Regen Projects

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CATHERINE OPIE

BIBLIOGRAPHY

Selected Articles and Reviews:

2013
Black, Ezra Jean, "Catherine Opie: Regen Projects," Artillery Magazine, May 2013, Vol 7 Issue 5, p. 47
Walker, Alissa, "Catherine Opie Discusses her Three LA Art Exhibitions," LA Weekly, March 14, 2013
Nyad, Diana, "Catherine Opie: A Life of Total Immersion," HuffPost Arts & Culture, Februar 22, 2013
Myers, Holly, "Catherine Opie Reveals a Remarkable Range at Regen Projects," Los Angeles Times, March 7, 2013
Mohseni, Yasmine, "A Q + A with Catherine Opie About Her Bold New Body of Work at Regen Projects," ArtInfo, March 15, 2013
Boone, Lisa, "Catherine Opie: 'In & Around LA' Opens at Hollywood Gallery, Los Angeles Times, February 19, 2013
Merrick, Heidi, "Shooting Star," Foam Magazine, February 2013
Eagan, Maura, "What She Wore," T Magazine, February 14, 2013
Lower, Jenny, "Eye of the Beholder: Catherine Opie's 17th Century Experiment," Los Angeles Magazine, March 6, 2013
Harnish, Tracey, "Catherine Opie: Bearing Witness to the Sublime," Huffington Post, March 6, 2013
Mizota, Sharon, "Catherine Opie: From the Outside In," KCET, February 26, 2013
Boone, Lisa, "'Catherine Opie: In & Around L.A.' Opens at Hollywood Gallery," Los Angeles Times, February 18, 2013
Appleford, Steve, "Catherine Opie's Documentary Photography is on Display," Los Angeles Times, January 27, 2013

2012
Kothenschulte, Daniel, "Portfolio: Catherine Opie," Monopol, December 2012
Rappolt, Mark, "Catherine Opie: Stephen Friedman Gallery," Art Review, January & February 2012
Hodge, Brooke, "Seeing Things: Ranch House Romance," T Magazine, March 1, 2012,
http://tmagazine.blogs.nytimes.com/2012/03/01/seeing-things-ranch-house-romance/?ref=t-magazine
"Catherine Opie," Goings On About Town, The New Yorker, April 2, 2012
Rosenberg, Karen, "Catherine Opie: 'High School Football,'" The New York Times, March 29, 2012

2011
Perrazoli, Federica, "Catherine Opie," Kings Zine, No. 1, (ills.)
Denson, Roger R., "Women's Art of Renewal: Carrie Mae Weems, Vanessa Beecroft, Sharon Lockhart, Catherine Opie and Lisa Yuskavage," The Huffington Post, August 23, 2011, http://www.huffingtonpost.com/g-roger-denson/relaying-feminine-codes-c_b_934177.html
Bergeron, Chris, "ART EXHIBIT: Catherine Opie photographs it as she see it," PatriotLedger.com, April 21, 2011, http://www.patriotledger.com/entertainment/x1410202277/ART-EXHIBIT-Catherine-Opie-photographs-it-as-she-sees-it.
"The Opie Bunch," Out Magazine, February 2011, 52-53.
Larsen, Mona, "Maskulint-og følsmont," Dagsavisen (Sweden,) January 15, 2011, 54-55.
Rød, Arve, "Amerikanske Landskaper," DN lørdag (Norway,) January 15-16, 2011, 78.
Spurkland, Marte, "Amerikansk Fotoball," DN2, (Norway,) January 14, 2011, 48.

2010
Buckley, Richard, "L.A. à l'art libre," Vogue Paris, December 2010, p. 240-247 (ill)
Green, Tyler, "Our Avatars, Ourselves," Modern Painters, December 2010/January 2011, p. 28 – 29 (ill)
Knight, Christopher, "An L.A. Assembly," The Los Angeles Times, Monday, November 1, 2010, p. D1 & D6
Bartelik, Marek, "Ars Homo Erotica: National Museum Warsaw," Artforum, October 2010, p. 294-295
Bradner, Liesl, "Friday Night Lives Captured," The Los Angeles Times, Sunday, August 22, 2010, p. E2
Velasco, David, "Catherine Opie: Gladstone Gallery," Artforum, Summer 2010, p. 350
"Catherine Opie," D Magazine, La Repubblica, Issue 698, June 12, 2010, pp. D22
"Catherine Opie," The New Yorker, April 26, 2010, p. 12
Rosenberg, Karen, "Different Angeles on the Portrait," The New York Times, April 14, 2010, pp. C1 & C5 (ill.)
Breese, Kristine Stiven, "The Strip-Mall Sensibility," UCLA Hammer Magazine, January 2010, pp. 28-29 (ill).
Costantino, Tracie, and Boyd White, eds. "A Beauty Contest(ed)." Essays on Aesthetic Education
for the 21st Century. Rotterdam: Sense Publishers, 2010. pp. 22- 26 (ill.)

2009
Kellner, Amy, "Catherine Opie," Vice, July 2009
Molesworth, Helen, "Social Problem," Artform, March 2009, p. 101-102
O'Sullivan, Michael, "The Story Behind the Work," The Washington Post, January 9, 2009, p. WE19
Combs, Chris, "Women's Work: 'Role Models' Plays with Feminism," expressnightout.com, January 8, 2009

2008
Frolick, Stuart, "Return on Investment: Catherine Opie," CALARTS Magazine, Fall/Winter 2008,
pp. 6-7, ill.
Dykstra, Jean, "Opie: The Community of Difference," Art in America, December 2008
Schaffer, Johanna, Ambivalenzen der Sichtbarkeit (Uber die visuellen Strukturen der Anerkennung) Bielfeld, DE: Trannscript Verlag, 2008. p.128-130
Knight, Christopher, "Sitting Pretty: 'American Photographer' Gives a Full Portrait of Catherine Opie," The Los Angeles Times, Tuesday, December 9, 2008, E1, E5 (ill.)
Aletti, Vince, "Same Difference," The New Yorker, November 3, 2008 (ill.)
Strick, Jeremy, "Top Five: What to See This Month: Catherine Opie," ArtReview, Issue 26, October 2008, p. 46
Schwendener, Martha, "Dykes! Tutus! Off-ramps! The Guggenheim Mounts a Catherine Opie Retrospective," The Village Voice, Tuesday, October 7, 2008, http://www.villagevoice.com/2008-10-08/art/dykes-tutus-off-ramps-the-guggenheim- mounts-a-catherine-opie-retrospective/ (ill.)
Campbell, Clayton, "Catherine Opie: Small Town Girl Making a Big City Statement," THE
Magazine, September 2008, pp. 38-39 (ill.)
Benedictus, Leo, "Catherine Opie's Best Shot," The Guardian, Thursday, October 9 (ill.)
Wilton, Khris, "Catherine Opie," ArtInfo.com, October 3, 2008, http://www.artinfo.com/news/story/28788/catherine-opie (ill.)
Cotter, Holland, "A Retrospective of Many Artists, All of Them One Woman," The New York Times, p.B29, September 26, 2008 (ill.)
Bedford, Christopher, "Regen Projects, Los Angeles, USA," Frieze, Issue 117, September, p. 189 (ill.)
"Catherine Opie American Photographer," The Los Angeles Times, September 7, 2008, F24 (ill.)
Burton, Philippa, "You've Been Framed," Diva, September 2008, pp. 37-39, ills
Campbell, Clayton, " Catherine Opie Regen Projects," Flash Art, July-September 2008 , p. 250-1, ill.
Schad, Ed, "Catherine Opie Regen Projects," ArtReview, June 2008, p. 154, ill.
Knight, Christopher, "Stopped at the 50-yard line," The Los Angeles Times, May 2, 2008, p.E14 &E15, ill.
Kim Beil, "'Glass Love: Contemporary Art and Surf' at Santa Barbara Contemporary Arts Forum
(SBCAF)," art ltd., March 2008, p. 18
Morse, Rebecca, "Catherine Opie" This is Not to be Looked At, MOCA 2008, ills

2007
Olivares, Rosa, et. al., "Uniformes/Uniforms," Exit: Image & Culture, no. 27, published by Olivares & Associates, S.L., Madrid, Spain, 2007, pp. 91, 177, ills
Keeker, Korry, "Capturing Juneau's Essence," Juneau Empire, September 7, 2007, ills
Heartney, Eleanor, "Worldwide Women," Art In America, June/July 2007, pp. 154-164, ill.
Schjeldahl, Peter, "Women's Work: Feminist art at the Brooklyn Museum," The New Yorker, April 9, 2007, pp. 73
Genocchio, Benjamin, "Welcoming Gardens, Whispering 'Photograph Me,'" The New York Times, March 11, 2007, p. 10, ills
Patterson, Tom, "America: Photos Make You Think About It," RelishNow, journalnow.com,
March 4, 2007.
Scott, Joe, "Home & Away," Go Triad, www.gotriad.com, March 14, 2007.

2006
Viegener, Matias, "In and Around Whose Home?," X-TRA, Winter 2006, pp. 24-27, ills
Sheets, Hilarie M., "Catherine Opie: Gladstone," ARTnews, November 2006, p. 180, ill.
Colpitt, Frances, "Report from Santa Fe I: A Slow-Motion Biennial," Art In America, October 2006, pp. 69-75, ills
Saltz, Jerry, "Lonely Hunter," villagevoice.com, September 21, 2006.
Timberg, Scott, "UCLA Celebrates Its New Art Center," The Los Angeles Times, September 14, 2006
Myers, Terry R., "Catherine Opie," Art Review, September 2006, p. 142, ill.
Kinney, Tulsa, "Exposed: Cathy Opie's California," artillery, September 2006, pp. 26-7, 31, ills
Diaz, Karla, "Catherine Opie: Orange County Museum of Art," Beautiful/Decay, Issue P, p. 42, ills
Knight, Christopher, "Sharp but blurred around the edges," The Los Angeles Times, August 4, 2006, pp. E1 & E27, ills
Mendenhall, Lauri, "The Power of Portraiture," Coast, August 2006, pp. 182 & 184, ills
Journal, Jones, Amelia, "Rupture," 123 Parachute, July – September 2006, pp. 22 & 30, ill.
Journal, "Catherine Opie: Cathy Lebowitz interviews Josefina Ayerza," Lacanian ink, #27, Spring 2006, front and back covers, pp. 150-5, ills
Walsh, Daniella, "Picture Imperfect," The Orange County Register, July 9, 2006
Wang, Jen, "California Visionary," C Magazine, June/July 2006,
Knight, Christopher, "Classic Paint Job," The Los Angeles Times, June 21, 2006, p. S32, ill.
_______, "Fabulous Photos of Catherine Opie," Newport News, June 9, 2006
_______, "Opie photo exhibit debuts at OC Museum of Art," The Current, June 2, 2006
Dykstra, Jean, "Road Trip," ArtReview, June 2006, pp. 40-42, ills
Walsh, Daniella, "The Radar Art," Riviera, May 2006
Genocchio, Benjamin, "More than Meets the Eye: Catherine Opie and Her Camera Find
Beauty in the Mundane," The New York Times, January 29, 2006, Connecticut
Section, ills

2005
Myers, Holly, "State of the Art 2005: Catherine Opie," LA Weekly, October 28 – November 3, 2005, p. 52, ill.
Neil, Dan, "What a Rush," Los Angeles Times Magazine, March 6, 2005, p. 13, ill.

2004
Sheets, Hilarie M., "Armand Hammer's Orphan Museum Turns Into Cinderella in Los Angeles," The New York Times, October 6, 2004, pp. B1 & B9
Gardiner, Virginia, "Suburban Sprawl," Dwell, September 2004, pp. 140 – 142, ills.
Lee, Cynthia, "Visual Road Trip," UCLA Magazine, Summer 2004, pp. 14 – 15, ills.
Valdez, Sarah, "Catherine Opie at Regen Projects," Art in America, May 2004, pp. 170-171, ill.
Ybarra, Michael,"Portraying the Divine," Los Angeles Times, April 17, 2004, p.B2
Rosenberg, Karen, "Last Shot Hang Ten," New York Magazine, April 12, 2004, p. 118, ill.
Hainley, Bruce, "Catherine Opie," ArtForum, April 2004, pp. 164 – 165, ill.
Exley, Roy, "Catherine Opie," ArtReview, April International Edition, 2004, p. 100, ill.
Green, Tyler, "Artist, Leather Dyke, PTA Mom," Black Book Progressive Culture, Spring 2004, p. 86-90, ills.
Aletti, Vince, "Show World," The Village Voice, March 22, 2004
Hoban, Phoebe, "7BRs, Ocn Vu, WrldClass Art," The New York Times, March 14, 2004,
pp. 1 & 30-31
Kimmelman, Michael, "Touching All Bases At the Biennial," The New York Times,
March 11, 2004, pp.E27, E38
Opie, Catherine, "My Favorite Weekend: Catherine Opie," Los Angeles Times,
March 4, 2004, p. E63, ill.
Williams, Gilda, "Catherine Opie," Art Monthly, March 4, 2004, p. 28, ill
Young, Paul, "Money, Power and Picasso's Bathroom," V Life, February/March 2004, pp. 80 – 87, ill.
Miles, Christopher, "Los Angeles Critics' Picks," Artforum.com February 2004, ill.
Knight, Christopher, "A curator and her compatriot," Los Angeles Times, February 20, 2004, p. E2, ill.
Roug, Louise, "She's the viewfinder," Los Angeles Times, February 17, 2004, p. E2, ill.
Myers, Holly, "From frozen lakes to Malibu coast," Los Angeles Times, January 30, 2004,
p.E25
McIntosh, Jacqui, "The subtler side of surfing," The Guardian, January 28, 2004
Gleadell, Colin, "Object of the week," The Daily Telegraph, January 19, 2004
Evans,Leslie, "Catherine Opie's Surfers," westadams-normandie.com, January 13, 2004
Feature Illustration, "L.A. Moment: Ghost Riders," Los Angeles Magazine, January 2004, p. 24

2003
Opie, Catherine, "Tempesta Di Ghiaccio." Case da Abitare, (Italy) December 2003 pp. 15-16, ill.
Sheets, Hilarie, "There's No Piece Like Home." ARTnews, December 2003, p. 103, ill.
Fox, Catherine, "'Terrain' well worth traversing," The Atlanta Journal-Constitution, November 30, 2003, p. K6, ills
Key, Philip, "Still Happening Years Later." Daily Post, London, November 21, 2003
Davis, Laura, "Yoko maps course for Tate." Daily Post, London, November 6, 2003, p. 3
Opie, Catherine , "The Great Wide Open," Sleek Magazine, Issue 03, Fall 2003, pp. 67-77, ill.
Muchnic, Suzanne, "Watch Your Step," ARTnews, Summer 2003, p. 127
Boriani, Glenda, "Micropolitics," Tema Celeste, issue 96, March/April, 2003, p. 113, ill.
Gluckstern, J. "'Elegy' Captures the of Formerly Iconic Buildings," The Daily Camera, February 9, 2003
Voelz Chandler, Mary "Photos Build Art Among Ruins," Rocky Mountain News, January 24, 2003

2002
Muchnic, Suzanne, "With all its hang-ups, the L.A. gallery scene thrives," Los Angeles Times, November 24, 2002
Vine, Richard, "In Her Image," Art in America, November 2002, p. 75
Coomer, Martin, "On the Way There", Time Out London, October 9-16, 2002, p.57
Koroxenidis, Alexandra, "Fusion Cuisine," frieze, October 2002, p.102
Turner, Jonathan, "Italy's Mini-Boom," Artnews, September 2002, p. 90
Denny, Ned, "Enigma of Arrival", New Statesman London, September 30, 2002.
Russell Taylor, John, "Road from Nowhere", The Times London, September 25, 2002.
Güner, Fisun, "Everyday Drive By Shooting", The Times London, September 23, 2002.
RCJ, "RCJ's Best London Shows", The Times London, September 21, 2002.
Sumpter, Helen, "Get A Move On", The Big Issue London, September 16, 2002
Andrea Gilbert, Fusion Cuisine, Contemporary Magazine, September 2002, p.88
Boxer, Sarah, "If a Medium Loses its Message, Is it Still a Medium?" The New York Times, August 9, p. B28
Alexandra Koroxenidis, "Through the Eyes of Women," Herald Tribune, Monday, July 29, 2002.
"Open City: Street Photographs Since 1950," Journal of the Print World, Summer 2002, pp. 27-29
Garrett, Craig, "PlatinumOasis," Flash Art, July-September, 2002, p. 58
O'Sullivan, Michael, "Hirshhorn's Gritty 'Open City'," The Washington Post, pp. 45-46
Gopnik, Blake, "Just Point and Shoot. (But Plan First.)" The Washington Post, June 23, 2002, p. G1, G6
Shaw-Eagle, Joanna, "Reflecting on modern society," The Washington Times, June 22, 2002, pp. D1-D5, ill.
Boxer, Sarah, "The Street Game is to be Distinctive Without Seeming to Work at It," The New York Times, July 5, 2002
Myers, Holly, "Opie Landscape Photos Put Sentimentality on Ice," Los Angeles Times, May 24, 2002, p. F26
Drohojowska-Philp, Hunter, "For Her, It's Always About Community," Los Angeles Times, Calendar Section, May 12, pp. 53-54, ills.
Frank, Peter, "Catherine Opie, Pick of the Week," LA Weekly, May 2002, ill.
Herbert, Martin, "Catherine Opie," teme celeste, March/April 2002, p. 77, ill.
Glover, Michael, "Catherine Opie," Artnews, April 2002, p. 144, ill.
Pluk, Issue 4, January/February 2002, ills.
Zappaterra, Yolanda, "Catherine Opie, Stephen Friedman," Time Out, January 9-16, 2002, ill.
Tuchman, Phyllis, "Who Is Hot Today?" Town & Country, January 2002, p. 57
Perree, Rob, "Portfolio, Catherine Opie," Kunstbeeld, n. 3, pp. 27-31, ills.

2001
Guner, Fisun, "Art Review, Catherine Opie," Metro, December 6, 2001, ill.
Pinsent, Richard, The Art Newspaper, December 2001, Issue 120, p. 67, ill.
Pinsent, Richard, "Adroitly controlled mise-en-scene at Entwistle," The Art Newspaper, December 2001, p.67, ill.
Cork, Richard, "Richard Cork's best London exhibitions, Catherine Opie," The Times Guide,
December 2001, pp. 15-21
Hofer, Manuela, "fe/male Undergroud," an schlage, August, 2001, pp. 34-35
Lloyd, Ann Wilson, "Art under the Arch," Art in America, July 2001, p. 43, ill.
"Kunst unterm Regenbogen," bussi, June 2001, p. 35
Reilly, Maura, "The Drive to Describe: An Interview with Catherine Opie," art journal, Summer 2001, pp. 82-95, ills
Solomon, Deborah, "Testemaker, New in Town, Dives Into A Caldron," New York Times May 2, p.9
Schleifer, Kristen B., "Catherine Opie," Art On Paper, March-April, p. 90, ill.
Pankratz, Helga, "Blickfang am Bahnsteig," lambda nachrichten, March 2001, pp. 35-36, ill.
Wang, Michael. "Catherine Opie," The Harvard Photography Journal 2001. pp.4-11, ill.

2000
"Family Business," Flash Art, November-December 2000,pp. 48, ill.
Gaines, Malik, "Opie's Opus," The Advocate, December 19, pp.52, ill.
"Estate Projects," Art On Paper, December 2000, pp. 27
Lebovici, Elisabeth, "Destabilising Gender," Make, issue 89, November 2000, pp. 18-19, ill.
Symth, Cherry, "Catherine Opie," Art Monthly, No. 240, October 2000, pp. 33, ill., cover
Davies, Willis, "The Photographers' Gallery, London," Zoom, September-October 2000, ill.
"Opie Eye," Gay Times, September 2000, ill.
"Altered States of Catherine Opie," The Pink Paper, September 22, 2000
Ellis, Samantha, "Last Chance," Evening Standard, September 21, 2000, ill.
Kent, Sarah, " Sex Symbols," Time Out, September 6-13, 2000, ill.
"Manipolazioni E Natura In Ritratti Americani," MostreLondra, issue 39, August/September 2000
"American Dream," Harvey Nichols Magazine, London, September 2000, ill.
Smyth, Cherry, "Signage on the Body," Diva, issue 52, September 2000, pp. 6-11, ill.
"Catherine Opie Photographers' Gallery, London," Nova, September 2000
Freedman, Cheryl, "Catherine Opie," What's on in London, August 30, 2000, ill.
Cumming, Laura, "Putting the Pose Back into Pictures," The Observer, August 28, 2000, ill.
Aidin, Rose, "Engendering Respect," Evening Standard, August 21, 2000, ill.
Darwent, Charles, "American life laid bare in bodies and malls," The Independent, August 20, 2000, ill.
Paterson, Elaine, "Photography," Metro Life, August 9, 2000
Williams, Frances, "Photo Realism," Time Out, August 9, 2000, ill.
Davies, Sophie, "Alt Culture," Time Out, London, August 9, 2000, ill.
"Twister Sister," Footloose, August 9, 2000
"From Tomorrow," Evening Standard, August 8, 2000, ill.
"What a Picture!" Girl About Town, London, August 7, 2000, ill.
Lawson, Debbie, "Altered States of America," The Observer Magazine, August 6, 2000, p. 8 ill.
Chapman, Peter, "Altered States of America," The Independent, August 5, 2000, ill.
Sumpter, Helen, "Choice," Hot Tickets, August 4-10, 2000, pp. 38
Charles, Marissa, "Altered Egos-American Style," West End Extra, August 4, 2000, p. 15, ill.
"What if God is a Women?" Aura Magazine, August 2000, pp. 44.
Pinsent, Richard, "Altered States," The Art Newspaper, August 2000, pp. 25
"The Architecture of Gender," Axiom, London, August 2000
JRT, "Catherine Opie," The Saturday Times, London, August 2000, p.41, ill.
"Twisted Sister," Sainsbury's Magazine, August 2000, ill.
"Catherine Opie," ZOO, Issue 6, August, 2000, p. 336, ills.
Rosenfeld, Kathryn, "Catherine Opie," New/Art Examiner, July/August, p.36, ill.
"Photographs For Grown Ups," Living Abroad Magazine,London, July 31, 2000, ill.
"Gender Bender," Axiom, London, July 28, 2000 pp.18 , ill.pp. 43, ill.
Taylor, David, "Out There," Hot Tickets, July 4-10, 2000, p. 5, ill.
Leffingwell, Edward, "Catherine Opie at Gorney Bravin + Lee," Art in America, July, 2000, p. 105,
ill.
Israel, Nico, "Catherine Opie at Gorney Bravin + Lee," Artforum, Summer, 2000, p. 183, ill.
Schwendener, Martha, "Catherine Opie, 'Large-Format Polaroids'," Time Out New York, June 8-15, 2000, ill.
Coleman, Jonathon, "Taking Pictures in the Belly of the World's Largest Camera, "The New Yorker, June 5, 2000
"Sponsorship Opportunity at The Photographers' Gallery," Focus, May 2000, ill.
"Familiy Affair: Renowned photographer Catherine Opie goes on the road to document lesbian families where they live," The Advocate, April 30, 2000, pp. 114 - 117, ills.
Aletti, Vince, "American Women," Village Voice, April 18, 2000, p. 69
"Culture Shock, Review: Catherine Opie 'Domestic' at Gorney Bravin & Lee," Washington Square News, April 14 - 16, 2000, p. 38
"On View Homebodies," New York Magazine, April 10, 2000, p. 111, ill.
Cotter, Holland, "Catherine Opie: Domestic" The New York Times, April 7, 2000, p. B38
"Catherine Opie," Village Voice, March 29 - April 4, 2000, p.83

1999
Gockel, Cornelia, "Kunst aus Kalifornien," Suddeutsche Zeitung, December 13, 1999, p. 38, ill.
Marriner, Robin, "LA Revisited," Contemporary Visual Arts, Issue, 25, pp. 22-27, ills.
"The Modernist Document" Hour, October 7, 1999, p. 34, ill.
Otten, Liam, "Catherine Opie, photographer and Freund Fellow, to speak," Record: Washington
University in St. Louis, September 30, 1999, p. 5, ill.
Thomas, Mary, "Russian artist builds a dialogue and a photographer opens our eyes," Pittsburgh Post-Gazzette, September 4, 1999, p. B11, ills.
Schurenberg, Von Barbara, "Frohlich, hygienische, und keimfrei," Die Welt, May 21, 1999,
p. 12, ill.
Cotter, Holland, "Through Women's Eyes Finally," New York Times Magazine, May 16,
1999, pp. 92-96, ill.
Vincent, Steven, "Impact Players," Art & Auction, May 15, 1999, pp. 75-81
Picker, Deborah, "Tall Tales: Catherine Opie looks in on lesbian domesticity," LA Weekly, May 14-20, 1999, p. 35, ill.
Herbert, Martin, "Drive-by," Time Out London, May 12-19, 1999, ill.
Darwent, Charles, "Vacant & proud of it," The Independent on Sunday, May 9, 1999, p. S5, ill.
Beech, David, "Drive By," Art Monthly, May, 1999, pp. 31-31, ill.
Searle, Adrian, "Life thru a Lens," The Guardian, May 4, 1999, p. 12, ill.
Fulcher, Dawn, "Drive-by: New Art from LA," Contemporary Visual Arts, Issue 22, p. 86, ill.
Pagel, David, "A New View of Life on the Home Front," Los Angeles Times, April 23, 1999, p. F28, ill.
Rowlands, Penelope, "Previews: Catherine Opie," Art & Auction, April 15, 1999, p. 75, ill.
Rawsthorn, Alice, "L.A. Story," British Vogue, April, 1999, pp. 79-82, ills.
Sante, Luc, "It's Alive: Release," Metropolis, April, 1999, pp. 88-93, ills.
Aletti, Vince, "Lesbian Domestics," Out, April, 1999, pp. 16, 32-33, ills.

1998
Zeiger, Mimi, "Casualfornia/ Catherine Opie,"Loud Paper, volume 2, issue 3, pp. 14-17, ills., cover
Yablonsky, Linda "Berlin Sprawl" Time Out New York , November 5-12, p. 74 Pinto, Antonip Cerveira, "A Suspensao da Utopia," A Semana, Portugal, October 9, Exposicoes, p.11, ill.
Faria, Oscar, "Dialogo Entre o Ceu e o Inferno," Publico, Portugal, October 9, Artes & Ocios, p. 19, ill.
Rian, Jeff, "Sunshine & Noir and L.A. Times," Flash Art, October, pp.61, 67, ill.
Ollman, Leah, "A Multi-Sided Look at 'Lone Woman'," The Los Angeles Times, October 2, F29
"Catherine Opie," BT Magazine, September, pp. 56-57, 85, ill.
Muchnic, Suzanne, "L.A. Story," ARTnews, September, 1998, pp. 150-153, ills.
Rickels, Laurence A., "Already Given at the Office: On Techno Feminism," Parallax, Issue 5,
September
Zimmer, William, "Landscape, the Site, The Meaning of Place," The New York Times, August 9, p.12 CT
Ise, Claudine, "'Babes' Aims to Demystify Expectations of Women," The Los Angeles Times, July 24, p. F 33
"Current exhibition: Sunshine & Noir: Art in L.A. 1960-1997," UCLA at the Armand Hammer Museum of Art and Cultural Center Cultural Programs Calendar, Fall, ill.
Muchnic, Suzanne, "Acquisition and Merger," Artnews, Summer, p. 74Glueck, Grace,
Allen, Rachel, "Lesbian Domesticity: An Interview with Catherine Opie," Los Angeles
Forum for Architecture & Urban Design Newsletter, Late Spring, p. 2-3, ill.
Zellen, Jody, "Catherine Opie," Art Papers, May-June, p. 31, ill.
Byrd, Cathy, "'90s to the Nines," Art Papers, May-June, p. 12, ill.
"Art: Catherine Opie," Village Voice, April 21
Schmerler, Sarah, "Catherine Opie, 'Mini-malls'," Time Out New York, April 16-23, Issue no. 134, p. 48, ill.
Nittve, Lars, "Kunst in L.A.," Merian, April, pp. 30-37, ill.
"Catherine Opie: Mini malls," The New York Times, April 3, 1998, p.B33
Kaltenecker, Siegfried, "Schwindelnde Manner?," Springerin, March-May, pp. 46-7, ill
Hagoort, Erik, "Catherine Opie geeft homo's waardig portret," de Volkskrant, Zaterdag, February 21, p. 11, ill.
Verkerk, Corrie, "Gay Games meer dan spierkracht," Het Parool, Dongerdag, February 19, pp. 1 &
4, ill.
Myers, Terry R., "Catherine Opie," On Paper, January-February, pp. 41-42, ill.
"Deceits and Fantasies: The Garden in Contemporary Photography," The American Federation of Arts: Exhibitions Program 1998, p. 39
"American Vernacular: Selections from the Permanent Collection," The Contemporary, Spring, p. 3

1997
Bonazzi, Francesco, "Trash," Juliet, Trieste, Italy, December/January 1998
Gragg, Randy, "A letter from L.A.," Sunday Oregonian, December 21, pp. 1 & 8, ill.
"Szene Los Angeles: Catherine Opie," Art das Kunstmagazin, December, p. 36, ill.
Newman, Joe, "Hitting the High Roads: Catherine Opie," Photo District News, December,
p. 177, ill.
Nilsson, Hakan, "Art Review: Sunshine and Noir, Louisiana, Humlebaek, Denmark", Flash Art,
November/December, p. 74
Pioselli, Alessandra, "Trash: Quando I Rifiuti Diventano Arte," Segno, Pescara, Italy, November/December
"Artworld: Awards", Art in America, November, p. 144
Helfand, Glen, "Of heaven and earth: Shows by Robert Gober and Catherine Opie,"
Bay Area Reporter, October 23, p. 45 & 54, ill.
Gottschalk, Karl-Peter, "Catherine Opie: Masterful", blue, October, p. 6, ill.
Knight, Christopher, "Art review: Catherine Opie", Los Angeles Times, pp. 49-50, ill.
Lewis, Judith, "Concrete Love: Photographer Catherine Opie Brings L.A. to MoCA," LA Weekly, October 3-9, 1997,pp. 22-27, ill.
Larsen, Larrs Bang, "Sunshine & Noir: Art in LA 1960-1997," Frieze, September/October, p. 93
"Wizards, Wonders, and Wonks," color illustrations photographed by Catherine Opie, The New York Times Magazine, September 28, 1997.
"Catherine Opie: Focus Series Exhibition", The Contemporary, Museum of Contemporary Art, Los Angeles, Fall, p. 11, ill.
Knight, Christopher, "Itenerary Fall Follies: Art," Los Angeles Times, September 4
Nadotti, Maria, "E al posto del pennello spunto la spazzatura Viaggio nel tempo, all'alba del 'trash'," L'Unita, Rome, Italy, September 2
Vergine, Lea, "Trash: Noi gettiamo via le nostre tracce,k l'arte ne suggerisce il destino,"
Vernissage, Torino, Italy, September
"Trash," Rifiuti Solidi, Milan, Italy, July/August, p. 216
Huici, Fernando, "Delicias Del Microondas," El Pais (Madrid), 12 July, 1997.
Nomblot, Javier Rubio, "Cruising L.A.: El Mundo Fuera De La Burbuja," El Punto De Las Artes (Madrid), 4-17 July, 1997.
Parreno, Jose Maria, "Los Angeles, Punto De Encuentro," ABC (Madrid), 4 July, 1997.
Mora, M., "El Arte Crudo De Seis 'Chicos Malos' de Los Angeles Se Muestra En Madrid," El Pais (Madrid), 1 July, 1997.
Barnatan, Marcos Richardo, "La Mirada Despotica," El Mundo (Madrid), 28 June, 1997.
Jernigan, Adam, "Fragmented Bodyscapes: An Excursion in the Photography of Catherine Opie", Masque, Volume 1, Issue 2, pp. 43-49, ill.
Mizoguchi, Akiko, "Catherine Opie: Sexuality and Gender", BTMagazine, June, pp. 18-27, ill.
Ericsson, Lars O., "Ljus och svarta fran L.A.," Dagens Nyhoter, May 23, ill.
Jonsson, Dan, "LA: s obarmhartiga ljus," Sydsvenska Dagbladet, May 21
"Konsten och varldsstadens sjal," Arbetet Nyheterna, May 18
Ohman, Richard, "Konstscen Los Angeles," Norvastra Skanes Tidningar, May 18, ill.
Weirup, Torben, "Lysende spor," Berlingske Tidende, May 17
Goodeve, Thyrza Nichols, "Signs of the Times: Q/A Thyrza Nichols Goodeve on copy shopping", Artforum, May, pp. 25-6
Walsh, Daniella B., "Another perspective on the face", The Orange County Register, April 27
Curtis, Cathy, "Something to Smile About," Los Angeles Times, April 22, pp. F3-F5
"Art: Composite Persona", Buzz Weekly, April 18-24, p. 19, ill.
Trebay, Guy, "Dialogue of the Biennalites", The Village Voice, April 1, pp. 50-1
Rugoff, Ralph, "L.A.'s Female Art Explosion", Harper's Bazaar, April, pp. 204-5, 246, ill.
"Catherine Opie: Houses and Landscapes", Shigoto No Kyoshitsu, Tokyo, Japan, April, p. 117, ill.
"Catherine Opie: Houses and Landscapes", Nihon Keizai Shinbun, Tokyo, Japan, March 15, p. 40, ill
Pincus, Robert L., "Fabricated faces are sign of times in art today", The San Diego Union-Tribune, March 10, p. E-5
"Catherine Opie: Houses and Landscapes", La Seine, Tokyo, Japan, March, ill.
"Rrose Selavy, A Point of Departure", Flash Art, March, p. 61
"Voice's Art Space: L.A. Portraits Houses and Landscapes", Studio Voice Multi-Media Magazine, Japan, March, pp. 75-78, ill.
"Sub-Culture is Super-Culture", Hanatsubaki, Shiseido, Tokyo, March, ill.
"Catherine Opie: Houses and Landscapes", Marie Clair Japon, Tokyo, Japan, March, p. 185, ill.
"Catherine Opie at Shiseido", Check Mate, Tokyo, Japan, March, p. 209, ill.
Conti, Rena and Moskowitz, Ivan, "The Salad Years", L.A. Muscle, Milwaukee, WI, February/March, p. 19
Yadegaran, Jessica, "Skewed perceptions," The Daily Aztec, February 6, p. 7, ill.
"Mike Kelley and L.A. Art Scene", BT Magazine, Tokyo, Japan, February, pp. 51, 74, ill.
"Catherine Opie: Houses and Landscapes at Sheseido", An An, Tokyo, Japan, February, p. 138, ill.
"Catherine Opie: Houses and Landscapes", Tokyo Walker, Tokyo, Japan, February 19- 25, p. 119, ill.
"Catherine Opie", Weekly Pia, Tokyo, Japan, February 25, p. 206, ill.
Rimanelli, David "A/Drift: Bard College", Artforum, February, p. 83
Pare, Andre-L., "Actualites/Expositions", etc Montreal, January-February, pp. 44-47, ill.
Joselit, David, "Identity Politics: Exhibiting Gender", Art in America, January, pp. 36- 39, ill.
Bellinger, Jesse, "Would I Lie to You? A look at the UAM Lie of the Land exhibit,"
Daily Nexus, Santa Barbara, January 16, p. 2A
Gustafson, Paula, "Fabrications," Xtra West, January 10
"Impact: The Lie of the Land", The Independent, Santa Barbara, January 9, p. 29, 41
Opie, Catherine, "A brush with genius: Catherine Opie on Hans Holbein the Younger's portrait of Sir Thomas More," The Guardian, London, January 7
Opie, Catherine, "Faces of L.A.: Lari Pittman", L.A. Weekly, January 3-9, p. 49, ill.

1996
Curtis, Cathy, "Art Outlook Includes Insights From All Angles", Orange County Calendar, December 31, F2, ill.
Smith, Roberta, "Finding Art in the Artifacts of the Masses," The New York Times, December 1, pp. H43, H46
Williams, Gilda, "Evident," Art Monthly (London), December, ill.
Beard, Steve, "Exhibitions," Arena (London), December
Smith, Caroline, "Visual Arts: Pick of the Bunch," Attitude (London), December
Craddock, Sacha, "Around the Galleries," The Times (London), November 27
Snow, Shauna, "Morning Report: Talking on Lesbian Stereotypes," Los Angeles Times, October 23, p. F2
Trebay, Guy, "Real Life Rock - Top Ten," Artforum, October, p. 30, ill.
WIENER, "Drag Kings," Sept. 96, #196, pp. 60-61, ill.
Volk, Gregory, "Catherine Opie," Art in America, October, pp. 118-119, ill.
Decter, Joshua, "Catherine Opie," Artforum, September, pp. 109-110, ill.
Hill, Darryl, "Deconstructing Gender Dualism through Transgender Photography,"
Blackflash, Fall, Vol. 14.3, pp. 9-12, ill.
Couelle, Jennifer, "Fabrications", CV photo, Summer, p. 31
Dannatt, Adrian, Flash Art , May/June 1996, pp. 113-114, ill.
The New York Times Magazine, "The Age of The Literary Memoir Is Now," by James Atlas, May 12, photograph of Lisa Michaels by Catherine Opie, p. 29
Kandel, Susan, "Art Reviews: Catherine Opie," Los Angeles Times, May 3, p F22
Catchlove, Lucinda, "Identity is a drag", Hour, April 25-May 1
Aquin, Stephane, "Masculin feminin", Voir, April 17, p. 11
Couelle, Jennifer, "Dis-moi ton sexe, je te dirai qui tu es..." Le Devoir, April, ill.
Byrd, Cathy, "Mighty Morphin': "Transformers" at Nexus", CL, Arts & Entertainment, April 13, pp. cover, 28, 30, 34
Ferguson, Russell, "Catherine Opie," index , 4/96, pp. 28-31, ill.
Roth, Charlene, "The Light Under the Bushel," Artweek, April, pp. 12-13, ill.
Boschma, Feike, "Beelden der objectiviteit," Fries Dagblad, March 29
"Photography: La-La Land," The New Yorker, 18 March, p. 26
Catalogue, Constructing Masculinity, Rutledge, New York, edited by Maurice Berger, Brian Wallis, and Simon Watson, ill., p. 43
Aletti, Vince, "Deep House," The Village Voice, March19, p. 79
Artner, Alan G., "Persona non grata", The Chicago Tribune, March 17, Section 7, p. 3, ill.
Kimmelman, Michael, "Art in Review: Catherine Opie," The New York Times, March 15, ill.
Servetar, Stuart, "Catherine Opie," New York Press, 13-19 March
Griffin, Tim, "Catherine Opie," review, Time Out (New York), 13-20 March, p. 26
Thijsen, Mirelle, "Intimi en zelfkant van bestaan in 'Black & Blue'," Het Financieele Dagblad, March 16, ill.
Marsman, Eddie, "Wat op elkaar lijkt is nog niet hetzelfde," Leeuwarder Courant, March 15, ill.
Chayat, Sherry, "Cornell show exhibits multiple personalities", Syracuse Herald American, March 10, pp. 11-12
Rijsdam, Jan, "Schone Schijn: Hollandse toestanden," Leids Dagblad, March 9, ill.
Hurlburt, Roger, "MoCA LOCA", Sun-Sentinel, Miami, Florida
Tilroe, Anna, "De shoenendoos van de meloenenvrouw," NRC Handelsblad, March 3, ill.
Bos, Eric, "Onschuld is verleden tijd," Brabants Nieuwsblad, March 1, ill.
Judong, Anne & Peeters, Wim, "Catherine Opie," Gynakika, March 1
"Black en Blue: aspecten van de samenleving in foto's," Gay Krant, March 1
"Who's afraid of 'Black & Blue'," Koevoeter Courant, February 26
Snoodijk, Martijn, "Ontluisterent," Oor, February 24, ill.
Lakke, Gerard, "Black and Blue toont het rauwe bestaan," UK, February 22, p. 19
Turner, Elisa, "Thoroughly Modern MoCA", The Miami Herald, February 18, p. 51, ill.
Artner, Alan, Chicago Tribune, Art, February 16, 1996, Section 7, p. 56
Provocateur, "Catherine Opie," February, vol. 1, issue 3, pp. 30-38, ill.
Keunen, Mirjam, "Foto's zoals het leven zelf," Algemeen Dagblad, February 15
Bos, Eric, "Beelden uit een kapotte wereld," Leids Dagblad, February 13, ill.
Bos, Eric, "Het Feilliet van een maatschappij," Provinciale Zeeuwse Courant, February 9, ill.
"Wie is er nog bang voor Black & Blue?" Loeks, February 6, ill.
Weinstein, Michael, New City, February 5
De Vries, Marina, "Acht keer het Amerikaanse alternatief," Het Parool, Feb. 5, ill.
Bos, Eric, "Indringende beelden van een verloren en beschadigde wereld," Nieuwsblad van Het Noorden, February 3
"Een spiegel van de tijdgeest," Groninger Dagblad e.a., February 2, p. AE 15, ill.
Ruyters, Marc, "Expo. Freeways," Weekend Knack, January 31, p. 72, ill.
Eelbode, Erik, "Catherine Opie," De Witte Raaf, #59, January-February, p. 31
"Miami Defines the Nineties", Flash Art, January-February
D'Hoore, Sylvie, "Lege snelwege," De Gentenaar, Jan. 26, ill.
Eelbode, Erik, "Desolate snelwegen, haarscherpe studiofoto's. Niet risicoloos spel van de Americkaanse fotografe Catherine Opie," De Morgen, Jan. 13, ill.
"VREEMd-MAKEN," Obscuur, January 4, pp. 16-17, ill.
"Portraits of L.A. '95 Issue," L.A. Weekly, December 29 - January 4, 1996, p. 25

1995
Smith, Cherry, "Eu estava presa em um corpo de sapatao," Folha de Sao Paulo, July 12
Kandel, Susan, "A Biennale or a Bust?" Los Angeles Times Calendar, June 25, pp. 7, 92
Selwyn, Marc, "Report from Los Angeles," Flash Art, May/June, 1995 pp. 96-99, ill. (ill. on
Contents Page)
Helfand, Glen "On a Bender," Wilde, May/June, pp. 21,22, ill.
Hoving, Thomas, "Art for the Ages," Cigar Aficionado, Summer, pp. 214-226
Archer, Bert, "Bending gender-bending", XTRA!, May 26, No. 276, p. 33
Livingstone, David, "RuPaul: dragging theory into practice", Globe and Mail, May 18
Lee, Robert W.G., "Fabrications", Parachute, Vol. 84, p. 65
Out Magazine, "Opie and Company," May, p. 58, ill.
Haye, Christian, "Catherine Opie at Jack Hanley," frieze, March/April, pp. 71-72, ill.
Knight, Christopher, "Toning It Down at the Whitney," Los Angeles Times Calendar, April 16, 1995, pp. 5, 54
Cotter, Holland, "Catherine Opie," review, The New York Times, April 14, p. C4
Smith, Roberta, "Void, Self, Drag, Utopia (And 5 Other Gay Themes), The New York Times, March 26, p. 40, ill.
Kimmelman, Michael, "A Whitney Biennial That's Generous, Sensuous and Quirky,"
The New York Times, March 24, p. B1, B6
Solomon, Deborah, "All Persuasions, No Whiners," The Wall Street Journal, March 24, p. A10
Clabburn, Anna, "Persona Cognita," World Art, January, p. 108, ill.

1994
Bonetti, David, "3 Singular Visions," San Francisco Examiner, Thursday, Dec. 1, 1994
Relyea, Lane, "Best & Worst 1994," Artforum, December, pp. 69, 105
Kotz, Liz, "Erotics of the Image," Art Papers, November/December, pp. 16-20, ill.
Cohen, Michael, "Catherine Opie," Flash Art, November-December, p. 98, ill.
Trioli, Virginia, "Daddy looks nice in a dress," review of "Persona Cognita," The Age, Melbourne, Australia, October 8, p. 11, ill.
Sierra-Hughes, Marie, "Many sides of self on show," Herald Sun--Melbourne, October 1994
Pagel, David, Art Issues, September/October, p. 45, cover and ill.
Chandler, Matthew, "Artists question self-identity," Doncaster and Templestowe News, September 14
Zellen, Jody, "Catherine Opie," review, Art + Text No. 49, September, pp. 85-86, ill.
Knight, Christopher, "Big Burb," Design Quarterly 162, Fall 1994, pp. 1-12, ill.
DeGenevieve, Barbara, "Letting Us Look: Scandalous Genders or Blur Baby Blur," Camerawork: A Journal of Photographic Arts, Fall/Winter 1994, pp. 46-47, ill.
Dagger On Butch Women, Cleis Press, edited by Lily Burana, Roxxie, Linnea Due, ill. pp. 157, 161.
Smith, Roberta, "Body of Evidence," Vogue, August, pp. 150-154, ill.
Rugoff, Ralph, "Alter Natures," L.A. Weekly, June 24-30, 1994, pp. 43-44, ill.
McKenna, Kristine, "Welcome to Opie's World," Los Angeles Times Calendar, June 24, 1994, pp. 8, 90, ill.
Kandel, Susan, review, "A Piercing Look: at Regen Projects," Los Angeles Times, June 9, 1994, p. F7, ill.
Bonetti, David, "Gallery Watch: Give 'em that ol' tired religion," San Francisco Examiner, April 15, 1994, pp. D-10, 11, ill.
Saltz, Jerry, "L.A. Rising," Art & Auction, April, pp. 88-91, 122., ill.
Knight, Christopher, "A Suggestion of Cultural Edginess," L.A. Times, March 10, 1994, pp. F1, F11., ill.
Goldberger, Paul, "The Art of His Choosing," New York Times Magazine, Sunday, February 26, pp. 30-39, 52, 55, 61-62, ill.
Knight, Christopher, "A Bicoastal Flashback," L.A. Times, Feb. 18, 1994, pp. F1, F28
Anderson, Michael, "Invitational '93," review, Art Issues, Jan/Feb 1994, p. 43
Schmidt, Barbara U., "Jenseits polarer Differenzen," Frauen Kunst Wissenschaft, Herbst 1994
Schmidt, Barbara U., "When Gender Attitudes Attack the Norm," Kritk, Heft Nr. 3/94
Goetz, Joachim, review, "Auf dem Weg zum Klon," Landshuter Zeitung, Di, 9-8-94

1993
Francine Koslow Miller, "Currents '93: Dress Codes," Artforum, November 1993, p.110-11
DiMichele, David, "Fresh Work: Invitational 93 at Regen Projects," Artweek, Vol. 24, No. 21, November 4, 1993, p. 22
Kandel, Susan, "'Invitational's' Controlling Personas," L.A. Times, October 14, 1993, p. F12, ill.
Lucy Lippard, "In the Flesh; Looking Back and Talking Back," Women's Art Magazine September/October 1993, pp. 4-9
Lord, Catherine, "Down There: Babes in Toyland," Art + Text, No. 46, September 1993, pp. 30-33, ill.
Darling, Michael, "Voices Carry," Santa Barbara News-Press, pp. 29-31, ill.
Rugoff, Ralph, "Three Projects From LA curated for frieze by Ralph Rugoff," frieze, March, 1993, pp. 18-21, ill.
McQuaid, Cate, "His and Hers: In the ICA's Dress Codes," The Boston Phoenix, March 12, 1993
Sherman, Mary, "Clothes Call," review, Boston Herald, March 12, 1993
Temin, Christine, review, Boston Globe, March 10, 1993

1992
Kotz, Liz, "The Body You Want, Liz Kotz interviews Judith Butler," Artforum, November 1992, XXXI, No. 3, p. 83, ill.
"Violence" Issue, Framework, Volume 5, Issue 2 and 3

1991
Cottingham, Laura, review, NYQ, December 15, issue 8, p. 37
Hirsch, David, review, New York Native, December 2, Issue 450
Smith, Anna Marie, "The Feminine Gaze: Photographer Catherine Opie Documents a Lesbian Daddy/Boy Subculture," The Advocate, November 19, issue 590, pp. 82-83, ill.
Helfand, Glen, review, Art Issues, vol. 19, Sept/Oct.

1990
Oversight, vol. 2, CalArts, Valencia, CA
Frank, Peter, "Catherine Opie Pick of the Week," L.A. Weekly

1989
"The Master Plan," Off Ramp, Santa Monica School of Architecture, Spring
Beckman, L., and Sorenson, K., Lucky, Los Angeles, Vol. 2, Spring

1988
Annual Critics' Choice, L.A. Weekly, Dec. 9-15, Vol. 11
Revenge, Los Angeles, Vol. 1

Selected Catalogues and Monographs:

2012
Rideal, Liz, Self Portrait, published on the occasion of the exhibition by Rosendahls, Esbjerg, Denmark, 2012


2011
Wagner, Ethan and Suzanne Modica, Stonescape: Guide to Exhibition 2011, ex. cat. published on
the occasion of the exhibition "Politics is Personal," Napa Valley, CA, 2011, pp. 26-27
Collection Vanmoerkerke, published by Rispoli Books, Brussels, Belgium, 2011, pp. 180-181 (ill.)
Maltzan, Michael, "Home: Conversation with Catherine Opie," No More Play: Conversations on Urban Speculation in Los Angeles and Beyond, published by The University of Southern California School of Architecture in association with Hatje Cantz Verlag, Germany, 2011, pp. 46-59
Molesworth, Helen, ed., Catherine Opie: Empty and Full, published by Hatje Cantz, Stuttgart, 2011.
Wolfe, Ann M., ed., The Altered Landscape: Photographs of a Changing Environment, published by Rizzoli, New York, in conjunction with the exhibition at the Nevada Museum of Art, Reno, 2011.

2010
Katz, Jonathan D. and David C. Ward, Hide/Seek: Difference and Desire in American Portraiture, Washington, DC: Smithsonian Books, 2010, ills.
Yoo, Hee-Young, ed., Trust: Media City Seoul 2010, published by Se-Hoon OH, Mayor of Seoul, 2010.
Cooke, Lynne and Douglas Crimp, Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, published by the Museo Nacional Centro de Arte Reina Sofia: Madrid, 2010.
Leszkowicz, Pawel, Ars Homo Erotica, published in conjunction with the exhibition at the National Museum in Warsaw, Poland, 2010.
Ryan McGinley Everybody Knows This Is Nowhere, published by Dashwood Books for the exhibition at Team (Gallery, Inc.), New York, March 18- April 17, 2010
Reilly, Maura, Feminist Studies, Vol 36, No 1, Spring 2010, p. 161 (ill)

2009
En Todas Partes: Políticas de la Diversidad Sexual en el Arte, published by Centro Galego de
Arte Contemporánea, Santiago de Compostela, Spain, 2009. Ills.
Bedford, Christopher, Mixed Signals: Artists Consider Masculinity in Sports, published by Independent Curators International, New York, NY, 2009

2008
In Repose, curated by Lorie Mertes, published by The Galleries at Moore, Philadelphia, PA, 2008,
p. 27, ill.
Role Models: Feminine Identity in Contemporary American Photography, published by the National Museum of Women in the Arts, Washington, D.C., 2008, pp. 111-115, ill.
Catherine Opie: An American Photographer, published by Guggenheim Museum, New York, NY, 2008
Morse, Rebecca, "Catherine Opie" This is Not to be Looked At, published by Museum of Contemporary Art, Los Angeles, CA, 2008, ills

2007
"Red Eye: L.A. Artists from the Rubell Family Collection," published by the Rubell Family
Collection, Miami, Florida, 2007, p. 82, ill.
Darling take Fountain, curated by Konstantin Kakanias, published by Kalfayan Galleries, Athens, Greece, 2007, pp. 56-57, ills
All the More Real: Portrayals of Intimacy and Empathy, published by the Parrish Art Museum, Southampton, NY, 2007, pp. 106-7, ill.
Traing Your Gaze: A Practical Introduction to Portrait Photography, published by AVA Publishing SA, Switzerland, 2007, pp. 22-3, 90, 92, 93,95, ills
Global Feminisms: New Directions in Contemporary Art, published by the Brooklyn Museum,
New York, 2007, pp. 39, 65, 230, 280, ills
The Unhomely: Phantom Scenes in Global Society, edited by Okwui Enwezor,
published by the 2n d International Biennial of Contemporary Art of Seville, Spain, 2007, pp. 236-7, ills
Pretty Baby, organized by Andrea Karnes, edited by Pam Hatley, published by the Modern Art Museum o f Forth Worth, Texas, 2007, pp. 34-5, ill.
Multiple Vantage Points: Southern California Artists, 1980-2006, published by the Municipal
Art Gallery, Barnsdall Park, Los Angeles, CA, 2007, pp.64-5, ills

2006
Couples Discourse, edited by Amy Milgrub Marshall and Cherene Holland, published by the Palmer Museum of Art, University Park, Pennsylvania, 2006, pp. 88-89, ill.
Vitamin Ph: New Perspectives in Photography, published by Phaidon Press, London,
England, 2006, p. 200-203, ills
Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation
Contemporary Art Collection, Cascais, Portugal, Oct 2006, ill.
The Eighth Square: Gender, Life, and Desire in the Arts since 1960, published by Hantje Cantz, Germany, 2006, p. 70, ills
No. 1: First Works by 362 Artists, edited by Francesca Richer and Matthew Rosenzweig,
published by D.A.P., 2006, p. 272, ill.
Still Points of the Turning World: Site Santa Fe Sixth International Biennial Exhibition, published by Site Santa Fe, New Mexico, 2006, pp. 151-9, ills
1999 / In and Around Home, published by The Aldrich Contemporary Museum of Art, Ridgefield,
CT, and the Orange County Museum of Art, Newport Beach, CA, 2006
Chicago (American Cities), curated by Elizabeth T.A. Smith, published by Museum of
Contemporary Art, Chicago, 2006
Dark Places, curated by Joshua Decter, published by Santa MonicaMuseum of Art, Santa Monica, California, 2006, p. 16, ill.
Suburban Escape, by Ann M. Wolfe, published by Center for American Places, Santa Fe, New Mexico, and San Jose Museum of Art, San Jose, California, p. 58, 62, ill.

2005
Bidibidobidibo, published by the Foundazione Sandretto Re Rebaudengo, 2005, ills
Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum, published by Galleria Gottardo, Lugano, Switzerland, 2005, pp.112-117, ills
Farsites: Urban Crisis and Domestic Symptoms in Recent Cotemporary Art, published by San Diego Museum of Art, CA, 2005, pp. 114-5, ills
Getting Emotional, edited by Nicholas Baume, published by Institute of Contemporary Art, Boston, Massachusetts, 2005, p. 102, ill.
Ideal Worlds: New Romanticism in Contemporary Art, published by Schirn Kunsthalle
Frankfurt with Hatje Cantz, Germany, 2005, pp. 194-215, ills.
Universal Experience, published by Contemporary Art, Chicago, 2005, p.112, ills

2004
100 Artists See God, curated by John Baldessari and Meg Cranston, published by Independent
Curators International, New York, NY, p. 68, ill.
26th Sao Paulo Biennial, curated by Alfons Hug, Sao Paulo, Brazil, pp. 180 – 181, ill.
Contemporary Photography and the Garden: Deceits and Fantasies, published by Harry N. Abrams, New York, NY, pp. 114-117, ills.
Sexes image – pratiques et pensees contemporaines, published by Beaux Arts Paris, 2004
That bodies speak has been known for a long time, published by Sabine Breitwieser for Generali Foundation, Wien, Austria, 2004
Whitney Biennial 2004, curated by Chrissie Iles, Shamim M. Momin, and Debra Singer, New York, NY, p. 220, ills

2003
Art, Lies, and Videotape: Exposing Performance, published by Tate, Liverpool, England, 2003
Art and Photography, published by Phaidon, London, England, p. 124
Cindy Sherman. published by Serpentine Gallery, London, 2003, p. 18, ill.
Family Ties: A Contemporary Perspective, published by Peabody Essex, 2003, Museum, Salem. MA, 2003, p. 37, ill.
Just Love Me: Post Feminist Art of 1990s from Goetz Collection, published by Sammlung
Goetz, Munich, 2003
Micropolitics: Art and Everyday Life 2001-1968, published by Consorci de Museus de la
Comunitat Valenciana, 2003, pp. 284-289, ills.
Subjective Realities: Works from the Refco Collections of Contemporary Photography, essay by Dave Hickey, published by Refco Group, Ltd., New York, NY, 2003, p. 182-83, ill.

2002
American Visionaries: Selections from the Whitney Museum of American Art, published by Abrams 2002, introduction by Maxwell L. Anderson, p. 231, ill.
Catherine Opie: Skyways + Icehouses, essay by Douglas Fogle, published by the Walker Art
Center, Minneapolis, MN, ills.
Die Wohltat der Kunst, Post/Feministrische Positionen der neunziger Jahre aus der Sammlung Goetz, published by Sammlung Goetz and Staatliche Kunsthalle Baden-Baden, 2002, pp. 126 - 131, ills.
Edward Lucie-Smith, Art Tomorrow, published by Finest S.A/ Editions Pierre Terrail, Paris, 2002, p.199, ills.
formal social, published in conjunction with the exhibit "formal social," curated by Carina Plath,
Westfalischer Kunstverein
Fusion Cuisine, 2002, published by Deste Foundation, Centre for Contemporary Art, Athens, Greece pp. 136-137, ills.
Hautnah: Die Sammlung Goetz, published by Museum Villa Stuck, Munchen, Germany, p. 66-69, ills.
PhotoEspana 2002, published in conjunction with the exhibit "The Self,"curated by Noriko Fuku, and the International Festival of Photography, Madrid, Spain
The Spirit of Family, published by Henry Holt, 2002, pp. 28,72, ills.
Wolf, Sylvia, Visions from America Photographs from the Whitney Museum of American Art, essay by Andy Grundberg, published by the Whitney Museum of American Art

2001
Open City: Street Photographs since 1950, published by Museum of Modern Art Oxford, pp. 18, 168-173, ills. , cover
Over Exposed: Essays on Contemporary Photography, published by The New Press,
New York, 2001

2000
Auto Werke, published by Hatje Cantz, with support by BMW Financial Services North America, essay by Joshua Decter, essay pp. 5-6, ills.
Beyond Boundaries: Contemporary Photography in California, published by The Friends of Photography, 2000, p.26, ill.
Catherine Opie, essays by Kate Bush, Joshua Decter & Russell Ferguson, published by the Photographer's Gallery, London
Catherine Opie: In between here and there, essay by Rochelle Steiner, published by the Saint Louis Art Museum, St. Louis, MO, ills.
Currents 82: Catherine Opie, Saint Louis Art Museum, St. Louis, MO, October 6 – November 26, 2000, ills
Drive power>progress>desire, edited by Geregory Burke & Hannah Scott, essays by
Giovanni Intra, published by Govett-Brewster Publications, New Zealand, 2000, p. 46, ill.
Escape¬_Space, edited by Ursula Frohn & Christian Katti, published by Ursula Blickle Stiftung, Germany, pp. 106 - 113, ills.
Lesbian Art in America, edited by Harmony Hammond, published by Rizzoli, New York, pp. 150-152, ills., cover.
Made in California: Art, Image, and Identity, 1900 - 2000, Los Angeles County Museum of Art, 2000, pp. 16, 252 - 253, ill.
Magnetic North, Walker Art Center, and Video Pool Inc., October 2000, p. 50, ill.
Rearview Mirror: Automobile Images and American Identities, edited by Kevin J. Boyle, published by UCR California Museum of Photography, California
Sites Around the City: Art and Environment, published by Arizona State University Fine Arts, pp. 40, ill.
Zona F, edited by Jose Miguel G. Cortes, Espai d' Art Contemporani de Castello, Castello, Spain

1999
Bauer, Silvia, "Beyond the Gender Principle," Differences Within Gender Studies, Erich Schmidt
Verlag, pp. 86-105, ill.
The Modernist Document/Le Document Moderniste, edited by Nancy Shaw, published by Leonard & Bina Ellen Art Gallery, Concordia University and The Canada Council for the Arts

1998
Artenergie: Art in Jeans, Edizioni Charta, Milano, pp. 104-5, ill.
The Edge of Night:Urban Landscape Photography, published by Hunter College, essay by Susan H. Edwards
From the Corner of the Eye, Stedelijk Museum, Amsterdam, The Netherlands, curated by Martijn van Nieuwenhuyzen, Leontine Coelewij and Hripsime Visser, ill.
L.A. Times: Art e da Los Angeles nella Collezione Re Rebaudengo Sandretto, Fondazione Sandretto Re Rebaudengo per L'Arte, Torino, Italy, curated by Francesco Bonami, ill.
Lost Paradise; Catherine Opie, Joachim Koester, Ellen Cantor, Presenca Galeria, Porto Portugal, curated by Alexandre Melo, ill.
New Langton Arts, New Langton Arts, Essay by Susan Miller, pp. 155, ill., cover
Veronica's Revenge; Contemporary Perspectives on Photography, LAC, Switzerland, edited by Elizabeth Janus with Marion Lambert, Scalo, ill.

1997
a/drift, curated by Joshua Decter, Center for Curatorial Studies, Bard College
Annandale-on-Hudson, NY, ill.
American Art 1975-1995 from the Whitney Museum: Multiple Identity, Castello di
Rivoli, Museo d'Arte Contemporanea, Edizioni Charta, Milano, Italy
Catherine Opie, essays by Elizabeth A.T. Smith and Colette Dartnall, The Museum of
Contemporary Art, Los Angeles, 1998, ills.
Lahs-Gonzales, Olivia, Defining Eye: Women Photographers of the 20thCentury, St.
Louis Art Museum
Nittve, Lars, and Crenzien, Helle, Sunshine & Noir: Art in L.A. 1960-1997, Louisiana
Museum of Modern Art, Humlebaek, Denmark, ill.
Rrose is a Rrose is a Rrose: Gender Performance in Photography, Jennifer Blessing and the Guggenheim Museum of Art, NY, NY, ill.
Sobel, Dean, Identity Crisis: Self-Portraiture at the End of the Century, Milwaukee Art
Museum, Milwaukee, Wisconsin
Torres, Jose Alvaro Perdice, Cruising L.A., Galeria Soledad Lorenzo, Madrid, Spain, ill.

1996
Art at the End of the 20th Century: Selections from the Whitney Museum of American Art, Whitney Museum of American Art, New York, essay by Johanna Drucker, p. 19, ill.
Defining the Nineties: Consensus-making in New York, Miami, and Los Angeles, edited by Bonnie Clearwater, Museum of Contemporary Art, Miami, ill.
Persona, The Renaissance Society at The University of Chicago and Kunsthalle Basel, May, ill.
Sexual Politics, UCLA at the Armand Hammer Museum of Art and Cultural Center, edited by Amelia Jones, pp. 35, 225, 261 and 224, ill.
Snyder, Jill, In the Flesh, Aldrich Museum of Contemporary Art, p. 22, ill.

1995
Fabrications, Toronto Photographer's Workshop, Toronto, Canada, essay by Kim Fullerton, ill.
feminimasculin: Le sexe de l'art, Centre Georges Pompidou, Gallimard/Electra, Paris, ill.
In a Different Light, edited by Nayland Blake, Lawrence Rinder, Amy Scholder, City Lights Books, San Francisco, ill.
Kertess, Klaus, 1995 Biennial Exhibition, published by Whitney Museum of American Art and Harry N. Abrams, New York, ill.
La Belle et La Bete, Musee d'Art Moderne de la Ville de Paris, Paris, France, 1995, essay and curated by Lynn Gumpert, ill. (French and English)
Pervert, The Art Gallery, University of California, Irvine, essay by Catherine Lord, April 11 - May 16, 1995, ill
Reframings: New American Feminist Photographies, edited by Diane Neumaier, Temple University Press, Philadelphia, PA, ill.

1994
Love In the Ruins: Art and the Inspiration of L.A., Long Beach Musuem, text and curated by Noriko Gamblin, ill.
Oh boy, it's a girl! Feminismen in der Kunst, Kunstverein, Munchen, curated by Astrid Wege, essay "Verstreute Notizen," by Judith Fischer/Uta Laib, pp. 80-86, ill.
Persona Cognita, Museum of Modern Art at Heide, Melbourne, text and curated by
Juliana Engberg, also texts by Deb Verhoeven, Linda Williams, Margaret
Morgan, ill.
Transformers, Independent Curators Incorporated, New York, text and curated by Ralph Rugoff, ill.

1993
Back Talk: Women's Voices in the 90s, Lucy Lippard, Santa Barbara, CA

1992
Wasteland, Bas Vroege, Rotterdam, The Netherlands

1991
Situation, Richard Meyer, "Exceeding the Frame: recent production by lesbian and gay artists"

Selected General Publications:

2010
EXIT, Published quarterly by Olivares & Associates, S.L, Madrid, 2010, p. 136-137
Kelsey, John, and Brian Phillips, ed. "Rodarte/Catherine Opie & Alec Soth," published by JRP Ringier: Zürich, 2010
Reilly, Maura, Feminist Studies, Vol 36, No 1, Spring 2010, p. 161 (ill)

2009
En Todas Partes: Políticas de la Diversidad Sexual en el Arte, published by Centro Galego de
Arte Contemporánea, Santiago de Compostela, Spain, 2009. Ills.

2006
Rinder, Lawrence, Art Life, published by Gregory R. Miller & Co., LLC, New York, 2006 p. 58, ill. Nairne, Sandy and Sarah Howgate, The Portrait Now, published by The National Portrait Gallery, London, England, pp. 15, 20, 148, ill.
Schlegel, Eva, L.A. Women, published by Bundeskanzleramt Kunst, Wien, Austria, 2006, pp. 54-7, ills
Artists, photographed by Jason Schmidt, edited by Alix Browne and Christopher Bollen, published by Edition 7L, Paris, 2006, p. 43

2005
Mahon, Alyce, Eroticism & Art, published by Oxford University Press, New York, NY, 2005, pp. 265-7, ill.
Kraus, Chris, Jan Tumlir, and Jane McFadden, L.A. Artland: Contemporary Art from Los Angeles, published by Black Dog Publishing, London, England, 2005, pp. 126-9, ills
Lazzari, Margaret, and Dona Schlesier, Exploring Art, published by Thomson Wadsworth, Belmont, California, 2005, p.213, ill.
Robertson, Jean and Craig McDaniel, Themes of Contemporary Art: Visual Art After 1980, published by Oxford University Press Inc., New York, New York, 2005, pp. 116-7, 146, ill. Robinson, Sara Joyce, and Lisa P. Sutton, eds. Faultline: Journal or Art and Literature, vol 14, Spring 2005, cover, pp. 64-7, ills.

2004
Hamburg Kennedy, Marla and Ben Stiller, Looking at Los Angeles, published by Metropolis Books, New York, pp. 76-7, 92-3, ills

2003
Tu, Hung Q., Structures of Feeling, published by Krupskaya, San Francisco, 2003, ill.,cover.

2002
Gonzalez, Jennifer, "Landing in California," Art/Women/California: Parallels and Intersections, 1950-2000, published by University of California Press in association with the San Jose Museum of Art, pp.219-240, ill.
Phillips, Sandra S., "Women Artists in California and Their Engagement with Photography," Art/Women/California: Parallels and Intersections, 1950-2000, pp.241-256, ill.

2001
Watts, Jennifer A. Watts and Claudia Bohn-Spector, eds. The Great Wide Open: Panoramic Photographs of the American West. pp. 104-107, ill. Merill Publishing, London: 2001.

1998
Borzello, Frances, Seeing Ourselves: Women's Self-Portraits, Thames and Hudson, England, pp. 180, 183, ill.
O'Dell Kathy, Contract with the Skin: Masochism Performance Art and the 1970s, University of Minnesota Press, Minneapolis, MN, pp. 80, 83,109, 36, ill.

1997
New, edited by Roxana Marcoci, Diana Murphy, Eve Sinaiko, Harry N.Abrams,Inc. NewYork,New York, 1997

1996
The Now Art Book, by Noriko Fuku, published by Shiseido and Korinsha Press & Co., Ltd., pp. 109-111, ill.
Women, Art, and Society, by Whitney Chadwick, revised and expanded second edition, published by Thames & Hudson, Ltd., London, p. 391, 396, ill.

1984
Inside/Out, San Francisco, San Francisco Art Institute publication