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REGEN PROJECTS

GILLIAN WEARING


BIBLIOGRAPHY

Selected Catalogues and other Publications

2008 Heartney, Eleanor, Art & Today, published by Phaidon, London, England, 2008, p.
137, ill.

2007 Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, published by Musée
des Arts Contemporains au Grand-Hornu, Tournai, Belgium, August 2007,
pp. 161, 385, ill.
Monograph, Family History, published by Film and Video Umbrella and Maureen
Paley, 2007

2006 No. 1: First Works by 362 Artists, edited by Grancesca Richer and Matthew
Rosenzweig, published by D.A.P., 2006,
Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation
Contemporary Art Collection, Cascais, Portugal, Oct 2006, ill.
Nairne, Sandy and Sarah Howgate, The Portrait Now, published by The National
Portrait Gallery, London, England, cover, pp. 11,13, 49, 153, ills
Compilation, Artists, photographed by Jason Schmidt, edited by Alix Browne and
Christopher Bollen, published by Edition 7L, Paris, 2006, p. 105

2005 Catalogue, Family Pictures: Contemporary Photography and Video from the
Collection of the Guggenheim Museum, published by Galleria Gottardo,
Lugano, Switzerland, 2005, pp.128-31, ills
pressPLAY: contemporary artists in conversation, published by Phaidon Press,
New York, 2005, pp.259-73, 642,57, ill.
Robertson, Jean and Craig McDaniel, Themes of Contemporary Art: Visual Art After
1980, published by Oxford University Press Inc., New York, New York, 2005,
pp. 174-5, ill.

2003 Catalogue, Micropolitics: Art and Everyday Life 2001-1968, published by Consorci
de Museus de la Comunitat Valenciana, 2003, pp. 352-57, ills.
Catalogue, The Fourth Sex, curated by Francesco Bonami and Raf Simons,
published by Fondazione Pitti Immagine Discovery, Florence, Italy, 2003,
pp. 392-93, ills.
Catalogue, Art and Photography, published by Phaidon, London, England, 2003,
pp. 86, 128, 254, ills.
Catalogue, Subjective Realities: Works from the Refco Collections of Contemporary
Photography, essay by Dave Hickey, published by Refco Group, Ltd., New York, NY, 2003
Catalogue, Outlook, published by Hellenic Culture Organization, Athens,
Greece, 2003, pp. 328-329, ills.
Catalogue, Die Wohltat der Kunst, Post/Feministrische Positionen der neunziger
Jahre aus der Sammlung Goetz, published by Sammlung Goetz and
Staatliche Kunsthalle Baden-Baden, pp. 170 - 175, ills.

2001 Catalogue, "A Woman Called Theresa," organized by Maureen Paley and Pauline Karpidas, ills.
Taschen, "Women Artists in the 20th and 21st Century," edited by Uta Grosenick, p. 536, ills.
Catalogue, Au-dela du spectacle, published by the Centre Pomidou, Paris, France, ill.
Catalogue, "Gillian Wearing," published by Fundacion "la Caixa" and Centro Galego
de Arte Contemporanes
Catalogue, Sous influence, published by Musee d'Art moderne de la Ville de Paris

2000 Catalogue, "Auto Werke," published by Hatje Cantz, with support by BMW Financial
Services North America, essay by Joshua Decter, essay pp. 7-8, ills.
Nº1, September

1999 "Gillian Wearing," Phaidon Press
Titz, Susanne. "Gillian Wearing," Art at the End of the Millennium, publ. by Taschen,
Cologne
Tone, Lillian. "Gillian Wearing," The Museum as Muse: Artists Reflect
publ. Museum of Modern Art, New York 1999, p. 168


1997 "Signs that say what you want them to say and not Signs that say
what someone else wants you to say," Maureen Paley Interim Art 1997

1996 ID, 125 page catalogue with text on Gillian Wearing by Gregor Muir,
published by Stedelijk Van Abbemuseum, Eindhoven, P. 95 - 97
Artisti britannici a Roma, 82 page catalogue, published by
Umberto Allemandi & C, Torino , Italy
The Henry Moore Institute, Leeds.
The Cauldron (catalogue), published by The Henry Moore Institute, Leeds
Private View - Contemporary Art at the Bowes Museum, (catalogue)
Simmons & Simmons, London, Made in London, (catalogue)
NowHere, 3-volume catalogue, Louisiana Museum of Modern Art, Denmark
Traffic, catalogue by CAPC Musée D'Art Contemporain Bordeaux
Le Shuttle, 150 page catalogue, published by Künstlerhaus Bethanien
Imagined Communities (catalogue) National Touring Exhibitions, Hayward
Gallery and Arts Council Collection.

Selected Articles and Reviews

2008 Casadio, Mariuccia, "SELF exposure," Vogue (Italian), p. 261-270, no. 689, January
2008, ills

2007 Olivares, Rosa, et. al., "Uniformes/Uniforms," Exit: Image & Culture, no. 27,
published by Olivares & Associates, S.L., Madrid, Spain, 2007, pp. 144-145, 178, ill.
Darwent, Charles, "Gillian Wearing: Maureen Paley," ARTnews, April 2007, p. 146, ill.
Schwendener, Martha, "Blood Unsimple: The Ties That Bind, in All Their Complexity,"
The New York Times, February 20, 2007, ill.
Meneghelli, Luigi, "Gilliam Wearing: Galleria Civica," Flash Art, July/September
2007, p. 83, ill.

2006 Lippiatt, Matt, "Keeping it in the Family," Times 2, London, October 3, 2006, Arts 16,
ill.

2004 Thomas Devine, Kelly, "Modernizing the Modern," ARTnews, November 2004,
pp. 142 –146, ill.
Cameron, Dan, "I'm Desperate: Gillian Wrrrearing's Art of Transposed Identities," Parkett, Issue 70, pp. 90 – 107, ills.
Burn, Gordon, "The Encounter with Reality," Parkett, Issue 70, pp. 108 – 123, ills.
Wearing, G. and Rabinowitz, C. S., "Gillian Wearing on her Album Series (2003)," Parkett, Issue 70, pp. 124 – 131, ills.
Sumpter, Helen, "Reviews: Gillian Wearing," ArtReview, International Edition 2004 V2N1, p. 100, ills.
Pagel, David, "Fantasy, reality: Wearing her art," Los Angeles Times, April 9, 2004,
p.E34, ill
Wearing, Gillian, "The Eyes Have It, Gillian Wearing on Diane Arbus," Artforum,
February 2004, p.125, ill.
Dunn, Melissa "Gillian Wearing Gorney Bravin + Lee," Flash Art, March – April 2004,
pp. 59-60, ill.

2003 Princethal, Nancy, "Gillian Wearing, Private I," Art in America, March, 2003,
pp. 100-105, ills.
Catalogue, Micropolitics: Art and Everyday Life 2001-1968, published by Consorci
de Museus de la Comunitat Valenciana, 2003, pp. 352-57, ills.
Catalogue, The Fourth Sex, curated by Francesco Bonami and Raf Simons,
published by Fondazione Pitti Immagine Discovery, Florence, Italy, 2003,
pp. 392-93, ills.
Catalogue, Art and Photography, published by Phaidon, London, England, 2003,
pp. 86, 128, 254, ills.
Slyce, John, " That Essence Rare: Gillian Wearing's Family Album," Contemporary,
October, 2003 pp. 27-29, ills.
O'Reilly, Sally, "Gillian Wearing: Interim Art East End, Time Out London, November
5-12, 2003
Catalogue, Subjective Realities: Works from the Refco Collections of Contemporary
Photography, essay by Dave Hickey, published by Refco Group, Ltd., New York, NY, 2003
Catalogue, Outlook, published by Hellenic Culture Organization, Athens,
Greece, 2003, pp. 328-329, ills.
Johnson, Ken, "Album," The New York Times, December 19, 2003, p. B37

2002 Smith, Roberta, "How Masks Can Amplify as Well as Conceal," The New York Times, December 3, 2002, p. B3, ills.
Miller, Barbara, "Vancouver, British Columbia," Art Papers Magazine, November/December 2002, p. 61, ill.
Craddock, Sacha, "Gillian Wearing," tema celeste, September/October 2002, pp. 46-51, ills.
Frankel, David, "Preview: Gillian Wearing, Museum of Contemporary Art," ArtForum, September, p.78, ill.
_____________, "Gillian Wearing: mass observation, MCA Chicago", The Art Newspaper, Ocotober 2002, p. 7, ill.

2001 Gualdi, Stefano. "Gillian Wearing," Tema Celeste, May-June 2001.
p. 81, ill.
Minelli, Michael. "Gillian Wearing at Regen Projects Los Angeles,"
Documents, Spring 2001. pp.43-45. ill.

2000 Myers, Holly, "Beginnings and Endings," The Los Angeles Times, December 29, Pp. F32, ill.
Shone, Richard, "London, Gillian Wearing," Burlington Magazine, November
Gleeson, David, "True confessions," britart.com, November
Bishop, Claire. "Uncomfortable Observations," Untitled, Nº 23
Vogel, Carol. "Inside Art: Beemer Shots," The New York Times, 13 October
Gleeson, David. "True Confessions," britart.com, October
Kent, Sarah. "Drunken exploits," (Critics Choice), Time Out, Nº1572,04-11 October
Brown, Neal. "My name is Gillian. I can turn your sad life into art," The Independent on
Sunday, 01 October
Cork, Richard. "Unmasking mystery in the mundane," The Times, Times 2, 27
September
Bishop, Claire. "The pleasure in pain," The Evening Standard, 27 September
Riding, Alan."Another Opening, Another Sensation," The New York Times, 25
September
Cumming, Laura. "A staggering work…," The Observer Review, 17 September
Jones, Jonathan. "Down and out," The Guardian Saturday Review, 16 September
Sawyer, Miranda. "Daring Wearing," Observer Life, 03 September
_______, "Sex & Porno," frame, 04 September/October
Schwabsky, Barry. "Gillian Wearing, Gorney Bravin + Lee," Artforum, XXXIX,
Nº1, September
Graham-Dixon, Andrew. "Wearing Masks," Vogue, September
Kent, Sarah. "Brains of Britain," Time Out, Nº1560, 12-19 July
Slyce, John & Collings, Matthew. "Video Art A Top Twenty," Modern Painters,
Summer
K. Scott, Andrea. "What They're Wearing in Chelsea," edificerex.com, 03 May
Viveros-Faune, Christian. "Fall Down, Get Up, No Problem," New York Press
(nypress.com), Vol 13, Nº 19
Basilico, Stefano. "Gillian Wearing, Drunk and A Woman Called Theresa,," Time Out, 11-18 May
Levin, Kim. Village Choice: Gillian Wearing, The Village Voice, 16 May
Townsend, Chris. Gillian Wearing, Hotshoe International, March April
Bishop, Claire. being boring, Untitled, Nº 21
Müller, Katrin Bettina. Die Lust der Maschinen, taz, 26 January
Pilz, Michael. Frau Hase und der schreckliche Voyeur, Die Welt, 19 January
Lützow, Gunnar. Zugriff von allen Seiten, Berliner Morgenpost, 15 January
Mercer, Kobena. "Ethnicity and Internationality," Third Text, Nº49
Gorucheva, Tania. "This Other World of Ours, "Flash Art, January February

1999 _______, "The British Unveil Another World, The Russia Journal, 6-12 December
Rushton, Steve and Tozer, John. "Gillian Wearing," Camera Austria International,
Nº 68
Gallez, Florence. Nukes, Lovers Get Their 15 Minutes, The Moscow Times, 19
November
Müller, Donka. "Rewind to the Future," Bonner, November
______, "Previews: Rewind to the Future, Contemporary Visual Arts, Issue 26
Thrift, Julia. "Gillian Wearing, Interim Art, "Time Out, Nº1525 November 10-17
Cumming, Laura. "Gillian Wearing, Interim Art," The Observer, 07 November
Grant, Simon. "All about love," The Guardian Guide, 16-22 October
Jones, Jonathan. "What a scream, "The Guardian Guide, Saturday Review, 23
October
Collings, Matthew. "rabble rousing," Vogue, October
Gladstone, Neil. "Book Marks: Gillian Wearing," Nylon, Premier Issue
_______,"Polaroid Diary," The Observer Magazine, 02 May
Bennett, Oliver. "Exhibitionist," The Independent Magazine, 01 May
_______, "wears well," i-D, Nº 186, May
Greenberg, Sarah. "Gillian Wearing v. Saatchi, The artist claims the
ad man stole her idea," The Art Newspaper, Nº 91, April
Takano, Yuko."99 What's Ne?" Figaro, Japan, Nº 150

1998 Sanger, Daniel. "Declaration of Independents: Seven People who choose to be Different," Shift, December /January 1999 (cover portrait)
Allen, Vaughn. Hide and seek, The Big Issue in the North, Nº 241,
28 December 1998 - January 3 1999
DiPietro, Monty. Artist asks, "What's your sign?," The Japan Times, 24 October
Kino, Carol. "Cutting Edge, but comfy," The Atlantic Monthly, November
Stern, Edward. "Translating the Big Idea into Japanese," Asashi Evening News,
22 October
Neumaier, Otto. "Alles bekennen... Gespräch mit Gillian Wearing,"
noëma art journal, Nº 49, October/November
_______, "Picture," Frieze, Issue 42, September October
Williams, Gilda. "Wah-Wah: The Sound of Crying or the Sound of an Electric
Guitar," Parkett, Nº 52
Buck, Louisa, "VW bugs Wearing," The Art Newspaper, July - August
Miles, Anna. "Pictura Brittanica, Te Papa Museum, Tongewara," Artforum XXXVI
Nº 10 Summer
McGann, Paul. "VW ad firm stole my ideas, claims artist," The Independent, 12 June
Carol Midgley. "VW ad rips of my work, says artist," The Times, 12 June
_______, "Turner Prize Winner issues legal threat to BMP over VW ads,"
Campaign, 12 June
Coleman, Sarah. Interview with Gillian Wearing, photo metro, volume 16, issue 149
T. Turner, Grady. "Gillian Wearing," BOMB, Spring
Del Re, Gianmarco. "Why would a businessman say 'I'm deperate'? A-Z of Gillian Wearing," Flash Art, Vol. XXXI Nº 199, March - April
Slyce, John. "Wearing a Mask," Flash Art, Vol. XXXI Nº 199, March - April
Smith, Roberta. "Art of the Moment, Here to Stay," The New York Times, Arts and
Leisure, 15 February
Cork, Richard. "Wearing her heart on the sleeve," The Times, 13 January
Israel, Nico. "Gillian Wearing," Artforum, January
Princenthal, Nancy. "Gillian Wearing," Art in America, January
Campbell-Johnston, Rachel. "Wearing: her heart on her sleeve," The Times/metro,
Jan. 3 - Jan. 9

1997 Riding, Alan. "No Sexism, Please; They're British," New York Times/The Arts,
December 29
Johnson, Boris. "Portrait of the artist of silent nuances," The Daily Telegraph,
December 8
Fuller, Wendy. "Modern art? This is worthy of Constable," The Express, December 3
Thorncroft, Anthony. "Artist brushes paint aside to win Turner Prize,"
The Financial Times, December 3
Ginn, Kate. & Judd, Terri, "Constable picture wins the Turner (no, not that
Constable)," Daily Mail, December 3
Alberge, Dalya. "Moving pictures take Turner Prize," The Times, December 3
Lister, David. "Uproar as video entry snaps up the Turner," The Independent,
December 3
Reynolds, Nigel. " 'Frozen Policemen' video wins Turner Prize,"The Telegraph,
December 3
Glaister, Dan. "Silence is Golden for Turner winner," The Guardian, December 3
Lewis-Smith, Victor. "Kylie at arm's length as she hits topless C,"
The Evening Standard, 14 November
Goldberg, Vicki. "The Artist Becomes a Storyteller Again," The New York Times, 9 November
Buck, Louisa. "Life, art and the Turner women," The Evening Standard, 28 October
Kimmelman. "Gillian Wearing," The New York Times, Art Guide, October 24
Greene, David A. "Kids," Village Voice, October 21
Slyce, John. "The Odds on the Turner Prize," Flash Art, October
Jobey, Liz. "A rat race?" The Guardian Weekend, 4 October
Collings, Matthew. "The New Establishment," The Independant Sunday Review, 31 August
Murphy, Fiona. "A shopping sensation," The Guardian Weekend, 27 September
Wiener Secession 1997, Gillian Wearing , (catalogue)
Kimmelman, Michael, "Gillian Wearing at Jay Gorney," The New York Times, 26 September, 1997
MacMillan, Ian, "Signs of the Times," Modern Painters. Autumn 1997
Hoge, William, "Arriving in New York After Taking Off in London /
Video Maker with a Taste for Secrets." The New York Times, 14 Sept. 1997
Ronson, Jon, ORDINARILY SO. "Jon Ronson on documentary film-making and
Gillian Wearing," frieze, Issue 36 September-October 1997
Feldman, Melissa E., "Gillian Wearing at Interim Art,"
Art in America, July 1997. p. 102
Fiedler, Peter- Alexander. "Diesen Sommer baden
wir in der virtuellen welt," TLZ Treffpunkt, Nº 672, 26 July
Schierz, Kai Uwe, "Verführung der Kirschtorte," Thüringen, Nº 30 26 July
Laws, Roz, "The art of making a £10,000 video."
_______, "The 'failure' from Brum who made it to the top," Sunday Mercury, Birmingham, July 13 1997 p. 13
Dahan, Eric & Lefort, Gerard, "Par dela le corps gay et lesbien," Liberation, 28-29 Juin Cahier Europride
Buck, Louisa, "Three cheers for art that shatters complacency." The Express, June 19 1997
Alberge, Dalya, "All-women shortlist takes Turner by suprise." The Times, June 18 1997
Reynolds, Nigel, "The Turner shortlist is for women only." Daily Telegraph, 18 June, 1997
Glaister, Dan, "A woman's place - in the gallery," The Guardian, 18 June 1996
Stringer, Robin, "The all woman Turner Prize and not a painting in sight."
The Evening Standard, 17 June 1997
Blazwick, Iwona, "City nature," Art Monthly, No. 207, June 1997, P. 10 Dorment, Richard, "Out of the mouths of babes," The Daily Telegraph, May 21 1997
Coomer, Martin, "Gillian Wearing, Chisenhale," Time Out, Nº 1396, May 21-28 1997
_______,"Wearing their heart on her sleeve," The Art Newspaper, Nº 70 May 1997
Searle, Adrian, "Bring on the naked dwarf," The Guardian,
May 6, 1997, G2 P. 14
Lyttelton, Celia, "Indecent Exposures," Esquire, May 1997, P. 34
Higgie, Jennifer, "Gillian Wearing," Frieze issue 33, March - April 1997, P. 80 Ebner, Jorn, "Tramdeutung und Befragen, neue bildende kunst Februar - Marz 1997, P. 80
Williams, Gilda, "New Work," Art Monthly No. 203, Feb. 1997 P. 26 - 27;
Gibbs, Michael, "ID - An International Survey on the notion of Identity in
Contemporary Art," Art Monthly No. 203, Feb. 1997 P. 34 - 36
Judd, Ben, "Interview with Gillian Wearing," Untitled No. 12, Winter 1996/7 P. 4 - 5


1996 Muir, Gregor, "Sign Language," Dazed & Confused Issue 25, P. 52 - 55
Kent, Sarah, "New Work, Interim Art," Time Out, Dec 11-18
Muir, Gregor, "Sign Language," Dazed and Confused, No. 25, P. 52 - 55
Garner, Lesley, "Cops on top in Cauldron," Daily Express, August 2, P. 40
Usherwood, Paul, "The Cauldron," Art Monthly, July / Aug, Nº 198, P. 30 - 31
Hall, James, "Letter From London - Towers of London," Artforum,
Summer issue, P. 31 - 33
Buck, Louisa, "Silver Scene," Artforum, Summer issue, P. 34 - 36
Bang Larsen, Lars, "Traffic," Flash Art, Summer issue, Nº 189, P. 126 -127
Walters, Guy, "State of the Art," The Times Magazine on Saturday, 20 July
Bickers, Patricia, "The Young Devils," Art Press, June, Nº 214, P. 34 - 35
_______, "Imagined Communities," Blueprint
Masterson, Piers, "Imagined Communities," Art Monthly, March, Nº 194

1995 Januzczak, Waldemar, "Cool Britannia," The Sunday Times-Culture Section, 3 Dec
_______, "These are the Rising Stars of 96'," Independent-Weekend Section, 30
Dec
Cork, Richard, Forthcoming Attractions, The Times Magazine, 18 Nov
Corrigan, Susan, "Get the Picture, British Art's Next Superstars,"I-D Magazine,
December
Kastner, Jeffrey, "Brilliant," Art Monthly, Dec / Jan 1996
Garnett, Robert, "The British Art Show," Art Monthly, Dec / Jan 1996
Tomkins, Calvin, "London Calling," The New Yorker, 11 December
Smith , Roberta, "Some British Moderns Seeking to Shock," New York Times,
December
MacRitchie, Lynn, "Shock Artists," Financial Times,17 Nov
Patrizio, Andrew, "Hayward Shoot Out," Galleries Guide, Sept edition
Hall, James, "Butterfly Ball," Guardian, 14 Nov
Searle, Adrian, "British Art with Attitude," Independent, 14 Nov
Feaver, William, "Where Theres a Wilt…," Observer Review, 19 Nov
Barratt, David, Hayward Gallery, Art Monthly, Nov
Gayford, Martin, "Youth, formaldehyde and the spirit of the age,"
The Telegraph Magazine, 11 Nov
Currah, Mark, "Group Show; Interim Art," Time Out, 11 Oct
Morrish, John, "Wildlife, Martyrs to their art," Telegraph Magazine, 7 Oct Searle, Adrian, "Faces to Watch In The Art World," Independent, 26 Sept
Hall, James, "Western Security," Guardian, Sept Currah, Mark, "Action Replayed," Time Out, 20 Sept
Harvey, Will, "Bodies of Work," Observer Life Magazine, 9 Sept
Cavendish, Dominic, "Gallery Gunslingers on a Shoot to Thrill," Independent,11
September, P. 6
_______,"Wearing, Gillian, Hommage to the Woman with the Bandaged Face
who I saw Yesterday Down Walworth Road," Blocnotes, Numero 9, P. 18 -19
_______,"A Short Love Story by Gillian Wearing," Nummer 3, Sept, P. 81
Bonaventura, Paul, "Profile: Wearing Well," Art Monthly, March, Nº 184
Faure Walker, Caryn, "Signs of the Times," Creative Camera, Feb. / March
Cosmo Landesman & Simon Rogers, "Talking Pictures," The Big Issue,
6 - 12 Feb, Nº 116, P. 12 - 14
Kent, Sarah, "Make Believe," Time Out, 22 Feb - March, P. 46
________,"British Art: Don't Knock It," Independent Weekend, 24 June, P. 1 & 4

1994 Lillington, David, "Real Life in London," Paletten, April, Nº 219, P. 12
Searle, Adrian, Frieze Magazine, Sept / Oct, issue 18, P. 61 - 62
Muir, Gregor, World Art Magazine, Inaugural U.S Edition,November, P. 117
Jaio, Miren, "Cinco Artistas Inglesas: Voces En El Espacio," Lapiz,
Oct / Nov, Nº 106, P. 12 - 19
Currah, Mark, Time Out, Nº 1245, 29 June - 6 July, P. 50
Craddock, Sacha, The Times, 14 June
Savage, "Jon,Vital Signs," Artforum, March issue, P. 60 - 63,
Bush, Kate, "Vox Pop," Untitled, London
_______, Harpers Magazine, Vol. 288, Nº. 1728, P. 21
Searle, Adrian, "Vox Pop," Time Out, January 5 - 12, P. 42


1993 Feaver, William, "Treasures in the Wendy House of the Lost Boys,"The Observer, 4
July, Arts 4 / P. 59
Guha,Tania.Time Out
Archer, Michael. "O Camera O Mores," Art Monthly
Stallabass, Julian. "Power to the People," Art Monthly
Graham-Dixon, Andrew. "That Way Madness Lies," The Independent
_______,Flash Art, Italy
Milner, Catherine. "Positive Exposure for New Talent," The Saturday Times


1992 _______, "Hype, The Face, No. 51, December
_______, The Independent on Sunday, 27 December