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LAWRENCE WEINER


BIBLIOGRAPHY


SELECTED CATALOGUES AND BOOKS

2008 Catalogue, As Far As The Eye Can See 1960-2007, published by Yale University Press, New Haven,
Connecticut, Whitney Museum of American Art, New York, New York, Museum of
Contemporary Art, Los Angeles, California, 2008
Weiner, Lawrence, Lawrence Weiner on the Watts Towers, Art Review, May 2008, ill

2007 Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, published by Musée des Arts
Contemporains au Grand-Hornu, Tournai, Belgium, August 2007, pp. 201, 218, 219, 299, 385
Catalogue, "Collection Art Contemporain,"published by Centre Pompidou, Paris, France, 2007, p. 487,
ill.
Catalogue, Fast Forward: Contemporary Collections for the Dallas Museum of Art, published
by the Dallas Museum of Art, Dallas, Texas, 2007, p. 50, ill.

2006 Catalogue, Maigritte and Contemporary Art: the Treachery of Images, edited by Stephanie
Barron and Michel Draguet, published by Los Angeles County Museum of Art, Los
Angeles, California, 2006, p. 229, ill.
No. 1: First Works by 362 Artists, edited by Grancesca Richer and Matthew Rosenzweig,
published by D.A.P., 2006, p. 399, ill.
Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art
Collection, Cascais, Portugal, Oct 2006, ill.
Fast nichts: Minimalistiche Werke aus der Friedrich Christian Flick Collection im Hamburger
Bahnhof, published by SM and B DuMont, Berlin, Germany, pp. 250-3, ills
material time work time life time, co-published by Eidar Art Centre and Revolver, 2006, pp. 186-191,
ills
X Y & Z, published by Bawag Foundation, Vienna, Austria, 2006

2005 pressPLAY: contemporary artists in conversation, published by Phaidon Press,
New York, 2005, pp. 658-75, ill.
Screenplay & Movie, published by Regen Projects, Los Angeles, CA, April 2005

2004 A New Modern for a New Millennium: Abstraction and Surrealism are
Reinvented in the Internet Age, published by The Logan Collection Vail,
2004, p. 67, ills.

Covered By Clouds-Cubierto Por Nubes, Text by Lynne Cooke, published by Olga y Rufino
Tamayo,Museo / Tamayo Arte Contemporaneo, June 17 – August 15, 2004, Mexico

Joyce in Art, Lilliput Press: Dublin, pp. 150, 168 – 169, 202 – 203, 261, 299 – 301, 330, 381, ills.

Language in Art, published by Lindinger + Schmid Press, 2004, pp. 30 – 45, ills.

100 Artists See God, curated by John Baldessari and Meg Cranston,
published by Independent Curators International, New York, NY, p. 128, ill.

A Minimal Future? Art As Object 1958 – 1968, published by the Museum of Contemporary Art, Los
Angeles, 2004, pp. 362-367, ills.

Fietzek, Gerti, and Gregor Stemmrich, eds., Having Been Said: Writings and Interviews of
Lawrence Weiner 1968-2003, published by Hatje Cantz Verlag, Ostfildern-Ruit, Germany,
October 2004

Singular Forms (Sometimes Repeated): Art from 1951 to the Present, Published by Solomon R.
Guggenheim Museum, 2004, pp. 134-135, ills.

2002 Lawrence Weiner/Frank Perrin, artist book, published by Almine Rech Editions and Editions
Images Modernes, 2002

2001 Lawrence Weiner: Blue Moon Over, artist comic book, published by Moved Pictures, 2001

2000 Lawrence Weiner: NACH ALLES/AFTER ALL, artist book, published by The Solomon R.
Guggenheim Foundation, in conjunction with an exhibition at the Deutsched Guggenheim
Berlin, 2000

1999 Lawrence Weiner: Apples & Eggs/ Salt & Pepper. CCA Kitakyushu. 1999

Tatsachlich. NeusMuseum Weserburg. 1999

Close-Ups: Contemeporary Art and Carl Th. Dreyer. Copenhagen Contemporary Art Center. 1999

The Metaphor Problem Again. Ink Tree Kusnacht. 1999. Lawrence Weiner with John Baldessari

The American Art Book. Phaidon Press 1999. Edited by Jay Tobler.

1998 Lawrence Weiner. Phaidon Press 1998. Texts by Alexander Alberro and Alice Zimmerman, David
Batchelor, and interview with Benjamin H.D. Buchloh.

1995 Lawrence Weiner. In the Stream. Valencia: IVAM Center Julio Gonzales, 1995. Texts by Bartemou
Mari, A. Zimmerman, L. Weiner. In Spanish and English.

1993 Specific & General Works. Lawrence Weiner. Villeurbanne: Le Nouveau Musée, Institut d'Art
Contemporain, 1993.

1992 Offentlich/Public Freehold. Documentation and exchanges regarding the installation of public
sculpture of Ulrich Ruckreim and Lawrence Weiner at Singlefingen, Germany. Edited by
Ingrid Burgbacher Krupka. In German. Stuttgart: Edition Cantz, 1992.

Show (&) Tell. The Films and Videos of Lawrence Weiner. A Catalogue Raisonné. Preface by R.H.
Fuchs. Essays by Dieter Schwarz, Lawrence Weiner. Postface and interview by Bartomeu
Mari. Film and video synopses by Alice Weiner. Reproductions of articles, reviews, film
and video stills. In English, French, German. Gent: Imshcoot/Uitgevers, 1992.

Chains Wrapped Around One Thing & Another Broken One by One with the Passage of Time.
Essay by John Caldwell. New Work: San Francisco Museum of Modern Art, 20 February
19 April 1992.

1991 In the Still of the Night. Im Frieden der Nacht. Weiner Festwochen, 26 September-11 November
1991. Essays by Anne Rorimer, Ferdinand Schmatz, Dieter Schwarz, Dr. Ursula Pasterk. In
English, German. Wien: Wiener Festwochen, 1991.

You Can Tell a Book by Its Cover. In conjunction with the exhibition LIVRES & BOEKEN, Palais
des Beaux-Arts, Bruxelles, 1 June-20 July 1991. Supplement to the Catalogue Raisonné‚ of
Books. Uitgever: De Vereniging voor Tentoonstellingen van het Paleis voor Schone
Kunsten, Brussels, 1991.

Displacement. Chronicle of the work and installation from its inception with essays, drawings, and
installation photos. Essay by Gary Garrels. New York: Dia Center for the Arts, 1991.

Lawrence Weiner: Spheres of Influence. Institute of Contemporary Art, London, 25 January-3
March 1991. Essay by Emma Dexter. London: Institute of Contemporary Art, 1991.

Flags Folded Out of Sight of the Barricade. 1779-1989. Fahnen Ausser Sicht der Barrikaden
Gefastet. Brigitte March Galerie, Stuttgart, 14 April-30 May 1989. In English, German.
Stuttgart: Brigitte March Galerie, 1991.

1990 Lawrence Weiner. Works. With the Passage of Time. Hirshhorn Museum and Sculpture Garden,
28 November 1990-3 March 1991. Essay and interview by Phyllis Rosenzweig. Washington D.C.: Hirshhorn Museum and Sculpture Garden, 1990.

Licht=(Licht). Ale Yevonim Hobn Eyn Ponim. Joods Historisch Museum, Chanoeka, 1990. Essay
by Renee Waale. In English, Dutch. Amsterdam: Joods Historisch Museum, 1990.

STONES+STONES/2+2=4. Ecole d'art de Dunkerque, January-February 1990. In English, French. Dunkerque: Editions A Bruit Secret, 1990.

1989 Posters Hanging in European Collections. Lawrence Weiner. 16 November-20 December 1989.
Ecole superieure d'art visuel, Geneve. Documents exhibition and seminar. Includes
transcript of discussion, and student essays. Christian Robert-Tisso, Catherine pier Favre,
Anne Marie Fell-Kohler, Nicolas Fernandez, Ellen Versluis. In French. Geneve: Ecole
superieure d'art visuel, 1990.

Lawrence Weiner. Books 1968-89. Catalogue Raisonné. In conjunction with "Austellung
Nr.17/Bucher Lawrence Weiner," Portikus, Frankfurt, 30 September-29 October 1989. Essay
by Dieter Schwarz. In English, French, German. Cologne and Villeurbanne: Verlag der Buchhandlung Walther König and Le Nouveau Musée, 1989.

1988 Lawrence Weiner. What is Set Upon the Table Sits Upon the Table. Stedelijk Museum, Amsterdam,
19 November 1988-1 January 1989. Essays by Wim Beeren, Anne Rorimer, Lawrence
Weiner, Marja Bloem, Edward Leffingwell, R.H. Fuchs. Includes bibl., film, and
videography. In English, Dutch.

Altered to Suit. Passend Gemacht. Museum Haus Esters Krefeld, 25 September-6
November 1988. Essays by Julian Heynen and Lawrence Weiner. Krefeld: Krefelder
Kunstmuseum, 1988.

On Top of the Trees. Mai 36 Galerie, 24 May-25 June 1988. Essay by Dieter Schwarz. In English,
German. Lucerne: Mai 36 Galerie, 1988.

1987 5 Figures of Structure. The Arts Club of Chicago, 11 November-31 December 1987. Essays by Anne
Rorimer. Chicago, The Arts Club, 1987.

Somewhere Over the Rainbow. Delfryd Celf Essays, No.2, 1987. Edited by David Bellman. Essay
and drawings by Lawrence Weiner. Caernarfon: Delfryd Celf, 1987.

1986 Posters. November 1965--April 1986. Lawrence Weiner. Essays by B.H.D. Buchloh and Lawrence
Weiner. Edited by Benjamin H.D. Buchloh. Published by The Press of the Nova Scotia
College of Art & Design and Art Metropole. Contents of the Lawrence Weiner Poster
Archive of the Nova Scotia College of Art & Design. The Nova Scotia Series, Vol. XVII,
1986. 177pp.

Nach Themyscira. A Project of Carol Quartucci and Carla Tato within a context of Lawrence
Weiner. Contains libretto from performance based on Penthesilea by Heinrich v. Kleist.
Vienna: Wiener Festwochen, 1986.

Paradigms Suitable for Daily Use. Published with concurrent exhibition, "Works from the Lawrence
Weiner Poster Archive of the Nova Scotia College of Art & Design, 1965-86." 23 April-18
May 1986. London: Air Gallery, 1986.

Above Beyond Below. Pier Arts Centre, Stromness, Orkney, 12 April-3 May 1986. The Fruitmarket
Gallery, Edinburgh, Scotland, 19 April-17 May 1986. Essays by Erlend Brown and Mark
Francis. Edinburgh: The Fruitmarket Gallery, 1986.

1985 Sculpture. Lawrence Weiner. Arc-Musée d'Art moderne de la Ville de Paris, 27 June-22 September
1985. Interview by Suzanne Pagé. Paris: Paris-Musées, 1985.

1984 Mounds+Smooth Cairns. Ohio State University, Columbus, Ohio, 14 January-18 February 1984.
Text by Edward Leffingwell. Columbus: Ohio State University, 1984.

Factors in the Scope of Difference. A Structure of Lawrence Weiner. Antwerp, Belgium, Galerie
Anny de Decker, Add, 1984.

1983 Works & Reconstructions: Kunsthalle Bern. 19 August-16 October 1983. Essays by Jean-Hubert
Martin and Lawrence Weiner. In English, German. Bern: Die Kunsthalle, 1983.

Albert Mertz/Lawrence Weiner-Red/As Well as Green/As well as Yellow/As Well as Blue.
Nordjyllands Kunstmuseum, Aalborg, Denmark, 5-27 February 1983. Text and images by
Albert Mertz and Lawrence Weiner. Aalborg: Nordjyllands Kunstmuseum, 1983.

1980 Lawrence Weiner. Options 3. Museum of Contemporary Art, Chicago, 12 March-22 May 1980.
Essay by Pauline A. Siliga.

1979 Art & Project. Bulletin 113. 11 December 1979-12 January 1980. In English, Dutch. Amsterdam: Art
& Project, 1979.

1978 In Relation to Probable Use...: The Renaissance Society at the University of Chicago, 29 January-4
March 1978.

Lawrence Weiner, Kunsthalle, Basel. 28 August-3 Oktober 1976. Text by R. Fuchs. In English,
German. Basel: Kunstverein, 1978.

1977 A Work of Lawrence Weiner Presented at Laguna Gloria Art Museum. 26 March-24 April 1977.
Essay by Laurence Miller. In English, Spanish. Austin, Texas, Laguna Gloria Art Museum,
1977.

1976 New Urban Landscapes #6. Lawrence Weiner. New York: Institute for Art and Urban Resources,
1976.

Lawrence Weiner. Van Abbemuseum Eindhoven, 12 March-26 April 1976. Text by R.H. Fuchs. In
English, Dutch. Eindhoven: The Van Abbemuseum, 1976.

1974 Lawrence Weiner. 8-30 Juni 1974. Gentofte Kommunes Kunstbibliotek, Hellerup, Denmark. Essay
by Jane Pedersen. Interview by Willoughby Sharp. Text by Lawrence Weiner. Hellerup:
Gentofte Kunstbibliothek, 1974.

1973 Arbeiten von Lawrence Weiner. 4 October-4 November 1973. Boxed catalogue. Text by Johannes
Cladders. Monchengladbach: Stadtisches Museum, 1973.

Art & Project. Bulletin 72. Lawrence Weiner. 11-21 December 1972 and 2-11 January 1973.
Amsterdam: Art & Project, 1973.

Lawrence Weiner. Jahresgabe 1972. Westfälischer Kunstverein, Munster, Germany, 9 September-14
October 1972. Text by Klaus Honnef. bio,bib. In English, German. Munster: Westfälischer
Kunstverein, 1973.

Lipppard, Lucy. Six Years: The Dematerialization of the Art Object from 1966 to 1972...Occurring
now in the Americas, Europe, England, Australia, and Asia. London: Studio Vista, 1973.

1972 Art & Project. Bulletin 54. Lawrence Weiner. 22 April-12 May 1972. Amsterdam: Art & Project,
1972. In English, Dutch.

Art & Project. Bulletin 53. Lawrence Weiner. 22 April-12 May 1972. In English, Dutch.
Amsterdam: Art & Project, 1972.

1971 Bowles/Russel, editors. This Book is a Movie. New York: Dell Publications, 1971.

1970 Lawrence Weiner. An Exhibition/Eine Austellung. Gegenverkehr, Aachen, Germany, May 1970.
Essay by Klaus Honnef. In English, German. Aachen: Gegenverkehr e.V., Zentrum fur
Aktuelle Kunst, 1970.

1969 Art & Project. Bulletin 10. Lawrence Weiner. 1 September 1969. English/Dutch. Amsterdam: Art
& Project, 1969.

1964 Weiner. Seth Siegelaub. Contemporary Art. Volume 1, No.3, 10 November-7 December 1964. Seth
Siegelaub Contemporary Art, 1964.

SELECTED ARTICLES, REVIEWS AND INTERVIEWS

2008 Hirsch, Faye, "Where Words Go," Art in America, April 2008, pp. 140-7, 178, cover, ills
Stern, Steven, "Lawrence Weiner," Frieze, March 2008, pp. 176-7, ills

2007 Colman, David, "The Discreet Charm of the Gauloisie," The New York Times, December 2, 2007, ill.
Kröner, Magdalena, "Ich Kann Nicht Mal Richtig Schreiben," Monopol, November 2007, pp. 6, 54-58,
ills
Kennedy, Randy, "Language as Sculpture, Words as Clay," The New York Times, October 21, 2007, p.
AR 31, ills
Antin, David, "Previews: Lawrence Weiner: As Far as the Eye Can See," Artforum, September 2007, p.
157, ill.

2006 Ayers, Robert, interview, "Lawrence Weiner," state of art, September – October 2006, p. 5, ills

2005 Leffingwell, Edward, "Lawrence Weiner at Marian Goodman," Art in America, September 2005, p.
153, ill.
Frank, Peter, "John Baldessari and Lawrence Weiner," LA Weekly, May 6 – 12, 2005, vol 27, no. 24,
p. 53
Knight, Christopher, "A treatise on time, in stencil," Los Angeles Times, April 15, 2005, p. E24, ill.
Glueck, Grace, "Lawrence Weiner: 'En Route'," The New York Times, March 18, 2005, p. B38.

2004 Brugerolle, Marie de, "John Baldessari, Juliao Sarmento and Lawrence Weiner," Flash Art,
May/June 2004, pp. 148 – 149, ill.
Prince, Mark, "Pop/Art," Art Monthly, May 2004, pp. 6 – 9, ills.
Rose, Matthew, "Best Sellers – Avant Garde Artist Books," Art & Antiques, March 2004, p. 40, ill.
Knight, Christopher, "Max Minimal," Los Angeles Times, March 16, 2004, pp. E1 & E8
Farquharson, Alex, "In the Midst of Things," Frieze, December, pp. 96-97, ill.

1999 Hainley, Bruce, "Lawrence Weiner-Regen Projects," Artforum, October, 1999, pp. 151-152, ill.
Pagel, David. "Free Associating," Los Angeles Times, July 16, 1999, Calendar F30

1998 Weiner, Lawrence The International Review of Graphic Design, #9 Vol. 8, (Autumn 1998)

1995 Drolet, Owen. Review, "Lawrence Weiner," Flash Art, 183 (Summer 1995).
Cotter, Holland. Review, "Conceptually, and Literally, a New York Figure," The New York Times, March 31, 1995.
Schwabsky, Barry. "'A Meaning Exists That The Outside Is Not Privy To,' Lawrence Weiner as a
Culture," The Print Collector's Newsletter (March-April 1995)

1994 Adams, Brook. "Weiner's Werkstätte," Parkett 42 (Winter 1994).
Richard, Frances. "Providing Metaphor Needs: Lawrence Weiner's Specific & General Works,"
Parkett 42 (Winter 1994): 38-40.
Schwarz, Dieter. "Public Freehold," Parkett 42 (Winter 1994): 48-51.
Salvioni, Daniela. "The Meaning that Comes Away from the Work of Art," Parkett 42 (Winter 1994),
pp. 52- 55.
"SMASHED TO PIECES (IN THE STILL OF THE NIGHT), The Public Reacts," Parkett 42 (Winter
1994), pp. 62-63.
Relyea, Lane. "But Can She Bake a Cherry Pie?," Parkett 42 (Winter 1994): 64-65.
Leffingwell, Edward. "& Vers Les Etoiles," Parkett 42 (Winter 1994): 68-70.
"Lawrence Weiner," Grand Street 48 (Spring 1994): 225+.

1993 Wilson, Andrew. Review, "Out of Sight, Out of Mind, Lawrence Weiner," Art Monthly (April 1993).
Bass, Ruth. Review, "Lawrence Weiner-Marian Goodman," Artnews (April 1993).
Myers, Terry R. Review, "Lawrence Weiner," Galeries Magazine (February/March 1993).
Denizot, Ren‚, Holmes, Brian, and Nouvel, Jean. Interview, "Lawrence Weiner," Galeries Magazine (October/November 1993).

1991 Wilson, Andrew. Review, "Lawrence Weiner, The ICA, London," Forum International
(March/April 1991).
Weiner, Lawrence. "Carl Th. Dreyer. A Fable of Women & Water." Halle, Howard.
Decter, Joshua. Review, "Lawrence Weiner, DIA Center for the Arts," Flash Art
(October 1991).
Leigh, Christian. Interview, "Lawrence Weiner, A Place in the Sun," Flash Art (1991).
Stals, Jos‚ Lebrero. Review, "Lawrence Weiner, Jablonka," Flash Art (January/February 1991).

1990 Cyphers, Peggy. Review, "Lawrence Weiner, Marian Goodman," Arts Magazine 54 (Summer 1990):
97.
Decter, Joshua. Review, "Marian Goodman," Flash Art 150 (January/February 1990): 121.
Evans, Steven, and Jenkins, Michael. Review, "John Miller, Gary Mirabelle, LawrenceWeiner at
American Fine Arts, Co.," Artscribe International (January/February 1990).
Faust, Gretchen. Review, "Lawrence Weiner, Marian Goodman," Arts Magazine 64 (January 1990):
99-100.
Gardner, Colin. Review, "Lawrence Weiner, Stuart Regen Gallery," Artforum 28 (February 1990).
, "The Space between Words: Lawrence Weiner," Artforum 29 (November 1990): 156-60.
Hapgood, Susan. Review, "Lawrence Weiner, Marian Goodman," Art in America 78

(February 1990): 175-76.
Hoffberg, Judith. "Ulises Carrion and Lawrence Weiner," High Performance 13 (Spring 1990): 80.
Mahoney, Robert. "Lawrence Weiner, Marian Goodman," Contemporanea (January 1990): 97.
Pagel, David. "Compromised Positions," Artweek 21, January 18, 1990, p.12-13.
"Prints and photographs published, Lawrence Weiner," Print Collectors Newsletter
(March-April 1990): 26.
Vogel, Sabine. Review, "Lawrence Weiner, Portikus, Frankfurt," Contemporanea (March 1990).

1989 Baker, E., etc. Interview, "The Peripatetic Artist: 14 Statements ... Lawrence Weiner," Art in
America 77 (July 1989): 134-35.
Batchelor, David. Interview, "I Am Not Content, Lawrence Weiner interviewed," Artscribe
International (March/April 1989): 50-58.
Carpenter, Merlin. Review, "Lawrence Weiner, Anthony D'Offay," Artscribe International
(May 1989): 73-74.
Donohue, Marlena. Review, "La Cienega Area," Los Angeles Times, December 29, 1989.
Grout, Catherine. "Lawrence Weiner, The realization that what a work of art is, is more important
than how a work of art is (1)," Arte Factum 29 (1989): 18-21.
Interview, "Lawrence Weiner," Arts Magazine (February 1989): 23.
Morgan, Robert C. "The Situation of conceptual art: the January Show and after (with interviews
reprinted from Arts Magazine, 1969, and 4 more interviews 20 years later," Arts Magazine
63 (February 1989): 40-50.
Review, Arts Magazine (1989).

1988 Banz, Stefan. "Lawrence Weiner, Mai 36 Galerie, Luzern," Noema 18-19 (1988): 95.
"Figures of Structure, Arts Club of Chicago," The Print Collectors Newsletter 19/1 (March-April
1988): 21.
"Lawrence Weiner, Luzern, Galerie Mai 36," Arte Factum (September/October 1988): 46-47.
Oehen, Berta. "Lawrence Weiner--Evokation der Dreidimensionalität," Luzerner Tagblatt, May 28,
1988.
Schenker, Christopher. Review, "Lawrence Weiner, Galerie Mai 36, Lucerne," Flash Art 143
(November/December 1988): 127.
Segard, Michel. Review, "Arts Club of Chicago," New Art Examiner 15 (March 1988): 48-49.
Simon, Joan. Interview, "Gordon Matta-Clark: reconstructions (interviews with 4 artists)," Arts
Magazine 52 (Summer 1988): 84-87.
Zingg, Max. "Die Existenz des Inexistenten," Luzerner Neuste Nachrichten, May 25, 1988.

1987 Gauthier, Michel. "Lawrence Weiner--Les mobiles du concept," Art Press 116 (Juillet/Août 1987): 8-
9.
, "Les apories du concept," Consequénces (1987): 76.
Rorimer, Anne. "Sculpture: Figures of Structure. The Work of Lawrence Weiner," The Arts Club of Chicago (November/December 1987).

1986 Denizot, Ren‚. "De l'art du pouvoir, de l'image, de l'histoire et de deux artistes--Lawrence Weiner--
Le consortium, Dyon, avril-may 1985," Plus 2 (janvier 1986): 21-23.
Francis, Mark. "A Passage to and From the North," Alba 1 (Summer 1986).
Groot, Paul. "Chambres d'amis," Wolkenkratzer 13/3 (June/July/August 1986): 75-80.
Kessler, Pamela. "In Other Words: Spectrum," The Washington Post, May 16, 1986.
Leirner, Sheila. "TV Perigosa sedu," Caderno 2 [Sao Paulo], November 29, 1986.
Watson, G. Review, "Anthony d'Offay Gallery," Burlington Magazine 128/621 (August 1986).
Wijers, Louwrien. "Beeldende kunstenaars en film: de tijd als dimensie," Finaci„le Dagblad,
February 18, 1986.

1985 Cournot, Michel. "Decouverte--Sculpture de Minceur, Peinture de Sant‚," Le Monde, July 4, 1985.
Dagen, Philippe. "Salade de sculptures," Le Quotidien de Paris, July 4, 1985.
Garrel, Betty van. "Lawrence Weiner," NRC Handelsblad, March 1, 1985.
Gauthier, Michel. "Matières grises," Consequénces 5 (hiver-printemps 1985): 21-40.
McEvilley, T. "I Think Therefore I Art," Artforum 23/10 (Summer 1985): 74.

1984 Leffingwell, Edward. "Lawrence Weiner at the Tangeman," Dialogue (September/October 1984):
72-73.
, "Ohio State University Galleries: Lawrence Weiner," Dialogue (January/February 1984):
62.
Smith, Paul. "Election Issues: A Timely Artistic Response," Arts Magazine 59/3 (November 1984):
126.
Wechsler, Max. "Lawrence Weiner. Werke & Rekonstruktionen, Kunsthalle Bern," Arte Factum
(December 1983-January 1984): 92-94.

1983 Aebli, Hans H. "Kopfkunst oder 'Sprache' für den Kopf," Schaffhauser Nachrichten, October 5, 1983.
BCB. "Kunsthalle Bern: Rekonstruktionen ideeler Kunstwerke," Der Bund, August 23, 1983.
Fassert, Sigmar. "Lawrence Weiner in der Kunsthalle Bern. Kunst ist Kunst im Denken," Basler
Zeitung, August 24, 1983.
Groot, Els de. "Lawrence Weiner," Modern Denken 5 (Juli 1983): 20-3.
Hollen Stein, Roman. "Eine Tasse Meerwasser auf den Boden gegossen. Lawrence Weiner in der Kunsthalle Bern," Neue Züricher Zeitung, September 6, 1983.
Morgan, Robert C. "A conversation with Lawrence Weiner," Real Life Magazine 11/12 (Winter
1983): 36.
Ottevanger, Alied. "Een heel afschuwelijke tekst. Het enige wat me ervan bijblijft zijn de citaten van Picabia (Een gesprek over Buchloh's boude stellingen)," Museumsjournaal 28/4 (1983): 224.
Wechsler, Max. "Der tiefe Graben zwischen Idee und Realisation der Amerikaner Lawrence Weiner
in der Kunsthalle Bern," Vaterland, September 3, 1983.

1982 Acker, Kathy. "Kosuth, Joseph, Weiner, Lawrence. Portraits: Necrophilia Mon Amour," Artforum
20/9 (May 1982): 58-65.
Bos, Saskia. "Plowmans Lunch," De Appel 4 (1982): 34-37.
Gibbs, Michael. "Lawrence Weiner's Plowmans Lunch," Artzien 28 (November 1982): 5-9.
Groot, Paul. "Lawrence Weiner," NRC Handelsblad, August 6, 1982.
Kosuth, J., Weiner, L., and Acker, K. "Portraits: Necrophilia Mon Amour," Artforum 20/9
(May 1982): 58-65.
Phillpot, Clive. "Words and Word Works," Art Journal 42/2 (Summer 1982): 95-143.
Weiner, Lawrence. "Installation & presentation. Within a context of intention," Artistes-Revue d'Art contemporain (Juillet 1982): 40-44.

1981 Cavaliere, Barbara. "Edward Ruscha and Lawrence Weiner at Leo Castelli," Arts Magazine 55/9
(May 1981): 32-33.
Einreinhofer, Nancy. "Language in the Visual Arts," Artery 8th National Forum for College Art 4/3 (Spring 1981): 10-11,
Fischer, Jean. "Lawrence Weiner," Art Monthly 46 (December 1980-January 1981): 12.
Millet, Catherine. "L`Art de la fin de l'art.. 10 ans après," Art Press International 54
(December 1981): 6-9.
Oille, Jennifer. "A Question of Place 2," Vanguard 10/9 (November 1981): 12-13.
Review, "Lawrence Weiner and David Jones, Anthony d'Offay Gallery, London," Art International
24/5-6 (January-February 1981): 70-113.
Stodder, John F. "Subjectivity and Self Obsession," Art Week, May 31, 1981, pp.15-16.
Weiner, Lawrence. "Notes from the California lectures," Museumsjournaal 26/7 (1981): 312-314.
,"Aufforderung zum Hürdensprung--Lawrence Weiner, in der Galerie Schöttle," München Kulturberichte, January 4, 1980.

1980 Ellmann, Lucy. "David Jones and Lawrence Weiner," The Arts Review, November 21, 1980: 539.
Furlong, William. Interview, "A Conversation with William Furlong concerning 20 works by
Lawrence Weiner presented in London," Marginalia 5 (1980).
Lucie-Smith, Edward. Art in the Seventies. Ithaca, Cornell University Press, 1980. A Phaidon Book.
Morschel, JÅrgen. "Lawrence Weiner (Galerie Sch"ttle, MÅnchen)," Das Kunstwerk 33/2 (1980): 87.
Puliafito, Isabella. "Lawrence Weiner," Artforum 18/6 (February 1980): 107-108.
Review, "Lawrence Weiner at Saman Gallery, Genova," Artforum 18 (February 1980): 107-108.
Saliga, Pauline A. Lawrence Weiner [pamphlet], Museum of Contemporary Art, Chicago. March
12-May 22, 1980.
Weiner, Lawrence. "Concerning Twenty Works," Audio Arts [supplement] (London 1980-81).
Wright, B. "David Jones and Lawrence Weiner at Anthony d'Offay Gallery, London," Arts Review
32/23 (November 21, 1980): 539.

1979 Gibbs, Michael. "Lawrence Weiner," Artzien 2/3 (December 1979-Januari 1980).
Giesler, D. "Different Purposes, Different Rewards: Encounter Cinema, Los Angeles; Performance," Artweek 11/12, March 29, 1980.
Grayson, Cewzan. "Lawrence Weiner, There But For Mudd Club," Live Performance Art 3 (1980):
45-46.
Ehrlich, R. Review, "Lawrence Weiner at Leo Castelli Gallery," Arts Magazine 54/1
(September 1979): 34-35.
Frank, Peter. "Mechanisms of Meaning," The Village Voice, April 23, 1979.
Garrel, Betty van. "Het belang van de registratie," NRC Handelsblad, December 29, 1979.
Groot, Paul. "Taal is het materiaal van Lawrence Weiner," NRC Handelsblad, December 29, 1979.
Hoberman, J. "Declarations of Independance," The Village Voice [New York], September 24, 1979.
Stimson, P. "Between the Signs," Art in America 67/6 (October 1979): 6.
Weiner, Lawrence. "2 lavori di Lawrence Weiner," Domus 591 (February 1979): 49.

1978 Lister, A. "Edge Junction: Words in Art," Criteria 4/1 (Spring 1978): 22-23.
Wierk, Hans-Peter. "Lawrence Weiner: mit einem Hauch von Rosa," Nordsee-Zeitung, September 7,
1978.
Wilson, Martha. "Artists' Books as Alternative Space," The New Arts Space. The Los Angeles
Institute of Contemporary Art, 1978. 35-37.

1977 Burnside, Madeleine. "Raw Material," The Soho Weekly News, March 24, 1977.
Perrone, Jeff. "Words: When Art takes a Rest," Artforum 15/12 (Summer 1977): 34-37.

1976 Barracks, B. Review, "Lawrence Weiner, The Kitchen," Artforum 15/4 (December 1976): 67-70.
Beks, Maarten. "Lawrence Weiner in Van Abbe," Eindhovens Dagblad, March 26, 1976.
Blok, Cor. "Lawrence Weiner gepresenteerd door het van Abbemuseum: geen daden maar
woorden," De Groene Amsterdammer, April 7, 1976.
Brandt Corstius, Liesbeth, "Tentoonstellingen: Lawrence Weiner in het Stedelijk en Van
Abbemuseum in Eindhoven," Avenue (Maart 1976): 11.
Brown, Gordon. "Lawrence Weiner, Donald Judd, Dan Flavin," Arts Magazine 51/1 (September
1976): 37.
Burnside, Madeleine. "A Question of Values, A bit of manner and little bit more--Lawrence Weiner,
The Kitchen," The SoHo Weekly News, December 30, 1976.
"Expositie Weiner," Hollands Diep, April 10, 1976.
Fuchs, Rudi. "Lawrence Weiner, 'A Second Quarter,'" Museumsjournaal 21/1 (1976): 22-23.
"De taaie traditie: een boekje over Lawrence Weiner," Nieuwe journalistiek, Art & Project
(Amsterdam 1976).
Ginneken, Lily van. "Galerij der galerijen--Lawrence Weiner," Volkskrant, March 27, 1976.
Graevenitz, Antje von. "Man sieht mehr, als man sieht
Lawrence Weiner Sprachkunstwerke im Van Abbemuseum, Eindhoven," Suddeutsche Zeitung,
April 8, 1976.
Hazzledine, Mike. "Lawrence Weiner at ICA New Gallery," Studio International 192/982
(July/August 1976): 90-91.
"Lawrence Weiner," Basler Nachrichten, April 21, 1976.
"Lawrence Weiner," De Nieuwe Gazet, April 21, 1976.
Marioni, T. "New York City," Vision 3 (November 1976): 5-90.
Morris, Linda. "Today Together: A joint Show of Contemporary Galleries at the Collage Art Fair,"
Studio International 191/979 (January/February 1976): 55-75.
"Notaties in taal: Beeldende Kunst buiten klassieke kaders. Werk Lawrence Weiner in het Van
Abbemuseum," Het Eindhovens Dagblad, March 12, 1976.
Redeker, Hans. "Lucassen en Weiner: twee richtingen in de schilderkunst," NRC Handelsblad,
April 15, 1976.
Reise, Barbara. "Who, what is Sigmar Polke (and where can he be found?)," Studio International
192/982 (July/August 1976): 84.
Salle, D. Review, "Lawrence Weiner at The Kitchen," Arts Magazine 51/4 (December 1976): 39-40.
Sargent-Wooster, Anne. "The interplay of touch. Do you believe in Water? Lawrence Weiner at the Kitchen," The Soho Weekly News, September 30, 1976.
Stutzer, Bee. "Amerikanische Künstler stossen in Neuland vor," Basler Volksblatt, August 4, 1976.
Vries Robbë Londe. "Kunst is even gespecialiseerd als theoretische natuurkunde. De teksten van
Lawrence Weiner in het Van Abbemuseum," Vrij Nederland, April 17, 1976.

1975 "Berliner Künstlerprogramm: Ein Zweites Viertel," Kulturinformation aus Berlin 2 (1975): 23-4.
Frank, Pete. Review, "Lawrence Weiner at Castelli," Artnews 96 (April 1975): 96.
Heinemann, Susan. "Lawrence Weiner: Given the Context," Artforum 13/7 (March 1975): 36-37.
Monteil, Annemarie. "Preisig: Lawrence Weiner-Basler Galerien," National Zeitung Basel,
December 18, 1975.
Sargent-Wooster, Anne. Review, "Lawrence Weiner," Art in America 63/2 (March/April 1975): 93.

1974 Cameron, Eric. "Lawrence Weiner: The Books," Studio International 187 (January 1974): 2-8.
Fuchs, Rudi. "De taaie traditie--Een boekje over Lawrence Weiner," NRC Handelsblad, February 15,
1974.
,"Over Lawrence Weiner," De Gids 5 (1974): 385-388.
Catalogue, Hunter, Sam and Jacobus J. American Art of the 20th Century: Art as Action and Idea
(New York: Abrams, 1974).
Moser, Charlotte. "The Concept as the Art in World--or More," Houston Chronicle, December 29,
1974: 11.
Tuyl, Gijs van. "Met betrekking tot de vorige twee bladzijden: vult u maar in, maar het hoeft niet," Museumsjournaal 19/3 (1974): 122-123.
Weiner, Lawrence. "With an advance declined," Interfunktionen 11 (1974): 54-58.
,"Within a reasonable doubt," Flash Art (January 1974--special issue).
,"Having a relation," Museumsjournaal 19/3 (Juni 1974): 120-121.

1973 Gruterich, M. "Lawrence Weiner: Kunst zum konzeptuellen Gebrauch," Heute Kunst 4-5
(Dezember 1973-Februar 1974): 30-31.
Ahorn, Hannelore. Kleine weisse Bücher bis 14 Februar: Lawrence Weiner [exhibition catalogue]. Kabinett für Aktuelle Kunst, Bremerhaven, January 29, 1973.
Grassi, Gino. "L'arte il linguaggio di Weiner," Roma, anno 112/26 (January 27, 1973).
Sargent-Wooster, Anne. "First Quarter. Lawrence Weiner's first film," Arts Magazine 47/7
(May 1973): 32.
Tisdall, Caroline. "Weiner," The Guardian, October 8, 1973.

1972 Ashton, D. "New York Commentary: Abracadabrizing Art," Studio International 183 (January 1972):
39.
Celant, Germano. "Le Livre comme travail artistique 1960-70," VH 101 no.9 (Automne 1972): 5-28.
Cork, R. "UK Commentary," Studio 183/942 (March 1972): 116-117.
Sharp, Willoughby. Interview, "Lawrence Weiner at Amsterdam," Avalanche 4 (Spring 1972): 64-74.

1971 Borgeaud, B. "Book Entitled 10 Works," Arts Magazine 45 (April 1971): 72.
Interview, "avec Michel Claura," VH 101 no.5 (Printemps 1971): 64-66.
Lovell, A. "Lawrence Weiner," Studio International 181/931 (March 1971): 126-127.

1970 Battcock, Gregory. "Documentation in Conceptual Art," Arts Magazine 44/6 (April 1970): 42-45.
Borgeaud, B. "Exhibition in Paris," Arts Magazine 44/7 (May 1970).
Burnham, J. "Alice's Head: Reflections on Coceptual Art," Artforum 8 (February 1970): 38.
Celant, Germano. "Conceptual Art," Casabella 347 (April 1970): 42-49.
Karshan, D.C. "The Seventies: Post object art," Studio International 180/925 (September 1970): 69-
70.
Lippard, Lucy. "Groups," Studio International 179/94 (March 1970): 48.
, "Art within the Arctic Circle," Changing [New York] (1970): 286 ev. ep.
,"Art within the Arctic Circle," The Hudson Review (February 1970): 665-674.
, 48-page exhibition. Studio International 180/94 (March 1970).
Ohff, Heinz. "Die Idee der reinen Kunst--Lawrence Weiner in Berlin," Der Tagesspiegel,
December 23, 1970.
Ratcliff, Carter. "New York: Conceptual Art and Conceptual Aspects, New York Cultural Center,"
Art International 14/6 (Summer 1970): 133-34.
Weiner, Lawrence. "The artist and politics: A symposium," Artforum 9/1 (1970): 39.
,"Lawrence Weiner," VH 101 3 (automne 1970): 37.
,"Some notes upon the sculpture itself of Sol Lewitt," Sol LeWitt. Haags Gemeentemuseum,
1970.
1969 Amman, Jean-Christophe. "Schweizer Brief," Art International 13/5 (May 1969): 47-50.
"Art & Project, Bulletin 10 van Art & Project is uit," De Tijd, September 5, 1969.
Battcock, Gregory. "Painting is Obsolete," New York Free Press Critique, January 23, 1969: 7.
Claura, Michel. "Extrémisme et rupture (1) Mouvement de l'art contemporain autor d'un concept,"
Lettres francaises, September 24, 1969: 26-27.
Constable, Rosalind "The New Art (Big ideas for sale)," New York Magazine, March 10, 1969: 46-49.
"Entrémisme et rupture (2)," Lettres francaises (October 1969).
Frenken, Ton. "Kunstenaars zoeken nieuwe mededelingsvormen voor de huidige sensibiliteit,"
Brabants Dagblad, March 22, 1969.
Garrel, Betty van. "De afwenzige kunst van de nieuwe avantgarde," Haagse Post, March 22, 1969.
Glueck, Grace. "Art Notes: Venice, anyone?" The New York Times, March 16, 1969.
Higgins, Dick and Vostell, Wolf. Pop architektur, Concept Art. Dusseldorf: Droste Verlag, 1969.
Junker, Howard. "Idea as Art," Newsweek, August 11, 1969: 81.
Kosuth, Joseph. "Art after Philosophy," Studio International 178/916 (November 1969): 160.
Pierce, Gretchen. "Art Critic Becoming Absolete--Art Critic," The Mail-Star, November 29, 1969.
Pierce, Gretchen. "Hot Dog! Weiner plus Roll Must Equal Art," The Mail-Star, April 24, 1969.
Perrault, John. "Art Disturbances," The Village Voice [New York], January 23, 1969.
Rose, Arthur R. "Four interviews with Barry, Huebler, Kosuth, Weiner," Arts Magazine 43/4
(February 1969): 22-23. Reprinted in Idea Art, edited by G. Battock (New York: E.P.Dutton,
1973).
Shirey, David L. "Idea as Art," Newsweek, April 11, 1969: 81.
Strelow, Hans. "Regungen einer neuen Romantik (Kunst am Ende des mechanischen Zeitalters -
Ausstellung in Bern)," Frankfurter Allgemeine Zeitung, April 9, 1969.
Weiner, Lawrence. "Statements--Lawrence Weiner 1968," Art & Language 1/1 (1969): 17-18.
1968 Junker, Howard. "The New Sculpture," The Saturday Evening Post, November 2, 1968.

1966 Bannitz, Jacqueline. "In the galleries: Lawrence Weiner," Arts Magazine 40/3 (January 1966): 64.
Benedict, Michael. "New York Letter," Art International 10/1 (January 1966): 97.

1965 Judd, Donald. "In the galleries," Arts Magazine 39/4 (January 1965): 64.
"Reviews and Previews," ArtNews 64/8 (December 1965): 18.
Welsh, Marjorie, "Lawrence Weiner" Bomb. Winter 1995

1964 Levin, K. "Reviews and Previews: New Names this Month," ArtNews 63/7 (November 1964): 20-22.

BOOKS & MONOGRAPHS BY THE ARTIST

1998 LAWRENCE WEINER. Artist monograph. 160 pages. Edition of 5,000. Interview: Benjamin H.D.
Buchloh. Writings: Alexander Alberro, Alice Zimmerman, David Batchelor, W.B. Yeats, Kenneth
Patchen, Lawrence Weiner. Photos by Rudolph Burckhardt et. Al London: Phaidon Press Limited, 1998

1993 RITEN DES ÜBERGANGS/RITES OF PASSAGE. Exhibition catalogue: Lenbachhaus/Kunstforum,
München. November 20, 1992 – January 9, 1993. 12 pages. 550 copies. Text: Ulrich Wilmes.
Photographs: Simone Gänsheimer. Design: L. Weiner [English/German. Translation: Brigitte
Kalthoff]. München: Städtische Galerie im Lenbachhaus, 1993

LAWRENCE WEINER/GALLERY 360°. Folded exhibition catalogue: Tokyo. February 1993. 8
pages. Edition unknown. Includes essay and photos. Sel.exhib.bio., lists of permanent
installations/public projects, and institutions having work in permanent collections.
[English/Japanese]. Tokyo: Gallery 360°, 1993

STEEL PENNIES. In conjunction with the exhibition : "Steel Pennies Don't Come From Or Go To
Heaven". A work for Dean Clough, The Henry Moore Studio, Halifax, England. February 19-May
23, 1993. 48 pages. 1000 copies. Chronicle of the work and installation with essays, drawings, and
installation photographs. Essay: Iwona Blazwick. Photographs: Susan Crowe and Jerry Hardman-
Jones. Design: L. Weiner with Peter McGrath. [English]. Halifax, England: The Henry Moore
Sculpture Trust.

TO BUILD A WORK. Exhibition catalogue with Lucas L'Hermitte and Niele Toroni. Galerie
Arnaud Lefebvre, Paris. April 1993. 8 pages + a sticker. 300 numbered copies. [English/French].
Paris: Galerie Arnaud Lefebvre, 1993


ZWEI BLÖCKE/TWO BLOCKS… Exhibition catalogue: Städtische Galerie Nordhorn. May 8-June
27, 1993. 44 pages. 300 copies. Essay: Sabine Dylla. Photos: Werner Westdörp and Kunsthalle
Bern. Design: L. Weiner Sel.bib., sel bio. Nordhorn: Städtische Galerie Nordhorn, 1993

1992 ALL FALL DOWN. Produced concurrent with the exhibition "Heinz Gappmayr, Maurizio
Nannucci, Lawrence Weiner. Denkraume/Spazi del Pensiero" (April/June 1992). Bozen and
Bolzano: Museum fur Moderne Kunst and Museo d'Arte Moderna, 1992. In English, German,
Italian.

OFFENTLICH/PUBLIC FREEHOLD. Documentation and exchanges regarding the installation of
public sculpture of Ulrich Ruckreim and L.Weiner at Singlefingen, Germany. 96 plates. Unlimited
edition. Edited: Ingrid Burgbacher Krupka [German] Stuttgart: Edition Cantz, 1992

OFFENTLICH/PUBLIC FREEHOLD. Special edition of book and enamel plaque: 100. Stuttgart:
Edition Cantz, 1992

1991 IN THE CRACK OF THE DAWN. Comic book collaboration with Matt Mullican. Lucerne and
Brussels: Mai 36 Galerie and Yves Gavaert, 1991.

ART & PROJECT/LAWRENCE WEINER. THROWN SOMEPLACE/ERGENS NEERGEGOOID.
Produced concurrent with the exhibition (July 1991). Amsterdam: Art & Project, 1991. In English,
Dutch.

1990 TA SAMA WODA/THE SAME WATER. Includes essay. Related to the exhibition ON ONE SIDE
OF THE SAME WATER (October 1990). Warsaw: Biblioteka Galerij Foksal, 1990. In English, Polish.

LA MARELLE/PIE IN THE SKY. Essay and drawings related to the public sculpture (Inauguration:
June 21, 1990). Villeurbanne: Le Nouveau Musée, 1990. In French.

1989 JUST ANOTHER THING TAKEN & CHANGED (A WOOD)(A STONE). Travel diary containing
work, drawings, and an essay on New Guinea. Antwerp and Brussels: Galerie Micheline Szwajcer and Yves Gevaert, 1989.

PLOWMANS LUNCH COMIX. Photo-roman for the film PLOWMANS LUNCH. Rotterdam:
Uitgeverij/Publishing House Bebert, 1989.

CALENDAR 1989. London: Anthony d'Offay Gallery, 1988.

1988 TOWARDS A THEATRICAL ENGAGEMENT/DUCKS ON A POND. Includes an essay and stills
from the film PASSAGE TO THE NORTH. Ghent: Imschoot, Uitgevers, 1988.

1984 FACTORS IN THE SCOPE OF DISTANCE/A STRUCTURE OF LAWRENCE WEINER.
Paradigmatic comic book. Antwerp: ADD, 1984.

1981 PASSAGE TO THE NORTH. Includes an essay and stills from the film PASSAGE TO THE NORTH.
Photographs: Louise Lawler, cropped by Lawrence Weiner. Great River, New York: Tongue Press,
1981.

1979 Z PRAWDOPODOBIENSTWEM, ZE KTOS ZOBACZY/WITH A PROBABILITY OF BEING SEEN.
Related to the exhib. in September, 1979. Warsaw: Biblioteka Galerij Foksal PSP, 1979. In English,
Polish.

1978 THE LEVEL OF WATER. Includes essay. Ghent: Vereniging voor het Museum van Hedendaagse
Kunst, 1978. In English, Flemish.

HARD LIGHT. Collaboration with Edward Ruscha. Los Angeles and New York: Heavy Industrial
Publications and Moved Pictures, 1978.

WITH A TOUCH OF PINK. Includes essay. Bremerhaven: Kabinett fur Aktuelle Kunst, 1978. In
English, German.

REGARDING INSCRIPTIONS (OF A SORT). Basel: Rolf Preisig Gallery, 1978. In English, German.

1977 WORKS. Complete works 1968-77. Hamburg: Anatol AV und Filmproduktion, 1977.

PERTAINING TO A STRUCTURE. Includes essay. Photographs by Daniel Buren from a videotape,
DO YOU BELIEVE IN WATER? London: Robert Self Publications, 1977.

COMING AND GOING. Work and essay presented in the context of a game. Produced concurrent
with the exhibition (September 20, 1977). Geneva: Centre d'art contemporain/ Ecart Publications,
1977.

1976 ON THE ROCKS. Includes essay. (See also videotape A BIT OF MATTER AND A LITTLE BIT
MORE.) Lund: Edition Sellem-Archive of Experimental and Marginal Art, 1976. In English,
Swedish.

ART & PROJECT/LAWRENCE WEINER. (Combined edition of ART & PROJECT/LAWRENCE
WEINER and HAVING TIME TO TIME A RELATION TO:) Amsterdam: Art & Project, 1976.
In English, Dutch.

VARIOUS MANNERS WITH VARIOUS THINGS. Essay by Barry Barker (on dustjacket).
Produced concurrent with exhibition. London: ICA New Gallery, 1976.

1975 RELATIVE TO HANGING. Ringkobing: Edition After Hand, 1975. In English, Dutch, Icelandic,
Swedish, Finnish, Norwegian.

TOWARDS A REASONABLE END. Includes stills from the film DONE TO and essay. Produced
concurrent with the exhibition (March-April). Bremerhaven: Kabinett fur Aktuelle Kunst, 1975. In
German, English.

1973 HAVING FROM TIME TO TIME A RELATION TO:. [English/Dutch]. Produced concurrent with
the exhibition. Amsterdam: Art & Project, 1973.

ONCE UPON A TIME. Includes an essay. (Used in the film A SECOND QUARTER.) Milano:
Franco Toselli Gallery, 1973. In English, Italian.

WITHIN A REASONABLE DOUBT. Milano: Flash Art Special Issue, 1973. In English, Italian, French, German.

WITHIN FORWARD MOTION. Produced concurrent with exhib. (Jan-Feb). Bremerhaven: Kabinett fur Aktuelle Kunst, 1973. In English, German.

1972 GREEN AS WELL AS BLUE AS WELL AS RED. Produced concurrent with the exhib. (See
videotape GREEN AS WELL AS BLUE A WELL AS RED.) London: Jack Wendler Gallery, 1972.

A PRIMER. Produced as participation in the exhibition. Kassel: DOCUMENTA 5, 1972. In English,
German.

HAVING BEEN DONE AT/having been done to. Produced concurrent with the exhib. Torino: Editions Sperone, 1972. In English, Italian.

1971 L. WEINER 10 OBRAS/10 WORKS. (Pirate edition of 10 works.) Buenos Aires: CAYC, 1971. In
English, Spanish.

L. WEINER. Pirate edition of ART & PROJECT/LAWRENCE WEINER). Buenos Aires: Centro de Arte y Communicacion, 1971.

CAUSALITY: AFFECTED AND/OR EFFECTED. Produced concurrent with the exhibition. New
York: Leo Castelli Gallery, 1971.

FLOWED. Halifax: Nova Scotia College of Art & Design, 1971. In English, Italian, French, Danish, Spanish, German, Dutch.

10 WORKS. Paris: Yvon Lambert Gallery, 1971. In English, French.

ART & PROJECT/LAWRENCE WEINER. Produced concurrent with the exhibition (January).
Amsterdam: Art & Project, 1971. In English, Dutch.

1970 TRACCE=TRACES/LAWRENCE WEINER. Torino: Sperone editore, 1970. In English, Italian.

1968 STATEMENTS. New York: Seth Siegelaub/The Louis Kellner Foundation, 1968.

FILMS BY THE ARTIST

READING LIPS [collaboration with Steen Moller Rasmussens], 1997
[16mm, color, 11 min., sound]
Produced by Moved Pictures NYC and PLAGIAT film. Directed by Lawrence Weiner and Steen Moller Rasmussens. Cinematography : Steen Moller Rasmussens. Music : Lawrence Weiner and Ned Sublette. Editiors: Rasmussens and Weiner.
First Screening: Arken, Denmark, 13 November, 1997

PLOWMANS LUNCH, 1982. [16mm Kodacolor, 28 mins., sound]
Produced by Stichting de Appel, Amsterdam (Wies Smals).
Cinematography: Jules van den Steenhoven. Music: Peter Gordon. Editor: Eva Reisel.
First Screening: The Film House, Den Haag/Kriterion Theatre, Amsterdam, October 13, 1982. First American screening: Bleecker Street Cinema, New York, April 9, 1983.

PASSAGE TO THE NORTH, 1981
ALTERED TO SUIT, 1979
A SECOND QUARTER, 1975
DONE TO, 1974
A FIRST QUARTER, 1973

VIDEOS BY THE ARTIST
Niets Aan Verloren/Nothing to Lose, 1984
Trailer for Plowmans Lunch, 1982
There But For, 1980
For Example Decorated, 1977
A Bit of Matter and a Little Bit More, 1976
Do You Believe in Water?, 1976
Various Manners with Various Things, 1976
Green as Well as Blue as Well as Red, 1975/76
Affected and/or Effected, 1974
Shifted from Side to Side, 1972
To and Fro/Fro and To/And To and Fro/And Fro and To, 1972
Broken Off, 1971
Beached, 1970
To the Sea/On the Sea/From the Sea/At the Sea/Bordering the Sea, 1970

RECORDS BY THE ARTIST

Having Been Built on Sand with Another Base (Basis) In Fact, A structure of Lawrence Weiner, music by Richard Landry. Voices, Britta Le Va, Tina Girouard, Lawrence Weiner, Richard Landry. Mix, Landry/Weiner, Remix, Kurt Munkacai. Produced by Moved Pictures NYC. Munich: Rudiger Schottle, 1978.

Nothing to Lose/Niets Aan Verloren, Voices Coosje van Bruggen, Lawrence Weiner. Translation, Ger Van Caspel, Coosje van Bruggen. Eindhoven: Van Abbemuseum, 1976.

7, Spoken text by Lawrence Weiner and Beatrice Conrad-Eybesfeld, Flute by Pierre-Yves Artaud. Translated by Beatrice Conrad-Eybesfeld. Paris: Yvon Lambert, 1972.

Having Been Done at/Having Been Done to, Essendo Stato Fatto A, Voices spoken by Lawrence Weiner and Marina Girotte. Piano, Marina Girotte, Translation, Cesare Scaglia. Rome: Sporone Gian Enze and Fischer Konrad, May, 1973

Monsters From the Deep, Ned Sublette and Lawrence Weiner, 1997

CASSETTES BY THE ARTIST

Lawrence Weiner/The Preformance Tapes, Preformance soundtracks, 1976-1981. New York City: Moved Pictures, 1984.

Lawrence Wiener/Twenty Works, A conversation with William Furlong Concerning 20 Works by Lawrence Weiner presented in London 1980. London: Audio Arts, 1980.

Need to Know/A Structure of Lawrence Weiner, Radio play aired on WBAI, 29 January 1978. New York City: Moved Pictures & J. Umland, 1978.