_Doug Aitken
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BIBLIOGRAPHY
ARTICLES AND REVIEWS
2008
Hodge, Brooke, "Doug Aitken," This is Not to be Looked At, MOCA, 2008
2007 Rappolt, Mark, "Il Tempo Del Postino: Playing For Time," Art Review:, Issue 14,
September 2007, pp. 52-61.
Biesenbach, Klaus, "Black Paintings: From Rainer Werner Fassbinder's Berlin
Alexanderplatz," Flash Art, October 2007, pp. 6, 116 – 119, ill.
Mulholland, Neil, "Manchester: Il Tempo del Postino," Flash Art, October 2007, p. 67, ill.
Griffin, Jonathan, "Il Tempo del Postino," Frieze, September 2007, pp. 176-177.
Herbert, Martin and Daniel Birnbaum, "The Postman Rings Twice: Martin Herbert and
Daniel Birnbaum on 'Il Tempo Del Postino'," Artforum, pp. 97 – 101, ill.
Cash, Stephanie, "A Night in the Life," Art In America, April 2007, pp. 105 – 107, ills
Stern, Steven, "Sleepwalkers," Frieze, April 2007, ill.
Martin, Courtney J., "Doug Aitken: Sleepwalkers," Flash Art, March 2007, p. 121, ill.
Frank, Peter, "Doug Aitken," art ltd., March 2007, p. 23, ill.
Golden, Thelma, "Doug Aitken," Interview, February 2007, ills
Henry, Clare, "An urban drive-in movie on Manhattan's sidewalks," Financial Times
(U.S. Edition), January 19, 2007
Budick, Ariella, "Life in Manhattan as projected from L.A.," Newsday, January 19, 2007
Smith, Roberta, "The Museum as Outdoor Movie Screen, Featuring Five Lives Lived
After Dark," The New York Times, January 18, 2007, ills
Finkel, Jori, "MoMA's Off-the-Wall Cinema," The New York Times, January 7, 2007, p.22,
ill.
Hanson, Sarah P. "Outside the White Cube," ArtNews, January 2007, p. 25, ill.
Vanderbilt, Tom, "City of Glass," Artforum, January 2007, pp. 45-6, ills
West, Kevin, "A+," W, January 2007, pp. 112-117, ills
Zeitz, Lisa, "PreView," Monopol, January 2007, ills
Myers, Terry R., "Doug Aitken: The Flaneur," ArtReview, January 2007, p. 68-73, ills
Ho, Cathy Lang, "MoMA Goes Multimedia," The Architect's Newspaper, January 17, 2007, ills
Zimmer, Amy, "The Filming is on the Walls," Metro: New York Edition, January 16, 2007, ill.
Yablonksy, Linda, "Night at the Museum," Time Out New York, January 11-17, 2007, pp. 28-9, Ills
Picard, Charmaine, "Doug Aitken Takes on Manhattan," The Art Newspaper, January 2007, ill.
2006 Muchnic, Suzanne, "A Peek at Eli Broad's L.A. Cache," Los Angeles Times, December 3, 2006,
p. F1, ill.
Picard, Charmaine, "Banking on Aitken for Winter Tourists," The Art Newspaper, September
2006, ill.
Muchnic, Suzanne, "MoMA to Wear its Art on the Outside," Los Angeles Times, July 30, 2006,
p.E44, ill.
¬¬¬¬¬Vogel, Carol, "A Video Installation for MoMA," The New York Times, July 26, 2006, ill.
¬Interview, "Q&A: Doug Aitken: Doug and Vito and Everyone They Know," The
Architects Newspaper, June 7, 2006, #10, pp. 32-33, ill.
Lowenstein, Kate, "Screen scene," Time Out New York, May 4 – 10, 2006, p. 5, ill.
Hart, Hugh, "Art as a prism for ideas," The Los Angeles Times, March 25, 2006, p. E14, ill.
Glickman, Adam, "Future of Content," Tokion, February / March 2006, pp. 94-8, ills
Homes, A. M., "Spotlight: Doug Aitken: The Narrator," Vanity Fair, December 2006, p. 375,
ill.
2005 Miles, Christopher, "Dough Aitken," Artforum, December 2005, p. 285, ill.
Dambrot, Shana Nys, "Doug Aitken: The Moment," ModernPainters, November 2005, p. 108,
ill.
Tate, Natalie, "Native Artist Returns Home," The Daily Bruin Magazine, October 13 - 19, 2005,
p. 11, ill.
Knight, Christopher, "Modern experience, dissected 11 ways," The Los Angeles Times,
September 30, 2005, pp. E1 & E30, ill.
Wiesmayr, Andre, "Doug Aitken," Tokion, September/October 2005, pp. 78 – 81, ills
Willis, Holly, "Time Machines," LA Weekly, September 16 –22, 2005, p. 72-3, ills
2004 'Broken Screen', project for Artforum, Nov 2004 p. 194-201
Whitehead, Terri, "Doug Aitken," Art Review, September 2004, p. 104, ill.
Smith, Roberta, "Summertime at P.S. 1: Where Opposites Like Hands On/Hand
Off Attract", The New York Times, July 16
Cornell, Lauren "Hard Light" Review, Time Out New York, August 5-12
Doug Aitken talks to Ed Ruscha, "Earth is the Alien Planet", frieze, issue 84, Jun-Aug, pp100-105
Bergstein, Yael, "Bice Curiger on the Hypermental and Georgia O'Keefe" studio: israeli art magazine, issue 151, march, p.32-39
2003 Sumpter, Helen, "Doug Aitken", Time Out London, November 19-26
Smee, Sebastian, "Mesmerising Visions", Daily Telegraph, October 29
Smithson, Helen, "Visual essay on our state of alienation", Hampstead and Highgate Express, November 7
Boncossa, Ilaria, "a shifting breakfast", label, #9, spring, p.092-097
Tegeder, Dannielle, Bomb, Spring Issue Number 83, p.44-46
"Focus Video and Film", FlashArt, Jan-Feb, Vol.XXXVI, No.228, p.88
Willis, Holly, "I am always moving", res, vol.6, no. 3, 36
Newhall, Edith, Artnews, May, vol. 102, number 5, p.159
Eleey, Peter, frieze, January February, issue 72, p.93
2002 Renard, Emilie, "Critics' Picks", artforum.com, review
Griffin, Tim, review, Artforum, December, p.137
Honigman, Ana Finel, review, contemporary, November, p.85
Heartney, Eleanor, review, Art in America, November, p. 155-6
Sculpture, October, Vol. 21 No.8, p. 16
Halle, Howard, review, Time Out NY, October 10-17, Is. 367
Kastner, Jeffrey, "No Labels, No Boundaries: An Artist of the Moment",
Arts&Leisure, The New York Times, October 7p. 36-7
Kihm, Christophe, "Gestures and Territies", art press, September, No. 282, p. 46-50
Smith, Roberta, review, The New York Times, October 18
Photo, "Goings On About Town", The New Yorker , October 14-21
review, The New Yorker, October 7, p. 23
Griffin, Tim,"Doug Aitken", Index Magazine, September/October, p.40
Newhall, Edith, "Too Much Information", New York Magazine, Sept. 9. Vol. 35, No. 30, p.70
Res, September/October, p.22
Withers, Rachel, review, tema celeste, january/february, Issue 89, p.74
Art Now, edited by Uta Grosenick & Byrhard Riemschneifer, Taschen,p. 16
Firstenberg, Lauri, "Urban Pornographic", make, London, special edition 92, p.9
Morton, Tom, review, Modern Painters, Winter, Vol 14, No.4, p.102-3
2001 Kent, Sarah, "Living in Oblivion", Time Out London, October 24-31, p.60
Ratnam, Niru, "The Man Who Fell to Earth", The Face, London, November
Guzik, Jon Alain, "A Twilight of Perfection", Dazed & Confused, London, Winter, Narcism Issue, p. 130-9
Buck, Louise, "Quick Flicks", Vogue, October, Vol. 167, No. 2439, p. 91-2
Cork, Richard, "Flood Warnings", review, The Times, London, October 17, London, U.K
Januszczk, Waldemar, "Going Underground", The Sunday Times, October 21, London, U.K.
Lack, Jessica, review, The Guardian, London, October 13
Lubbock, Tom, "5 Best Shows in London", The Independent, London,
October 13th.
"Richard Cork's choice: Doug Aitken", The Times, London, October 1
Sumpter, Helen, Hot Tickets, London, October 12
Bishop, Claire, (review), The Evening Standard, London, October 11
Mitchell, Stephen, "Going out", The Evening Standard, London, October 11
Chapman, Peter, The Independent, London, October 6
Hemming, Sarah, preview, The Daily Express, London, October 5
Guzik, Jon Alain, "Video Art: A Primer", SOMA, October, Vol. 15.8, P. 43-46
Reust, Hans-Rudolf, "Hypermental; Kunsthaus Zürich", (review), Artforum
International, Summer, Vol. 34, No. 10, p. 193-4
book review, "Diamond Sea",tema celeste, May –June,Vol. XVIII, No.85, p. 20
"Diamond Sea", Mined Field, p. 408-415
Firstenberg, Lauri, "Visualizing the Contemporary Vernacular: The Photograph of Doug Aitken", Camera Austria, 74, pp. 6, 17, cover
Spiegl, Andreas, "Doug Aitken: Wiener Secession, Wien", Camera Austria International, Graz/A, no. 73, p. 78-9, ill.
Franke, Anselm, "Doug Aitken. Variiert in seinen Installationen. Ensembles von film, Video, Foto, Architektur, und sound", KW Magazine, Berlin, no.01/01, p. 86-7 (english translation p. 78)
Glueck, Grace, "Connecticut Covers 3 Centuries Lightly: Aldrich Museum",
• The New York Times, Friday, July 21
• Guzik, Jon Alain, "Calm, Cool, and Collected", Soma, Vol. 15.4, May/June, pp. 43-45
• Fuchs, Christian and Petra Erdmann, "Crossing All Over", Ahead, 1. pp. 64-65
• Vogel, Sabine V. "Die Welt im Zwichenraum, Zu Doug Aitken's Videoinstallationen" Kunst-Bulletin, April. p. 12-17
• Spinelli, Claudia, "Mediale Entgrenzung: Der Videokunstler Doug Aitken in Wolfsburg", Neue Zurcher Zeitung, Zurich, no. 96, April 26, 2001, p.65
• Ramonet, Ignacio, "Heller Wahn", Le Monde diplomatique, April, p.1, Germany
• "Berlin's Best", Der Tagesspiegel, March 23, 2001
"Berlin's Best", Der Tagesspiegel, March 16, 2001
review, Flyer, Nr. 137, March 5 – 18, 2001
"Berlin's Best", Der Tagesspiegel, March 9, 2001
"Doug Aitken", Die Tageszeitung/ Sonderbeilage Kunstmuseum Wolfsburg, March 2001
Busing, Nicole & Klaas, Heiko, "Zuckungen in der Endlossschleife", Saarbrucker Zeitung, March 9, 2001
Wahjudi, Claudia, "Frau ohne Eigenschaften, Zitty, Nr. 6, March 8 – 21, 2001
• Walder, Gabriela, "Der Groβstadtnomade von Los Angeles", Die Welt, March 8,
• Ebeling, Knut, "Parabeln der Unbehaustbeit", Berliner Zeitung, March 6, 2001
• Stoeber, Michael, "Die Unsicherheit aller Verhaltnisse", Hannoversche Allgemeine Zeitung, March 5, 2001
"Highlights der Woche", Stern, March 1, 2001
"Berlin", Frankfurter Allgemeine Zeitung, February 28, 2001
Hilgenstock, Andrea, "Der Poet unter den Videokunstlern", Die Rheinpfalz Ludwigschafen Rundschau, February 26, 2001
Wulffen, Thomas, "Amor vacui", Frankfurter Allgemeine Zeitung, February 26,
"Netzwerk", Zitty, February 22, 2001
mos, "Medium als Message", Der Tagesspiegel, February 22, 2001
review, Zitty, February 22, 2001
Buhr, Elke, "Der perfekte Moment", Frankfurter Rundschau, February 21, 2001
Hilgenstock, Andrea, "Gigi in der Geisterstadt", Berliner Morgenpost, February 20
Kuhn, Nicola, "Wusten der Groβstadt", Der Tagesspiegel, February 20, 2001
Fricke, Harald, "Leben unter dem Stroboskop", Die Tageszeitung, February 20,
Kuhn, Nicola, "Der Rap der Groβstadt", Potsdamer Neueste Nachrichten", February 19, 2001
Surborg, Jorn, "Uberraschende Ansichten urbaner Landschaften" Wolfsburger Kurier, February 18, 2001
Franke, Anselm, "Doug Aitken: Videos als raumfullendes Gebilde", Wolfsburger Allgemeine Zeitung, February 16, 2001
"Los Angeles leuchtet – Wolfsburg zeigt Werke von Doug Aitken", Neue Presse, Hannover, February 16, 2001
Nehring, Lydia, "Elektrische Liebeserklarung?!", Berliner Morgenpost, February 15, 2001
Poschardt, Ulf, "Surfen statt Zappen", Welt Am Sonntag, February 11, 2001
Pardo, Patrick, "The Politics of Landscape", NYArts, Vol. 6, No. 2, February 2001, p.75
Jothady, Manish, "Reisen in den Inner Space", Frame, vol. 5, Jan-Feb, pp. 67-73
Romano, Gianni, "Secession", review, Flash Art, January - February, Vol. XXXIV, No. 216, pp. 121-122
2000 Fuchs, Christian and Petra Erdamann, "How to Disappear Completely: Doug
Aitken", Ahead, January, page 64 -5
Anton, Saul, "Dead Meat: From Aitken to Barney through Hitchcock", Fiction: or Other Accounts of Photography, Dazibao, Montreal, Canada, November, p. 47-55
Vogel, Sabine B., Frankurter Allgemeine, November 7, p. 23
Secession, February, Cover + pp. 8-9
Aitken, Doug, "Horse's Mouth -- reader's tips complied by Laura Mauk", Bookforum, Vol. 7, Issue 4, Winter, p.44
"Turbulence; Blackout; movement; Breath In; Weak Link; Mirror", Blind Spot, Issue 16
Martin, Frank Edgerton, "That's Entertainment, Let's Entertain Life's Guilty Pleasures, Portland Art Museum, Architecture, August, p. 63
Feinstein, Roni, "Museum of Contemporary Art", Art in America, p. 44
Anton, Saul, "A Thousand Words: Doug Aitken Talks about Electric Earth", Artforum, May, pp. 160-161
Rubinstein, Raphael, "Regional Hopes & Recycled Tropes", Art in America, July
Anton, Saul, "Doug Aitken New York", Res, October
Gerstler, Amy, "Man in Motion: The Video Nomad Goes Home", November,
No. 186, Los Angeles Magazine, November, pp. 122-27
Willis, Holly, "Signal To Noise, Doug Aitken's Blow Debris", LA Weekly", December pp. 8-14
Myers, Holly, "Horizons, Art Photography (mostly) at MOCA and the Getty", LA Weekly
Pagel, David, "Flight Patterns Ventures Far", Calendar Arts and Entertainment", Thursday, November 23, p. 63
Muchnic, Suzanne, "She's Trying to Reorient LA's Compass, Art and Architecture, December
Bonetti, David, "dark views of battered landscape in LA show", San Francisco Examiner, Thursday, November 16
Verkoeper, Ute, "I Am In You", Springerin, Ausstellungen
Bronson, AA, "Doug Aitken, Glass Horizon, These Restless Minds, Wiener Secession, Association of Visual Artists, Wednesday, January 3
Dusini, Mathias, "Netzhaut unter Strom", Falter Vienna, no. 43, October 27
Mittwoch, "Kunst-Szenen, Audiovisuelle Poesis - Doug Aitken", Neus Zurcher Zeltung, Zurich, no. 166, July 19
Grzonka, Patricia Von, "Clever & Smart, Kunst. p. 182
Kalmar, Stefan, Access/Excess, The Face, p. 190
Steininger, Florain, "Wuste gegen Urbanitat, Die Presse, Doug Aitken, "Glass Horizon", Vienna, October 25
Mittringer, Marku, "Hyperaktive Stagnation, Doug Aitken hat in der Secession", Der Standard, Vienna, October 21
Auritipp, "Die tollen Lockvogel", Zurich: TA Media AG, June 16-22, p. 64
Talkington, Amy, "Ausstellungsempfehlung, Doug Aitken", Seccession, Wien, Portfolio, Newsletter, Vienna, no. 2, p. 14
Golonu, Berin, "Previews", Artweek, July/August
Calendar/Critics Choice, San Francisco Bay Guardian, July 15
Bonetti, David, "Bay City Best", San Francisco Examiner Magazine, July 9
Guthmann, Edward, "India's 'Bollywood' Inspires Video Artist", San Francisco Chronicle, July 18, pp. E1-E5
Tsering, Lisa, "Into the Sun: Impressions of the Bollywood Dream Machine", India West, July 21
Helfand, Glen, "Access Bollywood", The San Francisco Bay Guardian", July 26-
August 1
Bonnetti, David, "BAM installation examines film", San Francisco Examiner", August 25
Baker, Kenneth, "The Fantasy World of Bollywood: Video artist explores mystique of movies", San Francisco Chronicle, July 12
Bonami, Francesco, "Liquid Time", Parkett, Issue 57, pp. 29-32
Roberts, James, "Omega Man, Parkett, Issue 57, pp. 22-23
vanAssche, Christina, "The "Stalker" of the Fin de Siécle", Parkett, Issue 57, p.54-58
McKenna, Kristine, " Biennial Man", LA Weekly, March 17-23
Ruhm, Constanze, "Planet of the Scapes", Style and the Family Tunes", Germany, April/May, Issue 30 pp. 34-39
Birnbaum, Daniel, "i am in you", review, Artforum, December, pp. 126
Halle, Howard, "2000 and None: The Whitney Blows the Franchise", Time Out New York, no 237, April 6-13, p. 72
"Very New Art", Bijutsu Techo, Japan, No. 782, January
Artbyte, cover photo, Vol. 3, No. 2, July-August
Wei, Lily, "2000 Biennial Exhibition", review, Artnews, Vol. 99, No. 5, May, p. 225
Paini, Dominique, "Le Retour du Flâneur", Artpress, Paris, no. 255, March, p. 33
Rush, Michael, "New Media Rampant, Art in America, July, p. 41
"Doug Aitken", Brutus, Japan
"Gallery Side 2", review, Bijutsu Techo, Japan, Vol. 51, No. 774, August, p. 21
"Very New Art 2000", Bijutsu Techo, Japan, pp. 9-12
Adams, Mark, "Accelerating Art: Aitken, 'I am a Bullet''", Rolling Stone, September 14, p. 105
"Super-flat landscape", Bijutsu Techo, Japan, September, cover, pp. 18-29
Grabner, Michelle, Let's Entertain, Walker Arts Center, review, frieze, Issue 54, Sept-Oct, pp. 125-26.
Green, Charles, "The Biennale of Sydney 2000", review, Artforum, September, p. 186-87
Withers, Rachel, "Fall Preview: Guy Wired", Artforum, September, p. 78
"No-one needs to say sorry", The Sydney Morning Herald, Fri., May 26, p. 19
Smee, Sebastian, "Video Drills the Rodeo Star", Sydney Morning Herald, July 8
Genocchio, Benjamin, The Australian, May 26
"Visual Arts: A Fresh Perspective", Sydney Scope Magazine, June 6
"Art Showcase: Doug Aitken", Zoo, London, January, Is. 4, p. 158-9
1999 Macel, Christine, Beaux Arts , profile, December, p.78-81
Ryan, Orla, Circa , review of biennale, issue # 89 p.16-17
Lyer, Pico, "Always Homeward Bound", photo contribution, Architecture, Vol. 88, No 12, Dec, p. 86
Big, "Random space" images Doug Aitken p. 102 -109
Herbert, Martin, Londonart , UK magazine , October 22
Saltz, Jerry. "New Channels", The Village Voice, January 12, p. 113
Anton, Saul, "Doug Aitken's Moment", tate, issue no. 19, Winter . pp. 54-58
Giorgio, Verzotti, "La Biennale dello Culture Emergenti", Tema Celeste Arte
Contemporanea, review, September, 1999, p. 52.
Hayt, Elizabeth, "Looking Ahead", The New York Times, Sunday, September 12, p. 93
Madoff, Steven Henry, "All's Fair", Artforum, September, pp. 145-154, 184, 190
Heiser, Jorg and Andrew Gellatly, "Just Add Water", frieze, issue 48, Sept-Oct, pp. 66-71
Vertrocq, Marcia. "The Venice Biennale: Reformed, Renewed, Redeemed, Art in America, Sept., pp 82-93
Anton, Saul, review, Artbyte, June-Aug, p. 108
Amadasi, Giovanna, interview, -cross, no. 2, p. 24-29
Rattray, Fiona, "Landscape Art", Blueprint, March, No. 159, p. 63
Gisbourne, Mark, "I Love New York, Crossover of Contemporary Art", review, Contemporary Visual Arts, Issue 22, p.77
Cincinelli, Saretto, "Pitti Immagine Discovery" Flash Art, June-July, p.118
"Video et Photographie Scellent leurs Noces au Printemps de Cahors", review,
Le Monde, June 23
Rees, Christina, "Well-Cut Gem", Dallas Observer, June 3-9, p. 62
Lubow, Arthur, "The Curse of the Whitney", The New York Times Magazine, April 11, pp. 54-61
review, "Doug Aitken at 303", Flash Art, January-February, p. 40
Bonami, Francesco & Obrist, Hans, ed., Dreams
Robinson, Walter, "Hi Mom, I'm in Venice", Artnet.com
de Rooij, Marie, "Beeldende Kunst", De Groene Amsterdammer, June 2, p.27
Aspesi, Natalia, "Festa Grande per Artisti Casalinghi", La Republica, June 10
"48 la Biennale di Venezia,", review, Bijutsu Techo, Japan, Vol. 51, No., 775
"Clues", review, Flash Art, May 1999
Le Millenium, (Japanese), no. 26
Vogel, Carol, "At Venice Biennale, Art Is Turning Into an Interactive Sport", The New York Times, Monday, June 14, E1, E6
Kimmelman, Michael, "The Art of the Moment (And Only For The Moment)", The New York Times, August 1, 1999, pp.34-35, sec. 2.
Gorky, Arshille, "Electric Earth, 1999, Biennale di Venezia", September, p. 52
1998 Arning, Bill, Review, Time Out New York, January 7, p. 54
Krauss, Nicole, Review, Art in America, March, p. 112
Jocks, Heinz-norbert, "Ein Fernblick auf New York", Kunstforum International,
January-February, pp. 312-312
Bonami, Francesco, "Doug Aitken: Making Work Without Boundaries", Flash Art, May-June, pp. 80--82
Fogle, Douglas, "No Man's Land", frieze #39, March-April, pp. 56-61
Pastami, Shumchi, "Doug", Esquire, Tokyo, September
Blair, Dike, "Interview/ Sound and Image, Self and Place", Purple Prose 13, Winter
Woznicki, Krystian, "California on the Mind's Road Map" The Japan Time, July 19, pp. 13
Fleiss, Eileen, ed., photo project for Purple Two, Winter, pp. 382-389
Shave, Stuart, ed, "Speed Addict", i-d, October, p. 131
Morrissey, Simon, review, Untitled, p. 30
review, attitude, September, p. 95
Wakefield, Neville. "Let's Go to the Videotape", Art & Auction, October 19
review, PIA, Tokyo, Japan, July 6
Akasaka, Hideto. "Mindscape", Asahi Camera, August
review, i-magazine, August
review, Gallery, July, p. 31
review, Nikkei Art, August
1997 Talkington, Amy, "Diamonds in the Desert" Ray Gun August
McKenna, Kristine. "It Happens Every Two Years" The Los Angeles Times,
March 9
Pokorny, Sydney. review. Artforum, Summer
Leggat, Graham. "All of These, None of These: The 1996 New York Video
Festival", Parkett Magazine, Issue 48, p.162
review, Village Voice, April
Newhall, Edith, "Glimmer Fields", Talent, New York Magazine, April 14, p. 148
"ad./on/exchange: a Project curated by Jade Dellinger", Zing Magazine, Winter/Spring
Cameron, Dan, "The Year's Best", Artforum, December
"Galleries--Chelsea", The New Yorker, April 4
"Doug Aitken", Studio Voice (8), Volume 248, pp 384-386
Searle, Adrian, "Nowhere to Run", Frieze, Issue 34, May, p. 45
Interview on AdaWeb: http://adaweb.com/project/aitken; http://adaweb.com/context/artists/aitken/dabio.html
Madestrand, Bo. "Unpacking the Fashion Pack: Doug Aitken and Peter Gehrke at Gallery Index, Stockholm", Material, No. 32, Spring
Schmerlerler, Sarah. Doug Aitken at 303 Gallery, Time Out New York, April 17-24, p. 41
Sandhu, David, "Exhibition of the Month: we gotta get out of this place", i-d, December
Photography project, "Adrenalin", i-d, December
Coomer, Martin, review, Time Out London,
1996 Arning, Bill, "Down for the Kunst", Time Out New York
Schmerler, Sarah, "Art in the Anchorage '96", Time Out New York, #46
1995 Schwartz, Henry, Flash Art, March-April, p.104
Di, Genova, Arianna, "Una collezione d'arte", Il Manifesto, February 23
1994 Pokorny, Sydney, frieze, Nov/Dec, p.61
Decter, Joshua, Reviews, Artforum, December, p.48
Kastner, Jeffrey, "Beyond Belief", Flash Art, Summer, p.61
Muir, Gregor, "Beyond Belief", World Art, June, p.109
Weil, Benjamin, "Ouverture", Flash Art, May/June, p.104
"Moonlighting", The New Yorker, Oct.3, p.26
Cork, Richard, "All Human Life is Missing", The London Times, April 26
Colman, David. " Short Takes", Vogue, December, p. 20
Lillington, David, "Monkey Business - Beyond Belief", Time Out, April
Saltz, Jerry, " Doug Aitken at the AC Project Room", Art in America, April, p.128
1993 Saltz, Jerry "Mayday, Mayday, Mayday", Art in America, September, p.45
Saltz, Jerry, "10 Artists for the 90s", Art & Auction, May, p.122-125
1992 Bogan, Neill, Art Papers, October/November p.54
Kempton, Jim, "Schrapnel", WARP Magazine, October, p. 18
BOOKS AND CATALOGUES
2008 Heartney, Eleanor, Art & Today, published by Phaidon, London, England, 2008, pp. 153,
157-8, ill.
"Arte Contemporanea," published by La Biblioteca di Republica-L'espresso, Electa,
Spain, 2008, pp.86-7, ill.
2007 "Red Eye: L.A. Artists from the Rubell Family Collection," published by the Rubell
Family Collection, Miami, Florida, 2007, pp. 76 & 77, ills
"Collection Art Contemporain,"published by Centre Pompidou, Paris, France, 2007, p.
29, ill.
"The Book on Vegas," published by Greybull Press, Los Angeles, CA, 2007, pp. 192, 193-
5, ills
"Fast Forward: Contemporary Collections for the Dallas Museum of Art," published by
the Dallas Museum of Art, Dallas, Texas, 2007, p. 246, ill.
2006 "Broken Screen: 26 Conversations with Doug Aitken Expanding the Image, Breaking the
Narrative," published by D.A.P., New York, NY, 2006
"Surprise Surprise," curated by Jens Hoffman and Rob Bowman, published by the
Institute of Contemporary Arts, London, 2006
"Artists," photographed by Jason Schmidt, published by Edition 7L, Paris, 2006, p. 25
2005 "Art Now: Volume 2," published by Taschen, 2005, pp. 20-3, ills
"pressPLAY," published by Phaidon Press, Inc., New York, 2005, pp. 14-23
"Universal Experience," curated by Francesco Bonami, published by Museum of
Contemporary Art, Chicago, IL, p. 129, ill.
• "Doug Aitken: Alpha," published by Les Musées dé la Ville de Paris, France, 2005
• "Artists' Books, Revisted," curated by Matthias Herrmann, published by Secession, Vienna, 2005
•
• 2004 "Landscape and Memory", curated by Alicia Chillida, La Casa Encendida,
• Madrid, Spain, pp 248-251
• "Not Afraid: Rubell Family Collection," by Mark Coetzee, published by Phaidon Press Limited, London, England, 2004, pp 204-205, ill.
•
• 2003 "Installations II l'empire des sens", Niicholas de Oliveira, Nicola Oxley, and
• Michael Petry, Thames & Hudson, Paris, France, p.68, 77
• "Defying Gravity", text by Linda Johnson Dougherty, North Carolina Museum of Art, p.66-67
• "Kino und Kunst", text by Heinz Peter Schwerfel, Germany
• "Spiritus", Magasin 3 Stockholm Konsthall, Stockholm, Sweden
• "Imperfect Innocence: The Debra and Dennis Scholl Collection", Contemporary Museum, Baltimore, Maryland and the Palm Beach Institute of Contemporary Art, Lake Worth, Florida
•
• 2002 "Screen Memories", Contemporary Art Center, Art Tower Mito, Japan, (exh. cat)
2001 "Hypermental Rampant Reality 1950-2000 from Salvador Dali to Jeff Koons", curated by Brice Curiger, Kunsthaus Zurich, Zurich, Switzerland, pp. 124, 141
"Form Follows Fiction", curated by Jeffrey Deitch, Castello di Rivoli,, (exh. cat)
2000 "Fresh Cream, Contemporary Art in Culture", Phaidon Press, pp. 58-63
"Flight Patterns", Museum of Contemporary Art, Los Angeles, CA, (exh. cat)
"The 2000 Biennial Exhibition". Whitney Museum of American Art, New York
"Let's Entertain: Life's Guilty Pleasures", curated by Philippe Vergne, Walker Art Center, Minneapolis, MN, pp. 210-11
"Speed of Vision: On the Construction and Perception of Time in Video Art, curated by Matthew Yokobosky, The Aldrich Museum of Contemporary Art, p. 26
"Crossing Boundaries 2000", The Danish Film Institute, Denmark, p. 54
"Video Vibe: Arte, Musica e Video in Giran Bretagna", Cristiana Perrella e
Daniela Cascella, The British School at Rome, Italy, p. 64
"Biennale of Sydney 2000", pp. 32-33
1999 "Video Cult/ures", 'Into the Sun', Museum for Contemporary Art, Karlsruhe, Germany
"Concentrations 33: Doug Aitken, Diamond Sea",Dallas Museum of Art, Dallas, TX
"Video Cult/ures", Zentrum fur Kunst und Medientechnologie, Karlsuhe, Germany
"EXTRAetORDINAIRE, Le Printemps De Cahor, St-Cloud, France
"dAPERTutto", La Biennale di Venezia: 48a Esposizione Internazionale d'Arte, Fogle, Douglas, Marsilio, Venice, pp 286 – 289
1998 "Unfinished History", Walker Art Center, MN
"I Love New York -- Crossover of Contemporary Art", Museum Ludwig, Cologne, Germany
"Dreams", Sandretto Re Rebaudengo Foundation for Art, Italy
1997 "The 1997 Whitney Biennial", The Whitney Museum of American Art, New York
"29' - 0"/East", Kunsthalle New York, New York
"One Minute Scenario", curated by Jerome Sans, Le Printemps de Cahors, Saint-Cloud, France
"22 International Ljubljana Biennal of Graphic Art", Cankarjevdom-Cultural and Congress Centre, the Modern Gallery and the Tivoli Gallery, Ljubljana
"film+arc.graz," Third International Biennale, Graz, Austria
1996 "Campo 6: The Spiral Village", curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo per l'Arte
"a/drift ", exhibition catalogue, curated by Joshua Dector, Center for Curatorial Studies Museum, Bard College
1995 "La Belle et la Bete-Beauty and the Beast", Musee d'Art Moderne de la Ville de Paris, p.36-37, 114-115
1994 "LifeSize", Centro per l'Arte Contemporanea Luigi Pecci, Museo d'Arte Contemporanea, Prato, Italy
"Audience 0.01", Giancarlo Politi Editore, Trevi, Italy
1993 "Okay Behaviour", 303 Gallery, New York, NY
ARTIST'S BOOKS
• 2004 We're Safe As Long As Everything Is Moving, La Caixa Forum, Barcelona
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• 2002 Doug Aitken A-Z Book (Fractals), The Fabric Workshop and Museum, Kunsthalle Zurich and Hatje Cantz Verlag and the authors
• new ocean, Tokyo Opera City Art Gallery, Tokyo, Japan
rise, Louisiana Museum, Denmark
• 2001 new ocean, Serpentine Gallery, U.K.
• Artists monograph, Phaidon Press, U.K.
notes for new religions, notes for no religions, Cantz and Kunstmuseum Wolfsburg
2000 I AM A BULLET, Random House
diamond sea, Book works, U.K.
• 1998 Metallic Sleep. Tokyo: Taka Ishii Gallery
