Regen Projects

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DOUG AITKEN

BIBLIOGRAPHY

SELECTED EXHIBITION CATALOGS AND GENERAL PUBLICATIONS

2011
Birnbaum, Daniel, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, and Hans Ulrich Obrist, Defining Contemporary Art - 25 years in 200 pivotal artworks, published by Phaidon Press Limited, London, 2011, pp. 240-241
Rappolt, Mark, "Other Things to do in London During the Art Fair: Doug Aitken," Art Review, Issue 53, October 2011, p. 104
Spears, Dorothy, "Can You Hear Me Now?" The New York Times, July 24, 2011, AR19
Berandini, Andrew, "Doug Aitken: Infinite Regress," Art in America, June 7, 2011, http://www.artinamericamagazine.com/features/doug-aitken/
Zhong, Fan, "When: Doug Aitken," W Magazine, June 2011, p. 79
Zellen, Jody, "Doug Aitken," Art Ltd, March/ April 2011, pp. 54-56.
Hunter, Drohojowska-Philp, "Doug Aitken: Museum of Contemporary Art and Regen Projects," ARTnews , February 2011, p. 114.

2010
Frank, Peter, "Haiku Reviews: Los Angeles," The Huffington Post, December 10, 2010,
Moore, Catlin, 'Doug Aitken at Regen Projects," Daily Serving, November 29, 2010,
Browne, Alix, "What Happened Was… How Doug Aitken Stole the Show," T Magazine, December 7, 2010,
Knight, Christopher, "Art Review: Doug Aitken at Regen Projects," The Los Angeles Times,
November 26, 2010, p. D23
Yablonksy, Linda, "How the West Was Won," Artforum.com, November 19, 2010,
Hodge, Brooke, "Seeing Things: Doug Aitken's "House,"" T Magazine, November 11, 2010
Knight, Christopher, "An L.A. Assembly," The Los Angeles Times, Monday November 1, 2010, p. D1 & D6
Deitch, Jeffrey, "Interview with Doug Aitken," MOCA: The Contemporary, Fall/Winter 2010, p. 3
"Weltempfänger," Monopol, July 2010, p. 32-46 (ills)
Waters, Nancy, "Journey to the Centre of the Earth," AnAnother Magazine, Spring/Summer, Issue 18, pp. 329
Israel, Alex, "Doug Aitken," Purple Fashion Magazine, Spring/Summer, Volume III, Issue 13, pp. 157 – 166
Moreno, Shonquis, "Listen to Doug Aitken," Mark, No. 25, April-May
Row, D.K., "Beauty Amid the Upheaval," The Oregonian, Monday, February 22, 2010, p. B4-B5
Israel, Alex, "Myths of Decline," Artforum, January 2010, p. 70 (ill)

2009
Trebay, Guy, "Planet Art," The New York Time: Travel Magazine, Fall
Finkel, Jori, "Remastered," Modern Painters, October, pp. 38-40
Finkel, Jori, "Doug Aitken: The video artist uses the power of sound-and silence-to deine his sculptural environments," Art+Auction, October, pp. 48-54
Higgie, Jennifer, Editor's Blog, "Doug Aitken in Rome," Frieze, October 29
Review Best of 2009, "The Artists' Artists," Artforum International, December, #2
Review Best of 2009, "The Artist's Artists," Artforum International, December, #4
Lin, Kim, "Review: Doug Aitken," ARTnews, January, p. 110
Wiehager, Renate, "Blitzen: Mixed Media, Sculptures, Commisioned Works," Germany: Daimler Art Collection, 2009, pp. 204-205
Adbusters: Pop Nihilism, Jul/Aug, #84, vol. 17, no. 4, p. 35, 44, 39
Aitken, Doug, Doug Aitken Workshop," Domus, February, issue 922, pp. 48-53
"Enel Contemporanea 2009? Per Roma Bonami sceglie Doug Aitken," Exibart.onpaper, May, p. 26
Barrila, Silvia Anna, "Enel come Unilever?' Plus – II Sole 24 Ore, June 6, p. 23
"New Energy," L'Uomo Vogue, June, pp. 106-109
Lissoni, Andrea, "Tutti I sogni di Doug," Rolling Stone, October, p 46
Cervio, Alessia, "Quando l'energia e creative," Inside Art, October, p. 66
"Nuova installzion per Enel Contemporanea," In Town, October, p. 98
"Doug Aitken, Isola TIberina," Arte, October, p. 161
Rus, Mayer (ed.), "Rogue's Gallery," Los Angeles Times Magazine, September 6, p. 32
Wagley, Catherine, "Doug Aitken: Migration," DailyServing.com, September 21
Harris, Gareth, "Ed Ruscha stars in Doug Aitken film," The Art Newspaper, September 22
Pappalardo, Dario, "Frontier una luce in riva al Tevere," la Repubblica (nazionale), October 19, p. 41
Di Capua, Marco, "Stati di allucinazione nel cuore di Roma," Panorama, October 16, p. 184
Polveroni, Adriana, "Don Guijote postmoderno," D La Repubblicaa delle Donne, October 10, p. 122-128
"Enel Contemporanea," Kult, October October, p. 26
"Energy Room," Il Fotografo, October, p. 44
"Mammi, Alessandra, "il pifferaio Macro," L'Espresso, October 9, p. 93-94
"Doug Aitken in Rome," Domus, October, p. 162
Willis, Hollly, Doug Aitken's Migration," Blur + Sharpen, September 13
Pagel, David, "Lovely without Losing the Depth," The Los Angeles Times, Friday, September 25, 2009, p. D23
Myers, Holly, "The Perpetual Paradoxes of Life," The Los Angeles Times, p. D20, September 11, 2009 (ill.)
Kessler, Sarah, "Confusion is health," Whitewall, Summer 2009, Issue 14, pp. 108-116 (ill.)
Levin, Kim, "Review: Doug Aitken", ARTnews, January, p.110.
CIAC, et. al., eds. Mexico: Expected/ Unexpected. Trans. Margaret Kavangh. Druten: BnM uitgevers / Schiedam: Stedelijk Museum Schiedam, 2009, p. 32 (ill.)
"Kim-Cohen, Seth, "Sound- on Doug Aitken's Sonic Pavilion," ArtForum International, November, pp. 99-100
Finkel, Jori, "Studio Visit: Doug Aitken," Modern Painters, October, pp. 38-40
Finkel, Jori, "In the Studio," Art and Auction, October, pp. 48-54
Catalogue, Zwischen Zonen: La Colección Jumex, published by la Colección Jumex and Museum Moderner Kunst Stiftung Ludwig Wien, Spain, 2009

2008
Holzwarth, Hans Werner, Art Now: Vol 3, Taschen: Cologne, 2008, p.24-27 (ill)
Hirsch, Faye, "Exhibition Review: Doug Aitken," Art in America, December, p. 156.
Nikolai, Carsten, "The Artists' Artists," ArtForum, December
Ayerza, Josefina, "Feature: Doug Aitken," Lacanian Ink, Fall
Kazakina, Katya, "Aitkin's Critters Lounge in Motels," Bloomberg.com, October 30
Pollock, Barbara. "Review: Doug Aitken, 'Migration,'" Time Out New York, October 23-29
Castets, Simon, "Ideal Standard," VMAGAZINE.COM,
"Review," The New Yorker, October 13
Smith, Roberta, "An Alien Sighting on Planet Pittsburgh," The New York Times, May 9, p. B25-26
Knight, Christopher, "Extraterrestrial Earthlings find 'Life'", Los Angeles Times, Art Review, May 7, pp. E, pp. E6
McGuiggan, Jennifer, "Te Carnegie international: Life on Mars, Here in Pittsburgh," Pop City, May 7, 2008, http://www,popcitymedia.com/features/CI0507.aspx
Sardo, Delfim, "Here to go (ice cave)," Unica, April, p. 20-21
Review, MOMA: Highlights since 1980, p. 214.
Finkel, Jori, "At The Ready When Artists Think Big", The New York Times, Apr.27, pp. AR33
McKenna, Kristine, "SoCal Color," T: The New York Times Magazine, Mar. 92008 pp.150-151
"Reality Show," Art Review, pp. 50-51, January
Pollack, Barbara, "review," Time Out New York, October 23-29
Kazakina, Katya, "Aitken's Critters Lounge in Motels," Bloomberg.com, November 4
Castets, Simon, "Ideal Standard," VMagazine.com, October 29

2007
Vandederbilt, Tom, "Best of 2007 - No. 8," Artforum, December, pp. 340-341
Wijesooriya, Ruvan, " Doug Aitken Back-Stage: Los and Found: Tales from the Broken Screen," Uovo, pp. 218-236
Santiago, Fabiola, "Artist Puts Focus On Miami," Metro & State, Oct. 26, pp.6B
Vogel, Carol, "Sleepwalker's Video Is Tailored for Miami," The New York Times, Oct. 28, pp. B28
Bortolotti, Maurizio, "Between Art and the Media World," Domus, Oct. 7, pp. 152-153
Obrist, Hans Ulrich, "Ever 3/3 Ever," ARTiT, vol.16. Summer/Fall 2007, pp.78-79
Roman, Shari, "Transart Film Express," ., summer 2007, pp.16-17
"Doug Aitken," XFuns, Jun. pp.96-99.
"Works In Progress," TOKION, vol.2, pp.52, pp, 68-69
Smith, Roberta, "The Museum as Outdoor Movie Screen, Featuring Five Lives Lived After Dark," The New York Times, January 18
West, Kevin, "A+", W Magazine, January
Vanderbilt, Tom, "City of Glass," Artforum, January
Myers, Terry R., "Doug Aitken, The Flaneur," ArtReview, January, pp. 68-73
Alpert, Lukas I., "MoMA's wall-star cast," The New York Post, January 4
Henry, Clare, "An Urban Drive-In Movie on Manhattan's Sidewalks," Financial TImes (U.S. edition), January 27
Budick, Ariella, "Life in Manhattan as Projected from L.A.," Newsday, January 11
Thompson, Adam, review, Art Papers. May/June

2006
Homes, A.M., " Spotlight: Doug Aitken, The Narrator," Vanity Fair, December
Eichler, Dominic, "Universal Experience," Frieze, Jan - Feb, pp. 146-147
Hart, Hugh, "Art as a Prism For Ideas," Los Angeles TImes, March 25
Bollen, Christopher, "Artists in Residence," New York Times Magazine, Apr. 16, pp. 52-56
Faucon, Teresa and Damien Sausset, "Doug Aitken: l'evidence du temps," Art Press, Jan. 2006
Glickman, Adam [moderator], "Future of Content," Tokion Magazine: The Creativity Now Issue, Feb/Mar 2006, pp. 94-98
Lunenfeld, Peter, "The Order of Things," Los Angeles Times Book Review, Sunday, Apr. 16, p. R9
"Portfolio/Doug Aitken: What I Think About, When I Think About You, 2005," Mouvement, Jan.-Mar. 2006, pp. 108-115
"Postcard Art," [UK] TNT Midweek, Oct. 5, pp. 9, 11
Schwerfel, Heinz Peter, "Ein Surfer durch Licht und Zeit," Art das Kunstmagazin, Jan.-Mar. 2006
Teeman, Tim, "Around the World in Eighty Ways," London: Times Knowledge, Sept. 24-30
Williamson, Damien, "The Anti-Snapshot," Time Out: Aspen Daily News, May 26-31, pp. 8-9
Zuckerman Jacobson, Heidi, "Mirror, Mirror," Aspen Magazine, Summer 2006, pp. 80, 82

2005
Baron, Marie-Guy, "En symbiose avec Doug Aitken," Le Figaro, 27 decembre
Demir, Anaid, "Ultraworld, une histoire sans debut et sans fin," Le Journal des Arts, 2-15 decembre
"Doug Aitken," L'Officiel, Automne/Hiver 2005/2006
Moisdon, Stephanie, "Doug Aitken: a la recherché de mondes perdus," Beaux Arts Magazine, Nov. 2005, pp. 52-57
Schonwald, Cedric, "Ultraworld," Art 21, dec. 2005-jan. 2006
Zappia, Francesca, "Doug Aitken's Ultraworld," Undo.net, 19 Dec. 2005
Miles, Christopher, "Doug Aitken, Regen Projects," Artforum, Dec., p.285
Tate, Natalie, "Native Artist Returns Home," The Daily Bruin Magazine, Oct. 13, p.11
Wiesmayer, Andre, interview, Tokion, Sept/Oct., p. 79-81
Willis, Holly, "Time Machines", LA Weekly, September 16-25, pp 72-73
Knight, Christopher, "Modern experience, dissected 11 different ways," Los Angeles Times, Sep. 30, p. E1
Lewine, Edward, "Art That Has to Sleep in the Garage," Arts & Leisure, The New York Times, June 26, p. 1, 26
Poor, Kristin, "Doug Aitken," The Blow-Up, issue no. 3, Spring / Summer, pp. 36 42
"Dakar, Senegal: 10 days without sleep." Ryuko Tsushin, vol. 501, March, pp. 86-91
interview, Boundless, number 1, Art Center College of Design, pp. 10-13
Marsh, Margaret, Art 2 Practice (textbook), Oxford Press, pp. 254-355
Steward, Sue, "A focus on six of the best," The Evening Standard, Jan 19

2004
"Broken Screen," project for Artforum, Nov 2004 p. 194-201
Rebollar, Monica, "Fragmentary Beauty," Lapiz, no. 208, December, p. 50-65
Arango, Carlos, "Doug Aitken: Estaremos seguros mientras todo se mueva," Alterego,no. 36
Hernandez Grima, Julio, "Armonia y caos," Gara, Bilbao, November 30, p. 11
Merino, Jose Luis, "Armonizar los contrarios," El Pais, Bilbao, November 8, p. 8
Reguera, Galder, review, Artes plasticas, Bilbao, November, p. 17
review, Exposiciones Espana, Exit Express, November, p. 19
Garcia, Txema, "Doug Aitken: la percepcion de lo minimo," Kaleidos, no. 23, October 22-28, p. 24
Saenz de Gorbea, Xabier, "Mientras todo se mueva," Deia, October 23, p. 18
San Sebastian, Aitzol, "La seguridad del movimento," La Luna de Metropoli, no. 24, October 15-21, p. 14
Carrera, G., "Lo que queda del Paraiso," Cultura, El Correo, Bilbao, October 15, p. 74
Constryendo arquitecturas: Doug Aitken," Neo 2, October
Smith, Roberta, "Summertime at P.S. 1: Where Opposites Like Hands On/Hand Off Attract," The New York Times, July 16
Cornell, Lauren, "Hard Light" Review, Time Out New York, August 5-12
Doug Aitken talks to Ed Ruscha, "Earth is the Alien Planet", frieze, issue 84, Jun-Aug, pp.100-105
Bergstein, Yael, "Bice Curiger on the Hypermental and Georgia O'Keefe" studio: israeli art magazine, issue 151, march, p.32-39

2003
Sumpter, Helen, "Doug Aitken," Time Out London, November 19-26
Smee, Sebastian, "Mesmerising Visions," Daily Telegraph, October 29
Smithson, Helen, "Visual essay on our state of alienation," Hampstead and Highgate Express, November 7
Boncossa, Ilaria, "a shifting breakfast," label, #9, spring, p.092-097
Tegeder, Dannielle, Bomb, Spring Issue Number 83, p.44-46
"Focus Video and Film," FlashArt, Jan-Feb, Vol.XXXVI, No.228, p.88
Willis, Holly, "I am always moving," res, vol.6, no. 3, 36
Newhall, Edith, Artnews, May, vol. 102, number 5, p.159
Eleey, Peter, frieze, January February, issue 72, p.93

2002
Renard, Emilie, "Critics' Picks," artforum.com, review
Griffin, Tim, review, Artforum, December, p.137
Honigman, Ana Finel, review, contemporary, November, p.85
Heartney, Eleanor, review, Art in America, November, p. 155-6
Sculpture, October, Vol. 21 No.8, p. 16
Halle, Howard, review, Time Out NY, October 10-17, Is. 367
Kastner, Jeffrey, "No Labels, No Boundaries: An Artist of the Moment," Arts & Leisure, The New York Times, October 7, p. 36-7
Kihm, Christophe, "Gestures and Territies," art press, September, No. 282, p. 46-50
Smith, Roberta, review, The New York Times, October 18
Photo, "Goings On About Town," The New Yorker , October 14-21
review, The New Yorker, October 7, p. 23
Griffin, Tim,"Doug Aitken," Index Magazine, September/October, p.40
Newhall, Edith, "Too Much Information," New York Magazine, Sept. 9. Vol. 35, No. 30, p.70
Res, September/October, p.22
Withers, Rachel, review, tema celeste, January/February, Issue 89, p.74
Art Now, edited by Uta Grosenick & Byrhard Riemschneifer, Taschen,p. 16
Firstenberg, Lauri, "Urban Pornographic," make, London, special edition 92, p.9
Morton, Tom, review, Modern Painters, Winter, Vol 14, No.4, p.102-3

2001
Kent, Sarah, "Living in Oblivion," Time Out London, October 24-31, p.60
Ratnam, Niru, "The Man Who Fell to Earth," The Face, London, November
Guzik, Jon Alain, "A Twilight of Perfection," Dazed & Confused, London, Winter, Narcism Issue, p. 130-9
Buck, Louise, "Quick Flicks," Vogue, October, Vol. 167, No. 2439, p. 91-2
Cork, Richard, "Flood Warnings," review, The Times, London, October 17, London, U.K
Januszczk, Waldemar, "Going Underground," The Sunday Times, October 21, London, U.K.
Lack, Jessica, review, The Guardian, London, October 13
Lubbock, Tom, "5 Best Shows in London," The Independent, London, October 13th.
"Richard Cork's choice: Doug Aitken," The Times, London, October 1
Sumpter, Helen, Hot Tickets, London, October 12
Bishop, Claire, (review), The Evening Standard, London, October 11
Mitchell, Stephen, "Going out," The Evening Standard, London, October 11
Chapman, Peter, The Independent, London, October 6
Hemming, Sarah, preview, The Daily Express, London, October 5
Guzik, Jon Alain, "Video Art: A Primer," SOMA, October, Vol. 15.8, P. 43-46
Reust, Hans-Rudolf, "Hypermental; Kunsthaus Zürich," (review), Artforum
International, Summer, Vol. 34, No. 10, p. 193-4
book review, "Diamond Sea," tema celeste, May –June,Vol. XVIII, No.85, p. 20
"Diamond Sea," Mined Field, p. 408-415
Firstenberg, Lauri, "Visualizing the Contemporary Vernacular: The Photograph of Doug Aitken,"
Camera Austria, 74, pp. 6, 17, cover
Spiegl, Andreas, "Doug Aitken: Wiener Secession, Wien", Camera Austria International, Graz/A, no. 73, p. 78-9, ill.
Franke, Anselm, "Doug Aitken. Variiert in seinen Installationen. Ensembles von film, Video, Foto, Architektur, und sound," KW Magazine, Berlin, no.01/01, p. 86-7 (english translation p. 78)
Glueck, Grace, "Connecticut Covers 3 Centuries Lightly: Aldrich Museum,"
The New York Times, Friday, July 21
Guzik, Jon Alain, "Calm, Cool, and Collected," Soma, Vol. 15.4, May/June, pp. 43-45
Fuchs, Christian and Petra Erdmann, "Crossing All Over," Ahead, 1. pp. 64-65
Vogel, Sabine V. "Die Welt im Zwichenraum, Zu Doug Aitken's Videoinstallationen," Kunst-Bulletin, April. p. 12-17
Spinelli, Claudia, "Mediale Entgrenzung: Der Videokunstler Doug Aitken in Wolfsburg," Neue Zurcher Zeitung, Zurich, no. 96, April 26, 2001, p.65
Ramonet, Ignacio, "Heller Wahn," Le Monde diplomatique, April, p.1, Germany
"Berlin's Best," Der Tagesspiegel, March 23, 2001
"Berlin's Best," Der Tagesspiegel, March 16, 2001
review, Flyer, Nr. 137, March 5 – 18, 2001
"Berlin's Best," Der Tagesspiegel, March 9, 2001
"Doug Aitken," Die Tageszeitung/ Sonderbeilage Kunstmuseum Wolfsburg, March 2001
Busing, Nicole & Klaas, Heiko, "Zuckungen in der Endlossschleife," Saarbrucker Zeitung, March 9, 2001
Wahjudi, Claudia, "Frau ohne Eigenschaften", Zitty, Nr. 6, March 8 – 21, 2001
Walder, Gabriela, "Der Groβstadtnomade von Los Angeles," Die Welt, March 8,
Ebeling, Knut, "Parabeln der Unbehaustbeit," Berliner Zeitung, March 6, 2001
Stoeber, Michael, "Die Unsicherheit aller Verhaltnisse," Hannoversche Allgemeine Zeitung, March 5, 2001
"Highlights der Woche," Stern, March 1, 2001
"Berlin," Frankfurter Allgemeine Zeitung, February 28, 2001
Hilgenstock, Andrea, "Der Poet unter den Videokunstlern," Die Rheinpfalz Ludwigschafen Rundschau, February 26, 2001
Wulffen, Thomas, "Amor vacui," Frankfurter Allgemeine Zeitung, February 26,
"Netzwerk," Zitty, February 22, 2001
mos, "Medium als Message," Der Tagesspiegel, February 22, 2001
review, Zitty, February 22, 2001
Buhr, Elke, "Der perfekte Moment," Frankfurter Rundschau, February 21, 2001
Hilgenstock, Andrea, "Gigi in der Geisterstadt," Berliner Morgenpost, February 20
Kuhn, Nicola, "Wusten der Groβstadt," Der Tagesspiegel, February 20, 2001
Fricke, Harald, "Leben unter dem Stroboskop," Die Tageszeitung, February 20,
Kuhn, Nicola, "Der Rap der Groβstadt," Potsdamer Neueste Nachrichten", February 19, 2001
Surborg, Jorn, "Uberraschende Ansichten urbaner Landschaften," Wolfsburger Kurier, February 18, 2001
Franke, Anselm, "Doug Aitken: Videos als raumfullendes Gebilde," Wolfsburger Allgemeine Zeitung, February 16, 2001
"Los Angeles leuchtet – Wolfsburg zeigt Werke von Doug Aitken," Neue Presse, Hannover, February 16, 2001
Nehring, Lydia, "Elektrische Liebeserklarung?!," Berliner Morgenpost, February 15, 2001
Poschardt, Ulf, "Surfen statt Zappen," Welt Am Sonntag, February 11, 2001
Pardo, Patrick, "The Politics of Landscape," NYArts, Vol. 6, No. 2, February 2001, p.75
Jothady, Manish, "Reisen in den Inner Space," Frame, vol. 5, Jan-Feb, pp. 67-73
Romano, Gianni, "Secession," review, Flash Art, January - February, Vol. XXXIV, No. 216, pp. 121-122

2000
Fuchs, Christian and Petra Erdamann, "How to Disappear Completely: Doug Aitken," Ahead, January, page 64 -5
Anton, Saul, "Dead Meat: From Aitken to Barney through Hitchcock," Fiction: or Other Accounts of Photography, Dazibao, Montreal, Canada, November, p. 47-55
Vogel, Sabine B., Frankurter Allgemeine, November 7, p. 23
Secession, February, Cover + pp. 8-9
Aitken, Doug, "Horse's Mouth -- reader's tips complied by Laura Mauk," Bookforum, Vol. 7, Issue 4, Winter, p.44
"Turbulence; Blackout; movement; Breath In; Weak Link; Mirror," Blind Spot, Issue 16
Martin, Frank Edgerton, "That's Entertainment, Let's Entertain Life's Guilty Pleasures," Portland Art Museum, Architecture, August, p. 63
Feinstein, Roni, "Museum of Contemporary Art," Art in America, p. 44
Anton, Saul, "A Thousand Words: Doug Aitken Talks about Electric Earth," Artforum, May, pp. 160-161
Rubinstein, Raphael, "Regional Hopes & Recycled Tropes," Art in America, July
Anton, Saul, "Doug Aitken New York," Res, October
Gerstler, Amy, "Man in Motion: The Video Nomad Goes Home," November, No. 186, Los Angeles Magazine, November, pp. 122-27
Willis, Holly, "Signal To Noise, Doug Aitken's Blow Debris," LA Weekly", December pp. 8-14
Myers, Holly, "Horizons, Art Photography (mostly) at MOCA and the Getty," LA Weekly
Pagel, David, "Flight Patterns Ventures Far," Calendar Arts and Entertainment," Thursday, November 23, p. 63
Muchnic, Suzanne, "She's Trying to Reorient LA's Compass, Art and Architecture, December
Bonetti, David," dark views of battered landscape in LA show," San Francisco Examiner, Thursday, November 16
Verkoeper, Ute, "I Am In You," Springerin, Ausstellungen
Bronson, AA, "Doug Aitken, Glass Horizon, These Restless Minds, Wiener Secession, Association of Visual Artists, Wednesday, January 3
Dusini, Mathias, "Netzhaut unter Strom," Falter Vienna, no. 43, October 27
Mittwoch, "Kunst-Szenen, Audiovisuelle Poesis - Doug Aitken," Neus Zurcher Zeltung, Zurich, no. 166, July 19
Grzonka, Patricia Von, "Clever & Smart," Kunst. p. 182
Kalmar, Stefan, Access/Excess, The Face, p. 190
Steininger, Florain, "Wuste gegen Urbanitat, Die Presse, Doug Aitken, "Glass Horizon," Vienna, October 25
Mittringer, Marku, "Hyperaktive Stagnation, Doug Aitken hat in der Secession," Der Standard, Vienna, October 21
Auritipp, "Die tollen Lockvogel," Zurich: TA Media AG, June 16-22, p. 64
Talkington, Amy, "Ausstellungsempfehlung, Doug Aitken," Seccession, Wien, Portfolio, Newsletter, Vienna, no. 2, p. 14
Golonu, Berin, "Previews," Artweek, July/August
Calendar/Critics Choice, San Francisco Bay Guardian, July 15
Bonetti, David, "Bay City Best," San Francisco Examiner Magazine, July 9
Guthmann, Edward, "India's 'Bollywood' Inspires Video Artist," San Francisco Chronicle, July 18, pp. E1-E5
Tsering, Lisa, "Into the Sun: Impressions of the Bollywood Dream Machine," India West, July 21
Helfand, Glen, "Access Bollywood", The San Francisco Bay Guardian," July 26- August 1
Bonnetti, David, "BAM installation examines film," San Francisco Examiner", August 25
Baker, Kenneth, "The Fantasy World of Bollywood: Video artist explores mystique of movies," San Francisco Chronicle, July 12
Bonami, Francesco, "Liquid Time," Parkett, Issue 57, pp. 29-32
Roberts, James, "Omega Man," Parkett, Issue 57, pp. 22-23
vanAssche, Christina, "The "Stalker" of the Fin de Siécle," Parkett, Issue 57, p.54-58
McKenna, Kristine, " Biennial Man," LA Weekly, March 17-23
Ruhm, Constanze, "Planet of the Scapes", Style and the Family Tunes," Germany, April/May, Issue 30 pp. 34-39
Birnbaum, Daniel, "i am in you," review, Artforum, December, pp. 126
Halle, Howard, "2000 and None: The Whitney Blows the Franchise," Time Out New York, no 237, April 6-13, p. 72
"Very New Art," Bijutsu Techo, Japan, No. 782, January
Artbyte, cover photo, Vol. 3, No. 2, July-August
Wei, Lily, "2000 Biennial Exhibition," review, Artnews, Vol. 99, No. 5, May, p. 225
Paini, Dominique, "Le Retour du Flâneur," Artpress, Paris, no. 255, March, p. 33
Rush, Michael, "New Media Rampant," Art in America, July, p. 41
"Doug Aitken," Brutus, Japan
"Gallery Side 2," review, Bijutsu Techo, Japan, Vol. 51, No. 774, August, p. 21
"Very New Art 2000," Bijutsu Techo, Japan, pp. 9-12
Adams, Mark, "Accelerating Art: Aitken, 'I am a Bullet,''" Rolling Stone, September 14, p. 105
"Super-flat landscape," Bijutsu Techo, Japan, September, cover, pp. 18-29
Grabner, Michelle, "Let's Entertain," Walker Arts Center, review, frieze, Issue 54, Sept-Oct, pp. 125-26
Green, Charles, "The Biennale of Sydney 2000," review, Artforum, September, p. 186-87
Withers, Rachel, "Fall Preview: Guy Wired," Artforum, September, p. 78
"No-one needs to say sorry," The Sydney Morning Herald, Fri., May 26, p. 19
Smee, Sebastian, "Video Drills the Rodeo Star," Sydney Morning Herald, July 8
Genocchio, Benjamin, The Australian, May 26
"Visual Arts: A Fresh Perspective," Sydney Scope Magazine, June 6
"Art Showcase: Doug Aitken," Zoo, London, January, Is. 4, p. 158-9

1999
Macel, Christine, Beaux Arts , profile, December, p.78-81
Ryan, Orla, Circa , review of biennale, issue # 89 p.16-17
Lyer, Pico, "Always Homeward Bound," photo contribution, Architecture, Vol. 88, No 12, Dec, p. 86
Big, "Random space," images Doug Aitken p. 102 -109
Herbert, Martin, Londonart, UK magazine , October 22
Saltz, Jerry. "New Channels," The Village Voice, January 12, p. 113
Anton, Saul, "Doug Aitken's Moment," tate, issue no. 19, Winter . pp. 54-58
Giorgio, Verzotti, "La Biennale dello Culture Emergenti," Tema Celeste Arte
Contemporanea, review, September, 1999, p. 52.
Hayt, Elizabeth, "Looking Ahead," The New York Times, Sunday, September 12, p. 93
Madoff, Steven Henry, "All's Fair," Artforum, September, pp. 145-154, 184, 190
Heiser, Jorg and Andrew Gellatly, "Just Add Water," frieze, issue 48, Sept-Oct, pp. 66-71
Vertrocq, Marcia. "The Venice Biennale: Reformed, Renewed, Redeemed," Art in America, Sept., pp 82-93
Anton, Saul, review, Artbyte, June-Aug, p. 108
Amadasi, Giovanna, interview, -cross, no. 2, p. 24-29
Rattray, Fiona, "Landscape Art," Blueprint, March, No. 159, p. 63
Gisbourne, Mark, "I Love New York, Crossover of Contemporary Art," review, Contemporary Visual Arts, Issue 22, p.77
Cincinelli, Saretto, "Pitti Immagine Discovery," Flash Art, June-July, p.118
"Video et Photographie Scellent leurs Noces au Printemps de Cahors," review, Le Monde, June 23
Rees, Christina, "Well-Cut Gem," Dallas Observer, June 3-9, p. 62
Lubow, Arthur, "The Curse of the Whitney," The New York Times Magazine, April 11, pp. 54-61
review, "Doug Aitken at 303," Flash Art, January-February, p. 40
Bonami, Francesco & Obrist, Hans, ed., Dreams
Robinson, Walter, "Hi Mom, I'm in Venice," Artnet.com
de Rooij, Marie, "Beeldende Kunst," De Groene Amsterdammer, June 2, p.27
Aspesi, Natalia, "Festa Grande per Artisti Casalinghi," La Republica, June 10
"48 la Biennale di Venezia," review, Bijutsu Techo, Japan, Vol. 51, No., 775
"Clues," review, Flash Art, May 1999
Le Millenium, (Japanese), no. 26
Vogel, Carol, "At Venice Biennale, Art Is Turning Into an Interactive Sport," The New York Times, Monday, June 14, E1, E6

1998
Kimmelman, Michael, "The Art of the Moment (And Only For The Moment)," The New York Times, August 1, 1999, pp.34-35, sec. 2.
Gorky, Arshille, "Electric Earth, 1999, Biennale di Venezia," September, p. 52
Arning, Bill, Review, Time Out New York, January 7, p. 54
Krauss, Nicole, Review, Art in America, March, p. 112
Jocks, Heinz-norbert, "Ein Fernblick auf New York," Kunstforum International, January-February, pp. 312-312
Bonami, Francesco, "Doug Aitken: Making Work Without Boundaries," Flash Art, May-June, pp. 80--82
Fogle, Douglas, "No Man's Land," frieze #39, March-April, pp. 56-61
Pastami, Shumchi, "Doug," Esquire, Tokyo, September
Blair, Dike, "Interview/ Sound and Image, Self and Place," Purple Prose 13, Winter
Woznicki, Krystian, "California on the Mind's Road Map," The Japan Time, July 19, pp. 13
Fleiss, Eileen, ed., photo project for Purple Two, Winter, pp. 382-389
Shave, Stuart, ed, "Speed Addict," i-d, October, p. 131
Morrissey, Simon, review, Untitled, p. 30
review, attitude, September, p. 95
Wakefield, Neville. "Let's Go to the Videotape," Art & Auction, October 19
review, PIA, Tokyo, Japan, July 6
Akasaka, Hideto. "Mindscape," Asahi Camera, August
review, i-magazine, August
review, Gallery, July, p. 31
review, Nikkei Art, August

1997
Talkington, Amy, "Diamonds in the Desert," Ray Gun August
McKenna, Kristine. "It Happens Every Two Years," The Los Angeles Times, March 9
Pokorny, Sydney. review. Artforum, Summer
Leggat, Graham. "All of These, None of These: The 1996 New York Video
Festival", Parkett Magazine, Issue 48, p.162
review, Village Voice, April
Newhall, Edith, "Glimmer Fields," Talent, New York Magazine, April 14, p. 148
"ad./on/exchange: a Project curated by Jade Dellinger," Zing Magazine, Winter/Spring
Cameron, Dan, "The Year's Best," Artforum, December
"Galleries--Chelsea," The New Yorker, April 4
"Doug Aitken," Studio Voice (8), Volume 248, pp 384-386
Searle, Adrian, "Nowhere to Run," Frieze, Issue 34, May, p. 45
Interview on AdaWeb: http://adaweb.com/project/aitken; http://adaweb.com/context/artists/aitken/dabio.html
Madestrand, Bo. "Unpacking the Fashion Pack: Doug Aitken and Peter Gehrke at Gallery Index, Stockholm," Material, No. 32, Spring
Schmerlerler, Sarah. "Doug Aitken at 303 Gallery," Time Out New York, April 17-24, p. 41
Sandhu, David, "Exhibition of the Month: we gotta get out of this place," i-d, December
Photography project, "Adrenalin," i-d, December
Coomer, Martin, review, Time Out London

1996
Arning, Bill, "Down for the Kunst," Time Out New York
Schmerler, Sarah, "Art in the Anchorage '96," Time Out New York, #46

1995
Schwartz, Henry, Flash Art, March-April, p.104
Di, Genova, Arianna, "Una collezione d'arte," Il Manifesto, February 23

1994
Pokorny, Sydney, frieze, Nov/Dec, p.61
Decter, Joshua, Reviews, Artforum, December, p.48
Kastner, Jeffrey, "Beyond Belief," Flash Art, Summer, p.61
Muir, Gregor, "Beyond Belief," World Art, June, p.109
Weil, Benjamin, "Ouverture," Flash Art, May/June, p.104
"Moonlighting," The New Yorker, Oct.3, p.26
Cork, Richard, "All Human Life is Missing," The London Times, April 26
Colman, David. " Short Takes," Vogue, December, p. 20
Lillington, David, "Monkey Business - Beyond Belief," Time Out, April
Saltz, Jerry, " Doug Aitken at the AC Project Room," Art in America, April, p.128

1993
Saltz, Jerry "Mayday, Mayday, Mayday," Art in America, September, p.45
Saltz, Jerry, "10 Artists for the 90s," Art & Auction, May, p.122-125

1992
Bogan, Neill, Art Papers, October/November p.54
Kempton, Jim, "Schrapnel," WARP Magazine, October, p. 18


BOOKS AND CATALOGUES

2010
Aitken, Doug, The Idea of the West, JRP Ringier: Zurich, and MOCA: Los Angeles, 2010. Published on the occasion of "The Artist's Museum Happening," envisioned by Doug Aitken and presented at The Museum of Contemporary Art, Los Angeles, on November 13, 2010.

2008
Holzwarth. Hans-Werner, ed., Art Now 3, Taschen, Los Angeles
Blasted Allegories, "Works From the Ringier Collection " JRP|Ringier, Zurich
Heiser, Jorg, All Of A Sudden: Things That Matter In Contemporary Art, Sternberg Press. New York, pp.11, 216, 218ff, 222, 228, 230-231
Lissoni, Andrea, "Video and Contemporary Art. History of a Not Too Invisible Ghost", Electronic Lounge, Carlo Cambi Editore, Poggibonsi, Italy, pp.24-25
Blasted Allegories: Works from the Ringier Collection, pp.68-69, 71
Life on Mars, 55th Carnegie International, Carnegie Museum of Art, Pittsburgh,pp.66-71
The Cinema Effect: Illusion, Reality, and the Moving Image, Washington D.C., p. 34
Red Eye: LA Artists from the Rubell Family Collection, RFC Miami
"50 Years of Modern Art," stamp catalogue, Louisiana – Museum of Modern Arts

2007
MOMA: Highlights Since 1980, The Museum of Modern Art, New York, pp. 214
Creative Time: The Book, Princeton Architectural Press, New York, pp.187
Sleepwalkers, exhibition catalogue, Museum of Modern Art, New York
Jones, Caroline A., Sounding The Subject: Video Trajectories, MIT List Visual Art Center, Massachusetts, pp.66-67
Works In Progress: Herzog & de Meuron's Miami Art Museum, exhibition catalogue, Miami, pp.48
Volume. Idea Books, Amsterdam, The Netherlands, vol. 13, pp.148-151
Silence. Listen to the Show, Sandretto Foundation, Torino, Italy, exhibition catalogue
her(his)tory, Athens Museum of Cycladic Art, exhibition catalogue
Birnbaum, Daniel, Chronology, Sternberg Press, Second Edition

2006
Broken Screen: 26 Conversations with Doug Aitken, D.A.P., New York
Visionaire 48 Magic, Van Cleef & Arpels, Visionaire Publishing, New York
Ecotopia: The second ICP Triennial of Photography and Video, exhibition catalogue, International Center for Photography, New York

2005
Bits & Pieces Put Together to Present a Samblance of a Whole, Walker Art
Center, pp.96
Art Basel Conversations, Art Basel and Hatje Cantz Publishers, Germany, pp.56
Press Play: Contemporary Artists in Conversation, Phaidon, New York, pp.14-23; 685
Grosenick, Uta, Art: Now Vol. 2, Taschen, pp. 20-23
All Hawaii Entrées / Lunar Reggae, exhibition catalogue, Irish Museum of Modern Art
Beyond Cinema: The Art of Projection, Nationalgalerie Staatliche Museen zu Berlin
"Universal Experience: Art, Life, and the Tourist's Eye," Museum of
Contemporary Art, Chicago, p. 128-129
Encounters in the Twenty-Frist Century: Polyphony- Emerging Resonances,
21st Century Museum of Contemporary Art Kanazawa, Danko-sha, Kyoto/Toyko,
Japan, image#23
"Bidibidobidiboo: Works from Collezione Sandretto Re Rebaudengo," curated by Francesco Bonami, Turin, Italy, p. 258-9; 261; 392

2004
Couturier, Elisabeth, L'Art Contemporain: Mode d'Emploi, Editions Filipacchi, p. 184-185
"Stazione Utopia Revisited," Sensi Contemporanei in Campania: dalla
50esima Esposizione Internationale d'Arte della Biennale di Venezia, p. 22
"Landscape and Memory," curated by Alicia Chillida, La Casa Encendida, Madrid, Spain, pp 248-251

2003
"Installations II l'empire des sens," Niicholas de Oliveira, Nicola Oxley, and
Michael Petry, Thames & Hudson, Paris, France, p.68, 77
"Defying Gravity," text by Linda Johnson Dougherty, North Carolina Museum of Art, p.66-67
"Kino und Kunst," text by Heinz Peter Schwerfel, Germany
"Spiritus," Magasin 3 Stockholm Konsthall, Stockholm, Sweden
"Imperfect Innocence: The Debra and Dennis Scholl Collection," Contemporary Museum, Baltimore, Maryland and the Palm Beach Institute of Contemporary Art, Lake Worth, Florida


2002
"Screen Memories," Contemporary Art Center, Art Tower Mito, Japan, (exh. cat)

2001
"Hypermental Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons," curated by Brice Curiger, Kunsthaus Zurich, Zurich, Switzerland, pp. 124, 141

2000
"Form Follows Fictio,n, curated by Jeffrey Deitch, Castello di Rivoli, (exh. cat)
"Fresh Cream, Contemporary Art in Culture," Phaidon Press, pp. 58-63
"Flight Patterns," Museum of Contemporary Art, Los Angeles, CA, (exh. cat)
"The 2000 Biennial Exhibition," Whitney Museum of American Art, New York
"Let's Entertain: Life's Guilty Pleasures," curated by Philippe Vergne, Walker Art Center, Minneapolis, MN, pp. 210-11
"Speed of Vision: On the Construction and Perception of Time in Video Art," curated by Matthew Yokobosky, The Aldrich Museum of Contemporary Art, p. 26
"Crossing Boundaries 2000," The Danish Film Institute, Denmark, p. 54
"Video Vibe: Arte, Musica e Video in Giran Bretagna," Cristiana Perrella e
Daniela Cascella, The British School at Rome, Italy, p. 64
"Biennale of Sydney 2000," pp. 32-33

1999
"Video Cult/ures," 'Into the Sun', Museum for Contemporary Art, Karlsruhe, Germany
"Concentrations 33: Doug Aitken, Diamond Sea," Dallas Museum of Art, Dallas, TX
"Video Cult/ures," Zentrum fur Kunst und Medientechnologie, Karlsuhe, Germany
"EXTRAetORDINAIRE," Le Printemps De Cahor, St-Cloud, France
"dAPERTutto," La Biennale di Venezia: 48a Esposizione Internazionale d'Arte, Fogle, Douglas, Marsilio, Venice, pp 286 – 289

1998
"Unfinished History," Walker Art Center, MN
"I Love New York -- Crossover of Contemporary Art," Museum Ludwig, Cologne, Germany
"Dreams," Sandretto Re Rebaudengo Foundation for Art, Italy

1997
"The 1997 Whitney Biennial," The Whitney Museum of American Art, New York
"29' - 0"/East," Kunsthalle New York, New York
"One Minute Scenario," curated by Jerome Sans, Le Printemps de Cahors, Saint-Cloud, France
"22 International Ljubljana Biennal of Graphic Art," Cankarjevdom-Cultural and Congress Centre, the Modern Gallery and the Tivoli Gallery, Ljubljana
"film+arc.graz," Third International Biennale, Graz, Austria

1996
"Campo 6: The Spiral Village," curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo per l'Arte
"a/drift," exhibition catalogue, curated by Joshua Dector, Center for Curatorial Studies Museum, Bard College

1995
"La Belle et la Bete-Beauty and the Beast," Musee d'Art Moderne de la Ville de Paris, p.36-37, 114-115

1994
"LifeSize," Centro per l'Arte Contemporanea Luigi Pecci, Museo d'Arte Contemporanea, Prato, Italy
"Audience 0.01," Giancarlo Politi Editore, Trevi, Italy

1993
"Okay Behaviour," 303 Gallery, New York, NY



SELECTED WRITINGS

2005
"100 Frames: Bruce Conner's Breakaway," Esopus, number 3, Fall, p. 91
"Pierre Huyghe," Bomb: Art and Culture Interviews, issue #89, Fall, p. 40-42



ARTIST'S BOOKS

2012
Doug Aitken, Rizzoli, New York, NY

2011
Sleepwalkers Box, DFA Records & Princeton Architectural Press, New York and Princeton, NJ

2008
99¢ Dreams, Aspen Art Press, Colorado / DAP
Write in Jerry Brown for president, Museum of Modern Art , New York, NY

2007
Sleepwalkers, exhibition catalogue, Museum of Modern Art, New York

2005
Broken Screen: Expanding the Image, Breaking the Narrative, 26 Conversations with Doug Aitken, D.A.P., New York
ALPHA, Musée d'Art Moderne de la Ville de Paris, ARC, Paris

2004
We're Safe As Long As Everything Is Moving, La Caixa Forum, Barcelona

2002
Doug Aitken A-Z Book (Fractals), The Fabric Workshop and Museum, Kunsthalle Zurich and Hatje Cantz Verlag and the authors

2002
new ocean, Tokyo Opera City Art Gallery, Tokyo, Japan
rise, Louisiana Museum, Denmark

2001
new ocean, Serpentine Gallery, U.K.
Artists monograph, Phaidon Press, U.K.
notes for new religions, notes for no religions, Cantz and Kunstmuseum Wolfsburg

2000
I AM A BULLET, Random House
diamond sea, Book works, U.K.

1998
Metallic Sleep. Tokyo: Taka Ishii Gallery