Selected Catalogues and other Publications:



Ades, Dawn, and Sarah Howgate, Gillian Wearing and Claude Cahun: Behind the mask, another mask, published by National Portrait Gallery, London, UK, and Princeton University Press, Princeton, NJ, 2017

Briegleb, Till, Arount De Cleene, Friederike Fast, Kristina Hennig-Fast, and Bart Marius, The Inner Skin. Art and Shame, published by MARTa Herford, Herford, Germany, 2017



Hein, Verena, Inszeniert! Spektakel und Rollenspiel in der Gegenwartskunst, published by Kunsthalle der Hypo-Kulturstiftung, Sammlung Goetz, and Hirmer Verlag, Munich, Germany, 2016, pp. 144 – 147 [ill.]

Cornell, Lauren, and Tom Eccles, eds., Invisible Adversaries, published by CCS Bard College, Annandale-on-Hudson, NY, 2016

Martineau, Paul, and Britt Salvesen, Robert Mapplethorpe: The Photographs, published by The J. Paul Getty Museum, and The Los Angeles County Museum of Art, Los Angeles, CA, 2016 pp. 292 – 293 [ill.]

Bock, John, Max Hollein, Martina Wein­hart, Anja Osswald, Lea Schleiffenbaum, and Ulf Erdmann Ziegler, ICH, published by Walther König, Cologne, Germany, 2016



Wearing, Gillian, Gillian Wearing, published by IVAM Institut Vàlencia d’Art Modern, València, Spain, 2015

Hardmeier, Daniela, Ich / Nicht ich. Selbstporträts, published by Zürcher Kunstgesellschaft/Kunsthaus Zürich, Zürich, Switzerland, 2015, pp. 52 – 53 [ill.]

Luckraft, Paul and Elizabeth Neilson, eds., Zabludowicz Collection: 20 Years, published by Zabludowicz Art Projects, London, UK, 2015, p. 3 [ill.]

Gioni, Massimiliano, ed., The Great Mother, published by Fondazione Nicola Trussardi, Milan, Italy, 2015 [ill., cover]

Ferguson, Russell, Perfect Likeness: Photography and Composition, published by Hammer Museum, Los Angeles, CA, 2015

Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015



Grachos, Louis, and Heather Pesanti, A Secret Affair: Selections from the Fuhrman Family Collection, published by The Contemporary Austin, Austin, TX, 2014


Self Portrait, published by Rosendahls, Esbjerg, Denmark, on the occasion of the exhibition, 2012
Curcio, Seth & Allie Haeusslein, About Face, Pier 24 Photography, 2012  


Birnbaum, Daniel, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, and Hans Ulrich Obrist, Defining Contemporary Art - 25 years in 200 pivotal artworks, published by Phaidon Press Limited, London, 2011, pp. 254-255


Corris, Michael, Hunt, John Dixon, & David Lomas, Art, Word and Image: 2,000 Years of Visual/Textual Interaction, London, Reaktion Books, 2010, pp. 279 & 282


Roberts, Rebecca, MoMA: Highlights since 1980, published by The Museum of Modern Art, New York, p. 164, ill.
Heiser, Jörg, All of a Sudden: Things that Matter in Contemporary Art, published by Sternberg Press, Berlin, Germany, 2008, pp. 201-3, ill.
Heartney, Eleanor, Art & Today, published by Phaidon, London, England, 2008, p. 137, ill.


Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, published by Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, August 2007, pp. 161, 385, ill.
Bode, Steven, Stuart Comer, and Paul Morley, Family History, published by Film and Video Umbrella and Maureen Paley, London, UK, 2007


No. 1: First Works by 362 Artists, edited by Grancesca Richer and Matthew Rosenzweig, published by D.A.P., 2006
Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, Oct 2006, ill.
Nairne, Sandy and Sarah Howgate, The Portrait Now, published by The National Portrait Gallery, London, England, cover, pp. 11,13, 49, 153, ills.
Compilation, Artists, photographed by Jason Schmidt, edited by Alix Browne and Christopher Bollen, published by Edition 7L, Paris, 2006, p. 105


Catalogue, Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum, published by  Galleria Gottardo, Lugano, Switzerland, 2005, pp.128-31, ills.
pressPLAY: contemporary artists in conversation, published by Phaidon Press, New York, 2005, pp.259-73, 642,57, ill. 
Robertson, Jean and Craig McDaniel, Themes of Contemporary Art: Visual Art After 1980, published by Oxford University Press Inc., New York, New York, 2005, pp. 174-5, ill.



Gioni, Massimiliano, and Marta Kuzma, Manifesta 5: ... with all due intent, published by Centro Internacional de Cultura Contemporánea, Gipuzkoa, Spain, 2004


Catalogue, Micropolitics: Art and Everyday Life 2001-1968, published by Consorci de Museus de la Comunitat Valenciana, 2003, pp. 352-57, ills.
Catalogue, The Fourth Sex, curated by Francesco Bonami and Raf Simons, published by Fondazione Pitti Immagine Discovery, Florence, Italy, 2003, pp. 392-93, ills.
Catalogue, Art and Photography, published by Phaidon, London, England, 2003, pp. 86, 128, 254, ills.
Catalogue, Subjective Realities: Works from the Refco Collections of Contemporary Photography, essay by Dave Hickey, published by Refco Group, Ltd., New York, NY, 2003
Catalogue, Outlook, published by Hellenic Culture Organization, Athens, Greece, 2003, pp. 328-329, ills.
Catalogue, Die Wohltat der Kunst, Post/Feministrische Positionen der neunziger Jahre aus der Sammlung Goetz, published by Sammlung Goetz and Staatliche Kunsthalle Baden-Baden, pp. 170 - 175, ills.    



Augaitis, Daina, Mark Beasley, Russell Ferguson, and Marina Roy, Gillian Wearing: a trilogy, published by Vancouver Art Gallery, Vancouver, Canada, 2002


Catalogue, "A Woman Called Theresa," organized by Maureen Paley and Pauline Karpidas, ills.
Taschen, "Women Artists in the 20th and 21st Century," edited by Uta Grosenick, p. 536, ills.
Catalogue, Au-dela du spectacle, published by the Centre Pomidou, Paris, France, ill.
Aliaga, Juan Vicente, Carl Freedman, and Marta Gili, Gillian Wearing, published by Fundacion "la Caixa" and Centro Galego de Arte Contemporanes, Madrid, Spain, 2001
Catalogue, Sous influence, published by Musee d'Art moderne de la Ville de Paris


Catalogue, "Auto Werke," published by Hatje Cantz, with support by BMW Financial Services North America, essay by Joshua Decter, essay pp. 7-8, ills.    
Nº1, September


"Gillian Wearing," Phaidon Press 
Titz, Susanne. "Gillian Wearing," Art at the End of the Millennium, publ. by Taschen, Cologne
Tone, Lillian. "Gillian Wearing," The Museum as Muse: Artists Reflect publ. Museum of Modern Art, New York 1999, p. 168


"Signs that say what you want them to say and not Signs that say what someone else wants you to say," Maureen Paley  Interim Art 1997


ID, 125 page catalogue with text on Gillian Wearing by Gregor Muir, published by Stedelijk Van Abbemuseum, Eindhoven, P. 95 - 97
Artisti britannici a Roma, 82 page catalogue, published by Umberto Allemandi & C, Torino, Italy 
The Cauldron (catalogue), published by The Henry Moore Institute, Leeds
Private View - Contemporary Art at the Bowes Museum, (catalogue)
Simmons & Simmons, London, Made in London, (catalogue)
NowHere, 3-volume catalogue, Louisiana Museum of Modern Art, Denmark
Traffic, catalogue by CAPC Musée D'Art Contemporain Bordeaux
Le Shuttle, 150 page catalogue, published by Künstlerhaus Bethanien
Imagined Communities (catalogue) National Touring Exhibitions, Hayward Gallery and Arts Council Collection



Bonami, Francesco, Campo 95, published by Umberto Allemandi, Turin, Italy, 1995


Selected Articles and Reviews:



Hametner, Jessica-Christin. “Gillian Wearing keeps it in the family at Copenhagen’s National Gallery.” Wallpaper* (October 27, 2017) [ill.] [online]

“Artist unveils design for Parliament Square suffragist statue.” The Guardian (September 20, 2017) [ill.] [online]

Pelletier, Mary. “A Conceptual Artist Pays Homage to Surrealist Claude Cahun’s Performance of Identity.” Hyperallergic (May 18, 2017) [ill.] [online]

Thompson, Jessie. “Gillian Wearing: Why she's one of Britain's best-loved contemporary artists.” Evening Standard (May 4, 2017) [ill.] [online]

Sansom, Anna. “Ageing Consensually.” DAMN° (May/June 2017) pp. 86 – 92 [ill.]

Brown, Mark. “Statue of suffragist to break male monopoly on Parliament Square.” The Guardian (April 13, 2017) [ill.] [online]

“Dual Masquerade.” Aesthetica Magazine (April 11, 2017) [ill.] [online]

Güner, Fisun. “Inventing Masks: Gillian Wearing And Claude Cahun.” The Quietus (March 26, 2017) [ill.] [online]

Berner, Sooane. “Claude Cahun and Gillian Wearing: Kindred Spirits.” The Eye of Photography (March 21, 2017) [ill.] [online]

Cumming, Laura. “Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask – review.” The Guardian (March 12, 2017) [ill.] [online]

Kent, Sarah. “Gillian Wearing and Claude Cahun, National Portrait Gallery.” The Arts Desk (March 10, 2017) [ill.] [online]

Brown, Mark. “Facing the future: Gillian Wearing digitally ages herself in new artwork.” The Guardian (March 8, 2017) [ill.] [online]

Hudson, Mark. “Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask, National Portrait Gallery, review.” The Telegraph (March 8, 2017) [ill.] [online]

Searle, Adrian. “Gillian Wearing and Claude Cahun: Behind the Mask review – jail, gender and Jersey.” The Guardian (March 7, 2017) [ill.] [online]

Searle, Adrian. “A ghost in kiss curls: how Gillian Wearing and Claude Cahun share a mask.” The Guardian (January 8, 2017) [ill.] [online]

Dawson, Aimee. “Exhibitions, March 2017: Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask.” The Art Newspaper (January 2017) p. 13 [ill.] 



Corbett, Rachel. “Art Forensics: Back to the Future.” Modern Painters (Winter 2016/2017) p. 24 [ill.]

Blessing, Jennifer. “Gillian Wearing.” Aperture (Winter 2016) pp. 60 – 63 [ill., cover]

Seymour, Tom. “Gillian Wearing’s A Room With a View at Brighton’s HOUSE festival.” British Journal of Photography (May 9, 2016) [ill.] [online]

Harris, Gareth, and Anny Shaw. “Gillian Wearing asks for a peek through people’s windows.” The Art Newspaper (February 18, 2016) [ill.] [online]



Heller, Sabine. “Balancing Act: The Uneasy Art of Gillian Wearing.” Malibu Magazine (December 2015) pp. 122-133 [ill.]

Duguid, Hannah. “Gillian Wearing: 'Having to talk to a group makes me very uncomfortable’.” The Independent (October 30, 2015) [ill.] [online]

Skidmore, Maisie. “The Many Selves of Gillian Wearing.” AnOther (October 13, 2015) [ill.] [online]

Barnicoat, Becky. “Before they were famous: art stars on their final degree shows.” The Guardian (June 23, 2015) [ill.] [online]

“Gillian Wearing at Regen Projects.” Malibu Magazine (February 2015) p. 32 [ill.]

Yerebakan, Osman Can. “Los Angeles – Gillian Wearing: “everyone” at Regen Projects Through January 24th, 2015.” Art Observed (January 24, 2015) [ill.] [online]

Malick, Courtney. “Everyone: Gillian Wearing at Regen Projects.” SFAQ (January 20, 2015) [ill.] [online]


"Shortlist Announced for 50,000 Euro Vincent Van Gogh Biennial Award," artlyst (May 8, 2014) [online]


Bohnacker, Siobhan, "Picture Desk: Gillian Wearing,", October 3, 2013 [online] [ill.].


Sherwin, Skye, "Reality Check," Harper's Bazaar, April, 2012, p. 152
Hamilton, Adrian, "Inner Lives, Painful Truths," Independent i, April 2012, p. 36, 37
O'Reilly, Sally, "Gillian Wearing," Art Review, April 2012
Sooke, Alastair, "Everyone's Got a Secret," The Daily Telegraph, Saturday, March 17,         2012, p. 10, 11
Michalska, Julia, "Too much information," The Art Newspaper, No. 233, March 2012, p. 82
Adams, Tim, "I've Always Been a Bit of a Listener," The Observer, Sunday March 4, 2012, p.8,9,11


Enright, Robert, "Gillian Wearing: The Art of Everyday Illumination," Border Crossings, Vol. 30, No. 3, Issue 119, pp. 26-43 (cover)
Princenthal, Nancy, "Gillian Wearing at Tanya Bonakdar," Art in America, September 2011, pp. 129-130
Hall, Emily, "Gillian Wearing at Tanya Bonakdar Gallery," Artforum, September 2011, p. 346
Brand, Will, "Gillian Wearing: 'People' at Tanya Bonakdar," Art Fag City, June 6, 2011,
Rooney, Kara L., "Gillian Wearing People," The Brooklyn Rail, June 2011,
Gopnik, Blake, "The 10 Most Important Artists of Today," Newsweek, June 13 & 20, 2011, pp. 56-65 (ill)
Frohne, Ursula, "Maske versus Authentizität?" Ethik & Unterricht Magazine, Germany, January 2011, p. 14 (ill) 
Smith, Roberta, "Gillian Wearing: 'People,'" The New York Times, May 13, 2011, C25
Yablonsky, Linda, "Artifacts| Gillian Wearing's True Stories," T Magazine, May 12, 2011,
Hirsch, Faye. "Lawler, Wearing Put Women on Top at Gallery Week," Art in America, May 10, 2011,
Bryant, Eric, "Gillian Wearing's Role-Playing Games," Artinfo, May 9, 2011,


Calhoun, Dave, "Gillian Wearing makes the art/film crossover with 'Self Made,'" Time Out London, October 15, 2010, <>
Allsop, Laura, "Calling the Shots," Art Review, October 2010, p. 68-70
Weinberg, Lauren, "Rewind: 1970s to 1990s, Work from the MCA Collection," Time Out Chicago, April 1, 2010
"Tips: Gillian Wearing," The Gentlewoman, Issue 1, Spring/Summer 2010, p.139
Paley, Maureen, "A Letter from London," Domus, February 2010, p. 91-96 (ill)
Sumpter, Helen, "What a Load of Rubbish!," Time Out, January 21, 2010, p.41
Velasco, David, "Preview: The Talent Show," Artforum, January 2010, p.91 


Thorpe, Vanessa, "Artists cast as saviours of British Cinema,", November 22, 2009
Rafanelli, Stephanie, "Capturing Claudia," Harper's Bazaar, November 2009, pp. 127-139
"Why we're doing 10:10," Gillian Wearing, The Guardian G2, September 1, 2009
Fisher, Alice Maureen, "Fantastic Man," Autumn/Winter 2009, pp. 148-155
Gooding, Francis, "Exhibition of the Week: Summer Exhibition 2009," Time Out, June 17, 2009, p.44
Lennard, Mandi, "Gillian Wearing at Rivington Grill,"                             < > June 11, 2009
Carey-Kent, Paul, "Me Myself and I," Art World, August/September 2009, pp.42-45
Art Round-Up, The London Paper, June 2, 2009, p.15
Wearing, Gillian, "The Most Inspirational Women – Voted For By You: Jade Goody," Marie Claire, June 2009, p.92
Lynch, Elizabeth, "Family Monument," Sculpture, May 2009, Vol. 28, No. 4, p. 19 (ill.)
"Artists who play with the truth: Gillian Wearing," Plastique, Spring/Summer 2009, p.149
Benedictus, Leo, "Gillian Wearing's Best Shot," Guardian G2, April 9, 2009, p.25
Morris, Sophie, "Gilding Lily," The Independent Magazine, January 24, 2009, pp.     22-25


"Art House: Gillian Wearing," Dazed and Confused, November 2008, pp. 158-159
Machida, Nico, "Gillian Wearing,", July 28, 2008, (ill.)
Lehrer-Graiwer, Sarah, "Gillian Wearing," Artforum, p. 392-393, XLVII, No. 2, October (ill.)
Zellen, Jody, "Gillian Wearing," Artillery, Vol 3, Issue 1, September/October 2008, p.53
Dambrot, Shana Nys, "Gillian Wearing's Pin Up's at Regen Projects," White Hot Magazine, September 2008,
"LA Premiere for Wearing Pin-Ups," Art World, August 2008, p.26
Myers, Holly, "The reality behind dreams of glamour," The Los Angeles Times, August 15, 2008, p. E22, ill.
Wearing, Gillian, "500 Words,", July 11, 2008,
Dyer, Geoff, "The Lure of the Street," Guardian: Review, May 31, 2008
Beech, Dave, "Include Me Out!," Art Monthly, April 2008, pp. 1-4
Casadio, Mariuccia, "SELF exposure," Vogue (Italian), p. 261-270, no. 689, January 2008, ills.
Schwabsky, Barry, "Turner Prize: A Retrospective 1984-2006," Artforum, January 2008, p.277


Smolik, Noemi, "Talking Pictures," Artforum, December 2007, p.367
Julia, Princess, "Turner Prize: A Retrospective," I-D, December 2007, p.172
Wearing, Gillian, "On the Record," Art Review, November 2007, p.214
Olivares, Rosa, et. al., "Uniformes/Uniforms," Exit: Image & Culture, no. 27, published by Olivares & Associates, S.L., Madrid, Spain, 2007, pp. 144-145, 178, ill.
Higgins, Charlotte, "Who's Shocking Now?," The Guardian Weekend, September 8, 2007, p.30
Darwent, Charles, "Gillian Wearing: Maureen Paley," ARTnews, April 2007, p. 146, ill.
Schwendener, Martha, "Blood Unsimple: The Ties That Bind, in All Their Complexity," The New York Times, February 20, 2007, ill.
Meneghelli, Luigi, "Gilliam Wearing:  Galleria Civica," Flash Art, July/September 2007, p. 83, ill.
Morris, Jane, "Maureen Paley: Gallery Profile," Art World, December 2007, pp.52-55
Marinos, Christopher, "Focus Greece: Dakis Joannou," Flash Art, October 2007, pp. 100-101


Clarke, Cath, "Return of the Real: Gillian Wearing's Television Odyssey," Art Review, November  2006, p. 164-165.
Lippiatt, Matt, "Keeping it in the Family," Times 2, London, October 3, 2006, Arts 16, ill.
Briers, David, "Insignificance," Art Monthly, April 2006, pp. 7-10
Clark, Robert, "Gillian Wearing: Family History," Guardian Guide, February 6, 2006
Cousins, Mark, "The aesthetics of documentary," Tate ETC, March 2006
Cripps, Charlotte, "Art Previews: These are the days of our lives," The Independent, January 17, 2006
Crompton, Sara, "When reality TV was the real world," The Daily Telegraph, July 12, 2006, pp.28
Gardiner, Juliet, "Candid Culture," History Today, April 2006, pp. 5-6
Gray, Louise, "Sex, Lies and Videotape – Tea with Gillian Wearing," Blind Date, 2006, pp. 94, 248-151, 217
Hubbard, Sue, "Even artists are getting real," The Independent: Extra, November 2, 2006
James, Sarah, "Documenting Documentary," Art Monthly, April 2006, p.1-4


Cotter, Holland, "Art Review: Irreducible Videos, Long and Short, That Can Really Move," The New York Times, December 16, 2005
Burnett, Craig, "The Legacy of Diane Arbus," V & A Magazine, Winter 2005-6, p.43
Crippes, Charlotte, "From Gillian With Love," The Independent Magazine, October 8, 2005, pp.27-30
Cavalli, Roberto, "Party Party Party," Tatler, September 2005, p.155-157 & 170
Rugoff, Ralph, "Irreducible: Contemporary Short Form Video," CCA Wattis Institute for Contemporary Arts, San Francisco, pp.11


Thomas Devine, Kelly, "Modernizing the Modern," ARTnews, November 2004, pp. 142 –146, ill.
Cameron, Dan, "I'm Desperate: Gillian Wearing's Art of Transposed Identities," Parkett, Issue 70, pp. 90 – 107, ills.
Burn, Gordon, "The Encounter with Reality," Parkett, Issue 70, pp. 108 – 123, ills.
Wearing, G. and Rabinowitz, C. S., "Gillian Wearing on her Album Series (2003)," Parkett, Issue 70, pp. 124 – 131, ills.
Sumpter, Helen, "Reviews: Gillian Wearing," ArtReview, International Edition 2004 V2N1, p. 100, ills.
Pagel, David, "Fantasy, reality: Wearing her art,"  Los Angeles Times, April 9, 2004, p.E34, ill.
Wearing, Gillian, "The Eyes Have It, Gillian Wearing on Diane Arbus," Artforum, February 2004, p.125, ill.
Dunn, Melissa "Gillian Wearing Gorney Bravin + Lee," Flash Art, March – April 2004, pp. 59-60, ill.


Princethal, Nancy, "Gillian Wearing, Private I," Art in America, March, 2003, pp. 100-105, ills.
Catalogue, Micropolitics: Art and Everyday Life 2001-1968, published by Consorci de Museus de la Comunitat Valenciana, 2003, pp. 352-57, ills.
Catalogue, The Fourth Sex, curated by Francesco Bonami and Raf Simons, published by Fondazione Pitti Immagine Discovery, Florence, Italy, 2003, pp. 392-93, ills.
Catalogue, Art and Photography, published by Phaidon, London, England, 2003, pp. 86, 128, 254, ills.
Slyce,  John, "That Essence Rare: Gillian Wearing's Family Album," Contemporary, October, 2003 pp. 27-29, ills.
O'Reilly, Sally, "Gillian Wearing: Interim Art East End, Time Out London, November 5-12, 2003
Catalogue, Subjective Realities: Works from the Refco Collections of Contemporary Photography, essay by Dave Hickey, published by Refco Group, Ltd., New York, NY, 2003
Catalogue, Outlook, published by Hellenic Culture Organization, Athens, Greece, 2003, pp. 328-329, ills.
Johnson, Ken, "Album," The New York Times, December 19, 2003, p. B37


Smith, Roberta, "How Masks Can Amplify as Well as Conceal," The New York Times, December 3, 2002, p. B3, ills.
Miller, Barbara, "Vancouver, British Columbia," Art Papers Magazine, November/December 2002,p. 61, ill.
Craddock, Sacha, "Gillian Wearing," tema celeste, September/October 2002, pp. 46-51, ills.
Frankel, David, "Preview: Gillian Wearing, Museum of Contemporary Art," ArtForum, September, p.78, ill.
"Gillian Wearing: mass observation, MCA Chicago", The Art Newspaper, Ocotober 2002, p. 7, ill.


Gualdi, Stefano.  "Gillian Wearing," Tema Celeste, May-June 2001. p. 81, ill. 
Minelli, Michael.  "Gillian Wearing at Regen Projects Los Angeles," Documents, Spring 2001. pp. 43-45. ill.


Myers, Holly, "Beginnings and Endings," The Los Angeles Times, December 29, Pp. F32, ill.        
Shone, Richard, "London, Gillian Wearing," Burlington Magazine, November
Gleeson, David, "True confessions,", November
Bishop, Claire. "Uncomfortable Observations," Untitled, Nº 23 
Vogel, Carol. "Inside Art: Beemer Shots," The New York Times, 13 October
Gleeson, David. "True Confessions,", October
Kent, Sarah. "Drunken exploits," (Critics Choice), Time Out, Nº1572, 04-11 October
Brown, Neal. "My name is Gillian. I can turn your sad life into art," The Independent on Sunday, 01 October
Cork, Richard. "Unmasking mystery in the mundane," The Times, Times 2, 27 September
Bishop, Claire. "The pleasure in pain," The Evening Standard, 27 September
Riding, Alan."Another Opening, Another Sensation," The New York Times, 25 September
Cumming, Laura. "A staggering work…," The Observer Review, 17 September 
Jones, Jonathan. "Down and out," The Guardian Saturday Review, 16 September
Sawyer, Miranda. "Daring Wearing," Observer Life, 03 September
"Sex & Porno," frame, 04 September/October
Schwabsky, Barry. "Gillian Wearing, Gorney Bravin + Lee," Artforum, XXXIX, Nº1, September
Graham-Dixon, Andrew. "Wearing Masks," Vogue, September
Kent, Sarah. "Brains of Britain," Time Out, Nº1560, 12-19 July
Slyce, John & Collings, Matthew. "Video Art A Top Twenty," Modern Painters, Summer
K. Scott, Andrea. "What They're Wearing in Chelsea,", 03 May
Viveros-Faune, Christian. "Fall Down, Get Up, No Problem," New York Press (, Vol 13, Nº 19
Basilico, Stefano. "Gillian Wearing, Drunk and A Woman Called Theresa,," Time Out, 11-18 May 
Levin, Kim. Village Choice: Gillian Wearing, The Village Voice, 16 May
Townsend, Chris. Gillian Wearing, Hotshoe International, March April
Bishop, Claire. being boring, Untitled, Nº 21
Müller, Katrin Bettina. Die Lust der Maschinen, taz, 26 January
Pilz, Michael. Frau Hase und der schreckliche Voyeur, Die Welt, 19 January
Lützow, Gunnar. Zugriff von allen Seiten, Berliner Morgenpost, 15 January
Mercer, Kobena. "Ethnicity and Internationality," Third Text, Nº49
Gorucheva, Tania. "This Other World of Ours, "Flash Art, January February


"The British Unveil Another World, The Russia Journal, 6-12 December
Rushton, Steve and Tozer, John. "Gillian Wearing," Camera Austria International, Nº 68
Gallez, Florence. Nukes, Lovers Get Their 15 Minutes, The Moscow Times, 19 November
Müller, Donka. "Rewind to the Future," Bonner, November
"Previews: Rewind to the Future, Contemporary Visual Arts, Issue 26
Thrift, Julia. "Gillian Wearing, Interim Art, "Time Out, Nº1525 November 10-17
Cumming, Laura. "Gillian Wearing, Interim Art," The Observer, 07 November
Grant, Simon. "All about love," The Guardian Guide, 16-22 October
Jones, Jonathan. "What a scream, "The Guardian Guide, Saturday Review, 23 October 
Collings, Matthew. "rabble rousing," Vogue, October 
Gladstone, Neil. "Book Marks: Gillian Wearing," Nylon, Premier Issue
"Polaroid Diary," The Observer Magazine, 02 May
Bennett, Oliver. "Exhibitionist," The Independent Magazine, 01 May
"wears well," i-D, Nº 186, May
Greenberg, Sarah. "Gillian Wearing v. Saatchi, The artist claims the ad man stole her idea," The Art Newspaper, Nº 91, April
Takano, Yuko."99 What's Ne?" Figaro, Japan, Nº 150


Sanger, Daniel. "Declaration of Independents: Seven People who choose to be Different," Shift, December /January 1999 (cover portrait)
Allen, Vaughn. Hide and seek, The Big Issue in the North, Nº 241, 28 December 1998 - January 3 1999
DiPietro, Monty. Artist asks, "What's your sign?," The Japan Times, 24 October Kino, Carol. "Cutting Edge, but comfy," The Atlantic Monthly, November
Stern, Edward. "Translating the Big Idea into Japanese," Asashi Evening News, 22 October
Neumaier, Otto. "Alles bekennen... Gespräch mit Gillian Wearing," noëma art journal, Nº 49, October/November
"Picture," Frieze, Issue 42, September October
Williams, Gilda. "Wah-Wah: The Sound of Crying or the Sound of an Electric Guitar," Parkett, Nº 52
Buck, Louisa, "VW bugs Wearing," The Art Newspaper, July - August
Miles, Anna. "Pictura Brittanica, Te Papa Museum, Tongewara," Artforum XXXVI Nº 10 Summer
McGann, Paul. "VW ad firm stole my ideas, claims artist," The Independent, 12 June Carol Midgley. "VW ad rips of my work, says artist," The Times, 12 June
"Turner Prize Winner issues legal threat to BMP over VW ads," Campaign, 12 June
Coleman, Sarah. Interview with Gillian Wearing, photo metro, volume 16, issue 149 T. Turner, Grady. "Gillian Wearing," BOMB, Spring
Del Re, Gianmarco. "Why would a businessman say 'I'm deperate'? A-Z of Gillian Wearing," Flash
Art, Vol. XXXI Nº 199, March - April
Slyce, John. "Wearing a Mask," Flash Art, Vol. XXXI Nº 199, March - April
Smith, Roberta. "Art of the Moment, Here to Stay," The New York Times, Arts and Leisure, 15 February
Cork, Richard. "Wearing her heart on the sleeve," The Times, 13 January
Israel, Nico. "Gillian Wearing," Artforum, January
Princenthal, Nancy. "Gillian Wearing," Art in America, January
Campbell-Johnston, Rachel. "Wearing: her heart on her sleeve," The Times/metro, Jan. 3 - Jan. 9


Riding, Alan. "No Sexism, Please; They're British," New York Times/The Arts, December 29
Johnson, Boris. "Portrait of the artist of silent nuances," The Daily Telegraph, December 8
Fuller, Wendy. "Modern art? This is worthy of Constable," The Express, December 3
Thorncroft, Anthony. "Artist brushes paint aside to win Turner Prize," The Financial Times, December 3
Ginn, Kate. & Judd, Terri, "Constable picture wins the Turner (no, not that Constable)," Daily Mail, December 3
Alberge, Dalya. "Moving pictures take Turner Prize," The Times, December 3
Lister, David. "Uproar as video entry snaps up the Turner," The Independent, December 3
Reynolds, Nigel. " 'Frozen Policemen' video wins Turner Prize,"The Telegraph, December 3
Glaister, Dan. "Silence is Golden for Turner winner," The Guardian, December 3
Lewis-Smith, Victor. "Kylie at arm's length as she hits topless C," The Evening Standard, 14 November
Goldberg, Vicki. "The Artist Becomes a Storyteller Again," The New York Times, 9 November
Buck, Louisa. "Life, art and the Turner women," The Evening Standard, 28 October 
Kimmelman. "Gillian Wearing," The New York Times, Art Guide, October 24
Greene, David A. "Kids," Village Voice, October 21
Slyce, John. "The Odds on the Turner Prize," Flash Art, October
Jobey, Liz. "A rat race?" The Guardian Weekend, 4 October 
Collings, Matthew. "The New Establishment," The Independant Sunday Review, 31 August
Murphy, Fiona. "A shopping sensation," The Guardian Weekend, 27 September
Wiener Secession 1997, Gillian Wearing, (catalogue)
Kimmelman, Michael, "Gillian Wearing at Jay Gorney," The New York Times,     26 September, 1997
MacMillan, Ian, "Signs of the Times," Modern Painters. Autumn 1997
Hoge, William, "Arriving in New York After Taking Off in London / Video Maker with a Taste for Secrets." The New York Times, 14 Sept. 1997
Ronson, Jon, ORDINARILY SO. "Jon Ronson on documentary film-making and Gillian Wearing,"
frieze, Issue 36 September-October 1997
Feldman, Melissa E., "Gillian Wearing at Interim Art," Art in America, July 1997. p. 102
Fiedler, Peter- Alexander. "Diesen Sommer baden wir in der virtuellen welt," TLZ Treffpunkt, Nº 672, 26 July
Schierz, Kai Uwe, "Verführung der Kirschtorte," Thüringen, Nº 30 26 July
Laws, Roz, "The art of making a £10,000 video." 
"The 'failure' from Brum who made it to the top," Sunday Mercury, Birmingham, July 13 1997 p. 13
Dahan, Eric & Lefort, Gerard, "Par dela le corps gay et lesbien," Liberation, 28-29 Juin Cahier Europride
Buck, Louisa, "Three cheers for art that shatters complacency." The Express, June 19 1997
Alberge, Dalya, "All-women shortlist takes Turner by suprise." The Times, June 18 1997
Reynolds, Nigel, "The Turner shortlist is for women only." Daily Telegraph, 18 June, 1997
Glaister, Dan, "A woman's place - in the gallery," The Guardian, 18 June 1996
Stringer, Robin, "The all woman Turner Prize and not a painting in sight." The Evening Standard, 17 June 1997
Blazwick, Iwona, "City nature," Art Monthly, No. 207, June 1997, P. 10    Dorment, Richard, "Out of the mouths of babes," The Daily Telegraph, May 21 1997
Coomer, Martin, "Gillian Wearing, Chisenhale," Time Out, Nº 1396, May 21-28 1997
"Wearing their heart on her sleeve," The Art Newspaper, Nº 70 May 1997
Searle, Adrian, "Bring on the naked dwarf," The Guardian, May 6, 1997, G2 P. 14
Lyttelton, Celia, "Indecent Exposures," Esquire, May 1997, P. 34
Higgie, Jennifer, "Gillian Wearing," Frieze issue 33, March - April 1997, P. 80            Ebner, Jorn, "Tramdeutung und Befragen, neue bildende kunst Februar - Marz 1997, P. 80
Williams, Gilda, "New Work," Art Monthly No. 203, Feb. 1997 P. 26 - 27
Gibbs, Michael, "ID - An International Survey on the notion of Identity in Contemporary Art," Art Monthly No. 203, Feb. 1997 P. 34 - 36
Judd, Ben, "Interview with Gillian Wearing," Untitled  No. 12, Winter 1996/7 P. 4 - 5


Muir, Gregor, "Sign Language," Dazed & Confused Issue 25, P. 52 - 55
Kent, Sarah, "New Work, Interim Art," Time Out, Dec 11-18
Muir, Gregor, "Sign Language," Dazed and Confused, No. 25, P. 52 - 55
Garner, Lesley, "Cops on top in Cauldron," Daily Express, August 2, P. 40
Usherwood, Paul, "The Cauldron," Art Monthly, July / Aug, Nº 198, P. 30 - 31
Hall, James, "Letter From London - Towers of London," Artforum, Summer issue, P. 31 - 33
Buck, Louisa, "Silver Scene," Artforum, Summer issue, P. 34 - 36
Bang Larsen, Lars, "Traffic," Flash Art, Summer issue, Nº 189, P. 126 - 127
Walters, Guy, "State of the Art," The Times Magazine on Saturday, 20 July
Bickers, Patricia, "The Young Devils," Art Press, June, Nº 214, P. 34 - 35
"Imagined Communities," Blueprint
Masterson, Piers, "Imagined Communities," Art Monthly, March, Nº 194


Januzczak, Waldemar, "Cool Britannia," The Sunday Times-Culture Section, 3 Dec
"These are the Rising Stars of 96'," Independent-Weekend Section, 30 Dec
Cork, Richard, Forthcoming Attractions, The Times Magazine, 18 Nov
Corrigan, Susan, "Get the Picture, British Art's Next Superstars,"I-D Magazine, December
Kastner, Jeffrey, "Brilliant," Art Monthly, Dec / Jan 1996
Garnett, Robert, "The British Art Show," Art Monthly, Dec / Jan 1996
Tomkins, Calvin, "London Calling," The New Yorker, 11 December
Smith , Roberta, "Some British Moderns Seeking to Shock," New York Times, December
MacRitchie, Lynn, "Shock Artists," Financial Times,17 Nov
Patrizio, Andrew, "Hayward Shoot Out," Galleries Guide, Sept edition
Hall, James, "Butterfly Ball," Guardian, 14 Nov
Searle, Adrian, "British Art with Attitude," Independent, 14 Nov
Feaver, William, "Where Theres a Wilt…," Observer Review, 19 Nov
Barratt, David, Hayward Gallery, Art Monthly, Nov
Gayford, Martin, "Youth, formaldehyde and the spirit of the age,"
The Telegraph Magazine, 11 Nov
Currah, Mark, "Group Show; Interim Art," Time Out, 11 Oct
Morrish, John, "Wildlife, Martyrs to their art," Telegraph Magazine, 7 Oct                Searle, Adrian, "Faces to Watch In The Art World," Independent, 26 Sept
Hall, James, "Western Security," Guardian, Sept 
Currah, Mark, "Action Replayed," Time Out, 20 Sept 
Harvey, Will, "Bodies of Work," Observer Life Magazine, 9 Sept 
Cavendish, Dominic, "Gallery Gunslingers on a Shoot to Thrill," Independent, 11 September, P. 6
"Wearing, Gillian, Hommage to the Woman with the Bandaged Face who I saw Yesterday Down Walworth Road," Blocnotes, Numero 9, P. 18 -19
"A Short Love Story by Gillian Wearing," Nummer 3, Sept, P. 81
Bonaventura, Paul, "Profile: Wearing Well," Art Monthly, March, Nº 184
Faure Walker, Caryn, "Signs of the Times," Creative Camera, Feb. / March
Cosmo Landesman & Simon Rogers, "Talking Pictures," The Big Issue, 6 - 12 Feb, Nº 116, P. 12 - 14
Kent, Sarah, "Make Believe," Time Out, 22 Feb - March, P. 46
"British Art: Don't Knock It," Independent Weekend, 24 June, P. 1 & 4


Lillington, David, "Real Life in London," Paletten, April, Nº 219, P. 12
Searle, Adrian, Frieze Magazine, Sept / Oct, issue 18, P. 61 - 62
Muir, Gregor, World Art Magazine, Inaugural U.S Edition,November, P. 117
Jaio, Miren, "Cinco Artistas Inglesas: Voces En El Espacio," Lapiz, Oct / Nov, Nº 106, P. 12 - 19
Currah, Mark, Time Out, Nº 1245, 29 June  - 6 July, P. 50
Craddock, Sacha, The Times, 14 June
Savage, "Jon,Vital Signs," Artforum, March issue, P. 60 - 63
Bush, Kate, "Vox Pop," Untitled, London
Harpers Magazine, Vol. 288, Nº. 1728, P. 21
Searle, Adrian, "Vox Pop," Time Out, January 5 - 12, P. 42


Feaver, William, "Treasures in the Wendy House of the Lost Boys,"The Observer, 4 July, Arts 4 / P. 59
Guha,Tania.Time Out 
Archer, Michael. "O Camera O Mores," Art Monthly
Stallabass, Julian. "Power to the People," Art Monthly
Graham-Dixon, Andrew. "That Way Madness Lies," The Independent
Flash Art, Italy
Milner, Catherine. "Positive Exposure for New Talent," The Saturday Times


"Hype, The Face, No. 51, December
The Independent on Sunday, 27 December