Simmons's art is a commanding fusion of the social, political, cultural and visual, each force acting in concert with the other. While some of these aspects alternately emerge and recede in his bodies of work – the political references in one work being more explicit, the popular culturally determined content of another being more germane – all of Simmons's art bears some trace of transformation of given, extant materials found in our increasingly inescapable and overwhelming visual environment.
Wylie, Charles, "Gary Simmons: Critique and Wonder," Gary Simmons: Paradise. (Bologna: Damiani, 2012), 98.
