LAWRENCE WEINER

 

BIBLIOGRAPHY

 

Selected Monographs and Artist Books:

 

2017

Gürlek, Nazli, Rainer Metzger, Lawrence Weiner: WHEREWITHAL | WAS ES BRAUCHT, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2017

Weiner, Lawrence, SOMETHING TO PUT SOMETHING ON, published by Little Steidl, Göttingen, Germany, 2017

 

2016    

Clausen, Magnus Thorø, and Hans Ulrich Obrist, Per Kirkeby and Lawrence Weiner, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2016

 

2015    

Blazwick, Iwona, Michael Frahm, Christian Gether, and Jordan Wolfson, WITHIN A REALM OF DISTANCE: Lawrence Weiner at Blenheim Palace, published by Blenheim Art Foundation, Woodstock, UK, 2015

 

2013    

Alice Zimmerman, ed., Lawrence Weiner: Written on the Wind, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2013

 

2012    

Wix, Gabriel, ed., Lawrence Weiner: Nach Bildende Kunst / After Fine Art: Works in the German-Speaking World, published by Hatje Cantz, Stuttgart, Germany, 2012

 

2008    

De Salvo, Donna, and Ann Goldstein, eds., As Far As The Eye Can See 1960-2007, published by Yale University Press, New Haven, CT, the Whitney Museum of American Art, New York, NY, and Museum of Contemporary Art, Los Angeles, CA, 2008

 

2006    

Kintisch, Christine, and Lawrence Weiner, X Y & Z, published by Bawag Foundation, Vienna, Austria, 2006

 

2005    

Screenplay & Movie, published by Regen Projects, Los Angeles, CA, 2005

 

2004    

Fietzek, Gerti, and Gregor Stemmrich, eds., Having Been Said: Writings and Interviews of Lawrence Weiner 1968–2003, published by Hatje Cantz Verlag, Ostfildern-Ruit, Germany, 2004
Cooke, Lynne, Covered By Clouds/Cubierto Por Nubes, published by Fundacion Olga y Rufino Tamayo, Museo Tamayo Arte Contemporaneo, Mexico City, Mexico, 2004

 

2002    

Perrin, Frank, Lawrence Weiner/Frank Perrin, published Images Modernes, 2002
Basualdo, Barlos, and Liz Kotz, Lawrence Weiner: UNTIL IT IS, published by Wexner Center for the Arts, Columbus, OH, 2002

 

2001     

Izard, Bethany and Lawrence Weiner, Blue Moon Over, published by Moved Pictures, 2001

 

2000    

Publikatlon, Eline, ed., Lawrence Weiner: NACH ALLES/AFTER ALL, Foreword by Rolf-E. Breuer, Thomas Krens, Essays by Lisa Dennison/Nancy Spector, published by Hatje Cantz Verlag, 2000

 

1999    

Lawrence Weiner: Apples & Eggs/ Salt & Pepper, CCA Kitakyushu, Japan, 1999
Baldessari John, and Lawrence Weiner, The Metaphor Problem Again, published by Walter König, Cologne, Germany, 1999

 

1998     

Alberro, Alexander, Zimmerman, Alice and David Batchelor, Lawrence Weiner, published by Phaidon Press, London, UK, 1998

 

1995    

Mari, Bartemou, Zimmerman, Alice, and Lawrence Weiner, In the Stream, published by Valencia: IVAM Center Julio Gonzales, Valencia, Spain, 1995

 

1993     

Lawrence Weiner: Specific & General Works, published by Le Nouveau Musée Institut d'Art Contemporain Villeurbanne, 1993

 

1992    

Fuchs, R.H., Mari, Bartomeu, Schwartz, Dieter, and Alice Weiner, Show (&) Tell: The Films and Videos of Lawrence Weiner, A Catalogue Raisonné, published by Imschoot Uitgevers, Ghent, Belgium, 1992
Caldwell, John, Chains Wrapped Around One Thing & Another Broken One by One with the Passage of Time, San Francisco Museum of Modern Art, San Francisco, CA, 1992

 

1991    

Neuberger, Susanne, and Lawrence Weiner, In the Still of the Night/Im Frieden der Nacht, published by Wein: Die Festwochen, 1991
Schwartz, Dieter, and Lawrence Weiner, You Can Tell a Book by Its Cover: Livres (&) Boeken : Lawrence Weiner : Kunst Leren Lezen: Apprendre ̀Lire l'Art, Palais des Beaux-Arts, Bruxelles, Belgium, 1991
Dexter, Emma, Lawrence Weiner: Spheres of Influence, published by Institute of Contemporary Art, London, United Kingdom, 1991

 

1990    

Rosenzweig, Phyllis, Lawrence Weiner: Works, With the Passage of Time, published by The Hirshhorn Museum and Sculpture Garden, Washington, D.C., 1990
Licht=(Licht):  Ale Yevonim Hobn Eyn Ponim, published by Joods Historisch Museum, Amsterdam, The Netherlands, 1990 
STONES+STONES/2+2=4, published by Ecole d'Art de Dunkerque, Dunkirk, France, 1990

 

1989    

Schwartz, Dieter, Books 1968-89, published by Buchhandlung Walter König, Cologne, Germany, 1989

 

1988    

Bloem, Marja, Fuchs, R.H., Leffingwell, Edward, What is Set Upon the Table Sits Upon the Table, published by The Stedelijk Museum, Amsterdam, The Netherlands, 1988
 Schwartz, Dieter, On Top of the Trees, published by Mai 36 Galerie, Zuich, Switzerland, 1988
Heynan, Julian, and Lawrence Weiner, Altered to Suit. Passend Gemacht, published by Museum Haus Esters Krefeld, Krefeld, Germany, 1988

 

1987    

5 Figures of Structure: Lawrence Weiner, published by The Arts Club of Chicago, Chicago, IL, 1987

 

1986    

Buchloh, B.H.D., ed., Posters, published by The Press of Nova Scotia, Nova Scotia, Canada, 1986
Fuchs, Rudy, Paradigms Suitable for Daily Use, published by Air Gallery, London, UK, 1986
Brown, Erlend, and Mark Francis, Above Beyond Below, published by The Fruitmarket Gallery, Edinburgh, Scotland, 1986

 

1984    

Factors in the Scope of Difference: A Structure of Lawrence Weiner, published by    Galerie Anny de Decker, Antwerp, Belgium, 1984
Leffingwell, Edward, Mounds+Smooth Cairns, published by, Ohio State University, Columbus, OH, 1984

 

1983    

Mertz, Albert and Lawrence Weiner, Albert Mertz/Lawrence Weiner-Red/As Well as Green/As well as Yellow/As Well as Blue, published by Nordjyllands Kunstmuseum, Aalborg, Denmark, 1983
Martin, Jean-Hubert, Works & Reconstructions: Kunsthalle Bern, published by Kunsthalle Bern, 1983

 

1980    

Saliga, Pauline A., Lawrence Weiner [pamphlet], published by Museum of Contemporary Art, Chicago, IL, 1980

 

1979     

Art & Project: Bulletin 113, published by Geert van Beijeren and Adriaan van Ravesteijn, Amsterdam, The Netherlands, 1979

 

1978    

Fuchs, Rudi, Lawrence Weiner: Kunsthalle, Basel, Published by Kunsthalle Basel,    Basel Switzerland, 1978,
In Relation to Probable Use..., published by The Renaissance Society at the University of Chicago, Chicago, IL, 1978

 

1977     

Miller, Laurence, A Work of Lawrence Weiner Presented at Laguna Gloria Art Museum, published by Laguna Gloria Art Museum, Austin, TX, 1977

 

1976

Fuchs, Rudi, Lawrence Weiner, published by Van Abbemuseum Eindhoven, Eindhoven, The Netherlands, 1976

 

1974     

Pedersen, Jane, Lawrence Weiner, published by Gentofte Kommunes Kunstbibliotek, Hellerup, Denmark, 1974

 

1973    

Cladders, Johannes, Arbeiten von Lawrence Weiner, published by Stadtisches Museum, Mönchengladbach, Germany, 1973
Art & Project: Bulletin 72, published by Geert van Beijeren and Adriaan van Ravesteijn, Amsterdam, The Netherlands, 1973

 

1972    

Honnef, Klaus, Lawrence Weiner, published by Westfälischer Kunstverein, Munster, Germany, 1972
Art & Project: Bulletin 54, published by Geert van Beijeren and Adriaan van Ravesteijn, Amsterdam, The Netherlands, 1972
Art & Project: Bulletin 53, published by Geert van Beijeren and Adriaan van Ravesteijn, Amsterdam, The Netherlands, 1972

 

1970     

Klaus, Honnef, An Exhibition/Eine Austellung, published by Gegenverkehr, Aachen, Germany, 1970    

            
1969     

Art & Project: Bulletin 10, published by Geert van Beijeren and Adriaan van Ravesteijn, Amsterdam, The Netherlands, 1972

 

1964    

Lawrence Weiner Vol 1, No.3, published by Siegelaub Contemporary Art, Basel Switzerland, 1964

 

Selected Catalogues and Publications:

 

2018

Fraenkel, Jeffrey, and Antoine de Beaupré, eds., Art & Vinyl, published by Fraenkel Gallery, San Francisco, CA, and Editions Antoine de Beaupré, Paris, France, 2018, pp. 106 – 107 [ill.] 

Arieff, Allison, Ben Davis, Christopher DeWolf, Sarah Fecht, Jaron Lanier, China Miéville, Rachel Monroe, Michelle Nijhuis and Lawrence Weiner, The Future of Public Space, published by Metropolis Books, New York, NY, 2018 [ill.]

 

2016

Gilman, Claire, and Béatrice Gross, Drawing Dialogues: Selections from the Sol LeWitt Collection, published by The Drawing Center, 2016
Balsom, Erika, Ed Halter, and Omar Kholeif, Electronic Superhighway: From Experiments in Art and Technology to Art After the Internet, published by Whitechapel Gallery, London, UK, 2016

 

2015

Bouiller, Jean-Roch, and Laurence Madeline, J’aime les panoramas : s’approprier le monde, published by Flammarion, Paris, France, Musée d’art et d’Histoire (MAH), Geneva, Switzerland, and Musée des Civilisations de l’Europe et de la Mediteranée à Marseille (MuCEM), Marseille, France, 2015

Kuipers, Dean, Station to Station, published by Prestel, New York, NY, 2015, pp. 194 – 197 [ill.]

Beaux, Christophe, and Chiara Parisi, Take Me (I’m Yours), published by Éditions Dilecta, Paris, France, 2015

Miller, Dana, and Adam D. Weinberg, Whitney Museum of Art: Handbook of the Collection, published by Whitney Museum of American Art, New York, NY, and Yale University Press, New Haven, CT, 2015, p. 401 [ill.]

Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015

Breitwieser, Sabine, Karl-Markus Gauß, and Eva Kernbauer, Art-Histories, published by Hirmer Verlag, Munich, Germany, 2015

 

2014

Breitwieser , Sabine, Karl-Markus Gauß, and Eva Kernbauer, Art/Histories, published by Hirmer Verlag, Munich, Germany, 2014
Azimi, Negar, and Kaelen Wilson-Goldie, eds., Here and Elsewhere, published by New Museum, New York, NY, 2014
Heinzelmann, Markus, Doris Krystof und Stefanie Kreuzer, Propaganda for Reality, published by Verlag Kettler, Bönen, Germany, 2014
Moure, Gloria, ed., On The Road, published by Xunta de Galicia, Santiago de Compostela, Spain, 2014
Berry, Ian, James Hyde, Steven Henry Madoff, Kim Rosenfeld, Barry Schwabsky, and Jessica Stockholder, The Jewel Thief, published by The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, 2014, pp. 72, 83 [ill.]
Non Basta Ricordare, published by MAXXI Museo Nazionale delle Arti del XXI Secolo, Rome, Italy, 2014

 

2013

Friedman, Samantha, Van Gogh, Dalí, and Beyond: The World Reimagined, published by Museum of Modern Art, New York, NY, 2013
Grevenstein, Alexander van, Lynda Morris, Philippe Ungar, AS IF IT COULD, Ouverture: Works and Documents from the Herbert Foundation, published by Herbert Foundation, Ghent, Belgium, 2013 [ill., cover]
Hontoria, Javier, Carlos Marzal, and Abel H. Pozuelo, Sin motivo aparente (For no apparent reason), published by CA2M Centro de Arte Dos de Mayo, Madrid, Spain, 2013
Matzner, Florian, EMSCHERKUNST.2013, published by Hatje Cantz, Ostfildern, Germany, 2013
Ganz, David, Michael Kröger, Roland Nachtigäller, Wolfgang Ullrich, Jutta Zaremba, and Oliver Zybok, Visions: An Atmosphere of Change, published by Hatje Cantz, Ostfildern, Germany, 2013
Codognato, Mario, Fragile?, published by Skira Editore, Milan, Italy, 2013
Holton, Johan and Friedrich Meschede, For The Time Being, published by Verlag Der Buchhandlung Walther Konig, Cologne, Germany, 2013
Guiot, Nathalie, Artists and Collectors, published by blackjack éditions, Paris, France, 2013, pp. 107 – 127 [ill.]

 

2012        

Assche, Christine Van, and Alfred Pacquement, Vintage Video 1963-1983, published by Centre Pompidou, Musée National d ́Art Moderne, Paris, France , 2012
Documenta 13: Catalog I/3, The Book of Books, published by Hatje Cantz, Ostfildern, Germany, 2012
Sinister, Dexter, Ecstatic Alphabets/Heaps of Language, published by Museum of Modern Art, New York, NY, 2012
Chaillou, Timothée, ed., Only Parts of Us Will Ever Touch Parts of Others, published by Galerie Thaddaeus Ropac, Paris, France/Salzburg, Germany, 2012
Groen, Rianne, Nora Belovai, Marte Elisabeth Paulssen, and Julia Rust, Through the Looking Glass, published by me Collectors Room Berlin, Berlin, Germany, 2012 
Bamm, Peter, Alexander Grönert, Michael Kroeger, Roland Nachtigäller, Dietmar Rübel, and Anne Schloen, Asche und Gold: Eine Weltenreise, published by MARTa Herford, Herford, Germany, 2012

 

2011

Arte Povera 2011, published by Mondadori Electa, Milan, Italy, 2011
Boulboullé, Guido, Peter Friese, and Raimar Stange, Farbe im Fluss: 20 Jahre Weserburg, published by Kerber Verlag, Bielefeld, Germany, 2011
Hapgood, Susan, andCornelia Lauf, In Deed: Certificates Of Authenticity In Art, published by Roma Publications, Amsterdam, Netherlands, 2011

 

2009

Darling, Michael, Target Practice: Painting Under Attack 1949 – 78, published by The Seattle Art Museum, Seattle, Washington, 2009, pp. 78 – 79, [ill.]
Chao, González, and Ana Doldán de Cáceres, Nueva York. El papel de las últimas vanguardias, published by Museo de Arte Contemporáneo Esteban Vicente, Segovia, Spain, 2009
Avrilla, Jean-Marc, and Bernard Marcadé, Vivre l’art – Collection Venet, published by Espace de l’art concret, Mouans Sartoux, Paris, France, 2009
Dennison, Lisa, James Frey, and Bill Powers, WALL ROCKETS: Contemporary Artists and Ed Ruscha, published by The FLAG Art Foundation, New York, NY, 2009

 

2008     

Colombo, Paolo, Enrique Juncosa, Catherine Lampert, and Stéphanie Mallarmé, Order. Desire. Light: An exhibition of Contemporary Drawings, published by Irish Museum of Modern Art (IMMA), Dublin, Ireland , 2008
Tabitha Clayson and Simon Morrissey, eds., Intervention/Decoration, Foreground, published by Foreground Projects, Somerset, UK, 2008
Heiser, Jörg, All of a Sudden: Things that Matter in Contemporary Art, published     by Sternberg Press, Berlin, Germany, 2008, pp. 45, 238 – 239

 

2007     

Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, published by Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, 2007, pp. 201, 218 – 219, 299, 385
52nd International Art Exhibition of La Biennale di Venezia, published by Marsili Editori Spa, Venice, Italy, 2007
Duplaix, Sophie, ed., Collection Art Contemporain, published by Centre Pompidou, Paris, France, 2007, p. 487 [ill.]
De Corral, Maria, and John R. Lane, eds., Fast Forward: Contemporary Collections for the Dallas Museum of Art, published by the Dallas Museum of Art, Dallas, TX, 2007, p. 50 [ill.]
Blancsube, Michael, Esquiador en el Fondo de un Pozo, published by La Colección Jumex, Mexico City, Mexico, 2007, pp. 38–40 [ill.]

 

2006    

Barron, Stephanie, Draguet, Michel, Tashjian, Dickran, Magritte and Contemporary Art: the Treachery of Images, published by Los Angeles County Museum of Art, Los Angeles, CA, 2006, p. 229 [ill.]
Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, 2006 [ill.]
Blum, Eugen, and Knapstein, Gabriele, and Catherine Nichols, eds., Fast Nichts: Minimalistiche Werke aus der Friedrich Christian Flick Collection im Hamburger Bahnhof, published by SM and B DuMont, Berlin, Germany, pp. 250 – 253 [ill.]
Borja-Villel, Manuel J., Diedrich Diederichsen, Anton Herbert, Hans-Joachim Müller, Peter Pakesch, and Anne Rorimer, Public Space/Two Audiences. Works and Docuemtns from the Herbert Collection, Museu d’art Comtemporani de Barcelona, Spain / Kunsthaus Graz, Austria, 2006
Morgan, Jessica, and Roth, Bjorn, Material Time Work Time Life Time, published by Revolver, 2006, pp. 186–191, [ill.]

 

2005      

Love, Karen, and Elizabeth May, Weathervane, published by The Ottawa Art Gallery, Ottawa, CA, 2005
press PLAY: Contemporary Artists in Conversation, published by Phaidon Press, New York, NY, 2005, pp. 658 – 75 [ill.]
Acconci, Vito, Barney, Matthew, Close, Chuck, and Muniz, Vik, No. 1: First Works by 362 Artists, published by D.A.P., 2005, pp. 399 [ill.]    

 

2004

A New Modern for a New Millennium: Abstraction and Surrealism are Reinvented in the Internet Age, published by The Logan Collection Vail, 2004, p. 67 [ill.]
Hayes, Christa, Joyce in Art: Visual Art Inspired by James Joyce, published by Lilliput Press, Dublin, Ireland, 2004, pp. 150, 168 – 169, 202 – 203, 261, 299 – 301, 330, 381 [ill.]
Language in Art, published by Lindinger + Schmid Press, Berlin, Germany, 2004,    pp. 30 – 45 [ill.]
Baldessari, John, Bowers, Andrew, Bulloch, Angelea, and Burden, Chris, 100 Artists See God, curated by John Baldessari and Meg Cranston, published by Independent Curators International, New York, NY, pp. 128 [ill.]
Goldstein, Anne and Lisa Gabrielle Mark, eds., A Minimal Future?  Art As Object 1958 – 1968, published by the Museum of Contemporary Art, Los Angeles, CA, 2004, pp. 362 – 367 [ill.]
Martin, Agnes, Daniel, Drew, Sudjic, Deyan, Singular Forms (Sometimes Repeated): Art from 1951 to the Present, published by Solomon R. Guggenheim Museum, New York, NY, 2004, pp. 134 – 135 [ill.]
Gioni, Massimiliano, and Marta Kuzma, Manifesta 5: ... with all due intent, published by Centro Internacional de Cultura Contemporánea, Gipuzkoa, Spain, 2004 [ill., cover]
Anselmo, Giovanni, Intra-Muros, pubslished by Musee d’Art Moderne et D’Art Contemporain, Nice, France, 2004

 

2002

Fréchuret, Maurice, Les années 70: L'art en cause, published by CAPC Musee d’Art Contemporain, Bordeaux, France, 2002
Fritz, Martin, Kunstprojekte für den Neubau der Universität Klagenfurt, published by University of Klagenfurt, Klagenfurt, Austria, 2002  

 

2000

Marzona, Egidio, (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, published by Galleria Comunale d’Arte Moderna e Contemporanea, Rome, Italy, 2000
Brayer, Marie-Ange, Orbis Terrarum: Ways of Worldmaking, published by Museum Plantin-Moretus, Antwerp, Belgium, 2000 
Trepanier, Peter, Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced from 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), published by National Gallery of Canada Library and Archives, Ottawa, Canada, 2000
Schall, Jan, Tempus Fugit, published by Nelson-Atkins Museum of Art, Kansas City, MO, 2000
Raspail, Theirry, L’exotisme sans partage, published by Musee d’Art Contemporain, Lyon, France, 2000

 

1999     

Tatsachlich: Skulpturen und Bücher, Neus Museum Weserburg, Bremen, Germany, 1999
Movin, Lars, and Nikolaj Kirke, Close–Ups: Contemporary Art and Carl Th. Dreyer, Copenhagen Contemporary Art Center, Copenhagen, Denmark, 1999
Tobler, Jay, ed., The American Art Book, published by Phaidon Press, London, UK, 1999
Block, René, and Barbara Heinrich, Chronos & Kairos, published by Museum, Fridericianum, Kassel, Germany, 1999

 

1997

Skulptur Projekte Münster, published by Westfälisches Landesmuseum, Münster, Germany, 1997

 

1996

Frankel, David, Sniper’s Nest: Art that has lived with Lucy Lippard, published by Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 1996

 

1995

Goldstein, Ann, and Anne Rorimer, Reconsidering the Object of Art: 1965-1975, published by MIT Press, Cambridge, MA, and Museum of Contemporary Art, Los Angeles, Los Angeles, CA, 1995

 

1992

Krupka, Burgbacher, ed., Offentlich: Public Freehold, published by Hatje Cantz Verlag, Berlin, Germany, 1992

 

1991

Gary, Garrels, Displacement: Chronicle of the Work and Installation from its Inception with Essays, Drawings, and Installation Photos, published by Dia Center for the Arts, New York, NY, 1991
Flags Folded Out of Sight of the Barricade: 1779-1989, published by Bridgitte March Galerie, Munich, Germany, 1991 

 

1989

Posters Hanging in European Collections, published by Ecole Superieure d’Art Visuel, Geneva, Switzerland, 1989

 

1987

Bellman, David, ed., Somewhere Over the Rainbow: Issue 2 of Delfryd Celf Essays, published by Delfryd Celf, Wales, UK, 1987

 

1986 

Quartucci, Carol and Carla Tato, Nach Themyscira: Texte aus Penthesilia von Heinrich v. Kleist, published by La Zattera di Babele, Rome, Italy, 1986

 

1985
Pagé, Suzanne, Sculpture, published by ARC Musée d'Art moderne de la Ville de Paris, Paris, France, 1985.

 

1980

Siliga, Pauline, Options 3, published by Museum of Contemporary Art, Chicago, IL, 1980 
Lucie-Smith, Edward, Art in the Seventies, published by Phaidon and Cornell University Press, Ithaca, NY and New York, NY, 1980

 

1976      

New Urban Landscapes #6, published by Institute for Art and Urban Resources, New York, NY, 1976

 

1972 

Lipppard, Lucy, Six Years: The Dematerialization of the Art Object from 1966 to 1972...Occurring now in the Americas, Europe, England, Australia, and Asia, published by Studio Vista, London, UK, 1972

 

1971

Bowles/Russel, eds.,  This Book is a Movie, published by Dell Publications, New York, NY, 1971

 

Selected Articles and Reviews:

 

2017

Singer, Leah. “Lawrence Weiner.” apartamento Issue #20 (Autumn / Winter 2017 – 2018) pp. 44 – 69 [ill., spine]

Trayectoria, Mítica. “Lawrence: here, there & everywhere.” Vogue Mexico (June 2017) pp. 88 – 89 [ill.]

Larson, Sarah. “At the Kitchen’s Spring Gala, John Cale and Lawrence Weiner Inspire and Provoke.” The New Yorker (May 3, 2017) [ill.] [online]

 

2016

Pogrebin, Robin. “Inside Art: Artwork to Dia.” The New York Times (July 15, 2016) p. C18 [ill.]

Ollman, Leah. “Review Lawrence Weiner's work at Regen Projects: It's all spelled out.” The Los Angeles Times (April 21, 2016) [ill.] [online]

 

2015

Van den Bergh, Jos. “Review: ‘Atopolis.’ Manège de Sury.” Artforum (November 2015) p. 323

Forrest, Nicholas. “Lawrence Weiner’s Enlightening Blenheim Palace Intervention.” Blouin Artinfo (October 20, 2015) [ill.] [online]

Micallef-Eynaud, George. “Lawrence Weiner Facilitates Large Text-Based Interventions At Blenheim Palace.” Artlyst (October 19, 2015) [ill.] [online]

MacAlister, Katherine. “Lawrence Weiner is in a realm of his own at Blenheim Palace.” The Oxford Times (October 15, 2015) [ill.] [online]

Waters, Florence. “Free reign conceptualism: Lawrence Weiner takes over Blenheim Palace.” Wallpaper* (October 12, 2015) [ill.] [online]

Hoover, Amanda. “The Greenway has a new mural.” Boston.com (September 22, 2015) [ill.] [online]

Dahan, Alexis. “Claude Rutault and Lawrence Weiner.” Purple Fashion (Vol. III, Issue 23, Spring/Summer 2015) pp. 358-363 [ill.]

Davidson, Justin and Jerry Saltz. “The New New Museum.” New York Magazine (April 20 – May 3, 2015) pp. 32 – 42 [ill., cover]

 

2014

Trigg, Sarah. “SEEN in the Studio: Lawrence Weiner.” Vulture (December 10, 2014) [ill.] [online]

Trigg, Sarah. “How to Spot a Lawrence Weiner in the Wild.” Vulture (December 10, 2014) [ill.] [online]

“In The Frame: A plaice for Weiner's art in Iceland.” The Art Newspaper (October 28, 2014) [ill.] [online]

Williams, Eliza. “All In Due Course: Lawrence Weiner at South London Gallery.” Creative Review (September 26, 2014) [ill.] [online]

Waldron, Sacha. “Bury Bury Good for You: Lawrence Weiner and the launch of Bury Sculpture Centre.” The Skinny (June 3, 2014) [ill.] [online]

Pechman, Ali. “Taste Test.” Gallerist Vol. 113, No. 3 (March 2014) p. 34 [ill.]

 

2013

Baker, Elizabeth C. “Inside the Art Bars.” Art in America (December 2013) [ill.]

 

2012

Simek, Peter. “Interview: Artist Lawrence Weiner, on Communication, the Market, and the Artist’s Role in Society.” D Magazine (November 28, 2012)
Buck, Louisa. “Artist Interview: Lawrence Weiner.” The Art Newspaper Issue 240 (November 2012) pp. 66 – 67

Kuo, Michelle. “Art’s New Media.” Artforum (September 2012) pp. 66 – 69 [ill., cover]
Tylevich, Katya. “Meetings: Lawrence Weiner.” Elephant No. 10 (Spring 2012) pp. 108 – 117
Holman, Martin. “Thought Follows Words.” The Florentine (March 1, 2012)
Friedman, Julia. “Lawrence Weiner.” Artforum (June 8, 2012)

 

2011

La Force, Thessaly. “Lawrence Weiner.” The Paris Review (February 14, 2011)
Gladstone, Valerie. “Lawrence Weiner: Gyroscopically Speaking.” City Arts (January 12, 2011)
David, Elliott. “Simon Rodia by Lawrence Weiner.” V Magazine Issue 73 (Fall 2011) p. 158
Herbert, Martin. “Liam Gillick & Lawrence Weiner.” Art Review Issue 52 (September 2011) p. 177
Ulrichs, David. “Lawrence Weiner & Liam Gillick.” Modern Painters (May 2011) p. 75

 

2010

West, Kevin. “Dallas.” W Magazine (July 2010) pp. 54 – 63 [ill.]
Manaugh, Geoff. “Village People.” Dwell (April 2010) pp. 51 – 58 [ill.]
MacMillan, Kyle. “Embrace! Denver Art Museum.” Artforum (February 2010) pp. 208 – 209 [ill.]

 

2009  

Lack, Jessica. “Artist of the Week 45: Lawrence Weiner.” Guardian (June 17, 2009)
Filippi, Lavinia. “Quo Vadis?” Artnet (January 1, 2009)
Dault, Gary. “Brilliantly maddening word sculptures.” Globe and Mail (March 19, 2009)
Knight, Christopher. “Art Review: Lawrence Weiner at Regen Projects II.” The Los Angeles Times (August 7, 2009) pp. D16 – D17 
Jones, Ronald. “Are You Experienced? How designers are adopting the strategies    of Conceptual Art.” Frieze (January/February 2009) pp. 30 – 31 [ill.]

 

2008 

Markle, Leslie. “Lawrence Weiner.” ArtUS (Fall/Winter, 2008) p. 16
McBride, Rita. “Lawrence Weiner.” Artforum, Issue 47, No. 4 (December 2008) pp. 99 – 110 [ill.]
Holte, Michael Ned. “Lawrence Weiner.” Artforum Issue 47, No. 4 (December 2008) p. 279 [ill.]
Buchloh, Benjamin. “Lawrence Weiner.” Artforum Issue 47, No. 4 (December 2008) pp. 256 – 257 [ill.]
Poledna, Mathias. “Best of 2008, the Artist’s Artists: Lawrence Weiner: As Far As     the Eye Can See.” Artforum (December 2008) p. 99
Storr, Robert. “Art and Text, Two Vindications of Conceptualism and its Offshooots.” Frieze Issue 116 (June/July/August 2008) p. 19 [ill.]
Smith, Roberta. “The Well-Shaped Phrase as Art.” The New York Times    (November 16, 2008) pp. B29 – B33
“Scene: Social Canvas.” Angeleno Magazine (June, 2008) p. 124
Lehrer-Graiwer, Sarah. “Skim Flick.” Artforum (July 1, 2008) [online]
Frank, Peter. “Talk and Awe.” Angeleno Magazine (June, 2008) p. 76
Weiner, Lawrence. “Lawrence Weiner on the Watts Towers.” Art Review (May 2008) [ill]
Hirsch, Faye. “Where Words Go.” Art in America (April 2008) pp. 140 – 147, 178 [ill., cover]
Stern, Steven. “Lawrence Weiner.” Frieze (March 2008) pp. 176 – 177 [ill.]

 

2007

Colman, David. “The Discreet Charm of the Gauloisie.” The New York Times (December 2, 2007) [ill.]
Kröner, Magdalena. “Ich Kann Nicht Mal Richtig Schreiben.” Monopol (November 2007) pp. 6, 54 – 58 [ill.]
Kennedy, Randy. “Language as Sculpture, Words as Clay.” The New York Times (October 21, 2007) p. AR 31 [ill.]
Antin, David. “Previews:  Lawrence Weiner: As Far as the Eye Can See.” Artforum (September 2007) p. 157 [ill.]
Ginsberg, Allen. “First Thought Best Thought.” Artforum (March 2007) p. 296 [ill.]

 

2006 

Ayers, Robert. “Interview: Lawrence Weiner.” State of Art (September/October 2006) p. 5 [ill.]

 

2005

Leffingwell, Edward. “Lawrence Weiner at Marian Goodman.” Art in America (September 2005) p. 153 [ill.]
Frank, Peter. “John Baldessari and Lawrence Weiner.” LA Weekly Vol 27, No 24 (May 6 – 12, 2005) p. 53
Knight, Christopher. “A Treatise on Time, in Stencil.” The Los Angeles Times (April 15, 2005) p. E24 [ill.]
Glueck, Grace. “Lawrence Weiner: ‘En Route’.” The New York Times (March 18, 2005) p. B38

 

2004

Weiner, Lawrence. “Electoral Collage: A Portfolio.” Artforum (September 2004) p. 229 [ill.]
de Brugerolle, Marie. “John Baldessari, Juliao Sarmento and Lawrence Weiner.” Flash Art (May/June 2004) pp. 148 – 149 [ill.]
Prince, Mark. “Pop/Art.” Art Monthly (May 2004) pp. 6 – 9 [ill.]
Rose, Matthew. “Best Sellers: Avant Garde Artist Books.” Art & Antiques (March 2004) p. 40 [ill.]
Knight, Christopher. “Max Minimal.” The Los Angeles Times (March 16, 2004) pp. E1, E8
Farquharson, Alex. “In the Midst of Things.” Frieze (December 2004) pp. 96 – 97 [ill.]

 

1999
Hainley, Bruce. “Lawrence Weiner: Regen Projects.” Artforum (October 1999) pp. 151 – 152 [ill.]
Pagel, David. “Free Associating.” The Los Angeles Times (July 16, 1999) p. F30
     

1998

Weiner, Lawrence. The International Review of Graphic Design Issue 9, Vol. 8 (Autumn 1998)

 

1995

Drolet, Owen. “Lawrence Weiner.” Flash Art Issue 183 (Summer 1995)
Cotter, Holland. “Conceptually, and Literally, a New York Figure.” The New York Times (March 31, 1995)
Schwabsky, Barry. “A Meaning Exists That The Outside Is Not Privy To: Lawrence Weiner as a Culture.” The Print Collector's Newsletter (March/April 1995)

 

1994

Adams, Brook. “Weiner's Werkstätte.” Parkett 42 (Winter 1994)
Richard, Frances. “Providing Metaphor Needs: Lawrence Weiner's Specific & General Works.” Parkett 42 (Winter 1994) pp. 38 – 40
Schwarz, Dieter. “Public Freehold.” Parkett 42 (Winter 1994) pp. 48 – 51
Salvioni, Daniela. “The Meaning that Comes Away from the Work of Art.” Parkett 42 (Winter 1994) pp. 52 – 55
“SMASHED TO PIECES (IN THE STILL OF THE NIGHT), The Public Reacts.” Parkett 42 (Winter 1994) pp. 62 – 63
Relyea, Lane. “But Can She Bake a Cherry Pie?” Parkett 42 (Winter 1994) pp. 64 –    65
Leffingwell, Edward. “& Vers Les Etoiles.” Parkett 42 (Winter 1994) pp. 68 – 70
“Lawrence Weiner.” Grand Street 48 (Spring 1994) p. 225

 

1993

Wilson, Andrew. “Out of Sight, Out of Mind, Lawrence Weiner.” Art Monthly (April 1993)
Bass, Ruth. “Lawrence Weiner-Marian Goodman.” Artnews (April 1993)
Myers, Terry R. “Lawrence Weiner.” Galleries Magazine (February/March 1993)    
Denizot, Ren, Holmes, Brian, and Jean Nouvel. “Lawrence Weiner.” Galleries Magazine (October/November 1993)

 

1991

Wilson, Andrew. “Lawrence Weiner, The ICA, London.” Forum International (March/April 1991)
Halle, Howard. “Carl Th. Dreyer. A Fable of Women & Water.” (1991)
Decter, Joshua. “Lawrence Weiner, DIA Center for the Arts.” Flash Art (October 1991)
Leigh, Christian. “Lawrence Weiner, A Place in the Sun.” Flash Art (1991)
Stals, Lebrero. “Lawrence Weiner, Jablonka.” Flash Art (January/February 1991)

 

1990

Cyphers, Peggy. “Lawrence Weiner: Marian Goodman.” Arts Magazine Issue 54 (Summer 1990) p. 97
Decter, Joshua. “Marian Goodman.” Flash Art 150 (January/February 1990) p. 121
Evans, Steven, and Michael Jenkins, “John Miller, Gary Mirabelle, Lawrence Weiner at American Fine Arts, Co.” Artscribe International (January/February 1990)
Faust, Gretchen, “Lawrence Weiner, Marian Goodman.” Arts Magazine, Issue 64 (January 1990) pp. 99, 100
Gardner, Colin. “Lawrence Weiner, Stuart Regen Gallery.” Artforum, Issue 28     (February 1990)
“The Space between Words: Lawrence Weiner.” Artforum Issue 29 (November 1990) pp. 156 – 160
Hapgood, Susan. “Lawrence Weiner, Marian Goodman.” Art in America Issue 78 (February 1990) pp. 175 – 176
Hoffberg, Judith.  “Ulises Carrion and Lawrence Weiner.” High Performance Issue 13 (Spring 1990) p. 80
Mahoney, Robert. “Lawrence Weiner, Marian Goodman.” Contemporanea (January 1990) p. 97
Pagel, David. “Compromised Positions.” Artweek Issue 21 (January 18, 1990) pp. 12 – 13
“Prints and photographs published, Lawrence Weiner.” Print Collectors Newsletter (March/April 1990) p. 26
Vogel, Sabine. “Lawrence Weiner, Portikus, Frankfurt.” Contemporanea (March 1990)

 

1989
Baker, Elizabeth. “The Peripatetic Artist: 14 Statements ... Lawrence Weiner.” Art in America Issue 77 (July 1989) pp. 134 – 135
Batchelor, David. “I Am Not Content: Lawrence Weiner Interviewed.” Artscribe International (March/April 1989) pp. 50 – 58
Carpenter, Merlin. “Lawrence Weiner, Anthony D'Offay.” Artscribe International (May 1989) pp. 73 – 74
Donohue, Marlena. “La Cienega Area.” The Los Angeles Times (December 29, 1989)
Grout, Catherine. “Lawrence Weiner: The Realization that What a Work of Art is, is More Important than How a Work of Art is (1).” Arte Factum Issue 29 (1989) pp. 18 – 21
“Lawrence Weiner.” Arts Magazine (February 1989) p. 23
Morgan, Robert C. “The Situation of Conceptual Art: the January Show and after (with interviews reprinted from Arts Magazine, 1969, and 4 more interviews 20 years later).” Arts Magazine Issue 63 (February 1989) pp. 40 – 50

 

1988

Banz, Stefan. “Lawrence Weiner, Mai 36 Galerie, Luzern.” Noema Issue 18, No. 19 (1988) p. 95
“Figures of Structure, Arts Club of Chicago,” The Print Collectors Newsletter Issue 19 No. 1 (March – April, 1988) p. 21
“Lawrence Weiner, Luzern, Galerie Mai 36.” Arte Factum (September/October 1988) pp. 46 – 47
Oehen, Berta. “Lawrence Weiner--Evokation der Dreidimensionalität.” Luzerner Tagblatt (May 28, 1988)
Schenker, Christopher. “Lawrence Weiner, Galerie Mai 36, Lucerne.” Flash Art Issue 143 (November/December 1988) p. 127
Segard, Michel. “Arts Club of Chicago.” New Art Examiner Issue 15 (March 1988) pp. 48 – 49
Simon, Joan. “Gordon Matta-Clark: Reconstructions (Interviews with 4 Artists).”Arts Magazine Issue 52 (Summer 1988) pp. 84 – 87
Zingg, Max. “Die Existenz des Inexistenten.” Luzerner Neuste Nachrichten (May 25, 1988)

 

1987     

Gauthier, Michel. “Lawrence Weiner–Les Mobiles du Concept.” Art Press Issue 116 (July/August 1987) pp. 8, 9
“Les Apories du Concept.” Consequénces (1987) p. 76
Rorimer, Anne. “Sculpture: Figures of Structure. The Work of Lawrence Weiner.” The Arts Club of Chicago (November/December 1987)

 

1986

Denizot, Ren. “De l'Art du Pouvoir, de l'Image, de l'Histoire et de Deux Artistes: Lawrence Weiner, Le Consortium, Dijon, Avril – May 1985.” Plus 2 (January 1986) pp. 21 – 23
Francis, Mark. “A Passage to and From the North.” Alba 1 (Summer 1986)
Groot, Paul. “Chambres d'Amis.” Wolkenkratzer 13/3 (June/July/August 1986) pp. 75 – 80
Kessler, Pamela. “In Other Words: Spectrum.” The Washington Post (May 16, 1986)
Leirner, Sheila. “TV Perigosa Sedu.” Caderno 2 (November 29, 1986)
Watson, G. Review. “Anthony d'Offay Gallery.” Burlington Magazine 128/621 (August 1986)
Wijers, Louwrien. “Beeldende kunstenaars en film: de tijd als dimensie.” Finacieele Dagblad (February 18, 1986) 

 

1985 

Cournot, Michel. “Decouverte-Sculpture de Minceur, Peinture de Sant.” Le Monde (July 4, 1985)
Dagen, Philippe. “Salade de Sculptures.” Le Quotidien de Paris (July 4, 1985)
van Garrel, Betty.  “Lawrence Weiner.” NRC Handelsblad (March 1, 1985)
Gauthier, Michel. “Matières Grises.” Consequénces 5 (Winter/Spring 1985) pp. 21 – 40
McEvilley, T. “I Think Therefore I Art.” Artforum, Issue 23, No. 10 (Summer 1985) p. 74

 

1984     

Leffingwell, Edward. “Lawrence Weiner at the Tangeman.” Dialogue (September/October 1984) pp. 72 – 73
“Ohio State University Galleries: Lawrence Weiner.” Dialogue (January/February1984) p. 62
Smith, Paul. “Election Issues: A Timely Artistic Response.” Arts Magazine Issue 59, No. 3 (November 1984) p. 126
Wechsler, Max. “Lawrence Weiner: Werke & Rekonstruktionen, Kunsthalle Bern.” Arte Factum (December 1983/January 1984) pp. 92 – 94

 

1983

Aebli, Hans H. “Kopfkunst oder 'Sprache' für den Kopf.” Schaffhauser Nachrichten (October 5, 1983)
BCB. “Kunsthalle Bern: Rekonstruktionen ideeler Kunstwerke.” Der Bund (August 23, 1983)
Fassert, Sigmar. “Lawrence Weiner in der Kunsthalle Bern: Kunst ist Kunst im Denken.” Basler Zeitung (August 24, 1983)
de Groot, Els. “Lawrence Weiner.” Modern Denken Issue 5 (July 1983) pp.  20 – 23
Hollen Stein, Roman, "Eine Tasse Meerwasser auf den Boden gegossen: Lawrence Weiner in der Kunsthalle Bern.” Neue Züricher Zeitung (September 6, 1983)
Morgan, Robert C.  “A conversation with Lawrence Weiner.” Real Life Magazine Issue 11, No. 12 (Winter 1983) p. 36
Ottevanger, Alied. “Een heel afschuwelijke tekst: Het enige wat me ervan bijblijft zijn de citaten van Picabia (Een gesprek over Buchloh's boude stellingen).” Museumsjournaal Issue 28, No. 4 (1983) p. 224
Wechsler, Max. “Der tiefe Graben zwischen Idee und Realisation der Amerikaner Lawrence Weiner in der Kunsthalle Bern.” Vaterland (September 3, 1983)

 

1982

Acker, Kathy. “Kosuth, Joseph, Weiner, Lawrence. Portraits: Necrophilia Mon Amour.” Artforum Issue 20, No. 9 (May 1982) pp. 58 – 65
Bos, Saskia. “Plowmans Lunch.” De Appel, Issue 4 (1982) pp. 34 – 37
Gibbs, Michael. “Lawrence Weiner's Plowmans Lunch.” Artzien Issue 28    (November 1982) pp. 5 – 9
Groot, Paul. “Lawrence Weiner.” NRC Handelsblad (August 6, 1982)
Kosuth, J., Weiner, L., and Acker, K. “Portraits: Necrophilia Mon Amour.” Artforum Issue 20, No. 9 (May 1982) pp. 58 – 65
Phillpot, Clive. “Words and Word Works.” Art Journal 42/2 (Summer 1982) pp. 95 – 143
Weiner, Lawrence. “Installation & Presentation: Within a Context of Intention.” Artistes-Revue d'Art Contemporain (July 1982) pp. 40 – 44

 

1981

Cavaliere, Barbara. “Edward Ruscha and Lawrence Weiner at Leo Castelli.” Arts Magazine Issue 55, No. 9 (May 1981) pp. 32 – 33
Einreinhofer, Nancy. “Language in the Visual Arts.” Artery 8th National Forum for College Art Issue 4, No. 3 (Spring 1981) pp. 10 – 11
Fischer, Jean. “Lawrence Weiner.” Art Monthly Issue 46 (December 1980/January 1981) p. 12
Millet, Catherine. “L`Art de la Fin de l'Art: 10 Ans Après.” Art Press International Issue 54 (December 1981) pp. 6 – 9
Oille, Jennifer. “A Question of Place 2.” Vanguard Issue 10, No. 9 (November 1981) pp. 12 – 13
“Lawrence Weiner and David Jones, Anthony d'Offay Gallery, London.” Art International Issue 24, No. 5 (January/February 1981) pp. 70 – 113
Stodder, John F. “Subjectivity and Self Obsession.” Art Week (May 31, 1981) pp. 15 – 16
Weiner, Lawrence. “Notes from the California lectures.” Museumsjournaal Issue 26, No. 7 (1981) pp. 312 – 314

 

1980
Ellmann, Lucy. "David Jones and Lawrence Weiner," The Arts Review, November 21, 1980: 539.
Furlong, William. Interview, "A Conversation with William Furlong concerning 20 works by Lawrence Weiner presented in London," Marginalia 5 (1980).
Lucie-Smith, Edward. Art in the Seventies. Ithaca, Cornell University Press, 1980. A Phaidon Book. 
Morschel, JÅrgen. "Lawrence Weiner (Galerie Sch"ttle, MÅnchen)," Das Kunstwerk 33/2 (1980): 87.
Puliafito, Isabella. "Lawrence Weiner," Artforum 18/6 (February 1980): 107-108.
Review, "Lawrence Weiner at Saman Gallery, Genova," Artforum 18 (February 1980): 107-108.
Saliga, Pauline A. Lawrence Weiner [pamphlet], Museum of Contemporary Art, Chicago.  March 12-May 22, 1980.
Weiner, Lawrence. "Concerning Twenty Works," Audio Arts [supplement] (London 1980-81).
Wright, B. "David Jones and Lawrence Weiner at Anthony d'Offay Gallery, London," Arts Review 32/23 (November 21, 1980): 539.

 

1979
Gibbs, Michael. "Lawrence Weiner," Artzien 2/3 (December 1979-Januari 1980).
Giesler, D. "Different Purposes, Different Rewards: Encounter Cinema, Los Angeles; Performance," Artweek 11/12, March 29, 1980.
Grayson, Cewzan. "Lawrence Weiner, There But For Mudd Club," Live Performance Art 3 (1980): 45-46.
Ehrlich, R. Review, "Lawrence Weiner at Leo Castelli Gallery," Arts Magazine 54/1 (September 1979): 34-35.
Frank, Peter. "Mechanisms of Meaning," The Village Voice, April 23, 1979.
Garrel, Betty van. "Het belang van de registratie," NRC Handelsblad, December 29, 1979.
Groot, Paul. "Taal is het materiaal van Lawrence Weiner," NRC Handelsblad, December 29, 1979.
Hoberman, J. "Declarations of Independance," The Village Voice [New York], September 24, 1979.
Stimson, P. "Between the Signs," Art in America 67/6 (October 1979): 6.
Weiner, Lawrence. "2 lavori di Lawrence Weiner," Domus 591 (February 1979): 49.

 

1978
Lister, A. "Edge Junction: Words in Art," Criteria 4/1 (Spring 1978): 22-23. 
Wierk, Hans-Peter. "Lawrence Weiner: mit einem Hauch von Rosa," Nordsee-Zeitung, September 7, 1978.
Wilson, Martha. "Artists' Books as Alternative Space," The New Arts Space. The Los Angeles Institute of Contemporary Art, 1978. 35-37.

 

1977 
Burnside, Madeleine. "Raw Material," The Soho Weekly News, March 24, 1977.
Perrone, Jeff. "Words: When Art takes a Rest," Artforum 15/12 (Summer 1977): 34-37.

 

1976
Barracks, B. Review, "Lawrence Weiner, The Kitchen," Artforum 15/4 (December 1976): 67-70.
Beks, Maarten. "Lawrence Weiner in Van Abbe," Eindhovens Dagblad, March 26, 1976.
Blok, Cor. "Lawrence Weiner gepresenteerd door het van Abbemuseum: geen daden maar woorden," De Groene Amsterdammer, April 7, 1976.
Brandt Corstius, Liesbeth, "Tentoonstellingen: Lawrence Weiner in het Stedelijk en Van Abbemuseum in Eindhoven," Avenue (Maart 1976): 11.
Brown, Gordon. "Lawrence Weiner, Donald Judd, Dan Flavin," Arts Magazine 51/1 (September 1976): 37.
Burnside, Madeleine. "A Question of Values, A bit of manner and little bit more--Lawrence Weiner, The Kitchen," The SoHo Weekly News, December 30, 1976.
"Expositie Weiner," Hollands Diep, April 10, 1976.
Fuchs, Rudi. "Lawrence Weiner, 'A Second Quarter,'" Museumsjournaal 21/1 (1976): 22-23.
"De taaie traditie: een boekje over Lawrence Weiner," Nieuwe journalistiek, Art & Project (Amsterdam 1976).
Ginneken, Lily van. "Galerij der galerijen--Lawrence Weiner," Volkskrant, March 27, 1976.
Graevenitz, Antje von. "Man sieht mehr, als man sieht Lawrence Weiner Sprachkunstwerke im Van Abbemuseum, Eindhoven," Suddeutsche Zeitung, April 8, 1976.
Hazzledine, Mike. "Lawrence Weiner at ICA New Gallery," Studio International 192/982 (July/August 1976): 90-91.
"Lawrence Weiner," Basler Nachrichten, April 21, 1976.
"Lawrence Weiner," De Nieuwe Gazet, April 21, 1976.
Marioni, T. "New York City," Vision 3 (November 1976): 5-90.
Morris, Linda. "Today Together: A joint Show of Contemporary Galleries at the Collage Art Fair," Studio International 191/979 (January/February 1976): 55-75.
"Notaties in taal: Beeldende Kunst buiten klassieke kaders. Werk Lawrence Weiner in het Van Abbemuseum," Het Eindhovens Dagblad, March 12, 1976. 
Redeker, Hans. "Lucassen en Weiner: twee richtingen in de schilderkunst," NRC Handelsblad, April 15, 1976.
Reise, Barbara. "Who, what is Sigmar Polke (and where can he be found?)," Studio International 192/982 (July/August 1976): 84.
Salle, D. Review, "Lawrence Weiner at The Kitchen," Arts Magazine 51/4 (December 1976): 39-40.
Sargent-Wooster, Anne. "The interplay of touch. Do you believe in Water? Lawrence Weiner at the     Kitchen," The Soho Weekly News, September 30, 1976.
Stutzer, Bee. "Amerikanische Künstler stossen in Neuland vor," Basler Volksblatt, August 4, 1976.
Vries Robbë Londe. "Kunst is even gespecialiseerd als theoretische natuurkunde. De teksten van Lawrence Weiner in het Van Abbemuseum," Vrij Nederland, April 17, 1976.

 

1975 
"Berliner Künstlerprogramm: Ein Zweites Viertel," Kulturinformation aus Berlin 2 (1975): 23-4.
Frank, Pete. Review, "Lawrence Weiner at Castelli," Artnews 96 (April 1975): 96.
Heinemann, Susan. "Lawrence Weiner: Given the Context," Artforum 13/7 (March 1975): 36-37.
Monteil, Annemarie. "Preisig: Lawrence Weiner-Basler Galerien," National Zeitung Basel, December 18, 1975.
Sargent-Wooster, Anne. Review, "Lawrence Weiner," Art in America 63/2 (March/April 1975): 93.

 

1974     
Cameron, Eric. "Lawrence Weiner: The Books," Studio International 187 (January 1974): 2-8.
Fuchs, Rudi. "De taaie traditie--Een boekje over Lawrence Weiner," NRC Handelsblad, February 15, 1974.
"Over Lawrence Weiner," De Gids 5 (1974): 385-388.
Catalogue, Hunter, Sam and Jacobus J. American Art of the 20th Century: Art as Action and Idea (New York: Abrams, 1974).
Moser, Charlotte. "The Concept as the Art in World--or More," Houston Chronicle, December 29, 1974: 11.
Tuyl, Gijs van. "Met betrekking tot de vorige twee bladzijden: vult u maar in, maar het hoeft niet," Museumsjournaal 19/3 (1974): 122-123.
Weiner, Lawrence. "With an advance declined," Interfunktionen 11 (1974): 54-58.
"Within a reasonable doubt," Flash Art (January 1974--special issue).
"Having a relation," Museumsjournaal 19/3 (Juni 1974): 120-121.

 

1973
Gruterich, M. "Lawrence Weiner: Kunst zum konzeptuellen Gebrauch," Heute Kunst 4-5 (Dezember 1973-Februar 1974): 30-31.
Ahorn, Hannelore. Kleine weisse Bücher bis 14 Februar: Lawrence Weiner [exhibition catalogue]. Kabinett für Aktuelle Kunst, Bremerhaven, January 29, 1973.
Grassi, Gino. "L'arte il linguaggio di Weiner," Roma, anno  112/26 (January 27, 1973).
Sargent-Wooster, Anne. "First Quarter. Lawrence Weiner's first film," Arts Magazine 47/7 (May 1973): 32.
Tisdall, Caroline. "Weiner," The Guardian, October 8, 1973.

 

1972
Ashton, D. "New York Commentary: Abracadabrizing Art," Studio International 183 (January 1972): 39.
Celant, Germano. "Le Livre comme travail artistique 1960-70," VH 101 no.9 (Automne 1972): 5-28.
Cork, R. "UK Commentary," Studio 183/942 (March 1972): 116-117.
Sharp, Willoughby. Interview, "Lawrence Weiner at Amsterdam," Avalanche 4 (Spring 1972): 64-74.

 

1971
Borgeaud, B. "Book Entitled 10 Works," Arts Magazine 45 (April 1971): 72.
Interview, "avec Michel Claura," VH 101 no.5 (Printemps 1971): 64-66.
Lovell, A. "Lawrence Weiner," Studio International 181/931 (March 1971): 126-127.

 

1970
Battcock, Gregory. "Documentation in Conceptual Art," Arts Magazine 44/6 (April 1970): 42-45.
Borgeaud, B. "Exhibition in Paris," Arts Magazine 44/7 (May 1970).
Burnham, J. "Alice's Head: Reflections on Coceptual Art," Artforum 8 (February 1970): 38.
Celant, Germano. "Conceptual Art," Casabella 347 (April 1970): 42-49.
Karshan, D.C. "The Seventies: Post object art," Studio International 180/925 (September 1970): 69- 70.
Lippard, Lucy. "Groups," Studio International 179/94 (March 1970): 48.
"Art within the Arctic Circle," Changing [New York] (1970): 286 ev. ep.
"Art within the Arctic Circle," The Hudson Review (February 1970): 665-674.
48-page exhibition. Studio International 180/94 (March 1970).
Ohff, Heinz. "Die Idee der reinen Kunst--Lawrence Weiner in Berlin," Der Tagesspiegel, December 23, 1970.
Ratcliff, Carter. "New York: Conceptual Art and Conceptual Aspects, New York Cultural Center," Art International 14/6 (Summer 1970): 133-34.
Weiner, Lawrence. "The artist and politics: A symposium," Artforum 9/1 (1970): 39.
"Lawrence Weiner," VH 101 3 (automne 1970): 37.
"Some notes upon the sculpture itself of Sol Lewitt," Sol LeWitt. Haags Gemeentemuseum, 1970.

 

1969
Amman, Jean-Christophe. "Schweizer Brief," Art International 13/5 (May 1969): 47-50.
"Art & Project, Bulletin 10 van Art & Project is uit," De Tijd, September 5, 1969.
Battcock, Gregory. "Painting is Obsolete," New York Free Press Critique, January 23, 1969: 7.
Claura, Michel. "Extrémisme et rupture (1) Mouvement de l'art contemporain autor d'un concept,"   
Lettres francaises, September 24, 1969: 26-27.
Constable, Rosalind "The New Art (Big ideas for sale)," New York Magazine, March 10, 1969: 46-49.
"Entrémisme et rupture (2)," Lettres francaises (October 1969).
Frenken, Ton. "Kunstenaars zoeken nieuwe mededelingsvormen voor de huidige sensibiliteit,"   
Brabants Dagblad, March 22, 1969.
Garrel, Betty van. "De afwenzige kunst van de nieuwe avantgarde," Haagse Post, March 22, 1969.
Glueck, Grace. "Art Notes: Venice, anyone?" The New York Times, March 16, 1969.
Higgins, Dick and Vostell, Wolf. Pop architektur, Concept Art. Dusseldorf: Droste Verlag, 1969.
Junker, Howard. "Idea as Art," Newsweek, August 11, 1969: 81.
Kosuth, Joseph. "Art after Philosophy," Studio International 178/916 (November 1969): 160.
Pierce, Gretchen. "Art Critic Becoming Absolete--Art Critic," The Mail-Star, November 29, 1969.
Pierce, Gretchen. "Hot Dog!  Weiner plus Roll Must Equal Art," The Mail-Star, April 24, 1969.
Perrault, John. "Art Disturbances," The Village Voice [New York], January 23, 1969.
Rose, Arthur R. "Four interviews with Barry, Huebler, Kosuth, Weiner," Arts Magazine 43/4 (February 1969): 22-23.  Reprinted in Idea Art, edited by G. Battock (New York: E.P.Dutton, 1973).
Shirey, David L. "Idea as Art," Newsweek, April 11, 1969: 81.
Strelow, Hans. "Regungen einer neuen Romantik (Kunst am Ende des mechanischen Zeitalters- Ausstellung in Bern)," Frankfurter Allgemeine Zeitung, April 9, 1969.
Weiner, Lawrence. "Statements--Lawrence Weiner 1968," Art & Language 1/1 (1969): 17-18.

 

1968 
Junker, Howard. "The New Sculpture," The Saturday Evening Post, November 2, 1968.

 

1966
Bannitz, Jacqueline. "In the galleries: Lawrence Weiner," Arts Magazine 40/3 (January 1966): 64.
Benedict, Michael. "New York Letter," Art International 10/1 (January 1966): 97.

 

1965
Judd, Donald. "In the galleries," Arts Magazine 39/4 (January 1965): 64.
"Reviews and Previews," ArtNews 64/8 (December 1965): 18.
Welsh, Marjorie, "Lawrence Weiner" Bomb. Winter 1995

 

1964
Levin, K. "Reviews and Previews: New Names this Month," ArtNews 63/7 (November 1964): 20-22. 

 

BOOKS  & MONOGRAPHS BY THE ARTIST

 

1998     
LAWRENCE WEINER.  Artist monograph.  160 pages.  Edition of 5,000.  Interview:  Benjamin H.D. Buchloh. Writings: Alexander Alberro, Alice Zimmerman, David Batchelor, W.B. Yeats, Kenneth   
Patchen, Lawrence Weiner.  Photos by Rudolph Burckhardt et. Al London: Phaidon Press  Limited,  1998

 

1993     
RITEN DES ÜBERGANGS/RITES OF PASSAGE. 
Exhibition catalogue: Lenbachhaus/Kunstforum, München.  November 20, 1992 – January 9, 1993. 12 pages. 550 copies. Text: Ulrich Wilmes.    
Photographs: Simone Gänsheimer. Design: L. Weiner [English/German. Translation: Brigitte   
Kalthoff]. München: Städtische Galerie im Lenbachhaus, 1993
LAWRENCE WEINER/GALLERY 360°. Folded exhibition catalogue: Tokyo. February 1993. 8 pages.  Edition unknown. Includes essay and photos. Select exhibitions,bio., lists of permanent installations/public projects, and institutions having work in permanent collections.    
[English/Japanese]. Tokyo: Gallery 360°, 1993
STEEL PENNIES. In conjunction with the exhibition: "Steel Pennies Don't Come From Or Go To Heaven".  A work for Dean Clough, The Henry Moore Studio, Halifax, England. February 19-May 23, 1993. 48 pages. 1000 copies. Chronicle of the work and installation with essays, drawings, and installation photographs. Essay: Iwona Blazwick. Photographs: Susan Crowe and Jerry Hardman- Jones. Design: L. Weiner with Peter McGrath. [English]. Halifax, England: The Henry Moore Sculpture Trust.
TO BUILD A WORK. Exhibition catalogue with Lucas L'Hermitte and Niele Toroni. Galerie Arnaud Lefebvre, Paris. April 1993. 8 pages + a sticker. 300 numbered copies. [English/French]. Paris: Galerie Arnaud Lefebvre, 1993
ZWEI BLÖCKE/TWO BLOCKS… Exhibition catalogue: Städtische Galerie Nordhorn. May 8-June 27, 1993. 44 pages. 300 copies. Essay: Sabine Dylla. Photos: Werner Westdörp and Kunsthalle Bern.  Design: L. Weiner Sel.bib., sel bio. Nordhorn: Städtische Galerie Nordhorn, 1993

 

1992
ALL FALL DOWN. Produced concurrent with the exhibition "Heinz Gappmayr, Maurizio Nannucci, Lawrence Weiner. Denkraume/Spazi del Pensiero" (April/June 1992). Bozen and Bolzano: Museum fur Moderne Kunst and Museo d'Arte Moderna, 1992. In English, German, Italian.
OFFENTLICH/PUBLIC FREEHOLD. Documentation and exchanges regarding the installation of public sculpture of Ulrich Ruckreim and L. Weiner at Singlefingen, Germany. 96 plates. Unlimited    edition. Edited: Ingrid Burgbacher Krupka [German] Stuttgart: Edition Cantz, 1992
OFFENTLICH/PUBLIC FREEHOLD. Special edition of book and enamel plaque: 100. Stuttgart: Edition Cantz, 1992

 

1991
IN THE CRACK OF THE DAWN. Comic book collaboration with Matt Mullican. Lucerne and Brussels: Mai 36 Galerie and Yves Gavaert, 1991.
ART & PROJECT/LAWRENCE WEINER.  THROWN SOMEPLACE/ERGENS NEERGEGOOID. Produced concurrent with the exhibition (July 1991). Amsterdam: Art & Project, 1991. In English, Dutch.

 

1990 
TA SAMA WODA/THE SAME WATER. Includes essay. Related to the exhibition ON ONE SIDE OF THE SAME WATER (October 1990). Warsaw: Biblioteka Galerij Foksal, 1990. In English, Polish. 
LA MARELLE/PIE IN THE SKY. Essay and drawings related to the public sculpture (Inauguration: June 21, 1990). Villeurbanne: Le Nouveau Musée, 1990. In French.

 

1989
JUST ANOTHER THING TAKEN & CHANGED (A WOOD)(A STONE). Travel diary containing work, drawings, and an essay on New Guinea. Antwerp and Brussels: Galerie Micheline Szwajcer and Yves Gevaert, 1989.
PLOWMANS LUNCH COMIX.  Photo-roman for the film PLOWMANS LUNCH. Rotterdam: Uitgeverij/Publishing House Bebert, 1989.
CALENDAR 1989. London: Anthony d'Offay Gallery, 1988.

 

1988 
TOWARDS A THEATRICAL ENGAGEMENT/DUCKS ON A POND. Includes an essay and stills from the film PASSAGE TO THE NORTH. Ghent: Imschoot, Uitgevers, 1988.

 

1984
FACTORS IN THE SCOPE OF DISTANCE/A STRUCTURE OF LAWRENCE WEINER.   
Paradigmatic comic book. Antwerp: ADD, 1984.

 

1981
PASSAGE TO THE NORTH. Includes an essay and stills from the film PASSAGE TO THE NORTH.    
Photographs: Louise Lawler, cropped by Lawrence Weiner. Great River, New York: Tongue Press, 1981. 

 

1979
Z PRAWDOPODOBIENSTWEM, ZE KTOS ZOBACZY/WITH A PROBABILITY OF BEING SEEN. Related to the exhib. in September, 1979. Warsaw: Biblioteka Galerij Foksal PSP, 1979. In English, Polish.

 

1978
THE LEVEL OF WATER. Includes essay. Ghent: Vereniging voor het Museum van Hedendaagse Kunst, 1978. In English, Flemish.
HARD LIGHT. Collaboration with Edward Ruscha. Los Angeles and New York: Heavy Industrial Publications and Moved Pictures, 1978.
WITH A TOUCH OF PINK. Includes essay. Bremerhaven: Kabinett fur Aktuelle Kunst, 1978. In English, German.

REGARDING INSCRIPTIONS (OF A SORT).  Basel: Rolf Preisig Gallery, 1978.  In English, German.

 

1977
WORKS. Complete works 1968-77. Hamburg: Anatol AV und Filmproduktion, 1977.

PERTAINING TO A STRUCTURE. Includes essay. Photographs by Daniel Buren from a videotape, DO YOU BELIEVE IN WATER? London: Robert Self Publications, 1977.
COMING AND GOING. Work and essay presented in the context of a game. Produced concurrent with the exhibition (September 20, 1977). Geneva: Centre d'art contemporain/Ecart Publications, 1977.

 

1976
ON THE ROCKS. Includes essay. (See also videotape A BIT OF MATTER AND A LITTLE BIT MORE.)  Lund: Edition Sellem-Archive of Experimental and Marginal Art, 1976. In English, Swedish.
ART & PROJECT/LAWRENCE WEINER. (Combined edition of ART & PROJECT/LAWRENCE WEINER and HAVING TIME TO TIME A RELATION TO:) Amsterdam: Art & Project, 1976. In English, Dutch.  
VARIOUS MANNERS WITH VARIOUS THINGS. Essay by Barry Barker (on dustjacket). Produced concurrent with exhibition. London: ICA New Gallery, 1976.

 

1975
RELATIVE TO HANGING. Ringkobing: Edition After Hand, 1975. In English, Dutch, Icelandic, Swedish, Finnish, Norwegian. 
TOWARDS A REASONABLE END. Includes stills from the film DONE TO and essay. Produced concurrent with the exhibition (March-April). Bremerhaven: Kabinett fur Aktuelle Kunst, 1975. In German, English.

 

1973
HAVING FROM TIME TO TIME A RELATION TO:. [English/Dutch]. Produced concurrent with the exhibition. Amsterdam: Art & Project, 1973.
ONCE UPON A TIME. Includes an essay. (Used in the film A SECOND QUARTER.) Milano: Franco Toselli Gallery, 1973. In English, Italian.
WITHIN A REASONABLE DOUBT. Milano: Flash Art Special Issue, 1973. In English, Italian,  French, German.
WITHIN FORWARD MOTION. Produced concurrent with exhib. (Jan-Feb). Bremerhaven: Kabinett fur Aktuelle Kunst, 1973. In English, German.

 

1972
GREEN AS WELL AS BLUE AS WELL AS RED. Produced concurrent with the exhib. (See videotape GREEN AS WELL AS BLUE AS WELL AS RED.)  London: Jack Wendler Gallery, 1972.
A PRIMER. Produced as participation in the exhibition. Kassel: DOCUMENTA 5, 1972. In English, German.  
HAVING BEEN DONE AT/having been done to. Produced concurrent with the exhib. Torino: Editions Sperone, 1972. In English, Italian.

 

1971
L. WEINER 10 OBRAS/10 WORKS. (Pirate edition of 10 works.)  Buenos Aires: CAYC, 1971. In English, Spanish.
L. WEINER. Pirate edition of ART & PROJECT/LAWRENCE WEINER). Buenos Aires: Centro de Arte y Communicacion, 1971.
CAUSALITY: AFFECTED AND/OR EFFECTED. Produced concurrent with the exhibition. New York: Leo Castelli Gallery, 1971.
FLOWED. Halifax: Nova Scotia College of Art & Design, 1971. In English, Italian, French, Danish,   Spanish, German, Dutch.
10 WORKS. Paris: Yvon Lambert Gallery, 1971. In English, French.
ART & PROJECT/LAWRENCE WEINER.  Produced concurrent with the exhibition (January). Amsterdam: Art & Project, 1971. In English, Dutch.

 

1970
TRACCE=TRACES/LAWRENCE WEINER. Torino: Sperone editore, 1970. In English, Italian.

 

1968
STATEMENTS. New York: Seth Siegelaub/The Louis Kellner Foundation, 1968.

 

FILMS BY THE ARTIST

 

READING LIPS [collaboration with Steen Moller Rasmussens], 1997 [16mm, color, 11 min., sound]
Produced by Moved Pictures NYC and PLAGIAT film. Directed by Lawrence Weiner and Steen Moller Rasmussens. Cinematography: Steen Moller Rasmussens. Music: Lawrence Weiner and Ned Sublette. Editiors: Rasmussens and Weiner.
First Screening: Arken, Denmark, 13 November, 1997
PLOWMANS LUNCH, 1982. [16mm Kodacolor, 28 mins., sound] Produced by Stichting de Appel, Amsterdam (Wies Smals).  
Cinematography: Jules van den Steenhoven. Music: Peter Gordon. Editor: Eva Reisel.
First Screening: The Film House, Den Haag/Kriterion Theatre, Amsterdam, October 13, 1982.  First American screening: Bleecker Street Cinema, New York, April 9, 1983.
PASSAGE TO THE NORTH, 1981
ALTERED TO SUIT, 1979
A SECOND QUARTER, 1975
DONE TO, 1974
A FIRST QUARTER, 1973

 

VIDEOS BY THE ARTIST
Niets Aan Verloren/Nothing to Lose, 1984
Trailer for Plowmans Lunch, 1982
There But For, 1980
For Example Decorated, 1977
A Bit of Matter and a Little Bit More, 1976
Do You Believe in Water?, 1976
Various Manners with Various Things, 1976
Green as Well as Blue as Well as Red, 1975/76
Affected and/or Effected, 1974
Shifted from Side to Side, 1972
To and Fro/Fro and To/And To and Fro/And Fro and To, 1972
Broken Off, 1971
Beached, 1970
To the Sea/On the Sea/From the Sea/At the Sea/Bordering the Sea, 1970

 

RECORDS BY THE ARTIST

Having Been Built on Sand with Another Base (Basis) In Fact, A structure of Lawrence Weiner, music by Richard Landry. Voices, Britta Le Va, Tina Girouard, Lawrence Weiner, Richard Landry. Mix, Landry/Weiner, Remix, Kurt Munkacai. Produced by Moved Pictures NYC. Munich: Rudiger Schottle, 1978.
Nothing to Lose/Niets Aan Verloren, Voices Coosje van Bruggen, Lawrence Weiner. Translation, Ger Van Caspel, Coosje van Bruggen. Eindhoven: Van Abbemuseum, 1976.
7, Spoken text by Lawrence Weiner and Beatrice Conrad-Eybesfeld, Flute by Pierre-Yves Artaud. Translated by Beatrice Conrad-Eybesfeld. Paris: Yvon Lambert, 1972.
Having Been Done at/Having Been Done to, Essendo Stato Fatto A, Voices spoken by Lawrence Weiner and Marina Girotte. Piano, Marina Girotte, Translation, Cesare Scaglia. Rome: Sporone Gian Enze and Fischer Konrad, May, 1973
Monsters From the Deep, Ned Sublette and Lawrence Weiner, 1997 

 

CASSETTES BY THE ARTIST

Lawrence Weiner/The Preformance Tapes, Preformance soundtracks, 1976-1981. New York City: Moved Pictures, 1984.

Lawrence Wiener/Twenty Works, A conversation with William Furlong Concerning 20 Works by Lawrence Weiner presented in London 1980. London: Audio Arts, 1980.

Need to Know/A Structure of Lawrence Weiner, Radio play aired on WBAI, 29 January 1978. New York City: Moved Pictures & J. Umland, 1978.