"Elliott Hundley's painting at the Broad puts ancient history under a modern magnifying glass"

Los Angeles Times, interview by Deborah Vankin
July 31, 2018

“Exhibition Review: ‘There Is No More Firmament’ – Elliott Hundley Solo Exhibition”

Gallery Magazine, review by David Pagel
June 2016

“Datebook: Otherworldly collage-paintings, prison art, C.O.L.A. grant winners' work goes on view”

Los Angeles Times, preview by Carolina Miranda
May 13, 2016

"Review: Elliott Hundley coolly views the chaos of modern life"

Los Angeles Times, review by David Pagel

April 15, 2014

"Elliott Hundley"

L.A. Weekly, review by Catherine Wagley

April 12, 2014

"Elliott Hundley's Collages Confound and Delight at Los Angeles's Regen Projects"

Architectural Digest, review

March 31, 2014

"Elliott Hundley’s Kaleidoscopic Artworks"

Architectural Digest, article by Mayer Rus

February 28, 2013

"Review: Elliott Hundley"

Arts + Culture Texas, review by Patricia Mora

March 2, 2012

“Elliott Hundley: The Bacchae”

Artforum, preview by Catherine Taft

September 2011

"Elliott Hundley"

Artforum, review by Trinie Dalton

June 17, 2011

"Art review: Elliott Hundley at Regen Projects II"

Los Angeles Times, review by David Pagel

June 2, 2011

"Elliott Hundley at Regen Projects II"

L.A Weekly, review by Christopher Miles

March 20  26, 2009

"Deftly playing with art history"

Los Angeles Times, review by David Pagel

March 13, 2009

"Assemblage Required"

W Magazine, article by Kevin West

June 2007

"Metamorphoses"

Art Review, article by Catherine Taft

October 2006

"Fragile Pleasure"

Artnet, review by Kathryn Garcia

August 18, 2006

"First Come the Dealers, and Then the Diplomas"

The New York Times, article by Jori Finkel

July 3, 2005