 104-6, ills
Barreca, Laura, "Andrea Zittel," tema celeste, May/June 2006, p. 74, ill.
Green, Tyler, "The A-Z of Being There," Blackbook, May 2006, pp. 76-78, ill.
Kushner, Rachel, "Home Is Where the Art Is," C Magazine, May 2006, pp. 105-9, ill.
Cash, Stephani, "A-Z and Everything in Between," Art In America, April 2006, pp. 124-131, ills
Chaplin, Julia, "Art Blooms in the Desert," The Los Angeles Times, April 21, 2006, p. D1 & D6, ills
Saltz, Jerry, "A Thorn Tree in the Garden," The Village Voice, February 3, 2006, ills
Goodbody, Bridget, "Design for Living," Time Out New York, February 2-8, 2006, p.61, ills
Glueck, Grace, "Rethinking the World By Cutting It Down to Size," The New York Times, February 3, 2006, pp. B29, B31, ills
French, Christopher, "Andrea Zittel," Flash Art, January – February 2006, p. 101-2, ill.
2005
Michele, Lauren, "Style: Art AZ: The Raugh Style of Andrea Zittel," Metro L.A., October 13 – 24, 2005, p. 6, ills
Finkel, Jori, "Making the Desert Bloom Out West. Way Out West," The New York Times, September 25, 2005, p. 36, ills
Freudenheim, Susan, " 'I Want to Create a World and Live in It Completely'," ARTnews, September 2005, pp. 120-3, ills
Kerr, Merrily, "Andrea Rosen Gallery: Andrea Zittel," Flash Art, July-September 2005, p. 75, ill.
Auerbach, Lisa Anne and Andrea Zittel, "A Text About High Desert Test Sites," ArtForum, Summer 2005, cover, pp. 280-85, 346, 355, 366, ills
"Remote Possibilities," roundtable discussion moderated by Tim Griffin, ArtForum, Summer 2005, pp. 288-95, 366, ills
Gopnik, Blake, "Artist on the Move," The Washington Post, April 27, 2005, pp. C1 & C8, ills
Trainor, James, "Don't Fence Me In," Frieze, April 2005, pp. 88-93, ills
Miles Christopher, "Andrea Zittel," ArtForum, March 2005, pp. 243-4, iil
Daniel, Noel, "Los Angeles: Regen Projects Andrea Zittel," Contemporary, no. 75, 2005, p. 69, ills
Frank, Peter, "Art Pick of the Week: Andrea Zittel," LA Weekly, January 14-20, 2005, 114, ill
2004
Ruland, Jim, "High Desert Drifter," The Believer, Dec. 2004 / Jan. 2005, 5 – 13
Tumlir, Jan, "on the ground," Artforum, December 2004, 68
"Sufficient Self", Purple Fashion, No. 2 Biannual Fall/Winter, p. 38w
Dan Cameron, "American Pie: Whitney Biennial," frieze, May 2004, 64-69
Renato Diez, "Alla Biennale del Whitney-Torna la Pintura," Arte, April, 110
Tim Griffin, "Out of the Past," Artforum, January, 57-59
Cheryl Kaplan, "Social Study: An interview with Andrea Zittel," DB Artmag, www.deutche-bank-kunst.com no16, January 29 - March 11
Michael Kimmelman, "Touching All Bases at the Bienniel," The New York Times, March 12, E27, 38
Eleanor Heartney, "The Well-Tempered Biennial," Art in America, June/July, 70-71
Akane Maekawa, "A-Z West," Studio Voice Magazine, September, 47
Sarah Milroy, "Art in a tremulous time," The Globe and Mail, March 17, R 1
Robert Pincus, "Art infused with all aspects of day-to-day life," The San Diego Tribune, April 18, F1,4
Scott Rothkopf, "Subject Matters," Artforum, May, 176-177, 233
Jerry Saltz, "The OK Coral," The Village Voice, March 15, 2004
Marcus Verhagen, "Micro-utopianism," Art Monthly, no. 272, December/January, 1-4
Andrea Zittel, "Shabby Clique," Artforum, Summer, 211
2003
Craig Buckley, "In Full View," Parachute, no 113, January - March, Supp. 6
Holland Cotter, "Living Units," The New York Times, July 18, E33
Tessa DeCarlo, "A Place to Hang Out and Learn a Thing or Two," The New York Times, April 23, G16
Maura Egan, "Artist in Residence," Details, April, 162-165
Heidi Fichner, "Andrea Zittel," Flash Art, 17
Susan Freudenheim, "A Most Personal Gallery," The Los Angeles Times, May 8, F14
Paola Gabrielli, "Art as Fashion," Art Review, vol 54, September, 50-55
Wade Guyton, "Desert Storm," V Magazine, vol. 25, September/October
Ruth Händler, "Die Design-Kunstler," Häuser, April, 104-110
Justin Hoffman, "Andrea Zittel: The A-Z Uniform Series, 1991-2002, Monika Sprüth Philomene Magers, Munchen," Kunstforum International, August/October, 372-373
Kirsten Hudson, "Materials for Living: An Interview with Andrea Zittel," Ten By Ten, Winter, 20-23
Nico Israel, "Under the Sun," Artforum, September, 47, 49-50
Ann Wilson Lloyd, "The Art That's Living in the House Hadid Built," The New York Times, June 8, sec 2, 29
Chus Martinez, "Sculpture Forever: Contemporaary Sculpture (part II)," Flash Art, vol 36, no 231, July-September, 100-107
Claire Mitchell, "Nomad's Land," Nylon, May, 86-89
Terry Myers, "Enlightening Field," Tate, March-April, 40-44
Arty Nelson, "Birth of a Nation," LAWeekly.com, May 23-29
Pilar Parcerisas, "Art I quotidianitat a l'Espai d'Art Contemporani de Castelló," Diari Avui, March 13, 18
Daniele Perra, "Spazi di Suggestione," Ottagono, February, 126
Daniele Perra, "l'Image Habitale," tema celeste, February-March, 111Samantha Selinger-Morris, "The Happy Wanderers," Sunday Life [magazine of The Sun Herald, Sydney, Australia], June 29, 24-26
Hilarie M Sheets, "There's No Piece like Home," ARTnews, December, 102-103
Roberta Smith, "A Bread-Crumb Trail to the Spirit of the Times," The New York Times, January 7, E41
Roberta Smith, "A Space Reborn," The New York Times, April 4, E37
Scott Timberg, "Shimmers in the Desert," Los Angeles Times, May 25, E8
Brigitte Ulmer, "Leben in Utopia," Bolero, August, 22-26.
"Andrea Zittel," Flash Art, July-September, 107
2002
Elizabeth Bard, "One Man Show" [article on Kenny Schachter], Contemporary, no 6, June - August, 62-67
Sarah Bayliss, "Big Art On Campus," ARTnews, May, 54
Patricia Leigh Brown, "Fine Terrain for Scorpions and Artists," The New York Tim es, August 29, F1, 6
Sarah Douglas, "A miracle! Apparenlty ther are no influences on the art of now," The ARTnewspaper, vol 12, no 118, October, 41
Charles Finch, "The Queen Returns," ArtNet Magazine, www.artnet.com/magazine, September 13.
Andrea E. Flores, "Examining an Everyday Interior," The Harvard Crimson, B1, 3
Manami Fujimori, "Andrea Zittel," BT Magazine, October, 125-131
David Gleeson, "Andrea Zittel: Sadie Coles HQ, London; Ikon Gallery, Birmingham," frieze, Issue 65, March, 85-86
Grace Glueck, "Youth and Experience Transforming a Town," The New York Times, August 9, E32
Talya Halkin, "Small Housing and Big Sculptures in Chelsea," The New York Sun, May 30, 11
Eleanor Heartley, "Speaking for Themselves," Art in America, vol 90, no 2, February, 53, 55
Faye Hirsch, "Working Proof: Andrea Zittel," Art on Paper, vol. 7, September/October, 89
Michael Kimmelman, "Queens, the New Modern Mecca," The New York Times, June 28, E31
Chloe Kinsman, "Andrea Zittel," tema celeste, January-February, 88
Kim Levin, The Village Voice, June 18, 97
Barbara MacAdam, "MoMA QNS," ARTnews, vol 101, no 8, September, 149
John McGee, "City Guide – Andrea Zittel: A-Z Garments Series," Metropolis (Japan), no. 444
Johannes Meinhardt, "Die Wohltat Der Kunst: Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz: Kunsthallen Baden-Baden," Kunstforum International, November/December, 352-353
Glen Miller, "On the Freeway at MOA," Riverwalk Arts & Entertainment Guide, 2001/2002
Silke Muller, "Die neunziger Jahre – oder: kein Licht am Ende des Tunnels," ART: das Kunstmagazin, no 4, April, 46-48
Nigel Prince, "Designs for living," Untitled, Spring, 25
Benedicte Ramade, "Bon public," L'Oeil, no 541, November, 113.
Benedicte Ramade, "L'architecture et autres avatars," L'Oeil, no 541, November, 113
Walter Robinson, "Weekend Update," ArtNet Magazine, www.artnet.com/magazine, June 28
Matthew Rose, "The World as a Murphy Bed: Andrea Zittel," NY Arts Magazine, vol 8, no 1, 59
Emma Safe, "A-Z: review," Art Monthly, no.252. January, 40
Christian Simenc, "Le tempo de l'art," Beaux Arts Magazine, July, Supp 52.
Joanne Silver, "Auto motives," Boston Herald, March 1
Roberta Smith, "A Wrap That's Almost Human," The New York Times, May 17, E29.
Roberta Smith, "The Armory Show, Grown Up and in Love With Color," The New York Times, February 22, E38
Roberta Smith, "Toland Grinnel – 'A Mobile Home and Other Necessitites," The New York Times,
September 13, E31
Scott Timberg, "All Alone, "Creating a World," Los Angeles Times, December 14, E26-27
Lori Waxman, "Andrea Zittel: review," tema celeste, no. 93, September/October, 92
Isabel Yañez, "ArteMôvil," Neo2, January-February, 125
Mimi Zeiger, "Living A-to-Z," Dwell, vol 31, issue 61, December, cover, 60-67
"Exhibit Features Artists Visions Inspired by Car Interiors," Antiques & the Arts Weekly, Feb. 8
"Art Listings: "Andrea Zittel: A-Z Cellular Compartment Units," Time Out New York, no.346, May 16-23, 76
"New this Month in U.S. Museums," Artnet Magazine, www.artnet.com/magazine, October 1
2001
Ann Arbor, Art Papers, March-April
Stefano Basilico, "Andrea Zittel," Bomb, no 75, Spring, 70-76
Louisa Buck, "Home, sweet unit," The ARTnewspaper, November, 24
Stephan Carter, "8 Quadratmeter für Kommunisten," Weser-Kurier, June 27
Germano Celant, "Andrea Zittel: autobiographical design," Interni, no 511, May, 177-182
Michael Corris, "Plug-in: unity and mobility," Art Monthly, September, 37-39
Amber Cowan, "Andrea Zittel: Ikon Gallery," The London Times Supplement, November 3-9, 24
Trinie Dalton, "Los Carpinteros," Bomb, Winter, 60-65
Martina Dobbe, "Kunst zum Klettern und zum Staunen," Westfälische Nachrichten, June 5
Maura Egan, "Artist in Residence," Details, April, 162-165
Alex Faarquharson, "Pyramids of Mars," Art Monthly, March, 33-35
Morgan Falconer, "Live-in art," Art Review, November, 56
Dave Freak, "Boxing clever on home plans," Evening Mail, November 23, 43
Dave Freak, "Rooms to manoevre," City Living, 29, 31
Suzannah Phelps-Fredette, "Viewers' Experiences Bring Conceptual Work to Fruition," The Commercial Appeal, March, E1,6
David Gleeson, "Andrea Zittel: Sadie Coles HQ, London; Ikon Gallery, Birmingham," frieze, March, 85-86
David Gleeson, "Andrea Zittel," frieze, November, 3.
David Hall, "Head Games," Memphis Flyer, March 14-20, 43.
Dagmar Hoetzel, "Plug-in: Einheit und Mobilitat," Bauwelt, July 6.
Georg Imdahl, "Was fur ein typ ist Eigentlich der Prototyp?" Frankfurter Allgemeine Zeitung, July 16.
Ken Johnson, "Andrea Zittel: A-Z Sorting Trays," The New York Times, November 23 & 30, E38.
Chloe Kinsman, "Andrea Zittel: Ikon Gallery," tema celeste, January/February, 88.
Christopher Knight, "The Everyday on a Pedestal," Los Angeles Times, January 31.
Jessica Lack, "Going out: picks of the week: exhibition: A-Z Cellular Compartment Units," The Guardian, Nov 12.
Kay Larson, "Savoring the Slowness of Art at the Speed of Television," The New York Times, September 9, sec 2, 77.
Kristin, Lyle, "Andrea Zittel: Sadie Coles HQ, London," Make, the magazine of women's art, no 92, 28.
Marion Leske, "Plug-in: Visionen vom Wohnen und vom Reisen," Die Welte, July 10.
Steven Litt, "A spunky vision of domestic future in the modem age," The Plain Dealer, April 27.
Stefan Luddemann, "Neue Nomaden in der Globalen Welt," Neue Osnabrücker Zeitung, June 28.
Hannelore Meis, "Abgeklärtheiten," Ultimo, vol 18, no 13/01, June 18-July 1.
Sabine Muller, "Zwischen Kunst und Kompost-Klo," Ruhr-Nachrichten, June 1.
Claudia Posca, "Plug-in: Einheit und Mobilitat," Kunst Forum International, August/October, 391-393.
Nancy Princenthal, "The laws of pandemonium," Art in America, vol 89, no 5, May, 144-149.
Renate Puvogel, "Ohne Zogern: die Sammlung Olbricht Teil 2: Neues Museum Weserburg und Gesellschaft fur Aktuelle Kunst, Bremen," Kunstforum International, November/December, 307-310.
Benedicte Ramade, "La Beaute; Negociations; L'Oeuvre Collective," Parachute, no 101, January-
March, Supp. 2-3.
Robert Rigney, "Confessions of an 'art freak'," ARTnews, March, 100-102.
Mysoon Rizk, "Comfort: reclaiming place in a virtual world," New Art Examiner, July/August, 90.
Emma Safe, "Art review: A-Z," Metro Life, November 6.
Emma Safe, "Andrea Zittel: Sadie Coles HQ, London," Art Monthly, December 2001/January 2002, 40-41.
Joe Scanlan and Neal Jackson, "Please, Eat the Daisies," Art Issues, January/February, 26-29.
Christian Schaernack, "Die Kunst-Gemeide von Brooklyn," ART: das Kunstmagazin, no 2, February, 26-37.
Wolf Schön, "Nomaden machen mobil," Rheinischer Merkur, June 22.
Sue Spaid, "Reviews: Comfort," Artext, no 74, 82.
Shepherd Steiner, "VI – Interntional Communities," Parachute, October-December, Supp. 7-8.
Ralf Stiftel, "Bunker für Stadt-Nomaden," Westfälischer Anzeiger, June 7.
Nato Thompson, "Chimerical Miracle Whip: intot he border lands with the wild kingdom," New Art Examiner, March, 30-35.
Pilar Viladas, "This is Not a Dreasser," The New York Times, January 14, sec 6, 39.
"19 Künstler mobilisieren die Architektur," Das Architekten Magazin.
"A-Z Cellular Compartment Units: review," What's On, November.
"Andrea Zittel," Frame, no 7, May/June, 65.
"Andrea Zittel: uniformi, case e isole galleggianti," Arte, no 339, November, 224.
"Home of the Free: Artist Andrea Zittel Builds the New American Dream House," V Magazine, no. 14, November/December.
"Raumlösungen für Nomaden," Kreiszeitung Sykek Zeitung, June 22.
"Uber alles: beweglich: Plug-in," Deutsche Bauzeitschrift, July.
2000
A.B., "De A à Zittel," Numéro, no 16, September, 208-213.
Elizabeth Arkhipoff, "En route pour la gloire," Nova magazine, June.
Stefano Casciani, "Down with Design," Domus, March, 18-21.
John Connelly, "A Corporate Affair," *Surface, no 24, Summer, 88-91.
Catherine Dorsey, "There's No Place Like Home," Port Folio Weekly, October 24.
Mark St. John Erickson, "Exhibit that gets you where you live," Daily Press, October 15, 14.
Ariene Fehrenkamp, "Public Art Fund: New York, NY," Sculpture, January/February, 14-15.
Heidi Fichtner, "Andrea Zittel at Franck + Schulte," Flash Art, January/February, 120.
John Granda, "Head over wheels: a work of impertinence," Sculpture, April, 74-75.
Anna Gunnert, "Tänk om på Moderna Museet". Konsttidningen, September 10.
William Hamilton, "New Art's Interior Motive," The New York Times, February 3, F1.
Ruth Händler, "Wohn-Kartons," Elle (German), January.
Tanja Hell, "Felsen zum Kuscheln," Rhein Main Press Journal, February 12.
Claudia Herstatt, "Der anti-lifestyle," Handelsblatt, April 29.
Alain Houle, "Culbutes. Œvre d'imperinence: sisyphe artiste," L'humaniste combatant, Winter, 18-19.
Michael Kimmelman, "A Temple of Modern Art and Spectacle," The New York Times, May 10, E1.
Christopher Knight, "The Everyday on a Pedestal," Los Angeles Times, January 31, F1, 8.
Sabine Kunz, "Stoff-Iglu und Museum," ART: das Kunstmagazin, no 6, June, 89.
Pierre Leguillon, "Purple horizon," Beaux Arts Magazine, July, 40-45.
Anne Levy, "Sans Toit Ni Loi," Ikea Room, Summer, 42-44.
Annika Marie, "Andrea Zittel at Regen Projects," no 63, Art Issues, Summer, 50.
Barbara MacAdams, "A Salon for the 21st Century," ARTnews, vol 99, no 5, May, 232-233.
Suzanne Muchnic, "Andrea Zittel: Regen Projects," ARTnews, June, 151.
Alfred Nemeczek, "Regie fuhrt das Leben," ART: das Kunstmagazin, no 9, September, 40-50.
Thomas Olss, "Moderna Museet tank om," Bohusläningen med Dals Dagblad, September 5.
David Pagel, "Charts and Graphs: Andrea Zittel," Los Angeles Times, February 18, F34.
Robert Raczka, "Against Design: Institute of Contemporary Art," Sculpture, June, 78-79.
Walter Robinson, "Mid-week update," Artnet.com, www.artnet.com/magazine, April 27.
Jens Ronnau, "Hanne Darboven, Andrea Zittel, Inex van Lamswererde: 3 Ausstellugen in der nordlichen Deichtorhalle, Hamburg," Kunstforum International, January/March, 341-343.
Johan Schloemann, "Bau mir einen Schuhladen," Frankfurter Allgemeine Zeitung, July 24.
Lydia Schmid, "Kunst-Kiez Brooklyn," Elle (German), August , 42-50.
Katy Siegel, "Island life," Artforum, December, 116-117.
Edward Sozanski, "Along the fuzzy boundary between design and art," The Philadelphia Inquirer, February 13, 11.
Claudia Steinberg, "Andrea Zittel's A-Z Administration," Architektur & Wohnen, December-January, 183-192.
Alice Thorson, "How to spend $1.000.000 on art," The Kansas City Star, February 20, K-1,3.
Annette Tietenberg, "Edel sei die Kunst, hilfreich unn tue nicht gut," Frankfurter Augemeine Zeitung, February 11.
"A-Z Time Trials," The New Yorker, May 29, 26.
"A-Z time trials free running rhytms and patterns," Latimes.com, February 24.
"Articulating the Contingency of Time: Three NY Exhibitions," Artstar Journal, www.artstar.com, July 2
"Elysian fields," Aden, June 28/July 4.
"Gränslandets konst," Arbetarbladet, October 6.
"News: Deichtorhallen," teme celeste, January/February, 102.
1999
Pernille Albrethsen, "Ø-leir," Kunstmagazinet 1%, February, 15.
Jan Avgikos, "Andrea Zittel: have habitat, will travel," Parachute, October-December, 36-41.
Marius Babias, "Die Kunst uberschreitet die Popkultur," Kunstforum International, May-June, 425-428.
Ulrike Bals, "Unsichtbares Selbst," Die tageszeitung Tas, Hamburg, December 13, 23.
Stephanie Bérubé, "Question de rire un peu…," La presse, November 20, D18.
Carmen Böker, "Nachttopf in idealer Erscheinung," Berliner Zeitung, no 275, November 24, 6,12.
Till Brieglab, "Baustelle Kunst," Die Woche, November 25.
Gyde Cold, "Komprimiertes Wohnen," Hamburger Rundschau, December 16, 5.
Holland Cotter, "The Annotated Listings – Art," The New York Times, September 12, sec 2, 94.
Holland Cotter, "Jim Isermann – 'Fifteen'," The New York Times, October 29, E39.
Lyne Crevier, "Dialogue avec les anges," Ici, November 25, 41.
Matthew Debord, "No Wallflower," Artforum, May, 67.
Paula Deitz, "Making What's Public Private, and Private Public," The New York Times, May 2, sec 2, AR29.
Gerhard M Dienes, "Über das Meer…," Verkehr: Knittelfeld. Die Steirische Landausstellung, 301.
Wilifried Dϋrkoop, "Manipulie Rte/Dylle," Berliner Morgenpost, November 23, 9.
Julia Globe, "Seltsalie Wesen + Fremde Welten," Cosmopolitan (German), November. 5.
Isabelle Hofman, "Frauenpower im Dreierpack," Hamburger Morgenpost, November, 15.
Wolf Jahn, "Kunstwerke als Lebensträume," Hamburger Abendblatt, November 20, 7.
Ken Johnson, "A Fertile Garden of Sculptures," The New York Times, August 13, E33, 35.
Ken Johnson, "Formulas for Revelation," The New York Times, May 14, E38.
Ronald Jones, "Preview: Idyll Time," Artforum, January, 40.
Thomas Kahler, "Andrea Zittel: Was braucht der Mensch?" Kunstler: Kritisches Lexikon der
Gegenwartskunst, no 47, 3-8.
Renée Kaplan, "And on Another Furniture Front," New York Newsday, April 11.
Sarah Kent, "Andrea Zittel," Time Out London, January 13-20, 45.
Heiko Klaas and Nicole Büsing, "Brutkasten für Eerwachssene," Neue Osnabrücker Zeitung, December 18, 12.
Maren Kruse, "Die Zeit, Der Raum, Die Seele," Kieler Nachrichten, November 20, 9.
Bernard Lamarche, "Éloge de la fraîcheur," Le Devoir, November 20, B9.
Bernard Lamarche, "Dix ans par-ci dix ans par-là," Le Devoir, October 7.
Bernard Lamarche, "L'irréverence faite œvre," Le Devoir, November 27, sec L'agenda, 3.
April Lamm, "Berlin Diary," Artnet Magazine, www.artnet.com/magazine, December 15.
Elisabeth Lazaroo and Rachel Savin, "Caravane," Jalouse, May, 41.
Paul Lester, "Brooklyn Spice," Artnet Magazine, www.artnet.com/magazine, September 20.
Niklas Maak, "In der halle des Kunststoffkonigs," Süddeutsche Zeitung, November 30, 22.
Nicolas Mavrikakis, "Nos Choix," Voir, August 26, 65-67.
Bob Morris, "Footnotes," The New York Times, June 27, sec 6, 50.
Daniel Pinchbeck, "For Sale: Cyber Art and Public Art Rocks in Central Park," The ARTnewspaper, no. 88, January, 73.
Joel Sander, "Frames of Mind," Artforum, v 38, no 3, November, 126-131, 157.
Annette Tietenberg, "The Art of Design," Form, November/December, 64-73.
Grady T Turner, "Art Talk: On the Rocks," ARTnews, May, 36.
Gregory Volk, "Andrea Zittel's Point of Interest," Inprocess, vol 7, no 2, Winter.
Ingeborg Wiensokowski, "Andrea Zittel," Spiegel, November 11, Section Kultur.
"A Day for Bouyant Artwork," The New York Times, July 10, B3.
"Andrea Zittel at Sadie Coles," Flash Art, vol XXXII, no 204, January-Febebruary.
"Andrea Zittel in Central Park", Inprocess, vol 8, no 1, Summer.
"Art Goes Public," Flash Art, Summer, 78.
"Prepare for a Revelation," Brooklyn Heights Courier, March 29.
"Stardust: Review of Exhibitions," Geijutsu Shincho, no 8.
"Synthetic Archipelago?" New York Newsday, May 20.
"What is Art Today?" Beaux Arts Magazine, December, 230-231.
1998
Kathy Battista, "The Great Escape," Make, no 80, June - August, 16-17.
Andrea Codrington, "Public Eeye," The New York Times, January 15, F2.
Serena Comelato, "Louvre metropolitano: piu grande e piu bello, e rinato il P.S.#1," Arte, no 297, May, 79.
Holland Cotter, "A Tour Through Chelsea, The New Center of Gravity," The New York Times, May 15.
Matthew Debord, "LA Casual+NY Critical=A New Urbanity," Siksi: The Nordic Art Review, no 2, Summer, 56 –61.
Peter Frank, "Seasoned Premiere," Art & Antiques, vol 21, no 8, September, 62-63.
Kari Grimsby, "Art on the Edge and Over", Women Artist News Book Review, 11 – 12.
William Hamilton, "Living lens: self-portraits of home," The New York Times.- House and Home, January 15, F1-2.
Chantal Hamaide and Morozzi, Cristina, "Nomadic Spaces: Andrea Zittel – The Dwelling Unit," Intramuros, no 76, April-May, 33.
Stefan Hildebrandt, "Lifeforms," Statements 002.98: Bath Couture, February.
Jack Jaeger, "In the meantime," Metropolis, October/November,56-57.
Waldemar Januszczak, "What is Art?" Le Millenium, No. 25.
Ken Johnson, "Art in Review: Andrea Zittel 'Raugh'," The New York Times, June 19, E39.
Ken Johnson, "Ingelnook," The New York Times, July 24, 1988, E39.
Doris Krumpl, "Künstlerische Lebenshilfen," Der Standard, July 17, 12.
Kim Levin, "Voice: Choices," The Village Voice, vol XLII, no 26, June 30, 108.
Dominique Nahas, "Andrea Zittel's 'RAUGH'," ArtNet Magazine, www.artnet.com/magazine, July 21.
Alfred Nemeczek, "Kunst als Diestleistung," ART: das Kunstmagazin, no 5, May, 26-37.
Stewart Nicholson, "Andrea Zittel: Andrea Rosen Gallery," Cover, vol 12, 47.
Imogen O'Rorke, "Andrea Zittel," Scene, December, 34.
Victoria Pederson, "Gallery Go 'Round," Paper, July, 105.
Christopher Phillips, "Art for an unfinished city," Art in America, vol 87, no 1, January, 62-69.
Robert Pincus, "Zittel hitches her functional artwork to a driving vision," The San Diego Union-Tribune, April 26, E1,12.
Alexander Pühringer, "Modelle," Noema Art Journal, October/November, 1998.
Matthew Ritchie, "Love, Sweat and Tears: Ann Hamilton, Jason Rhoades, Brian Tolle, Andrea Zittel," Flash Art, November/December, 78-81.
Hemma Schmutz, "Modelle," Springerin, March, 74.
Martha Schwendener, "Andrea Zittel: 'RAUGH'," Time Out New York, June 18 – 25, 56.
Kim Sillen, "Andrea Zittel 'RAUGH'," NY Arts Magazine, no 23, July/August, 11.
Roberta Smith, "Tom Sachs: Thomas Healy Gallery," The New York Times, May 8, E33.
Kristian Sotriffer, "Kultur und Medien," Die Presse, August 13.
Alexis Vaillant, "No parking, please," Kunst-Bulletin, no 11, November, 28-29.
Carol Vogel, "Inside Art: Nod to Olmstead and the Ice Age," The New York Times, December 25, E40.
Gregory Volk, "Andrea Zittel at Andrea Rosen Gallery," Art in America, December, 94.
Vitus H. Weh, "Modelle: Tom Burr, Christine & Irene Hohenbuchleeer, Florian Pumhosl, Andrea Zittel,"
Kunstforum, October – December, 443-444.
Vitus H. Weh, "Wie im richtigen Leben," Falter, no 31.
"006. Zittel Trailer," Wallpaper, January/February.
"The cool 'RAUGH' world of A-Z," RISD Views, Spring/Summer.
"Exhibitions: Andrea Zittel," The Guide: London, Nov. 28 – Dec. 4.
"Exhibitions", BT Magazine, vol 50, no 752, 155.
"Goings on About Town," The New Yorker, June 22 & 29, 26.
"Hot Tickets," Evening Standard: London, December 3.
"Kunst," Falter, no 29.
"weltbinder einst & jetzt," Kronenzeitung, August 9.
"Modelle," SIM'sKulture, 133
"Parallelentwürfe, Lebensmodelle," Die Presse, no 27.
"Purple Interiors #1: Andrea Zittel, Raugh 'n' Ready," Purple, Winter.
"Roundup," Space, December 4.
"Talent: Raugh Power," New York Magazine, June 29 – July 6.
"Wenn die Welt der Baukunst ihre Probe hält," Der Standard, May.
Verein der Museumsfreunde, September.
1997
Gini Alhadeff, "Lettera da New York," Elle (Italian), January, 76-77.
Milou Allerholm, "Material," Journal for Contemporary Art, no 31, Winter, 4.
Francesco Bonami, "Territories of Mood: The PCA Circuit," Flash Art, no 196, Ocotober, 88.
Benjamin H.D Buchloh, "Sculpture Projects in Münster," Artforum, September, 114-117.
Petra Cortes, "Andrea Zittel," Poliester, vol 6, no 18, 42-47.
Lynne Cooke, "Münster Sculptur. Projekte 97," Burlington Magazine, September, 649-651.
Joshua Decter, "Taking it on the road," Kunstforum International, no 136, February-May, 172-173.
Rebecca Dimling Cochran, "Skulptur. Projekte in Münster 1997," Art Papers: Artists Books: Print Era and After, vol 21, no 6, November – December.
John Dornberg, "Art above all," Art & Antiques, vol 20, no 8, September, 96-98.
Annie Fletcher, "Documenta Discipline," Circa, Autumn, 43-45.
Celso Fioravante, "Münster se torna museu a céu aberto," Folhau ilustrada (São Paolo), December 12, 36.
Rose Frain, "Artists: Is it better in Europe? - Rose Frain takes a look around New York and asks the question," AN: Artists Newsletter, February/March, 13.
Manami Fujimori, "Pursuit of Functional Beauty," Japanese Lifestyle USA, Summer, 24 – 27.
Manami Fujimori, "World: Andrea Zittel," Geijutsu Shincho, no 1, 101.
Brent Gregston, "Documenta X: Avant-garde Art Out of Control in Germany," Salon Magazine,
www.salon.com/wanderlust, July 15.
Ken Johnson, "A Post-Retinal Documenta," Art in America, vol 85, no 10, October, 80 – 88.
Eva Karcher, "in 100 Tagen um die Welt," Elle (German), June, 74-78.
Michael Kimmelman, "Few Paintings or Sculptures, but an Ambitious Concept," The New York Times, June 23, C9.
Michael Kimmelman, "Site-Specific Means Soon-To-Be-Forgotten," The New York Times, August 24, sec 2, 35.
Constanze Kirchner, "Was interessiert Kinder und Jugendliche en zeitgenossischer Kunst? Die Documenta als padagogische Chance," Kunst + Unterricht, June, 50-53.
Gerhard Heinrich Kock, "Urlaubsträume in Fiberglas," Westfälische Nachrichten, July 23.
Kim Levin, "Not the UN: Documenta X Defeats the Pleasure Principle," The Village Voice, July 22, 77.
Stuart Morgan, "The Human Zoo: Stuart Morgan on Documenta X," frieze, September/October, 70-73.
Silke Müller, "Ruckzug in den schalldichten Stahltank," Art, no. 6, June, 26.
Silke Müller, "Transit ins nachste Jahrtausend," ART: das Kunstmagazin, no 6, June, 12-29.
Megan Murphy, "Andrea Zittel Escape Vehicles," Surface, no 10, Spring, 44 – 45.
David Pagel, "My European Art Pilgrimage (or what I did on my summer vacation)," Art Issues, no 49, September/October, 28- 31.
Victoria Pedersen and Tim Griffin, "Art & Commerce," Paper, January, 101-106.
Martin Pesch, "Sculpture Projects in Münster," frieze. September–October, 82-83.
Anne Philippi, "Ein kleines Universum macht frei," Suddeutsche Zeitung Magazin, no 20, May 16, 46-49.
Nancy Princenthal, "Andrea Zittel: The Comforts of Home," Artext, February-April, 64-69.
Pierre Restany, "Documenta X: un libro sulla poetica della politica e le sue pagine utili," D'Ars, July, 44-49.
Jeff Rian, "Working the Room," Interior View, no 9, January, 74-77.
Rhonda Riche, "Rouge's Gallery," Images, Fall, 97.
Suzanne Robert, "In der Schürze liegt die Wurze," Cosmopolitan (German), no 5, May, 74-76, 78.
Linde Rohr-Bomgard and Margaretha Hamm, "Schonste Geldanlage," Wirtschaftswoche, no 28, July 3, 100-102, 105-106.
Jerry Saltz, "Merry-Go-Round," Flash Art, October, 84-87.
Olivia J Sand, "Andrea Zittel, Andrea Rosen Gallery, New York," Artis, February, 68-69.
Annamaria Sardona, "Le grandi mostre in Europa," Op.cit, no 100, September, 33-45.
Maureen Sherlock, "The Sentimental Education of a Solitary Walker," New Art Examiner, September, 25-31, 69.
Allan Schwartzman, "At the Edge: Andy Stillpass," Art & Auction, May, 135.
Roberta Smith, "To See and Spend the Night In," The New York Times, September 5, C24.
Deborah Solomon, "The Stay-at-Home Life as Muse," The New York Times, March 20, C1.
Paula Toppila, "Münster in mukavat paikat," Taide, vol 37, no 4, 26-27.
Gerhard Ullman, "ein akteller Versuch, Kunst zu vermitteln," Werk, Bauen + Wohnen, October, 56.
Theodora Vischer, "Andrea Zittel: Units of Freedom," Kunstforum International, June-August, 304-309.
Yvonne Volkart, "Dan Graham's The Suburban City and Andrea Zittel's Living Units," Flash Art, Summer, 97.
Jeff Weinstein, "Art in Residence," Artforum, March, 60-67.
Alfred Welti, Axel Hecht, Heinz Peter Schwerfel, Silke Muller, Gunter Engelhard and Alfred Nemeczek, "Schweine hinter Glas und andere starke Stucke," ART: das Kunstmagazin, no 9, September, 56-59.
Alfred Welti, "A-Z: Zittel's Traum," ART: das Kunstmagazin, no 10, October, 72-81.
Alfred Welti, "Münster tut gut," August, 42-49.
Octavio Zaya, "Münster '97: Pedaling Nowhere," Art Nexus, no 26, October-December,86-87.
Andrea Zittel, "Andrea Zittel," Purple Fashion, no 2.
"news: Kunst des Wohnens," Architektur & Wohnen, April/May, 200.
"news: galerien: New York goes Documenta X", Architektur & Wohnen, Special 2 - New York - Der metropolen Guide, 124-125.
"Reif für die Insel? Eisberge mitten im Skulptur-Sommer," Westfälische Nachrichten, June 31.
"Skulptur, Projeckte in Münster 1997; Ein Foto-Rundgang von Wolfgang Träger", Kunstforum International, 362-363.
Trans> arts, culture, media. vol 1/2, no 3/4 , 186-187, cover, and pull-out insert.
"What Documenta Meant to Them," The New York Times, June 2, Sec. 2, AR29,35.
1996
Bill Arning,"'Space, Mind, Place' at Andrea Rosen Gallery," Time Out New York, July 31 - August 7, 28.
Daniel Birnbaum, "IKEA at the end of metaphysics: Daniel Birnbaum on art and the IKEA spirit," frieze, no 31, November-December, 33-36.
Katie Clifford, "Andrea Zittel at Andrea Rosen Gallery", Critical Review, http://www.creview.com
Gary Michael Dault, "In search of an "ism" for our times," The Globe and Mail, November 9, E7.
Mark Favermann, "Design: End-of-the-Century Designs," Art New England, June/July, 9.
Owen Findsen, "Zittel exhibit example of art you can live with," The Cincinnati Enquirer, March 17, D5.
Manami Fujimori, "Andrea Zittel," BT Magazine , June, 30-32, 45-47.
Peter Gith, "Don Quichotte zu Besuch bei Herrn Goethe," Frankfurter Allgemeine, June 26.
Peter Herbstrueth, "Autoritat tendiert gegen Null: Andrea Zittel, Kunstlerin," Der Tagesspiegel, July 18.
Peter Herbstrueth, "Scauder des Glucks," Der Tagesspiegel, June 25.
Christian Höller, "Transiträume: Die Politik der Hybriditat," Springer, October/November, 18 – 23.
Steven Holt and Gregory Hom, "Infoscape: Reformations and Deconstructions: This Is Not a Time of Clarity, But Of Opportunity," Graphis 302, vol 52, March/April, 152-155.
Holger Liebsw, "Moblierter Rohbau," Suddeutsche Zeitung, July 20, 21.
Kim Levin, "Space, Mind, Place," The Village Voice, July 30, 9.
Ann Wilson Lloyd, "Wellesley, MA - 'Re:Formations/Design Directions at the End of a Century'," Sculpture, July/August, 57-58.
Cate McQuaid, "Recycling meets cutting-edge design," The Boston Sunday Globe, April 7.
George Melrod, "Bio-Perversity," World Art, no 4, 70-74.
John Mendelsohn, "The Artnet Hit List: Andrea Zittel at Andrea Rosen Gallery," ArtNet Magazine,
www.artnet.com/magazine, December 13.
Dorothy Nelkin, "The gene as a cultural icon: visual images of DNA," Art Journal, Spring, 56-61.
Patrick Pacheco, "The Top 100 Collectors in America," Art & Antiques, February, 102.
Ellen Pall, "The Do-It-Yourself Dealers," The New York Times, September 1, sec 6, 29.
Ernest Pascucci, "Andrea Zittel's Travel & Leisure," Artforum, October, 100-103.
Barbara Pollack, "Bringing Home the Bread," ARTnews, March.
Juan Carlos Rego de la Torre, "Andrea Zittel, A-Z Escape Vehicles (A-Z EV)," Noticias de Arte, December 1996/January 1997, 26-27.
Penelope Rowlands, "At Home with Andrea Zittel," Metropolis, May, 104-107, 141, 143.
Susanne Schreiber, "Biographisch kodiert," Handelsblatt, July 5-6.
Stuart Servetar, "Art: Andrea Rosen Gallery," New York Press, July 17 - 23, 72.
Roberta Smith, "Art in Review: 'Space, Mind, Place': Playing with architectural motifs," The New York Times, July 19, C26.
Roberta Smith, "'Escape vehicles' for carrying out fantasies," The New York Times, November 15, C21.
Miles Unger, "School of the Museum of Fien Arts/Boston: Social Fictions – Lari Pittman and Andera Zittel," Art New England, June/July, 57.
John Welchman, "Parametrology: From the White Cube to the Rainbow Net," Artext, no 53, January, 58 – 65.
Thomas Wulffen, "Erschopfte Avantgarde," Neue bildende kunst, no 4.
"The A-Z Travel Trailer Units," Performing Arts Journal, vol XVIII, no 3, September, 71-75.
"Andrea Zittel at Andrea Rosen," The New Yorker, November 25, 32.
1995
Anastasi Aukeman, "Rising Stars Under 40," ARTnews, October,special edition, 30-32,36,38,41.
Jan Avgikos, "Kathleen Schimert, "Artforum, col 34, no 1, September, 84-85.
Nicole Bamberger, "Andrea Rosen: La galerie d'Art en pointe," Jardin des Modes, Winter 1995/1996, 71.
Marius Babias, "Mobile Plattforem fur das Umsetzen von Obsessionen schaffen," Kunstforum International, no 132, November 1995-January 1996, 408-410.
Daniel Birnmbaum, "International Style for Lilliputians," Material, no 26, 7.
Dan Cameron, "Critical Edge: Kertess's List," Art & Auction, February, 58-60.
Alfred Corn, "Whitney Biennial," ARTnews, May, 147.
Holland Cotter, "Andrea Zittel at the Andrea Rosen Gallery," The New York Times, March 31, 1995, C25.
Sean Cubitt, "Dispersed Visions: 'About Place'," Third Text, Autumn, 65-74.
Joshua Decter, "Andrea Zittel at Andrea Rosen Gallery," Artforum, Summer, 105.
Elizabeth Diller, Jaques Herzog, Steven Izenour, Rem Koolhaas, Andrea Zittel, et.al., "Take Me to Nike Town," Artforum, Summer, 9-10.
Dot Frankllin, "Stepping Out: What Goes 'Buloop, Buloop'?" Ridgefield Press, November 15, 7, 12.
Glen Helfand, "Road Runners: Andrea Zittel's trailers blur the line between art and utility," SF Weekly, November 8 - 14, 37.
Karl Holmqvist, "Hemma hos Andrea," Expressen, February 28, 28.
Joanne Kabak, "Art at home: Museum explores how we live with art," The Advocate, December 28, B1, 2.
Eva Karcher, "Die nuenziger jahre: Kunstler als Forscher," ART: das Kunstmagazin, July, 50-59.
Michael Kimmelman, "A Quirky Whitney Biennial: a show concerned with relating works, not haranguing," The New York Times, March 24, C1, 23.
Judith Russi Kirschner, "About Place: Recent Art of the Americas," Artforum, October, 106.
Stuart Klawans, "Machine Dreams," Mirabella, March, 64-65.
Susan Kuchinskas, "Zittel: Bringing the Quotidian to Light in a New Way," The San Fransisco Examiner, November 15, 1, 4.
Kim Levin, "Andrea Zittel: Andrea Rosen Gallery," The Village Voice, March 28, 9.
Frank Merkling, "Art Escapes Parlor, Spreads Through Town," The Danbury News-Times, October 26, C1.
Todd Meyers, "'About Place: Recent Art of the Americas'," Poliester, vol 4, no 12, Summer, 52-53.
Anna Novakov, "Andrea Zittel: A-Z Travel Units," Art Press, February, 66-67.
Kristina Olson, "Andrea Zittel: Three Living Systems at Forum Gallery," New Art Examiner, January, 40.
Patrick Pacheco, "America's Top 100 Collectors," Art & Antiques, March, 63-69, 100-111.
Victoria Pedersen, "Gallery Go'Round: Andrea Zittel at Andrea Rosen Gallery," Paper, March, 105.
Daniel Pinchbeck, "Genetic Aesthetics," World Art, no 2, 52-55, 57.
Priscilla Pitts, "When I found a real bird house, it looked like a modernist home…," Midwest, no 7, 46-52.
Maureen Sherlock, "'About Place: Recent Art in the Americas' at the Art Insittute of Chicago," Trans, vol 1, no 1, November, 110-113.
Christiane Schneider, "Nuttige kunst: Over de gebruikswaarde van sculptuur," Metropolis M, June, 40-43.
Collier Schorr, "Who's the fairest of them all?" frieze, 10-11.
Jeffrey Slonim, "Take Me to Nike Town," Artforum, Summer, 9-10.
Roberta Smith, "Charles Long at Tanya Bonakdar Gallery," The New York Times, March, C29.
Nancy Spector, "Back to the Future: Utopia Revisited," Guggenheim Magazine, Winter 1995-1996, 11-13.
Jolene Thym, "Happy Trailers: Artist Andrea Zittel brings her innovatively furnished trailer homes to the Bay Area," Oakland Tribune, November 11, B1, 5.
Jane Withers, "Interni concettuali" (conceptual interiors), Casa Vogue, April, 130-135.
William Zimmer, "Adventurous Homeowners, Modern Look," The New York Times, December 3, CN28.
"Andrea Zittel - Auto Interview," Transcript, vol 1, issue 2, Summer, 34-36.
"Andrea Zittel: New Work," SFMOMA News, November/December, 6.
"Goings on About Town," The New Yorker, March 20, 28.
"People Whose Gifts Are Changing the Present," Interview, December, 110-115.
Project with Rudi Molacek. Der Standard, May 24/25, 10-11.
1994
Jan Avgikos, "Andrea Zittel at Andrea Rosen," Artforum, January, 88.
Jan Avgikos, "Sense and Sensibility at The Museum of Modern Art," Artforum, October, 98-99.
Daniel Birnbaum and Thomas Nordanstad, "Konstvärlden är den enda riktiga världen...," Material, no 5, August, cover and 13.
Adrian Dannatt, "Andrea Zittel," London Sunday Times Magazine, September 11, 9.
Richard Dorment, "A pure shaft of American sunlight," The Daily Telegraph, September 7, 21.
Deborah Gimelson, "New Kids on the Art Block Make Gramercy Art Fair a Hit," The New York Observer, May 16, 20.
Eleanor Heartly, "Sense and Sensibility: Women Artists and Minimalism in the 90's," Art Press, October, ii-iii.
Elizabeth Hess, "Minimal Women," The Village Voice, July 5.
Roman Hollenstein, "Eine neue Kunstszene in West Chelsea? von Artschwaer bis Zittel," Neue Zurcher Zeitung, November 19/20, 47.
Ronald Jones, "Sense and Sensibility: Women Artists and Minimalism in the 90's," frieze,
September/October, 59-60.
Eva Karcher, "Die nuenziger jahre: Kunstler als Forscher," art, July, 50-59.
Stuart Klawans, "Weekend Guide," Daily News, July 9, 24.
Kim Levin, "Voice Listings: Full Service," The Village Voice, June 21, 83.
Tim Marsh, "Commercial Artists," The Face, no 72, September, 25.
George Melrod, "Reviews: New York, New York," Sculpture, November/December, 46-47.
John Martin Newsom, "Connections," Manhattan File, 66-71.
Victoria Pedersen, "Gallery Go'Round: Sense and Sensibility," Paper Magazine, Summer, 38.
Elisabetta Planca, "Donne sull'orlo di una crisi di indentita," Arte, vol 24, no 253, July/August, 54-61.
Lucio Pozzi, "Le case chiuse della Zittel," Il Giornale Dell'Arte, October, no 126, 57.
Walter Robinson, "Gramercy Art Fair: Rooms with a View," Art in America, June, 29.
Jerry Saltz, "Andrea Zittel at Andrea Rosen," Art in America, June, 100-101.
Jutta Schenk-Sorge, "Andrea Zittel at Andrea Rosen," Kunstforum International, January/February, 380-382
Christiane Schneider, "Sunshine," Jahresring, no 41, 14-15.
Allan Schwartzman, "There are signs of life at the bottom of the art world, where promise can be bought for a few thousand dollars," The New York Times, October 2, H1.
Jeanne Silverthorne, "On the Studio's Ruins," Sculpture, November/December, 26-29.
Roberta Smith, "Drawing on Sculpture," The New York Times, July 15, C23.
Roberta Smith, "Space is Spare for Women's Work at the Modern," The New York Times, June 24, C26.
Barbara Steffen, "Don't postpone joy or collecting can be fun," Austria Kultur, May/June, 11.
Nicholas Tobier, "Andrea Zittel at Andrea Rosen Gallery," Juliette, December 1993/January 1994, 60.
Judd Tully, "galeries de New York: etes vous SoHo ou Uptown?" Beaux Arts, June, 54-61.
T.v.T., "Tüten werden zu Hörnern gedreht," Kolner Stadt-Anzeiger Dienstag, no 68, March 22, 20.
Chuck Twardy, "Answers unsought," News and Observer, August 15, 23.
Giorgio Verzotti, "L'Hiver de L'Amour" at Musee d'Art Moderne de la Ville de Paris," Artforum, October, 112.
Benjamin Weil, "Home is Where the Art is; Andrea Zittel," Art Monthly, no 181, November, 20-22.
"Art: Seven Sisters," The New Yorker, July 18, 12.
"Flash ARTnews: Galleries USA," Flash Art, June, 61.
"Flash art," Tatler, September, 30.
"Introducing A-Z Administrative services 1994 Living Unit by Zittel," Jahresring 41, 194-198.
"Vogue notices art," British Vogue, September.
1993
Kenneth Baker, "'Living Units' at Jack Hanley," San Francisco Chronicle, April 22, E4.
Brigitte Cornand, "Le style 'pendouille'," Le Jour, June 12/13.
Pascaline Cuvelier, "Les jeunes artistes et la maison," Liberation, June 26, 30.
Adrian Dannatt, "Real Time at ICA," Flash Art, November/December, 116.
Valerie Filipovna, "Breeding As Art: Andrea Zittel finds truth as a chicken," Paper Magazine, Summer, 20.
Deborah Gimelson, "Rebels with a Cause," Self Magazine, June, 124-127, 167.
Isabelle Graw, "Abwesenheit durch Anwesenheit Eau de Cologne1983-1993," Texte zur Kunst, September, 193-198.
Eleanor Heartney, "Galleries: The Emerging Generation - New York, The Art of Survival," Art Press, 24 - 28.
Alison Sarah Jacques, "Andrea Zittel," Flash Art Daily, June 13, 8.
Sarah Kent, "Real Time at the ICA," Time Out-London, July 7.
Kim Levin, "Choices," The Village Voice, October 12, 71.
Kim Levin, "Choices," The Village Voice, September 8.
Victoria Pedersen, "Gallery Go'Round," Paper, May, 27.
Daniel Pinchbeck, "High Fliers," The New Yorker, June 21, 34.
Jerry Saltz, "Braver New Art World?" Art & Auction, November, 134-139.
Jerry Saltz, "10 Artists for the 90's," Art & Auction, May, 122-125,155.
Daniela Salvioni, "Flash ARTnews: Aperto -A Stroll Through the Emergency," Flash Art, October, 67-68.
Tom Sandqvist, "Venice: From the Palazzo Grassi to a Chicken Coop," Siksi, 40-42.
Roberta Smith, "Andrea Zittel," The New York Times, October 8, C30.
Roberta Smith, "The Body and Technology: The Final Frontier," The New York Times, July 30, C26.
Carol Vogel, "Inside Art - The fall season in SoHo begins with a night of simultameous openings," The New York Times, September 10, C24.
Benjamin Weil, "Souvenirs des Immateriaux," Purple Prose, no 3, 66-68.
Benjamin Weil, "Ouverture: Andrea Zittel," Flash Art, January/February, no 68, 80.
"America's Top One Hundred Collectors," Art and Antiques, March, 43-78.
Amokkoma, Journal Oriental, vol 1, no 4, 3.
"Goings on About Town: Andrea Zittel at Andrea Rosen Gallery," The New Yorker, October 11, 26.
"Flash ARTnews: Final Frontier at the New Museum," Flash Art, Summer, 134.
"Flash ARTnews: USA in Brief," Flash Art, May, 110.
"Flash ARTnews: Real Time," Flash Art, May, 100.
"Just what is it that makes today's homes so different, so appealing? at Galerie Jennifer Flay," Purple Prose, no 3, 89.
1992
Dan Cameron, "Don't Look Now," frieze, February/March, 4-8.
Lisa Kocaurek, "Everyday Objects, New Aesthetic," Ms, January/February, 69.
Kim Levin, "Choices: Simon Leung, Andrea Zittel, 'Tattoo Collection'," The Village Voice, November 17, 79.
Kim Levin, "Choices: Writings on the Wall," The Village Voice.
Robert Mahoney, "Reviews: Plastic Fantastic Lover," Arts Magazine, January, 81.
Richard Pandiscio, "Richard Pandiscio's Ones To Watch," Interview, March, 18.
Benjamin Weil, "Areas of Investigation," Purple Prose, Autumn, 30-32.
"New York: News - 'Gavin Brown's Open House'," Flash Art, October, 127.
"Goings on About Town: One Leading to Another," The New Yorker, March 16, 14.
"Goings on About Town: Simon Leung/Andrea Zittel," The New Yorker, November 30, 26.
1991
Kim Levin, "Choices: Plastic Fantastic Lover," Village Voice, October 30.
Kim Levin, "Choices: Decorous Beliefs," The Village Voice, July 9.
"News: Hidden at Home," Flash Art, October, 163.
"Goings On About Town: Plastic Fantastic Lover (object a)," The New Yorker, October 28.
1990
Diane Heilman, "On Target '90 at Zephyr Gallery," The Courier-Journal, November 18.
ARTIST'S BOOKS AND PROJECTS
1999
In the Midst of Things, Bournville, Birmingham, UK, August 4 - September 18, 1999 (project with Sebastian Clough)
1995
Perfected Pillow (edition of 39), New York: Artists Space, 1995. (black and green velvet single bed with pillow)
Project in print with Rudi Molacek, Der Standard, May 24/25, 1995.
ARTIST'S WRITING
2007
"Production Notes: Andrea Zittel," Artforum, October 2007, p. 314, ill.
2004
"Shabby Clique," Artforum International, Summer 2004, 211.
2003
"A-Z Uniforms," Sleek Magazine, no 2, 2003, 56-63.
2002
"A Brief History of A-Z Garments," A-Z Advanced Technologies: Fiber Forms, Gallery Side 2, Tokyo, 2002. Artist's brochure.
1998
"A-Z Thundering Prarie Dogs," Media and the Muman Body: Fukai Biennale 7, Fukai, Japa: Fukai Media City Forum, 1998. Exhibition catalogue.
1997
"A-Z Deserted Islands," Skulptur Projekte in Münster1997, Munster, Germany: Westalisches
Landesmuseum, 1997. Exhibition catalogue.
"Andrea Zittel," Purple Fashion, no. 2, 1997, 23.
1996
"The A-Z Travel Trailer Units," Performing Arts Journal, September 1996, 71-75.
"Presenting Three Generations of A-Z Units by Andrea Zittel," New Art 6: Andrea Zittel, Cincinatti Art Museum, 1996. Artist's brochure.
"Introducing the A-Z Travel Trailer Unit," Andrea Zittel: New Work, San Francisco Museum of Modern Art, 1996. Artist's brochure.
"Homeowner's Statement," Living with Contemporary Art, Ridgefield, CT: The Aldrich Museum of
Contemporary Art, 1996, 56.
1995
Andrea Zittel Selected Sleeping Arrangements: The A-Z Bed Book. Catalogue with text by Andrea Zittel and Tatyana Gubash. Produced in conjunction with Transcript: A Journal of Visual Culture, University of Dundee, Scotland, 1995. Printed in conjunction with work exhibited in the following exhibitions: Andrea Rosen Gallery, New York, 1995 Whitney Biennial Exhibition, Nutopia, Rooseum Center for Contemporary Art, Malmo, Sweden.
"Andrea Zittel – Auto Interview," Transcript, Summer 1995, 34-36.
"Introducing A-Z Ottoman Furniture by Zittel," Printed in conjunction with work exhibited at the Carnegie Museum of Art, Pittsburgh, PA and the Grazer Kunstverein, Graz, Austria. Artist's brochure.
1994
"Introducing the A-Z Administrative Services 1994 Living Unit by Zittel," Printed in conjunction with work exhibited at the Museum of Modern Art, New York, 1994. Artist's brochure.
"Introducing the A-Z Administrative Services 1994 Living Unit by Zittel." Printed in conjunction with work exhibited at the Anthony d-Offay Gallery, London, 1994. Artist's brochure.
1993
"Introducing the A-Z Administrative Services 1993 Living Unit by Zittel," The A-Z Administrative Services 1993 Living Unit, Jack Hanley Gallery, San Francisco, CA, March 31 - May 1, 1993. Artist's brochure.
"Striving for Perfection," Aperto '93: Emergency, Venice: Italy: XLV Biennale Di Venezia, 1993, 456.
MONOGRAPHIC BOOKS
2003
Ingvild Goetz and Rainald Schumacher, Andrea Zittel, Munich, Germany: Herausgeber, 2003.
2002
Simona Vendrame, Andrea Zittel Diary #01, Milan, Italy: tema celeste editions, 2002.
2000
Felix Zdenek, Personal Programs: Andrea Zittel, Hamburg, Germany: Deichtorhallen Hamburg, 2000.
1996
Andrea Zittel: Living Units, Basel, Switzerland: Museum für Gegenwartskunst Basel, 1996.
BOOKS
2008
Heartney, Eleanor, Art & Today, published by Phaidon, London, England, 2008, pp. 336, 338, ill.
2007
Contemporary Drawings From an Alumna's Collection (Martin Yamin, Class of 1958), published by the Davis Museum and Cultural Center, Wellesley College, Massachusetts, 2007, p. 92-95, ill
2006
No. 1: First Works by 362 Artists, edited by Grancesca Richer and Matthew Rosenzweig, published by D.A.P., 2006, p. 420-421, ill.
Artists, photographed by Jason Schmidt, edited by Alix Browne and Christopher Bollen, published by Edition 7L, Paris, 2006, p. 99
2005
Kraus, Chris, Jan Tumlir, and Jane McFadden, L.A. Artland: Contemporary Art from
Los Angeles, published by Black Dog Publishing, London, England, 2005, pp. 55, 70-1, ills
Lazzari, Margaret, and Dona Schlesier, Exploring Art, published by Thomson Wadsworth, Belmont, California, 2005, pp. 387-8, ill.
Druker, Johanna, Sweet Dreams: Contemporary Art and Complicity, published by The
University of Chicago Press, Chicago, 2005, pp. 218, 221-3, 226, ill.
2004
Alicia Foster, Tate Women Artists, London, England: Tate Publishing, 2004.
2003
Marisa Bartolucci, Living Large in Small Spaces: Expressing Personal Style in 100 – 1,000 Square Feet, NY: Harry Abrams, Inc., 2003.
2002
Coutenay Smith and Sean Topham, Xtreme Houses, London: Prestel Publishing, 2002.
Klaus Kertess, Photography Transformed: The Metropolitan Bank and Trust Collection, New York: HarryAbrams, Inc., 2002.
Joel Sanders, STUD: Architecture of Masculinity, Princeton, NJ: Princeton Architectural Press, 1996.
From Arkhipov to Zittel: Selected Ikon Off-Site Projects 2000 – 2001, Birmingham, England: Ikon Gallery, 2002.
The Collections of the Cincinnati Art Museum, Cincinnati, OH: Cincinnati Art Museum, 2002.
Uta Grosenick and Burkhard Riemschneider, Art Now: 137 Artists at the Rise of the New Millenium, Köln, Germany: Taschen, 2002.
Uta Grosenick, Burkhard Riemschneider and Lars Bang Larsen, Art at the Turn of the Millennium, Köln, Germany: Taschen, 2002.
2000
Iwona Blazwick and Simon Wilson, Tate Modern: The Handbook, Berkeley, CA: University of California Press, 2000.
2001
John Welchman, Art After Appropriation: Essays on Art in the 1990's, New York: Routledge, 2001.
Lars Bang Larsen, Uta Grosenick, and Burkhard Riemschneider, Art Now: Icons, Köln, Germany: Taschen, 2001.
Robert Storr, Art 21: Art in the 21st Century, New York: Harry Abrams, Inc., 2001 (accompanied by a 2 video box set produced by PBS Home Video)
Uta Grosenick and Ilka Becker, Women Artists in the 20th and 21st Century, Köln, Germany: Taschen, 2001.
1999
Anthony Dunne, Hertzian Tales: Electronic Products, Aesthetic Experience & Critical Design, London: Royal College of Art, 1999.
1998
Claudia Gould and Valerie Smith, 5000 Artists Return to Artists Space: 25 Years, New York: Artists Space, 1998.
Karin Thomas, Bis Heute Stilgeschichte der bildenden Kunst im 20. Jahrhundert: Dumont Publishers, 1998.
1997
Francesco Banami, Echos: Contemporary Art at the Age of Endless Conclusions, New York: Monacelli Press, 1997
Linda Weintraub, Arthur Danto and Thomas McEvilley, Art on the Edge and OverSearching for Art's Meaning in Contemporary Society 1970's – 1980's, Art Insights, Inc., 1997.
Roxana Marcoci, Diana Murphy and Eve Sinaiko, new art, New York: Harry Abrams, 1997.
Sarah Vowell, Radio On: A Listeners Diary, New York: Martin's Griffin, 1997.
1996
Coutts Contemporary Art Awards 1996: Per Kirkeby, Boris Michajlov, Andrea Zittel, (award catalogue)
Zurich: Coutts Contemporary Art Foundation, 1996.
EXHIBITION CATALOGUES
2007
Living in the Material World: "Things" in Art of the 20th Century and Beyond, published by The National Art Center, Tokyo, pp. 274-247, ills
2005
Andrea Zittel: Critical Space, published by Prestel Verlag, New York, NY, 2005
Drawing from the Modern, 1975 – 2005, organized by Jordan Kantor, published by The Museum of Modern Art, New York, pp. 176, ill.
Logical Conclusions: 40 Years of Rule-based Art, essay by Marc Glimcher, published by PaceWildenstein, New York, NY, 2005, pp. 124-7, ills
2004
Klaus Biesenbach, Die Zehn Gebote, Dresden, Germany: Deutches Hygiene-Museum & Hatje Cantz Verlag, 2004.
Singer, Momin, Iles, 2004 Whitney Biennial Exhibition, New York: Whitney Museum of American Art, 2004.
Multiple Räume (1): Seele: Konstruktionen des Innerlichen in der Kunst, Baden-Baden, Germany: Staatliche Kunsthalle Baden-Baden, 2004.
2003
Andrea Zittel: Sammlung Goetz, published by Sammlung Goetz, Munich, Germany, 2003.
Micropolítiques I: Art I quotidianitat: 2001-1989, Castelló, Spain: Espai d'Art Contemporani de Castelló, 2003.
2002 Paulo Herkenhoff, Roxana Marcoci and Miriam Basilio, Tempo, New York: The Museum of Modern Art, 2002.
Simon Lamuniere, L'image habitable/Versions multiples, Geneva, Switzerland: Centre pour l'image
contemporaine, 2002.
Marit Woltmann, Passenger: The Viewer as Participant, Norway: Astrup Fearnley Museet for Moderne Kunst, 2002.
Public Affairs: Von Bueys bis Zittel: Das Öffenliche in der Kunst, Zürich, Switerland: Kunsthaus Zürich, 2002.
2001
Kristin Chambers, Comfort: Reclaiming Place in a Virtual World, Cleveland, OH: Cleveland Center for Contemporary Art, 2001.
Markus Heinzelmann and Ortrud Westheider, Plug-In: Einheit und Mobilität, Münster, Germany: Westfälische Landesmuseum für Kunst und Julturgeschichte Münster, 2001.
WolfgangSchoppmann, Without Hesitation: Views of the Olbricht Collection, Bremen, Germany: Neues Museum Weserburg.
Rainald Schumacher and Matthias Winzen, Die Wohltat der Kunst: Post/Feministische Positionen der neunziger Jahre aus der Sammlung Goetz, Baden-Baden, Germany: Sammlung Goetz, 2002
(revised English edition, Just Love Me: Post/Feminist Positions of the 1900's from the Goetz
Collection, Munchen, Germany: Sammlung Goetz, 2003)
Noemi Smolik and Rainald Schumacher, American Art from the Goetz Collection, Prague: Galerie
Rudolfinium, Munich: Goetz Collection, 2001.
Patsy Tarr, Inside Cars, New York: 2wice Arts Foundation, 2001.
Without Hesitation: Views of the Olbricht Collection, Bremen, Germany: Neues Museum Weserburg, 2001.
2000 Stephanie Barron, Made in California: Art, Image and Identity 1900-2000, Los Angeles: Los Angeles County Art Museum, 2000.
Franco Fanelli, Quotidiana: The Continuity of the Everyday in 20th Century Art, Torino, Italy, Castello di Rivoli, 2000.
Judith Tannenbaum, Against Design, New York: Distributed Art Publishers, 2000.
O. Zahm and E. Fleiss, Elysian Fields, Paris: Editions du Centre Pompidou, 2000.
HausSchau: das Haus in der Kunst, Hamburg, Germany: Deichtorhallen Hamburg, 2000.
Sammlung DaimlerChrysler: New Acquisitions February 2001, Berlin: DaimlerChrystler Contemporary, 2000.
1998
Irene Hofmann, Gregory Wittkopp and David Wilson, Weird Science: A Conflation of Art and Science,
Bloomfield Hills, MI: Cranbrook Museum of Art, 1999.
Peter Noever, Microspace/global time: An architectural Manifesto, Vienna: MAK Center for Art and
Architecture, 1999.
Culbutes: Oeuvre d'impertinence, Montral, Canada: Musée d'art contemporarain de Montréal, 1999.
Verkehr: Steirische Landesausstelling 1999, Graz, Austria: Knittfeld, 1999 (catalogue for Styrian Regional Exhibition)
1998
Amy Cappellazzo, Wild/Life or the impossibility of Mistaking Nature for Culture, Greensboro, NC:
Weatherspoon Art Gallery, 1998
Sammlung Goetz and Zdenek Felix, Emotion- Young British Artists and American Artists from the Goetz Collection, Hamburg, Germany: Deichtorhallen Hamburg/Cantz Editions, 1998.
Klaus Bußmann, Kasper König and Florian Matzner, Skulptur Projekte in Münster1997, Munster, Germany: Westalisches Landesmuseum, 1997.
Donna DeSalvo and Mary Ann Caws, Staging Surrealism, Columbus, OH: Wexner Center for the Arts, 1997.
documenta X / Poetics, ed. Documenta and Museum Fridericianum Veranstaltungs-GMBH, Ostfildern-Ruit, Germany: Cantz Verlag, 1997.
Kunst…Arbeit, Ostifildern-Ruit, Germany: Herausgeber, Cantz Verlag and Autoren, 1997.
Modelle, Wien, Austria: Österreichische Galerie Belvedere, 1998.
1997
Media and Human Body: Fukui Biennale 7, Fukui City, Japan: Fukui Municipal Art Museum, 1997.
Check in! Eine Reise im Museum für Gegenwartskunst, Basel, Switzerland: Museum für Gegenwartskunst,1997.
1996
Lelia Amalfitano, Social Fictions: Lari Pittman and Andrea Zittel, Boston, MA: School of the Museum of Fine Arts, 1996.
Klaus Biesenbach and Nicolaus Schafhausen, nach weimar, Ostildern-Ruit, Germany: Kunstsammlungen zu Weimar, Cantz Verlag und Autoren, 1996.
Jean Louis Froment and Abdellah Korroum, Urgence: Nan Goldin, Noritoshi Hirakawa, Jack Pierson, Wolfgang Tillmans, Andrea Zittel, Bordeauz, France: capc Musée d'art contemporain, 1996.
Collezionismo a Torino, Milan, Italy: Castello do Rivoli, 1996.
1995
Judith Hoos Fox, RE:formations/design directions at the end of a century, Chandler Gallery, Wellesley, MA: Davis Museum of Art, 1995
Robert Gober and Harry Philbrick, Living with Contemporary Art, Ridgefield, CT: The Aldrich Museum of Contemporary Art, 1995.
Klaus Kertess, 1995 Biennial Exhibition, New York: Whitney Museum of American Art, 1995.
Terry Ann R. Neff and Robert V. Sharp, About Place: Recent Art of the Americas, Chicago: Art Instiute of Chicago, 1995.
Lars Nittve, Nutopia, Malmo, Sweden: Rooseum Center for Contemporary Art, 1995.
Campo 95 [Libro] ,Venezia: Fondazione Re Rebaudengo Corderie Biennale; [S.l.]: Umberto Allemandi & C, 1995.
Sammlung Volkmann zeigt: Faustrecht der Freiheit, Gera, Germany: Kunstsammlung Gera, 1995.
1994
Joshua Decter, Don't Look Now, New York: Thread Waxing Space, 1994.
Rebecca Katz and Jane McFadden, Living in Knowledge: An Exhibition About Questions Not Asked, Durham, NC: Duke University Museum of Art, 1994.
Lynn Zelevansky, Sense and Sensibility: Women Artists and Minimalism in the Nineties, New York: The Museum of Modern Art, 1994.
Esprit d'amusement, Graz, Austria: Grazer Kunstverein, 1994.
L'hiver de l'Amour, Paris, France: Musee d'Art Moderne de la Ville de Paris, 1994
1993
Gavin Brown, Real Time, London: Institute of Contemporary Arts, 1993.
Giancario Politi, Aperto '93: Emergency, Venice: Italy: XLV Biennale Di Venezia, 1993.
1991
Connie Butler, Warp and Woof: Comfort and Dissent, New York: Artists Space, 1991.
Catherine Lui, Plastic Fantastic Lover (object a), New York: Blum Helman Gallery, 1991
