_Matthew Barney
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MATTHEW BARNEY
BIBLIOGRAPHY:
Artist's Books/Catalogues:
2008 Heartney, Eleanor, Art & Today, published by Phaidon, London, England, 2008, pp. 127-8, 168
Arte Contemporanea, published by La Biblioteca di Republica-L'espresso, Electa, Spain, 2008,
pp. 58-9, 108, ills
2007 Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, published by Musée des Arts
Contemporains au Grand-Hornu, Tournai, Belgium, August 2007, pp. 68, 70, 110, 135, 174, 328, ills
Catalogue, Fast Forward: Contemporary Collections for the Dallas Museum of Art,
published by the Dallas Museum of Art, Dallas, Texas, 2007, pp. 294-6, ills
Monograph, Matthew Barney: Drawing Restraint Volume IV, published by JmC & GBH
editions, NY, 2007
2006 Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation
Contemporary Art Collection, Cascais, Portugal, Oct 2006, ill.
No. 1: First Works by 362 Artists, edited by Francesca Richer and Matthew Rosenzweig,
published by D.A.P., 2006, p. 31, ill.
Catalogue, material time work time life time, co-published by Eidar Art Centre and
Revolver, 2006, pp. 6-9, ills
Catalogue, Dark Places, curated by Joshua Decter, published by Santa Monica Museum
of Art, Santa Monica, California, 2006, p. 11, ill.
2005 Ward, Ossian, "Matthew Barney," Art Now: Volume 2, published by Taschen, 2005, pp.
48-51, ills
Catalogue, Universal Experience, curated by Francesco Bonami, published by Museum of
Contemporary Art, Chicago, IL, p. 24, ill.
Catalogue, Drawing from the Modern, 1975 – 2005, organized by Jordan Kantor,
published by The Museum of Modern Art, New York, pp. 146-7, ills
2004 Taylor, Brandon, Art Today, published by Laurence King Publishing 2005, pp.214, 225-
227, cover, ills.
Catalogue, Not Afraid: The Rubell Family Collection, published by Phaidon Press Inc., 2004, p. 104 & 220 – 221, ills.
2003 Monograph, Matthew Barney: The Cremaster Cycle, published by the Solomon R. Guggenheim Foundation, New York, NY, 2002
Catalogue, Imperfect Innocence: The Debra and Dennis Scholl Collection, published by the Contemporary Museum, Baltimore, MD, 2003
Catalogue, Subjective Realities: Works from the Refco Collections of Contemporary Photography, essay by Dave Hickey, published by Refco Group, Ltd., New York, NY, 2003, pp 58-59, ill.
2002 Catalogue, Photography Transformed: The Metropolitian Bank & Trust Collection, edited by Klaus Kertess, published by Harry N. Abrams Inc., 2002
Catalogue, American Visionaries: Selections from the Whitney Museum of American Art, published by Abrams, introduction by Maxwell L. Anderson, p. 231, ill.
Catalgoue, Hautnah: Die Sammlung Goetz, published by Museum Villa Stuck, Munchen, Germany, p. 22-25, ills.
Catalogue, Die Wohltat der Kunst, Post/Feministrische Positionen der neunziger Jahre aus der Sammlung Goetz, published by Sammlung Goetz and Staatliche Kunsthalle Baden-Baden, pp. 38 - 43, ills.
Catalogue, Edward Lucie-Smith, Art Tomorrow, published by Finest S.A/ Editions
Pierre Terrail, Paris, 2002, p.74, ill.
2001 Catalogue,Public Offerings, organized by Paul Schimmel, Museum of Contemporary
Art, Los Angeles, with essay by Leslie Dick, pp. 20-27, ills.
1999 Catalogue, 00, Essay by Klaus Kertess, Published by Barbara Gladstone
Gallery, New York, NY
Matthew Barney: Cremaster 2, Walker Art Center, Minneapolis, MN
The American Art Book, Phaidon Press Limited, London, England, 1999
1998 Catalogue, Veronica's Revenge; Contemporary Perspectives on Photography, LAC,
Switzerland, edited by Elizabeth Janus with Marion Lambert, Scalo, ill.
1997 Matthew Barney: Cremaster 5, Portikus Frankfurt, Barbara Gladstone Gallery (New York)
Presentation of the film Cremaster 5 by Portikus Frankfurt
New, Harry N. Abrams, Inc., New York, New York, 1997.
1995 Matthew Barney: Cremaster 4, Fondation Cartier, Paris, Barbara Gladstone Gallery, New York, presentation of the film Cremaster 4 by Artangel, London, essay by James Lingwood.
Matthew Barney: Pace Car For The Hubris Pill, Museum Boymans van Beuningen, Rotterdam, 1995. Exhibition organized by Matthew Barney and Karel Schampers.
Matthew Barney: Drawing Restraint, Cantz Verlag, 1995, essay by Klaus Kertess.
1991 Matthew Barney: New Work. San Francisco: San Francisco Museum of Modern Art, 1991. Exhibition organized by John Caldwell, Curator of Painting and Sculpture, and Bob Riley, Curator of Media Arts.
1992
Selected Articles/Reviews:
2007 Punj, Rajesh, "London: Matthew Barney: Drawing Restraint 15," Flash Art,
November/December, p. 71, ill.
________, "Matthew Barney's Stunning British Debut," Art World, Issue 1, October/November
2007, p. 20, ill.
Rappolt, Mark, "Il Tempo Del Postino: Playing For Time," Art Review:, Issue 14, September
2007, pp. 52-61.
Biesenbach, Klaus, "Black Paintings: From Rainer Werner Fassbinder's Berlin
Alexanderplatz," Flash Art, October 2007, pp. 116 – 119.
Mulholland, Neil, "Manchester: Il Tempo del Postino," Flash Art, October 2007, p. 67.
"Matthew Barney: A Visionary Straining at the Leash," telegraph.co.uk, September 18, 2007, ill.
Griffin, Jonathan, "Il Tempo del Postino," Frieze, September 2007, pp. 176-177, ill.
Herbert, Martin and Daniel Birnbaum, "The Postman Rings Twice: Martin Herbert and Daniel
Birnbaum on 'Il Tempo Del Postino'," Artforum, pp. 97 – 101, ill.
Rimanelli, David, "Previews: Matthew Barney: Serpentine Gallery," Artforum, p. 188, ill.
Rogers, Mike, "Matthew Barney's Dawning Restraint," artUS, February 2007, pp. 20 –
3, ills
2006 Cobb, Chris, "Matthew Barney: SF MoMa," Flash Art, October 2006, p. 118, ill.
Ryan, Jeffrey, "Matthew Barney," frieze, October 2006, p. 279, ills
Barney, Matthew and Arthur C. Danto on Joseph Beuys, "A Dialogue on Blood & Iron," Modern
Painters, September 2006, pp. 62-69, ills
Miles, Christopher, "Proving himself a master of multiplicity," The Los Angeles
Times, July 31, 2006, pp. E1 & E5, ills
Wakefield, Neville, "Drawing Restraint 9: Matthew Barney," ArtReview, May 2006, pp.
96-101, ills
Belcove, Julie L., "Barney's Voyage," W, May 2006, pp. 190-9, ills
Davis, Ben, "The Unbearable Lightness of Barney," artnet, www.artnet.com
Kennedy, Randy, "The Bjork-Barney Enigma Machine," The New York Times, April 9,
2006
Goodbody, Bridget L.,, "Sea Change," Time Out New York, March 30 – April 5, 2006, pp.
64-5, ill.
2005 Mack, Joshua, "Matthew Barney: Drawing Restraint 9," Modern Painters, October 2005,
p. 125, ill.
Matsui, Midori, "Matthew Barney," Flash Art, October 2005, p. 123, ill.
2004 ________, "Baroness Lambert Collection," Art + Auction, November 2004, p. 168, ills.
Barney, Matthew, "Matthew Barney," Tokion, Issue 39, pp. 70 – 73, ills.
Hill, Joe, "New York: 2004 Biennial Exhibition," Contemporary, Issue 62, p. 60-62
Barney, Matthew, "Matthew Barney Talks About de Lama Lamina, 2004," Art Forum, May 2004, p. 190-191, ill.
Rothkopf, Scott, "Subject Matters," Art Forum, May 2004, p. 176- 177 &233
Trebay, Guy, "The Art Buyers' Club of Los Angeles: Social advancement for billionaires," The New York Times, May 16, 2004, pp. 1 & 6
Hoban, Phoebe, "7BRs, Ocn Vu, WrldClass Art," The New York Times, March 14, 2004,
p. 1& 30-31
Kimmelman, Michael, "Touching All Bases At the Biennial," The New York
Times, March 11, 2004, pp.E27 & E38
2003 Runolfsson, Halldor Bjorn, "Matthew Barney: The Living Art Museum," Flash Art, November – December 2003, pp. 107 – 108, ill.
Vetrocq, Marcia, Art in America, "Vennice Biennale, 'Every Idea But One,'" September 2003, pp. 85 & 136, ill.
Rondeau, James, "50th Venice Biennale", Frieze, September 2003, pp. 96-97
Allen, Greg, "When Fans of Pricey Video Art Can Get it Free," New York Times, August 17, 2003, p. 25 (arts section), ill.
Bernhard, Brendan, "Art vs. Science," L.A. Weekly, June 20-26, 2003, pp. 47, ill.
Reynolds, Christopher, "An Artist's Bold Statement of Ambiguity," Los Angeles Times,
May 7, 2003, pp. E1-E11, ills.
Harvey, Doug, "Willful Perversity: Matthew Barney and 'The Cremaster Cycle,'"
L.A. Weekly, May 16-22, 2003, pp. 28-29, ills.
Pollack, Barbara, "Matthew Barney: Guggenheim Museum," ARTnews, April 2003, p. 122, ill.
Chua, Lawrence, "Hideous Kinky," Black Book, March/April 2003, pp. 60-63, ills.
Kimmelman, Michael, New York Times, "Free To Play And Be Gooey," February 13,
2003, pp. B37. B41, ill.
Tomkins, Calvin, New Yorker, "His Body, Himself," January 27, 2003, pp. 50 – 59, ill.
2002 Kimmelman, Michael, "Modest Moments That Remain," The New York Times, December 29, 2002, p. 39
Muchnic, Suzanne, "With all its hang-ups, the L.A. gallery scene thrives," Los Angeles Times, November 24, 2002
Belcove, Julie L., "Vanity Fair," W, September 2002, p. 474 – 485, ill.
Smee, Sebastian, "Conceptual Baroque", The Art Newspaper, December 2002, p.33
Bush, Kate, "Best of 2002," Art Forum, December 2002, p.120, ill.
Birnbaum, Daniel, "Best of 2002," Art Forum, December 2002, p.118, ill.
Rosenblum, Robert, "Best of 2002," Art Forum, December 2002, p.114, ill.
Birnbaum, Daniel, "Master of Ceremony," ArtForum, September 2002. pp. 180-185, ills.
Gioni, Massimiliano, "Matthew Barney The Mechanical Bride," Flash Art, July-September, 2002, pp. 92-95, ills.
Vincent, Stephen, "The Producers," Art & Auction, June 2002
Reindl, Uta M., "Matthew Barney Museum Ludwig, Cologne," tema celeste, July/August 2002, p. 97, ill.
Kimmelman, Michael, "Queens, The New Modern Mecca," The New York Times, June 28, 2002, p. 29, 31
"Cremaster 3," Newyorkmetro.com, Monday, May 13
Kehr, Dave, "'Cremaster' Is a Wrap," NY Times, Friday, May 10
Thon, Von Ute, "Der Alptraum-Fabrikant", Art das Kunstmagazin, Mai 2002, p.62-71
Rimanelli, David, "Matthew Barney: The CREMASTER Cycle at Museum Ludwig, Cologne", Artforum, May 2002, p.64-65
Amalfitano, Madelynn, "Matthew Barney," SOMA, December
Wakefield, Neville, "The passenger," frieze, May 2002, pp. 70-77, ills., cover
"Matthew Barney: The Cremaster Cycle," Flash Art, March-April, p. 44, ill.
Frankel, David, "Engine," 2wice, Vol. 5 No. 2, pp.38-45
Roman, Shari, "The Genius of the System," Filmmaker, Spring 2002, Vol. 10, #3
Mead, Rebecca, "Opening Night, An Art-House Epic," The New Yorker, May 13
Holden, Stephen, "Racing Dead Horses. Dental Torture. The Usual." New York Times,
May 15
Anderson, John, "Welcome to the Chrysler: Going Up!" Newsday, May 15
Lee, Nathan, "The Apotheosis of the 'Art Film'" The New York Sun, May 15
Weltzman, Elizabeth, "Double Vision," Daily News, May 15
Griffin, Tim, "Cremaster 3," Time Out New York, May 16-23, 2002
Turner, Megan, "Cremaster-full," New York Post, May 15
Halter, Ed, "Going To Extreme," Village Voice, May 21
Foundas, Scott, "Cremaster 3," Variety.com, May 15
Plagens, Peter, "Films Extreme Art House," Newsweek, May 13
Gonzalez, Ed, "Cremaster 3," Slant Magazine, May 13
Gopnik, Blake, "The Anti-Modern Film: Stopping at Nothing," Washington Post, May 14
2001 Harvey, Doug, "P.O.'d," LA Weekly, May 11-17, p. 50
Muchnic, Suzanne, "Ascent of the Early Risers," Los Angeles Times, Calender April 1,
pp. 4+75, ill. cover
Ratnam, Niru, "Please Let it All Mean Something," The Face, October 2001
Israel, Nico, "Public Offerings," Art Forum, September
Moroney, Mic, "Who will win the Glen Dimplex," iVenus.com, January 5
The Event Guide, "Happy Birthday, IMMA!", May 16-29, 2001
Dunne, Aidan, "Glen Dimplex Award Goes to US Artist for Muscular Films," The Irish
Times, May 26th
Dunne, Aidan, "Nominees for the Glen Dimplex Award are a Typical Mix of the Well
and not so Well Know," The Irish Times, May 24th
Tynan, Jane, "The Lovable Matthew Barney," The Irish Times, May 16th
Poschardt, Ulf "Blows to the 'Menschenpark'" Kunste Werke Yearbook
Danto, Arthur C., "L'Idee de-Chef-D'Ouevre dans L'Art Contemporain, Art et Artistes
Sarah Douglas, "Contemporary Art Exhibitions in 2001", The Art Newspaper,
January 2001
Erika Biddle,"Book report", artnet.com
Keats, Jonathan, "Shelf Life," Art&Auction, December 2001, p. 115
Poels, Jan-Willem, "Master, Let Me Enter," Frame, November-December, pp.78-85
Jacobson, Marjory, "Art in Transition: At the Threshold of the New Media," ARCO,
October 2001, p.61
Bohlen, Celestine, "The Guggenheim's Scaled-Back Ambition," NY Times, November
2000 "Glen Dimplez shortlist, despite everything," Circa.com, December 14
Dunne, Aidan, "Four Artists on Glen Dimplex List," The Irish Times, December 14
Ilka Becker, "Einblendung", Imagineering Jahresring 47
"Barbara Gladstone:3.", The New York Observer, December 18 2000
Biddle, Erika, "Book Report," artnet.com, December 19, 2000
Ploeebst, Helmut, "The Artist As Film-Maker as Choreographer," Ballet Tanz Aktuell, December 2000
Johnson, Ray, "Matthew Barney, Jennifer Pastor, Charles Ray," The New York
Times, December 8, 2000
Birnbaum, Daniel, "top 10," Artforum, December 2000
Meyers, Terry, "Carnegie International," Artext, No. 68 / February – April 2000, p. 95, ill.
Karen A. Levine, "Open Collection," Summer 2000, Open, the Magazine of the San Francusco Museum of Modern Art
Carol Vogel, "Biocastal ownership", Friday, May 5, The New York Times.
Kenneth Baker, "SFMOMA aquires work from Matthew Barney", May 2, San Francisco
Chronicle
"Buying a Barney", Friday, May 5, Star Tribute, Minneapolis
Carol Vogel, "Museums expand audience via the Web", Saturday, May 6, Marin
Independent Journal, Novato, CA
Carol Vogel, "A joint between galleries?", Friday, May 19, Santa Barbara News Press
" Far-flung museums join forces", Sunday, May 14, Charlotte Observer, Charlotte, NC
"Matthew Barney, Cremaster 2", May 11, Time Out New York
Glen Helfand, "Projections", May 31, San Francisco Bay Guardian
David Bonetti, "Giving Art a bad name?", May 22, San Francisco Examiner.
Kenneth Baker,"Cremaster 2, the Horror",Sunday, June 18, San Francisco Sunday
Examiner
Laura Reizman, "Cremaster 2", July 12, The Arts.
Boberto Friedman and Beau Ziegfeld, " Out there", May 20, Bay Area Reporter
"Matthew Barney's Cremaster 2", January, Artnews
Steven Jenkins,"Cremaster 2", bayarea . Citysearch . com
" Matthew Barney: Cremaster 2: The Drones Exposition", abolutearts . com
Valerie Breuvart, "Voila'", November 2000, Artforum.
#4 2000, Mohntop Unlimited
Sophie Berrebi, "Volia'", November/December 2000, Frieze
"Scare Tactics," September 4, 2000. Newsweek
"Art in the Media Era," Vol. 9, 2000 ART
Beth Coleman, "Soft Machines", September-October 2000, Artbyte Magazine
"Cremaster 2" July 7-16, Miff 2000 Program Guide
Scholder, Ramona "The Artistry of cremaster 2" July 2000, THE magazine
Frye Brian, "Video Triumphs in the Galleries", July 2000, The Independent Film and
Video Monthly
'What's it all about, Barney' May 11, 2000, The Irish Times
Porter Amy jean, "Fluid Talk", Summer 2000, CIRCA
Mauriès Patrick, "Le dandy ou l'homme invisible/The dandy or the Invisible Man," Summer 2000, Beaux-Arts Magazine, numéro spécial, "Qu'est-ce que la beauté ?"
Jeanne Siegel, " Matthew Barney", May-June, Tema Celeste
F. Hetting, "Cremaster 2", April-May 2000, MetropolismM
"Cremaster 2", March 2000, NAT, Filmfestivalen 2000
Jeff Gibson, "12th Biennal of Sydney", May 2000, Artforum
"Barney traces the afterlife of a killer", February 2 2000, Austria Today
"Tracing a killer's afterlife", February 8 2000, Austria Today
"Matthew Barney", January 31 2000, Profil
Doris Krumpl, "Jenseit des Willens", January 29 2000, Observer
"Matthew Barney", , January 26 2000, Falter
"Cremaster 2 im Kino", January 25 2000, Observer
Olaf Moller, "Die einsame Weite Utahs", January 25 2000, Der Standard
"Kunsthalle Wien: Junge Kunst fur junge Menschen", January 1 2000, AM.PULS
"Cremaster 2", February 10 2000, Le Monde
"Cremaster 2. Projections", February 20 2000, Le Monde
"Matthew Barney", February 2000, Les Inrockuptibles"
"Poeme visuel", February 8 2000, Le Figaro
Elisabeth Lebovich, " Le barnum de Barney", February 2000, Liberation
Gareth Evans, "The body politic - in the ring with Brisley and Barney", Optic April/May
Otto Neumaier, "Beauty Now", March/April 2000, Frame
Murray Whyte, "Two-stepping cowboys, Harry Houdini, Mormons and bees…it must be art", March 3 2000, National Post
Jonathan Jones, "Lonesome Cowboys. Matthew Barney", spring 2000, Untitled
Rick Groen, "What planet is he from?", March 3 2000, The Globe and Mail
Roger D. Hodge, "Onan the Magnificent. The triumph of the testicle in contemporary
art", March 2000, Harper's Magazine
Polly Staple, "Cremaster of Crime", March 2000, Art Monthly
Matt Bourbon, "Regarding Beauty", February 2000, N Y Arts, International Edition
Holly Willis, "Cremaster 2", February 18-24 2000, LA Weekly
Kevin Thomas, "Matthew Barney's Surreal Western 'Cremaster 2'…," February 17 2000
Los Angeles Times
Ulrike Knofel, "Showmaster der Mutanten", no. 7, February 14 2000, Der Spiegel
Christine McKenna, "Gary Gilmore , Meet Harry Houdini: Matthew Barney on his film
Cremaster 2", February 11-17 2000, LA Weekly.
Doug Harvey, "Barney's Sticky Adventure Beyond Death", February 11-17 2000, LA
Weekly
Elisabeth Lebovici, "Le barnum de Barney", February 9 2000, Liberation
Laura Cumming, "Dottier than Warhol", January 30 2000, The Observer Review
Jonathan Romney, "Barney and tha beehive", January 26 2000, The Guardian
Sarah Kent, "Matthew Barney", January 25 2000, Time Out London
Charlotte Mullins, "And it's all beautifully executed", January 23 2000, The Independent on Sunday
Richard Dorment, "The making of a man" , January 26, 2000, The Daily Telegraph
Daniel Etherington, "Cremaster 2", January 2000, AN
Gavin Smith, "Come dancing with Gary in Utah", January 2000, Sight and Sound
Gilman Tom, Sevcik Frantiska, "Cremaster 2", January-February, 2000, Flash Art
1999 Jones, Oliver, "Cremaster 2," Daily Variety, October 25, 1999, p. 12, ill.
Eichler, Dominic, "Matthew Barney: Walker Art Center,"Frieze, November/December, p. 98, ill.
Holden, Stephen, " It's About A Murderer, And Bees and Houdini," The New York Times, October 13, 1999, p. B5, ill.
Yablonsky, Linda, "A portrait of the artist as a gun man," Time Out New York,
October 14 - 21, 1999, ill.
Kimmelman, Michael, "The Importance of Matthew Barney," The New York Times Magazine, October 10, 1999, p. 62-69, ills.
Vogel, Carl, "Records Set for 11 Artist in Contemporary Sale," New York Times ,
May 20, p. B7
Henry Madoff, Steven, "Hallucinatory Acts," Time, August 30, 1999, pp.67-70, ills.
, "M: Matthew Barney," Esquire, September, 1999, p. 62, ill.
Gell, Aaron, "Guns' n' poses," Mirabella, August, 1999, p. 78, ill.
Plagens, Peter, "Barney for Grown-ups. Soho's infant terrible," Newsweek,
August 23, 1999, p. 39, ill.
Siegel, Katy, "Nuture Boy: Matthew Barney's Cremaster 2," Artforum, Summer, 1999
pp. 132 - 138, ills.
Knight, Christopher, "New Times Give Survey a New Focus," Los Angeles Times,
November 15, 1999, pp. F1/F6
1998 Romney, Jonathon, "Sheep or Goat," The Guardian, March 13, 1999, pp. 4 -5, ills.
Dargis, Manohla, "Cremaster 4, Cremaster 5," LA Weekly, March 6 – 12, 1998, p. 66
, "Best Bets: All Day Art," Los Angeles Times, March 5, 1998, p. 4, ill.
Gregos, Katerina, "Global Vision," Deste Foundation exhibition pamphlet, November
, "Film Bites: Cremaster 4 - 5," New Times, March 5 - 11, 1998, p. 29
Kammerling, Christian, "Mein Kopf ist wie ein Cockpit," Suddeutsche Zeitung Magazine, November, issue 46, pp.pp. 1-37, ills.
McKenna, Kristine, "A Pop Audience Pleaser? Matthew Barney's ponderous film 'Cremaster' with a related installation, has signs of crossover appeal,"
Los Angeles Times, March 5, 1998, Calendar p. 25 - 26, ills.
Decker, Andrew, "Smart Money", ARTnews, October, pp.114-115
Ritchie, Matthew, "Barney's Cremaster 5," Flash Art, January/February, pp. 108-9, ill.
1997 Erfle, Anne, "Matthew Barneys Plazentaere Phantasmagorion-die Fuenfte," Neue
Bildende Kunst, pp. 49-52
Frankel, David, "Hungarian Rhapsody," Artforum, October, pp. 76-79, ill.
Greco, Stephen, "In the Gallery: Flesh Prince," New York Post, November 1,
1997, pp. 26-27, ill.
Hasegawa, Yuko, "Utopistics: Non-Determinate Eros," BT, 6/97, pp 28-33, ill.
Holden, Stephen, "Modernist Twist to Macho Mythology," The New York Times,
October 22, 1997, p. E5, ill.
Hultkrans, Andrew talks with J.G. Ballard and David Cronenberg, "Body Work,"
Artforum, March, pp. 76-81
Kehr, David, " 'Cremaster 5': Strangely Compelling," Daily News, October 22, 1997,
ill.
Kemp, Wolfgang, "Zeitgenossische Kunst und ihre Betrachter," Jahresring 43, Jahrbuch fur moderne Kunst, Oktagon, Koln
Liebmann, Lisa, "Top Ten: The Year in Review: Matthew Barney", Artforum, December, pp. 82-83, ill.
Madoff, Steven Henry, "After the Roaring 80's in Art, a Decadence of Quieter Voices,"
The New York Times, November 2, 1997, section 2 and p. 45, ills.
Nagoya, Satoru, "De-Genderism," Flash Art, Summer, pp. 132-3, ill.
Pedrosa, Adriano, "Matthew Barney," Poliester, Volume 5, #17, Winter, pp. 22-25, ill.
Schaub, Mirjam, "Die Kunst als Foltergeschirr," Die Zeit Nr. 31, July 25, p. 47
Smith, Roberta, "From a Fantasy Film, Luxury Transformed", New York Times, B35, ill.
Saltz, Jerry, "Danube Blue: Matthew Barney's latest work is also his saddest," Time
Out New York, November 13-20, p. 43, ill.
Taubin, Amy, "Hellraisers," Village Voice, October 28, 1997, ill.
The Hugo Boss Prize: 1996, Comprehensive Press Coverage, Guggenheim Museum Soho
1996 Crump, James, "Third Person Singular: Profiles and Personae," See: A Journal of Visual
Culture, December, Vol. 2;3
Guardiola, Juan, "Sangre, sudor y Software,": ALIAS REVISTA D ARTE, No. 15-16, pp. 70-88
Janus, Elizabeth, "Matthew Barney," review, Artforum, No. 7, March, p 110, ill.
Lebovici, Elisabeth, "Barney dessine la carte du muscle," Liberation, Paris, Thursday, February 8, p. 30, ill.
Macadam, Barbara A., "Here's Looking at Us!," Artnews, October, pp. 130-133
Riley, Robert, "Matthew Barney," SF MOMA, March-April, pp. 8-9, ill.
Saltz, Jerry, "The Next Sex," Art in America, October, pp. 82-91, ill.
Taubin, Amy, "Making Tracks," Village Voice, July 23, p. 66
Woods, Vicky, "Matthew Barney's Personality Parade," Vogue, January, pp. 160-3, 183 "Matthew Barney, " (cf. Spiral show), Nikkei Art, March 1995, p. 45
The New York Times, March 24, "A Quirky Whitney Biennial"
11 November, pp. 52-55
1995 Als, Hilton, "Downtown Artthrob," New Yorker, Nov. 6
Art, #6, Juni, "Narsiss und Fegefeuer. Der Korper als Thema und Material der Kunst - junge Kunstler entdecken neue dimensionen der Schonheit und der Provokation"
Aukeman, Anastasia, "Rising Stars Under 40," Art New, Special Issue 1995, p. 30
Boyer, Charles-Arthur, "Histories d'hommes sur l'ile de Man," Tribus Magazine, June 1995, pp. 6-7, ill. (French text)
Bryson, Norman, "Matthew Barney's Gonadotrophic Cavalcade," Parkett, No. 45, pp. 28-35, ill.
Czoppan, Gabi, "Kunstler des Jahres," Focus, no. 23, October
De Vries, Marina, "Barney's wereld blijft een raadsel," Het Parool, Oct. 23, ill.
Fujimori, Manami, "Matthew Barney," BT (Japanese magazine), July, p. 8-25
Gache, Sherry, "London review," Sculpture, July-August 1995, p. 49
Hainley, Bruce, "Creamy Kids' Stuff," Artforum, Dec., p. 64, ill.
Houser, Craig, "Matthew Barney," WORLD ART, March 1995, p. 100
ill., cover
Jarton, Cyril, "Barney: Sexe et Mecanique," Les Beaux-Arts, April 1995
Keunen, Mirjam, "Matthew Barney maakt Belofte Niet Waar," Algemeen Daqblad, October 1995
Kimmelman, Michael, "Matthew Barney's Surreal Visions, on Film and in the Gallery, The New York Times, April 28
Lingwood, James, "Keeping track of Matthew Barney," Tate The Art Magazine, summer 1995. pp. 52-53
Mison, John Peter, "Modest Konst," O Mode, 1995, pp. 16-21
Morgan, Stuart, "Of Goats and Men," Frieze, January/February, p. 35-38,
Nichols Goodeve, Thyraz, "Travels in Hypertrophia," Artforum, May 1995, pp. 66-69,
112,117,124, ills
Oneray, Michel, "Mannerist Variations on Matthew Barney," Parkett, No. 45, pp. 50-7, ill.
Pontzen, Rutger, "De Videomythen van Matthew Barney, " Vrij Nederland,
Ritchie, Matthew, "Matthew Barney," Flash Art, Oct., p. 105, ills
Sans Jerome, "Die Moglichkeiten des Menshlichen Organisums," Album, August 25
Sans, Jerome, "Mondern Heroes," art press, #204, July-August, pp. 25-32, ill.
Schjeldahl, Peter, "The Isle of Male," The Village Voice, May 9, 1995, ills
Seward, Keith, "Matthew Barney and Beyond," Parkett, No. 45, pp. 58-60, ill.
Sladen, Marc, "Assault Course. Mark Sladen tackles Matthew Barney head on.," Art Monthly, #187, June 1995, p. 8
Stevens, Mark, New York, May 1, p. 69
Suto, Wilma, "Barney's optocht, processie van prijsram en offerdier," de Volkskrant, Oct. 23, ill.
Tazzi, Pier Luigi, "Berichten uit de polymorfe zone. De mythografie van Matthew Barney," Metropolis M, October
"Tanten und Mutanten," Der Spiegel, No. 46, p. 254, Nov. 13
1994 Artforum, Vol. 32, #8, April, p. 77 (photo illustration)
Art News Japan, June, p. 28
-----, "Face to Face," du, January, pp. 16, ill.
Barclay, Morgan Anne, "Video-Installations: Shigeko Kubota, Marcel Odenbach, Matthew Barney, Pierrick Sorin, Bruce Nauman, " Art Papers, Vol. 18, May/June, p. 61
Birnbaum, Daniel, "Kroppen som forvandlingsnummer," Dagens Nyheter, May 16, B2, ill.
Bonami, Francesco, "Matthew Barney," Flash Art , May/June, p. 101, cover
Cameron, Dan, "Self-Determination," Vogue, July, pp. 152-158, 192, ill.
Holert, Tom, "Too Much, Too Young? - Barney's Raum," Text Kunst, ill.
McKenna, Kristine, "This Boise Life, or Hut Hut Houdini," Los Angeles Times, Calendar Section, Sunday, November 20, ill.
Melrod, George, "Boys Will Be Boys," Mirabella, April, pp. 67-71, ill.
Pagel, David, "'Cremaster' Drama Explores Ideas of Self," Los Angeles Times, November 10, 1994, Section F, p. 7
Saltz, Jerry, "The Chimes of Freedom Flashing," Art Vision, Vol. 22-2 pp. 4-6, ill.
Wakefield, Neville, "Matthew Barney's Fornication with the Fabric of Space," Parkett, #39 March, pp. 118-130, ill.
1993 Als, Hilton, "Two Character Play," Frieze, Issue 10, May, pp. 17, ill. p. 14
BT, Vol 45, No. 672, pp. 22-25, ill.
Boyer, Charles-Arthur, "Le corps mis al'epreuve," Omnibus, Number 7, October
Fleissig, Peter, "Leche-Vitrine," Parkett, No. 35, pp. 102-113, ill.
Flood, Richard, "Rosebud, Anyone?" Frieze, Issue 9, March, pp. 35-36
Haus, Mary, "Fast Forward," ARTnews, November, pp. 123-124 ill.
Helfand, Glen, "Matthew Barney," (interview), Shift, Vol. 6, No. 2, pp. 36-41, ill.
Larson, Kay, "What a Long Strange Trip," New York Magazine, March 22, pp. 71-72
Lewis, Jim, "Anatomy of an Artist," Harper's Bazaar, Issue #3375, March, pp. 272-277, 321, ill.
Millet, Catherine, "45e Biennale," Artpress, 183, September, pp. 64-66, ill.
O'Brien, Glenn, "Dividing the Sheep from the Goats," Artforum, Vol. 31, No. 9, May, p. 8, ill.
Pagel, David, "Notes Toward Art's Backside," Shift 15, Vol. 7, No. 1, pp. 16-23
Rankin-Reid, Jane, "Pocket Pool: A Matthew Barney Exclusive," Art & Text, No. 45, May, pp. 42-47
Rees, Michael, "Yale Sculpture," Flash Art, Vol. XXVI, No. 170, May/June, pp. 78-79
Rian, Jeff, "The 1993 Whitney Biennial," Flash Art, Vol. XXVI, No. 170, May/June, pp. 78-79
Rian, Jeff, "What's All This Body Art?" Flash Art, Vol. XXVI, No. 168, Jan/Feb, pp. 50-53, ill
Saltz, Jerry, "10 Artists for the '90s," Art & Auction, May, pp. 122-125, 155, ill.
Schjeldahl, Peter, "Canal Vision: The Venice Biennale," Village Voice, July 6, pp. 58- 59
Siegel, Jeanne, "Unveiling The Male Body," Artpress, No. 183, September, pp. E12-E15, 26, 66, ill.
-----, "The News," Galeries, No. 54, April/May, p. 13, ill.
-----, "Looking Ahead: Venice Biennale 1995," Flash Art, Vol. XXVI, No. 172, October, pp. 42-43, ill.
Verbal Abuse, No. 2, pp. 26-27
1992 Adams, Brooks, "Matthew Barney: nouvel androgyne," Art Press, No. 167, March, pp. 36-39, ill.
Bonami, Francesco, "Matthew Barney: The Artist as a Young Athlete," Flash Art, Vol. XXV, No. 162, Jan/Feb, pp. 100-103, ills
Cameron, Dan, "The Changing Tide," Art & Auction, January, pp. 50-52
Decter, Joshua, "New York in Review," Arts, Vol. 66, No. 5, January, pp. 80-81, ill.
Dworkin, Nancy, "Matthew Barney at Barbara Gladstone," ARTnews, Vol. 91, No. 2, February, pp. 123-124, ill.
Gallagher, Ed, "Fine Tune: Notes on Matthew Barney," Publicsfear, Volume 1, No. 1, pp. 71-74, ill.
Helfand, Glen, "Fully pumped for fame: Artist/jock Matthew Barney works out at SFMOMA," SF Weekly, January 22, p. 19, ill.
Hoet, Jan, "Documenta als Motor," Kunstforum, No. 119, pp. 220-503, ill.
Johnson, Ken, "Matthew Barney at Barbara Gladstone," Art in America, Vol. 80, No. 1, January, pp. 115-117, ill.
Kaplan, Steven, "Matthew Barney: Barbara Gladstone Gallery," etc. Montreal, No. 19, Aug-Nov, pp. 64-66, ill.
Kunz, Martin, "USA - Blickpunkt Eastcoast," Kunstforum, No. 119, pp. 164-174, ill.
Larson, Kay, "Art on Site: Twenty-five Years in Two Hours," Atelier, July, pp. 64-83, ill.
Liebmann, Lisa, "Mr. Hoet's Holiday," Artforum, September, Vol. 31, No. 1, pp. 87-89, ill.
Morgan, Stuart, "Body Language," Frieze, Issue 6, Sept/Oct, pp. 28-34, ill.
Nesbitt, Lois, "The Young, The Wild, and the Wicked: Art's Bad Boys," Elle, March, pp. 130-132
Nilsson, John Peter, "Har hanger nittiotalets konstnar," Aftonbladet - Kultur, (Swedish), Nr. 2, October, pp. 20-23, ill.
Padon, Thomas, "Matthew Barney at Barbara Gladstone Gallery," Sculpture, Vol. II, No. 2, March/April, p. 68, ill.
Perl, Jed, "Review," Art & Antiques, Vol. IX, No. 2, February, p. 80, ill.
Riley, Robert R., "Matthew Barney - Museum of Modern Art, San Francisco," Flash Art, Vol. XXV, No. 167, p. 139, ill.
Saltz, Jerry, "Matthew Barney, Sam Reveles, Nancy Rubins: SteinGladstone," Flash Art, Vol. XXV, No. 167, November/December, p. 136
Saltz, Jerry, "Lufthansa Was Half the Fun," Galeries, No. 49, September, pp. 77-79, 88
Saltz, Jerry, "The Ten Commandments of Taste," Art & Auction, November, pp. 104-109, ill.
Smolik, Noemi, "Matthew Barney und Constantin Zvezdochotov," Kunstforum, No. 119, pp. 155-57, ill.
Sugiura, Kunie, "News from Abroad," Bijutsu Techo, Vol. 44, No. 649, January, p. 127, ill.
van den Boogerd, Dominic, "Perspectieven," Metropolis M, No. 4, August, p. 31, ill.
Vogel, Sabine B., "Matthew Barney: Sport, Sex und Kunst," Artis, June, pp. 40-42, ill.
Weil, Benjamin, "Matthew Barney," Flash Art, Vol. XXV, No. 162, Jan/Feb, p. 102
-----, "Matthew Barney at Modern Museum," San Francisco Chronicle, January 9, p. E2
1991 Bonetti, David, "This kid's just a jock," San Francisco Examiner, December 20
Cottingham, Laura, "Art and Thought," NYQ, November 24, p.41
Krone, Larry, "Gladiator Art," 15 Minutes, Issue 9, Dec/Jan, pp. 15-16, ill.
Larson, Kay, "Getting Physical," New York Magazine, Vol. 24, No. 45, November 18, pp. 99-100
McKenna, Kristine, "Body and Soul," Los Angeles Times, June 4, 1991, p. 4, sec. F
Pagel, David, review, Art Issues, Number 19, Sept./Oct., 1991,p.39
Relyea, Lane, "Openings: Matthew Barney," Artforum, September, 1991, Cover and p. 124
Saltz, Jerry, Notes on a Sculpture: "Wilder Shores of Art: Matthew Barney's Field Dressing (orifill), 1989," Arts Magazine, May 1991, pp. 29 – 31,ills
Schneider, Greg, "A Sporting Subversion," Artweek, June 20, 1991, p.13, ill.
Selwyn, Marc, Spotlight review, Flash Art, Number 160, October, 1991, p. 13
Smith, Roberta, "Matthew Barney's Objects and Actions," The New York
Times, Friday, October,1991, p. 28, section C
-------- , The New Yorker, November 4, p. 18
1990 Nesbitt, Lois E., "New York Fax," Art Issues, September/October
Smith, Roberta, "The Group as Crystal Ball," The New York Times, July 6
Selected Group Exhibition Catalogues/Books:
Schmidt, Jason (photographer), Alix Browne and Christopher Bollen, eds., Artists,
published by Edition 7L, Paris, 2006, p. 13
Bowman, Rob and Jen Hoffman, Surprise Surprise, published by the Institute of
Contemporary Arts, London, 2006
Mahon, Alyce, Eroticism & Art, published by Oxford University Press, New York, NY,
2005, pp. 279-81, ill.
Robertson, Jean and Craig McDaniel, Themes of Contemporary Art: Visual Art After
1980, published by Oxford University Press Inc., New York, New York, 2005, pp.
117, 141, and 146, ill.
Getlein, Mark, Gilbert's Living with Art, published by McGraw Hill, Boston,
Massachusetts, 7th ed., 2005, p. 552, ill.
Lazzari, Margaret, and Dona Schlesier, Exploring Art, published by Thomson
Wadsworth, Belmont, California, 2005, pp. 108-10, 488-9, ill.
Taylor, Brandon, Art Today, Laurence King Publishing LTD: London, pp. 214, 225 - 227, ills., cover
"Rrose is a Rrose is a Rrose", Gender Performance in Photography, Solomon R. Guggenheim Museum, 1997
Altered States: American Art in the 90's, Forum for Contemporary Art, St. Louis, Mo.,
p. 24
The Masculine Masquerade, MIT List Visual Arts Center, Cambridge, MA, Jan-Mar 1995, ill. pp. 102-103
Acting Out (The Body In Video: Then and Now). The Royal College of Art: London, 1994, ill. and cover
Witte de With - Cahier #1. Witte de With: Rotterdam, Netherlands, October 1993, ill.
Documenta IX. Edition Cantz, Stuttgart/Abrams, New York: Kassel, Germany, 1992, Vol. 1, pp. 115; Vol. 2, pp. 32-35
Aperto '93 Emergency, XLV Biennale de Venezia. Giancarlo Politi Editore: Milan, Italy, May 1993, pp. 236-37, ill.
1993 Biennial Exhibition. Whitney Museum of American Art: New York, 1993
Defining the Nineties: Consensus-making in New York, Miami, and Los Angeles, edited by Bonnie Clearwater, Museum of Contemporary Art, Miami, ill.
The 20th Century Art Book, Phaidon, London, 1996
Writings by the Artist:
"Headlever Near Side Cradle," (Found and manipulated text), Verbal Abuse Magazine, Issue #2, Fall 1993, p. 27
Barney, Matthew and Arthur C. Danto on Joseph Beuys, "A Dialogue on Blood & Iron," Modern
Painters, September 2006, pp. 62-69, ills
