JAMES WELLING

 

BIBLIOGRAPHY

 

Selected Monographs:

 

2017

Heike Eipeldauer, Martin Germann, Hal Foster, James Welling: Metamorphosis, published by Prestel, New York, NY, 2017

 

2015

Fried, Michael, Suzanne Hudson, Phillipp Kaiser, and Sharon Lockhart, Things Beyond Resemblance: James Welling Photographs, published by Brandywine River Museum of Art, Chadds Ford, PA, and DelMonico Books/Prestel, New York, NY, 2016 

 

2014    

Witkovsky, Matthew S., James Welling: Diary/Landscape, published by University of Chicago Press, Chicago, IL, 2014
McFadden, Jane, Nigel Price, Anthony Spira, Jan Tumlir, Miguel von Hafe Pérez, and James Welling, James Welling: Mind on Fire, published by DelMonico Books/Prestel, New York, NY, 2014

 

2013    

Crump, James, Mark Godfrey, Eva Respini, and Thomas Seelig, James Welling: Monograph, published by Aperture, New York, NY, 2013

 

2012    

Boley, Tamie, and James Welling, James Welling: The Mind on Fire, Published by MK Gallery, Milton Keynes, UK, 2012
Hickson, Patricia, James Welling: Wyeth, published by Wadsworth Atheneum Museum of Art, Hartford, CT, 2012
Welling, James, James Welling: Wyeth, published by Wako Works of Art, Tokyo, Japan, 2012 

 

2010    

Howe, Susan, Frolic Architecture, published by The Grenfell Press, New York, NY, 2010
Elcott, Noam M., and by Sylvia Lavin, James Welling: Glass House, published by Damiani, Bologna, Italy, 2010
James Welling: Light Sources, published by Steidl MACK, London , UK, 2010

 

2007    

Tillman, Lynne, James Welling: Flowers, published by David Zwirner, New York, NY, 2007 
    

2004    

Welling, James, and Will Welling, Agricultural Works & Insect Chorus, published by Minetta Brook, New York, NY, 2004 

 

2002    

Deutsche, Rosalyn, James Welling: Abstract, published by Palais des Beaux-Arts, Brussels and Art Gallery of York University, Toronto, Canada, 2002 

 

2001    

Buchholz, Daniel, and Christopher Müller, eds., James Welling - Untitled, 1981, published by Galerie Daniel Buchholz, Cologne, Germany, 2001 

 

2000    

Fried, Michael and Sarah J. Rogers, James Welling: Photographs, 1974-1999, published by Wexner Center for the Arts, Columbus, OH, 2000

 

1999    

Cueff, Alain, James Welling: New Abstractions, published by Sprengel Museum Hannover, Germany, 1999

 

1998    

Grynsztejn, Madeleine, James Welling, published by Carnegie Museum of Art, Pittsburgh, PA, 1998 
Loock, Ulrich, and James Welling, James Welling, published by Kunstmuseum Luzern, Lucerne, Switzerland, 1998
James Welling: Photography, published by Kunstmuseum Bern, Germany, 1998
Paul Strand/James Welling, published by Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna, Austria, 1998

 

1996    

James Welling: Light Sources, published by Imschoot Uitgevers, Ghent, Belgium, 1996

 

1995    

Shimizu, Minoru, The Photographic Invisible: James Welling, published by Wako Works of Art, Tokyo, Japan, 1995 

 

1994    

Abrams, Janet, James Welling, published by Arts Club of Chicago, Chicago, IL, 1994
Grosenick , Uta, and James Welling, James Welling: Wolfsburg, published by Hatje Cantz, Ostfildern, Germany and Kunstmuseum Wolfsburg, Germany, 1994 

 

1993    

Kasahara, Michiko, James Welling: Photographs 1977-1993, published by Wako Works of Art, Tokyo, Japan, 1993 
Usines de Dentelle, published by Le Channel, Scène Nationale de Calais, Calais, France, 1993

 

1992      

Prévost, Jean-Marc and Laura Trippi, James Welling, published by Musée Départemental d’Art Contemporain de Rochechouart, Rochechouart, France, 1992 
Deitcher, David, James Welling: Photographs, published by Kunstnernes Hus, Oslo, Norway, 1992

 

1990    

James Welling: 19 Photographs 1980, published by École Supérieure d’Art Visuel, Geneva, Switzerland, 1990
Loock, Ulrich, Walther Benn Michaels, and Catherine Quéloz, James Welling: Photographs 1977-1990, published by Kunsthalle Bern, Bern, Germany, 1990
Les Voies Ferrées: St.-Étienne et la Plaine du Forez, published by Maison de la Culture et de la Communication de St.-Étienne, St.-Etienne, France, 1990 
 
1989    

Edwards, Susan, Vincent Longo, Maurice Berger, and Rosalind Krauss, A Debate on Abstraction: The Bertha and Karl Leubsdorf Art Gallery, Hunter College, published by Hunter College, New York, NY, 1989
Joselit, David, James Welling, published by Galerie nächst St. Stephan Rosemarie Schwarzwälder, Vienna , Austria, 1989

 

1985    

James Welling: Gelatin Photographs 1-12, published by CEPA Gallery, Buffalo, New York, NY, 1985

 

Selected Catalogues and Publications:  

 

2018

Shiff, Richard, Robert Storr, and David Zwirner, David Zwirner: 25 Years, published by David Zwirner Books, New York, NY, 2018

Atkins, Katherine, and Kelly Kivland, eds., Artists on Andy Warhol, essay “The ‘Shadows’ Know” by James Welling, published by Dia Art Foundation, New York, NY, pp. 118 – 131 [ill.]

 

2017

Garzoli, Letizia, Sarah Hearne, Sharon Johnston, and Mark Lee, eds., Make New History, published by Lars Müller Publishers, Zürich, Switzerland, 2017, pp. 210 – 213 [ill.]

Golsmith, Kenneth, Jens Hoffmann, Caroline A. Jones, and Vito Manolo Roma, The Arcades: Contemporary Art and Walter Benjamin, published by The Jewish Museum, New York, NY, 2017, pp. 60 – 61 [ill.]

 

2016

October, portfolio “Chemical” by James Welling, published by MIT Press, Cambridge, MA, Fall 2016, vol. 158, pp. 113 – 125 [ill.]
October, essay “Black Mirror” George Baker, published by MIT Press, Cambridge, MA, Fall 2016, vol. 158, pp. 30 – 65 [ill

Geiser, Reto, ed., House Is a House Is a House Is a House: Architectures and Collaborations of Johnston Marklee, photography “Porch House” by James Welling, published by Birkhäuser Verlag, Basel, Switzerland, 2016, pp. 177 – 191 [ill.]

Green, William T., and Lisa Hostetler, A Matter of Memory: Photography as Object in the Digital Age, published by George Eastman Museum, Rochester, NY, 2016, pp. 42 – 45 

Brookman, Philip, Sarah Greenough, Andrea Nelson, Leslie Ureña, and Diane Waggoner, Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker, published by National Gallery of Art, Washington, D.C., 2016, pp. 66 – 69 [ill.]

Bear, Jordan, Tyler Cann, Kris Paulsen, Nannette V. Maciejunes, and Drew Sawyer, The Sun Places in the Abyss, published by Columbus Museum of Art, Columbus, OH, 2016, p. 45 [ill.]

Fried, Michael, Promesse du Bonheur, published by David Zwirner Books/NONSITE, New York, NY, 2016

Beil, Ralf, Marcel Glaser, Manfred Grieger, Alexander Klose, Stephan Krass, Alexander Kraus, Günter Riederer, et al., eds., Wolfsburg Unlimited: A City as World Laboratory, published by Verlag Hatje Cantz, Berlin, Germany, 2016, pp. 144 – 146 [ill.]

Beshty, Walead, Devon Bella, Michele Fiedler, Julieta González, and Jens Hoffmann, Camera of Wonders, published by Mousse Publishing, Milan, Italy, 2016

 

2015

Macel, Christine, and Elisabeth Sussman, Collected by Thea Westreich Wagner and Ethan Wagner, published by Whitney Museum of American Art, New York, NY, 2015

Brown, Jane, Marla Hamburg Kennedy, Ed Ruscha, and David L. Ulin, Both Sides of Sunset: Photographing Los Angeles, published by Metropolis Books, New York, NY, 2015, pp.  20, 87 [ill.]

Faulds, W. Rod, and Jeanie Giebel, Altarations: Built, Blended, Processed, published by The University Galleries at Florida Atlantic University, Boca Raton, FL, 2015 

Feldman, Melissa E., Another Minimalism: Art after California Light and Space, published by The University of Chicago Press, Chicago, IL, 2015

Beshty, Walead, Julieta González, Jens Hoffman et al, Cámara de Maravillas/Camera of Wonders, published by Colección Isabel y Augustin Coppel (CIAC), Mexico City, Mexico, Kadist Art Foundation, Paris, France, and Mousse Publishing, Milan, Italy, 2015 

Macel, Christine, and Elisabeth Sussman, Collected by Thea Westreich Wagner and Ethan Wagner, published by Whitney Museum of American Art, New York, NY, 2015

Miller, Dana, and Adam D. Weinberg, Whitney Museum of Art: Handbook of the Collection, published by Whitney Museum of American Art, New York, NY, and Yale University Press, New Haven, CT, 2015, p. 402 [ill.]

Heckert, Virginia, Light, Paper, Process: Reinventing Photography, published by Getty Publications, Los Angeles, CA, 2015

Mark, Lisa Gabrielle, ed., Akademie X: Lessons in Art + Life, published by Phaidon Press, New York, NY, 2015

he Noing Uv It, published by Bergen Kunsthall, Norway, 2015

Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015

 

2014

Baker, George, Geoffrey Batchen, Hito Steyerl, and Carol Squiers, What is a Photograph?, published by International Center of Photography and DelMonico Books/Prestel, New York, NY, 2015 

 

2013    

Hoffmann, Jens, ed., Lens Drawings, published by Marian Goodman Gallery and Valerio Valerio Publishers, Paris, France, 2013
Buse, Peter, and Mary- Kay Lombino, The Polaroid Years: Instant Photography and Experimentation, published by The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, New York, NY, and Prestel, New York, NY, 2013 

 

2012

Peabody, Rebecca, Andrew Perchuk, Glenn Phillips, and Rani Singh, eds., Pacific Standard Time: Kunst in Los Angeles, 1945-1980, published by Martin-Gropius-Bau, Berlin, Germany, 2012 
Burton, Johanna, Bill Horrigan, Elisabeth Lebovici, Helen Molesworth, et al, This Will Have Been: Art, Love & Politics in the 1980s, published by Museum of Contemporary Art Chicago, Chicago, IL, and Yale University Press, New Haven, CT, 2012

 

2011

25 Years/25 Artists, published by Julie Saul Gallery, New York, NY, 2011
Collection Vanmoerkerke, published by Rispoli Books, Brussels, Belgium, 2011
de Wolf, Hans, ed., Jeff Wall: The Crooked Path, published by Bozarbooks, Brussels and Ludion, Antwerp, Belgium, 2011 
Bear , Jordan, Rhoda Eitel-Porter, et al, Mannerism and Modernism: The Kasper Collection of Drawings and Photographs, published by Morgan Library & Museum, New York, NY, 2011
Peabody, Rebecca, Andrew Perchuk, Glenn Phillips, and Rani Singh, eds., Pacific Standard Time: Los Angeles Art, 1945-1980, published by Getty Publications, Los Angeles, CA, 2011

 

2010    

Görner, Klaus, Chrissie Iles, and Shepherd Steiner, Jack Goldstein, published by Museum für Moderne Kunst, Frankfurt and Walther König, Cologne, Germany, 2010 

Cooke, Lynne, Douglas Crimp, and Kristin Poor, eds., Mixed Use, Manhattan: Photography and Related Practices, 1970s to the  Present, published by the Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain, 2010
Lambert, Phyllis, and Sylvia Lavin, Modern Views: Inspired by the Mies van der Rohe Farnsworth House and the Philip Johnson Glass House, published by Assouline, New York, NY, 2010
Meade, Fionn, Nachleben, published by Goethe Institute, New York, NY, 2010
Bajac, Quentin, and Clement Cheroux, eds., 100 Masterpieces of Photography, published by Centre Pompidou, Paris, France, 2010    

 

2009

Cotton, Charlotte, Emma Dexter, Hans Ulrich Obrist, James Welling, et al., 60. Innovators shaping our creative future, published by Thames & Hudson, London, UK, 2009 
Hug, Cathérine, Gerald Matt, and Thomas Meißgang, eds., 1989: End of History or Beginning of the Future?, published by Kunsthalle Wien, Vienna, Austria, and Verlag für moderne Kunst Nürnberg, Nuremberg, Germany, 2009
Virilio , Paul, The Aesthetics of Disappearance, published by Semiotext(e), Los Angeles, CA, 2009 [ill., cover]
Grabner , Michelle, Annika Marie, and Michael Newman, Can I Come Over To Your House: The First Ten Years of the Suburban, published by The Suburban, Oak Park, IL, 2009
Rexer, Lyle, The Edge of Vision: The Rise of Abstraction in Photography, published Aperture, New York, NY, 2009
Busto, Andrea, Flower Power, published by CRAA Centro di ricerca arte attuale Villa Giulia, Verbania, Italy, 2009
Eklund, Douglas, The Pictures Generation, 1974-1984, Published by The Metropolitan Museum of Art, New York, NY, 2009

 

2008         

Huldisch, Henriette, Shamim M. Momin, and Rebecca Solnit, Whitney Biennial 2008, published by Whitney Museum of American Art, New York, NY and Yale University Press, New Haven, CT, 2008, pp. 248 – 249 [ill.] 
Aupetitallot, Yves, Hal Foster, Maria Garzia, et al., Espèces d’espace: Les Années 1980, Première Partie, published by Le Magasin - Centre National d’Art Contemporain, Grenoble, France, 2008 
Fleiss, Elein, Kim Gordon, and Rolan Groenenboom, Sonic Youth Etc.: Sensational Fix, published by Walther König, Cologne, Germany, 2008
Goldstein, Ann, Rebecca Morse, and Paul Schimmel, This is Not to be Looked At: Highlights from the Permanent Collection of the Museum of Contemporary Art, Los Angeles, published by Museum of Contemporary Art, Los Angeles, CA, 2008

 

2007         

Collection Photographs, published by Centre Pompidou, Paris, France, 2007, p. 322 [ill.]
Gielen, Denis, Atlas: de l’art contemporain à l’usage de tous, published by Musée des Arts Contemporains, Hornu, Belgium, 2007, pp. 28, 385 [ill.]
Pereira, Albano Silva, João Oliveira Rendeiro, and Delfim Sardo, Edit! Photography and Film in the Ellipse Collection, published by Centro de Artes Visuais, Coimbra, Portugal, 2007
Like Color in Pictures, essay “Notes on Color” by James Welling, published by Aspen Museum of Art, Aspen, CO, 2007, pp. 69 – 72 
Spiegel, Roland, Paint It Blue: ACT Art Collection Siegfried Loch, published by Weserburg Museum für Moderne Kunst, Bremen, Germany, 2007
Kremer, Mark, Private/Public, published by Museum Boijmans Van Beuningen, Rotterdam, Netherlands, 2007
Moats, Tamara, ed., Viewfinder, published by Henry Art Gallery, Seattle, WA, 2007 

 

2006        

Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, 2006
Pinto, Antonio Cerveira, João Fernandes, Ulrich Loock, Pier Luigi Tazzi, Alexandre Melo, Eduardo Paz Barroso, Bernardo Pinto da Almeida, Abigail Solomon-Godeau, and Denys Zacharopoulos, The 1980s: A Topology, published by Serralves Museum of Contemporary Art, Porto, Portugal, 2006
Grenier , Catherine, Los Angeles 1955-1985, published by Editions du Centre Georges Pompidou, Paris, France, pp. 288 – 289 [ill.]
Decter , Joshua, Dark Places, published by Santa Monica Museum of Art, Santa Monica, CA, 2006, p. 19 [ill.]
Sixteen Tons: UCLA Department of Art Faculty, published by The Regents of the University of California, Los Angeles, CA, 2006

 

2005        

Kraus, Chris, Jane McFadden, and Jan Tumlir, L.A. Artland: Contemporary Art from Los Angeles, published by Black Dog Publishing, London, UK, 2005, p. 165 [ill.]
Tronche, Anne, D’une image qui ne serait pas du semblant, La photographie écrite, 1950-2005, published by Passage du Retz, Paris, France, 2005
Richer Grancesca, and Matthew Rosenzweig, eds., No. 1: First Works by 362 Artists, published by D.A.P., New York, NY, 2005, p. 400 [ill.]
Bois, Yve-Alain, Benjamin H.D. Buchloh, Hal Foster, and Rosalind Krauss, Art since 1900: Modernism, Antimodernism, Postmodernism, published by Thames & Hudson, London, UK, 2005

 

2004     

Baldessari, John, Meg Cranston, and Thomas McEvilley, 100 Artists See God, published by Independent Curators International, New York, NY, 2004, p. 64 [ill.]
Leighton, Tanya, Paula Marincola, Ingrid Schaffner, and Bennett Simpson, The Big Nothing, published by Institute of Contemporary Art, Philadelphia, PA, 2004
Baqué, Dominique, and Régis Durand, Éblouissement, published by Ministére de la Culture, Jeu de Paume, Paris, France, 2004
Higgs, Matthew, Kevin Killian, and David Robbins, Likeness:  Portraits of Artists by Other Artists, published by CCA Wattis Institute for Contemporary Arts, San Francisco, CA, and Independent Curators International, New York, NY, 2004, pp. 52 – 53 [ill.]
Hamburg Kennedy, Marla and Ben Stiller, eds., Looking at Los Angeles, published by Metropolis Books, New York, NY, 2004, p. 96 [ill.]
Meyer, Jackie-Ruth, Semaine N° 15: Cimaise et Portique, Albi: Kendell Geers: Sexus, published by Analogues, Arles, France, 2004

 

2003         

Campany, David, Art and Photography, published by Phaidon, London, UK, 2003, p. 156 [ill.]
Hickey, Dave, Subjective Realities: Works from the Refco Collections of Contemporary Photography, published by Refco Group, Ltd., New York, NY, 2003
Buskirk, Martha, The Contingent Object of Contemporary Art, published by MIT Press, Cambridge, MA, 2003
Fogle, Douglas, The Last Picture Show: Artists Using Photography, 1960-82, published by Walker Art Center, Minneapolis, MN, 2003, pp. 317 – 320 

 

2002

Acquisitions 1992-2001, published by musee departemental d'art contemporain de Rochechouart, 2002, pp. 106 – 107 [ill.]
Holmes, Steven, Acquiring Taste, published by Real Art Ways, Hartford, CT, 2002
Jager, Gottfried, Die Kunst der Abstrakten Fotografie, published by Arnoldsche, Stuttgart , Germany, 2002
Double Exposure, published by Edition Schellmann, New York , NY, 2002
Doy, Gen, and Fran Lloyd, Fold: Drapery in Contemporary Visual Culture, published by City Gallery, Leicester, UK, 2002
Marien, Mary Warner, Photography: A Cultural History, published by Laurence King Publishing, London, UK, 2002
Tillman, Lynne, This is Not It, published by D.A.P., Inc., New York , NY, 2002
Grundberg, Andy, and Sylvia Wolf, Visions from America: Photographs from the Whitney Museum of American Art, 1940-2001, published by Whitney Museum of American Art, New York and Prestel, Munich , Germany, 2002
Cueff, Alain, Watershed, The Hudson Valley Art Project, published by Minetta Brook, New York, NY, 2002

 

2001

Armstrong, Philip, Laura Lisbon, and Stephen Melville, As Painting: Division and Displacement, published by Wexner Center for the Arts, Columbus, OH, and MIT Press, Cambridge, MA, 2001
Mitchell, Roger, Savage Baggage, published by The Figures, Great Barrington, MA, 2001
Coleman, A. D., this is [not] a photograph, published by Pamela Auchincloss/Arts Management, New York, NY, 2001
de Duve, Thierry, ed., Voici, 100 ans d'art contemporain/Look, 100 years of contemporary art, published by Ludion, Ghent , Belgium, 2001
Nickas, Robert, W, published by Musée de Beaux-Arts, Dôle, France, 2001

 

2000    

de Ponton D’Amecourt, Jacqueline, ed., Contemporary Photographs, published by Groupe Lhoist Collection, Limelette, Belgium, 2000 [ill.]
Gerasimtschuk, Ivetta, Daniel Kurjakovic, and Ulrich Loock Mixing Memory and Desire, published by Kuntsmuseum Luzern, Lucerne. Switzerland, 2000

 

1999

Brandner, Josef, Petra Giloy-Hirtz, Jochen Hörisch, Peter Neuner, Peter B. Steiner, and Reinhard Steiner, Schöpfung, published by Hatje Cantz Verlag, Ostfildern, Germany, 1999

 

1998

Wolfe, Steve, Dust Breeding; Photographs, Sculpture & Film, published by Fraenkel Gallery, San Francisco, CA, 1998 [ill.]
Hamilton-Paterson, James, Sea Change: The Seascape in Contemporary Photography, published by Center for Creative Photography, Tucson, AZ, 1998
Tallman , Susan, Sequences, published by Edition Schellmann, New York, NY, 1998

 

1997

Brandl, Herbert, and Toni Stooss, 10 Jahre Stiftung Kunsthalle Bern, published by Kunsthalle Bern, Bern, Switzerland, 1997
Bring your own Walkman, published by W139, Amsterdam, Netherlands, 1997
Schmidt-Wulffen, Stephan, Kunst...Arbeit: Aus Der Sammlung Südwest Landesbank, published by Cantz Verlag, Ostfildern, Germany, 1997
Photographie d’une collection, published by Caisse des Dépôts et Consignements, Paris, France, 1997
Berressem, Hanjo, and Wilhelm Schürmann, Someone else with my fingerprints, published by Salon Verlag, Cologne, Germany, 1997
Staging Surrealism, published Text by Mary Ann Caws. Wexner Center for the Arts, Columbus, Ohio
Fleming, Marnie, Track Records: Trains and Contemporary Photography, published by Oakville Galleries, Oakville, Canada and Canadian Museum of Contemporary Photography, Ottawa, Canada, 1997

 

1996

Weiermair, Peter, Prospect 96: Photographie in der Gegenwartskunst, published by Frankfurter Kunstverein, Frankfurt, Germany, and Edition Stemmle, Zurich, Switzerland, 1996

 

1995     
Grundberg, Andy, After Art: Rethinking 150 Years of Photography, published by University of Washington Press, Seattle, WA, 1995
Schwarzwalder, Rosemarie, Klares Programm Galaria Arbeit Heute, published by Lindinger + Schmid, Regensburg, Germany, 1995, p. 77
Nickas, Robert, Pictures of the Real World (In Real Time), published by Temps Réel, Dijon, France, 1995
Colombo, Paolo, and Antonella Soldaini, The Reflected Image, published by Museo Pecci, Prato, Italy, 1995

 

1994     

Grosenick, Uta, Timing Up, published by Kunstmuseum, Wolfsburg, Germany, 1994
Grundberg, Andy, The Abstract Urge: Recent Photographs Beyond Description, published by Ansel Adams Center for Photography, San Francisco, CA, 1994
Grundberg, Andy, Content and Discontent in Today’s Photography, published by Friends of Photography, San Francisco, CA, 1994
Experimental Vision.  The Evolution of the Photogram since 1919, essay “Photograms Today, The Essence of Process” by Charles Hagen, published by Roberts Rinehart, Niwot, CO, and Denver Art Museum, CO, 1994, pp. 80 – 81 
Miranda Wilson, Helen, Transport, published by Maier Museum of Art, Randolph-Macon Women’s College, Lynchburg, VA, 1994

 

1993     

Michaels, Walter Benn, The Shape of the Photograph, published by Emily Carr, College of Art, Vancouver, Canada, 1993
19 Photographs, 1980, published by Sous-Sol, Ecole Superieure d'Art, Visuel, Geneva, Switzerland, 1993
Collection Modern Art: Boijmans Van Beuningen Museum Rotterdam, Inventory of Works Acquired Between 1985-1993, published by Museum Boijmans Van Beuningen, Rotterdam, Germany, 1993 
Nettverk, published by Kunstnernes Hus, Oslo, Norway, 1993
Cassiman, Bart, Greet Ramael, and Frank vande Veire, The Sublime Void: On the Memory of the Imagination, published by Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium 

 

1992

Zacharopoulos, Denys, Documenta IX, published by Edition Cantz, Ostfildern, Germany and Harry N. Abrams, Inc., New York, NY, 1992 
Crary, Jonathan, and Herta Wolf, Skulpturen-Fragmente, published by Secession, Vienna, Austria, 1992
Une seconde pensée du paysage, Published by Domaine de Kerguehennec, Bignan, France, 1992 

 

1991

Bellamy, Peter, The Artist Project: Portraits of the Real Art World/New York Artists 1981-1990, published by IN Publishing, New York, NY, 1991 
Les Grandes Lignes, published by Gare de l’Est, Paris, France, 1991
Neuberger, Suzanne, Vom Verschwinden der Dinge aus der Fotografie, published by Österreichisches Fotoarchiv im Museum Moderner Kunst, Vienna, Austria, 1991

 

1990

Molajoli, Bruno, and Denys Zacharopoulos, Le Diaphane, published by Musée des Beaux-Arts, Tourcoing, France, 1990 
Solomon-Godeau, Abigail, Photography at the Dock, published by University of Minnesota Press, Minneapolis, MN, 1990

 

1989     

Krauss, Rosalind, Photography and Abstraction, published by Hunter College Art Gallery, New York, NY
Center Quarterly: A Journal of Photography and Related Arts, essay “150th at f2 Snapshots of Contemporary Art Photography” by Daniel Scheuer, published by Center for Photography at Woodstock, NY, vol. 2, no. 1, 1989
De Sana, Jimmy, Andy Grundberg, Steven S. High, Jerry Saltz, and William Saltzillo, Abstraction in Contemporary Photography, published by Anderson Gallery, Virginia Commonwealth University, Richmond, VA, and Emerson Gallery, Hamilton College, Clinton, NY, 1989
Ostrow, Sol, Diagrams & Surrogates, published by Shea & Beker Gallery, New York, NY, 1989
Goldstein, Ann, and Mary Jane Jacob, A Forest of Signs: Art in the Crisis of Representation, published by Museum of Contemporary Art, Los Angeles, CA, and MIT Press, Cambridge, MA, 1989, pp. 122 – 123 [ill.]
Trippi, Laura, Strange Attractors: Signs of Chaos, published by New Museum of Contemporary Art, New York, NY, 1989

 

1988     

Fairbrother, Trevor, and David Ross, Bi National: American Art of the Late 80's, published by Museum of Fine Arts, Boston, MA, 1988
Collins, Tricia, and Richard Milazzo, Art at the End of the Social, published by Rooseum Center for Contemporary Art, Malmö, Sweden, 1988
Loers, Veit, Schlaf der Vernunft, published by Museum Fridericianum, Kassel , Germany, 1988
Gauss, Kathleen, Photography and Art Interactions Since 1946, published by Museum of Art Fort Lauderdale, FL, and Los Angeles County Museum of Art, Los Angeles, CA, 1988
Hoy, Anne H., Fabrications-Staged, Altered and Appropriated Photographs, published by Abbeville Press, New York, NY, 1988        
Jameson, Fredric, Utopia Post-Utopia: Configurations of Nature and Culture in Recent Sculpture and Photography, published by Institute of Contemporary Art, Boston, MA, and MIT Press, Cambridge, MA, 1988

 

1987     

Photography and Art: Interactions Since 1946, essay “Camera Culture in a Postmodern Age” by Andy Grundberg, published by Los Angeles County Museum of Art, Los Angeles, CA, 1987
Lord, Catherine, Cal Arts: Skeptical Belief(s), published by The Renaissance Society at the University of Chicago, Chicago, IL, 1987
Hoy, Anne H., Fabrications-Staged, Altered and Appropriated Photographs, published by Abbeville Press, New York, NY, 1987    
Benn Michaels, Walter, The Gold Standard and the Logic of Naturalism: American Literature at the Turn of the Century, published by University of California Press, Berkeley, CA, and Los Angeles, CA, 1987 [ill., cover]
Celant, Germano, Lars Nittve, et al, Implosion, published by Moderna Museet, Stockholm, Sweden, 1987
Pakesch, Peter, Malerei-Wandmalerei, published by Grazer Kunstverein, Graz, Austria, 1987
New Locations, published by Jamie Wolff, New York , NY, 1987
Janis, Carroll, and Jerry Saltz, Recent Tendencies in Black and White, published by Sidney Janis Gallery, New York, NY, 1987

 

1986

Simple Conjunctions: An Installation by Phillip Galgiani, essay “Galgiani's Image” by James Welling, published by San Francisco Museum of Modern Art, San Francisco, CA, 1986

 

1984     

Gintz, Claude, Ailleurs et Autrement, published by Musée d’Art Moderne de la Ville de Paris, Paris, France, 1984
Collins, Tricia, and Richard Milazzo, Natural Genre, published by Florida State University, Tallahassee, FL, 1984
de Jong, Joop, Still Life in Photography, published by Rotterdamse Kunststichting, Rotterdam, Netherlands, 1984

 

1983

Solomon-Godeau, Abigail, In Plato’s Cave, published by Marlborough Gallery, New York, NY, 1983

 

1982

Exhibition, published by California Institute of the Arts, Valencia, CA , 1982
Inauguration, published by Fonds Régional d’Art Contemporain Nord Pas-de-Calais, Calais, France, 1982
Cook, Scott, Natural History, published by Grace Borgenicht Gallery, New York, NY, 1982

 

1980

Welling, James, Performance Anthology, ed. Carl Loeffler, published by Contemporary Arts Press, San Francisco, CA, 1980
Birolli, Zeno, Pictures in New York Today, published by Padiglione d’Arte Contemporanea, Milan, Italy, 1980

 

1976

Ross, David, Southland Video Anthology, published by Long Beach Museum of Art, Long Beach, CA, 1976

 

Selected Articles and Reviews: 

 

2018
Pollasch, Kate. “Beyond Buildings–Ania Jaworksa, James Welling, and Amanda Williams // Chicago Architecture Biennial Foundation.” The Seen Issue 5 (2018) pp. 70 – 74 [ill.]

Welling, James. “City of Images: James Welling: Los Angeles, Twice Lived.” Aperture (Fall 2018) p. 22 [ill.]

Egeland, Vetle. “James Welling on his photo ‘1538’.” Document (June 13, 2018) [ill.] [online]

2017

Waligore, Athena. “Photographer James Welling Focuses on Mies for Chicago Architecture Biennial.” Interior Design (April 3, 2017) [ill.] [online]

Indiana, Gary. “Back in the Frame.” The New York Times Style Magazine (February 19, 2017) pp. 226 – 231 [ill.]

Slifkin, Robert. “Previews: ‘James Welling: Metamorphosis’.” Artforum (January 2017) p. 114 [ill.]

 

2016

Shea, Honora. “Critics’ Picks: James Welling at WUHO.” Artforum (March 2016) [ill.] [online]

Vankin, Deborah. “Ephemeral landscapes.” The Los Angeles Times (February 21, 2016) p. F2 [ill.]

Slifkin, Robert. “Reviews: James Welling, David Zwirner.” Artforum (February 2016) pp. 234 – 235 [ill.] 
Walsh, Brienne. “James Welling On Drawing with Space and Light.” Photo District News (January 29, 2016) [ill.] [online] 

“Goings on About Town: James Welling.” The New Yorker (January 11, 2016) p. 12

 

2015

“James Welling.” Art in America (December 3, 2015) [ill.] [online] 
Gayduk, Jane. “Welling’s Lucid Layers: One artist’s modern take on double exposure.” am New York (November 20, 2015) p. 16 [ill.] 
Moss, Hilary. “James Welling, Now in Technicolor.” The New York Times (November 17, 2015) [ill.] [online]
Boynton, Andrew. “Bodies in Space: James Welling’s ‘Choreograph’.” The New Yorker (November 9, 2015) [ill.] [online]
Carpenter, Tim. “Book of the Week: A Pick by Tim Carpenter.” Photo-eye (October 6, 2015) [ill.] [online] 
Galer, Lele. “Art Watch: James Welling featured at Brandywine River Museum.” The Times of Chester County (September 9, 2015) [ill.] [online] 
Welling, James. “James Welling: Dance Project.” Aperture (Winter 2015) pp. 78 – 87 [ill.]
Smith, Roberta. “Deceptive Photography.” The New York Times (August 28, 2015) pp. C17, C19 [ill.]
Greenberger, Alex. “People Who Live in Glass Houses: James Welling On His Andrew Wyeth–Inspired Photographs.” ARTnews (August 18, 2015) [ill.] [online]
Murg, Stephanie. “Different vistas: James Welling channels Andrew Wyeth for Brandywine show.” Wallpaper* (August 18, 2015) [ill.] [online] 
Ebony, David. “Destination Art: James Welling and Pennsylvania’s Brandywine River Valley.” Art in America (August 17, 2015) [ill.] [online] 
Sawyer, Drew. “James Welling’s Wyeth Series at Brandywine River Museum.” Document Journal (August 14, 2015) [ill.] [online] 
Crimmins, Peter. “Photographer unites homage to Andrew Wyeth with exploration of color at Chadds Ford.” NewsWorks (July 28, 2015) [ill.] [online] 
Neon (February 2015) [ill., cover]

 

2014

Fried, Michael. “James Welling: Monograph.” Artforum (December 2014) pp. 105 [ill.] 
Welling, James. “Curriculum: A List of Favorite Anythings by James Welling.” Aperture no. 214 (Winter 2014) p. 16 [ill.] 
Dickey, Colin. “Artist Portfolio: James Welling.” Los Angeles Review of Books (Winter 2014) pp. 66 – 77 [ill., cover]
Shammaa, Raphael. “ASX interviews James Welling.” American Suburb X (April 9, 2014) [ill.] [online]
Martens, Anne. “Tripping the Light Fantastic.” Artillery Magazine (January/February 2014) [ill.]

 

2013    

Steiner, Urs. “Fotokunst in Sugus-Farben.” Neue Zürcher Zeitung.com (December 4, 2013) [ill.] [online]
Wehowsky, Stephan. “James Welling – Maler mit der Kamera.” Journal 21.ch (December 3, 2013) [ill.] [online]
Schindler, Feli. “Die Schönheit der Alufolie.” Tages-Anzeiger (December 3, 2013) p. 27 [ill.]
Walsh, Brienne. “L.A’s Hammer Museum surveys the photography of James Welling.” architecturaldigest.com (October 11, 2013) [ill.] [online]
Jiang, Rong. “James Welling: Photography as Ventriloquism.” Photoworld (October 2013) pp. 74 – 87 [ill.]
“The Hammer Museum is the Only West Coast Venue for Major James Welling Exhibition.” artdaily.org (September 29, 2013)
Green, Tyler. “The Modern Art Notes Podcast: James Welling.” Blouin Artinfo (September 26, 2013)
Davies, Jessica. “Maureen Paley x James Welling.” Art Wednesday (September 12, 2013)
Ollman, Leah. “Photography: Home-Grown Angle to Three Fall Shows.” The Los Angeles Times (September 12, 2013) [ill.] [online]
Frankel, Eddy. “James Welling.” Time Out London (September 12, 2013)
Huang, Yaji. “James Welling.” Artco (August 2013) pp. 136 – 139 [ill.]
Biro, Matthew. “James Welling: Cincinnati Art Museum.” Artforum (Summer 2013) p. 364 – 365 [ill.]
Rosen, Steven. “James Welling: From Sonic Youth Album Covers to Phillip Johnson’s Glass House.” Huffington Post (March 8, 2013) [ill.] [online]
Risch, Conor. “Tour de Force.” Photo District News (March 2013) pp. 46 – 50 [ill.]
Chang, Phil. “Cache, Active: Conversation with James Welling.” Aperture (Spring 2013) pp. 141, 147 
Mac Giolla Léith, Caoimhín. “Welling’s Wyeth.” Afterall (Spring 2013) pp. 20 – 32 [ill.]
Spira, Anthony. “James Welling: The Mind on Fire.” Afterall (Spring 2013) pp. 33 – 41 [ill.] 
Pfarrer, Steve. “Hybrid images: On view at UMass, James Welling works combine painting, sculpture, photography.” amherstbulletin.com (February 27, 2013) [ill.] [online] 
Feeney, Mark.“’James Welling’: An Interest in the Interstitial.” Boston Globe (February 23, 2013) [ill.] [online]
Zhong, Fan. “Photo Op.” W Magazine (February 2013) p. 114
Rosen, Steven. “Welling: Photos of a Lifetime.” cincinnati.com (January 25, 2013) [ill.] [online]
Merjian, Ara H. “James Welling.” frieze no. 152 (January/February 2013) p. 158 [ill.]
Fried, Michael. “Previews: ‘James Welling: Monograph.’” Artforum (January 2013) p. 81 [ill.]

 

2012    

Woodward, Richard. “Where Painting and Photography Blur.” The Wall Street Journal (December 27, 2012): D6 [ill.]
Malandrinha. “James Welling’s Youth!.” What Art Online (December 6, 2012)
Welling, James. “The Artists’ Artists.” Artforum (December 2012) p. 116 [ill.]
Sholis, Brian. “James Welling: David Zwirner.” Artforum (November 2012) p. 275
Heuer, Megan. “James Welling: David Zwirner.” Art in America (November 2012) p. 164
Wilson, Michael. “Odd Couples.” New York Observer (October 29, 2012) p. B9 [ill.] 
Rosenberg, Karen. “James Welling: ‘Overflow.’” The New York Times (October 19, 2012) p. C27
Falconer, Morgan. “Homespun Heroics.” The World of Interiors (October 2012) pp. 106 – 112 [ill.] 
Feitelberg, Rosemary. “Scene.” WWD (September 11, 2012) p. 2
“James Welling: The Mind on Fire at MK Gallery.” aestheticamagazine.com (August 31, 2012) [ill.] [online] 
Suqi, Rima. “Q & A: Images from Wyeth’s World, Paint Splatters and All.” The New York Times (August 23, 2012) p. D2 [ill.]
Carmichael, Elisa. “Showtime.” The Art Street Journal (August 2012) pp. 28 – 45 [ill.]
Rexer, Lyle. “James Welling: ‘Wyeth,’ Wadsworth Atheneum Museum of Art.” photographmag.com (June 11, 2012) [ill.] [online]
McQuaid, Cate. “Exhibits revisit, reprise works of Andrew Wyeth.” The Boston Globe (April 17, 2012)
Robertson, Rebecca. “Wyeth Redux.” ARTnews (April 2012) p. 27 [ill.]
Dunne, Susan. “Welling Photos An Homage To Wyeth.” Hartford Courant (March 25, 2012) pp. G1 – G2 [ill.]
Bush, Bill. “Now Isn’t That Spacial?: This Artweek.LA.” The Huffington Post (February 28, 2012) [ill.] [online] 
Feßler, Anne Katrin. “Neue Perspektiven: In Wien blicken Künstler auf moderne Architektur.” Monopol (February 2012) p. 101 [ill.]

 

2011    

Kisner, Jordan. “The Four Seasons’ James Welling Exhibition.” Departures (November 17, 2011) [ill.] [online]
Goodman, Jillian. “A Glass House for your House.” New York Magazine (November 9, 2011) [ill.] [online] 
Adler, Alexander. “Johnson’s Glass House Illuminates the Four Seasons.” The Huffington Post (November 3, 2011) [ill.] [online] 
Ou, Arthur. “The Wyeth Project: Arthur Ou Meets James Welling.” Fantom Magazine (November 2011) pp. 74 – 80 [ill.]
Welling, James. “Art in Los Angeles.” Artforum (October 2011) p. 283 {ill.]
McLean-Ferris. “James Welling: Glass House.” Art Review (Summer 2011) p. 71
Welling, James and Jori Finkel. “It Speaks to Me: James Welling on Hans Hoffman’s 1958 ‘Equipoise’ at LACMA.” The Los Angeles Times (May 11, 2011) [online] 
Prandin, Alessandra. “James Welling: extrañas coreografías de memorias, emociones y tacto.” Arte Al Limite (May 2011) pp. 28 – 37 [ill.]
Stillman, Steel. “In the Studio: James Welling with Steel Stillman.” Art in America (February 2011) pp. 55 – 61 [ill., cover]
Welling, James. “James Welling [149].” thislongcentury.com (2011) [online]

 

2010        

Buckley, Richard. “L.A. à l’art libre.” Vogue Paris (December 2010) p. 240 – 247 [ill.]
“Printed Matter From: Steidl.” Steidl (Fall/ Winter 2010/2011) pp. 164 – 165 [ill.]
“Jacob Samuel.” the art street journal vol 2, issue 2 (2010) pp. 6 – 7 
Schriber, Abbe. “Where contemporary art can get knotted: Kathmandu.” artcritical.com (August 23, 2010) [ill.] [online]
Armbruster, Jessica. “New Pictures 3: James Welling, Glass House.” City Pages (August 11, 2010) [ill.] [online]
Finkel, Jori. “On eve of LACMA survey, John Baldessari talks about his history teaching—and past students flash back too.” (June 19, 2010)
Palmer, Sarah. “Through a New Lens.” Metropolis (June 2010) pp. 66 – 68 [ill.]
Aletti, Vince. “James Welling at David Zwirner.” The New Yorker (April 19, 2010) p. 18
Welling, James. “Photographs by James Welling for the New York Times.” The New York Times Magazine (April 18, 2010) pp. 4, 6, 37 – 42 [ill., cover] [series of commissioned photographs to create three distinct cover images and to accompany entire issue] 
Archer, Nate. “James Welling: Glass House.” Design Boom (April 9, 2010) [ill.] [online] 
Berg, Tatiana. “Hop to it!” Bomb (April 5, 2010) [ill.] [online] 
Santlofer, Doria. “James Welling’s Abstracted Glass House.” vevant.com (April 5, 2010) [ill.] [online]
Cornfield, Jill. “Pictures Perfect.” Time Out New York Kids (April 2010) p. 46 [ill.]
“James Welling: Glass House.” Leica Fotografie International (April 2010) p. 20 [ill.] 
Sepuya, Paul Mpagi. “Glass House.” Pin-Up (Spring/Summer 2010) p. 18 [ill.]
Archey, Karen. “James Welling: Glass House.” Map Magazine (Spring 2010) [ill.]
De Bacco, David. “Photography exhibit celebrates Philip Johnson’s Glass House.” 
edgenewyork.com (March 24, 2010) [ill.] [online]
Van den Broeke, Teo. “Glass House by James Welling, NYC.” Wallpaper* (March 23, 2010)
Britt, Aaron. “How Many Billboards? In LA.” Dwell (March 10, 2010) [ill.] [online] 
Witkovsky, Matthew. “Another History.” Artforum (March 2010) pp. 212 – 221 [ill.]
Walker, Alissa. “Staining the Glass House: James Welling Colors in Philip Johnson’s Masterpiece.” Fast Company (February 28, 2010)
Mizota, Sharon. “Glass House, over time.” Los Angeles Times (February 26, 2010) p. D15
Moses, Nalina. “James Welling: New Visions of the Glass House.” www.planet-mag.com (February 24, 2010)
Civin, Marcus. “Glass Houses.” Art Slant (February 23, 2010)
Hodge, Brooke. “Seeing Things: The Art of the Billboard.” The New York Times (February 18, 2010) [online]
Gallanti, Fabrizio. “How Many Billboards?” abitare.it (February 14, 2010) [online] 
Hodge, Brooke. “Seeing Things: Welling and Whiteread in L.A.” The New York Times (February 4, 2010) [online]
Grabner, Michelle. “James Welling: Donald Young Gallery.” Artforum (February 2010) pp. 207 – 208 [ill.]
Mayer, Rus. “Culture(d)-February 2010.” Los Angeles Times Magazine (February 2010) [online] 
Shore, Stephen. “James Welling puts five questions to Stephen Shore.”      Modern Painters (February 2010) pp. 28 – 39 [ill.]
Welling, James. “Meeting of Minds.” Modern Painters (February 2010): 38 – 39 [ill.]
“Around Town: James Welling, Glass House.” ammomag.com (January 27, 2010) [online]
Ou, Arthur. “500 Words: James Welling.” Artforum (January 26, 2010) [online]
Smith, Roberta. “To a Tapestry’s Warp and Weft, Add Vision and Craft.” The New York Times (January 26, 2010) p. C1
“James Welling: Glass House.” dexigner.com (January 17, 2010) [online]
“Holiday.” Martha Stewart Living Korea (Winter 2010) p.55 [ill.] 
Rexer, Lyle and James Welling. “How to Skin a Live Cat: A Conversation on Photography.” Lay Flat (2010) pp. 17 – 22

 

2009      

 Iles, Chrissie. “Best of 2009 Film.” Artforum (December 2009) p. 48 [ill.]
Kotz, Liz. “The Medium and the Messages.” Artforum (October 2009) pp. 67 – 68
Lobel, Michael. “Outside the Frame.” Artforum (September 2009) pp. 252 – 255 
Singerman, Howard. “Language Games.” Artforum (September 2009) pp. 256 – 261
Fried, Michael, and James Welling. “Why Photography Matters as Art as Never Before: Michael Fried in Conversation with James Welling.” Aperture (Summer 2009) pp. 82 – 85 
Woodward, Richard B. “The Original Artistic Recyclers.” The Wall Street Journal (May 27, 2009) p. D9
Saltz, Jerry. “Great Artists Steal.” New York Magazine (May 18, 2009) pp. 66 – 67 [ill.] 
Gopnik, Blake. “‘The Pictures Generation’ at the Metropolitan Museum of Art.” The Washington Post (May 15, 2009) 
Schwabsky, Barry. “A Million Little Pictures: The Pictures Generation Revisited.” The Nation (May 13, 2009)
Yablonsky, Linda. “‘Pictures Generation’ Dangles Dramatically at Met.” Bloomberg (May 7, 2009) [online]
Centre Pompidou Foundation News (May 2009) pp. 3, 5
Halle, Howard. “Another Show, Another Generation: The Met Examines the Boomer Legacy.” Time Out New York (April 30 – May 6, 2009) [ill.] 
Cotter, Holland. “At the Met, Baby Boomers Leap Onstage.” The New York Times (April 24, 2009)
Sigler, Jeremy, and James Welling. “Pencil of Nature.” Modern Painters (April 2009) pp. 56 – 59 [ill.]
Yablonsky, Linda. “Photo Play.” Art in America (April 2009) pp. 102 – 108
Lobel, Michael. “Previews: The Pictures Generation, 1974-1984.” Artforum (January 2009) p. 108 [ill.]
Baldessari, John and James Welling. “’What Do You Plan to do Next?’ A Conversation: John Baldessari and James Welling.” Parkett (2009) pp. 30 – 35 

 

2008         
Menzies, Michelle. “Walead Beshty & James Welling: The Suburban - Illinois.” Flash Art (December 2008) p. 86 [ill.]
Eklund, David. “James Welling.” The Metropolitan Museum of Art Bulletin (Fall 2008) p. 55 [ill.] 
“The Woods are Alive.” New York Magazine Look (Fall 2008) pp. 116 – 117 [ill.]
Rosenberg, Karen. “Yes, the Live Music is Lovely, but Will the Plants Like It?” The New York Times (August 8, 2008) p. E29
Carlson, Ben. “James Welling at David Zwirner.” Modern Painters (July – August 2008) p. 79 [ill.] 
Ybarra, Michael J. “Queen for a day at the Hammer.” The Los Angeles Times (June 11, 2008) p. E4
“Galleries - Chelsea: James Welling.” The New Yorker (April 28, 2008)
Elcott, Noam M. “The Shadow of the World: Jim Welling’s Cameraless and Abstract Photography.” Aperture (Spring 2008) pp. 30 – 39 [ill.]
Welling, James. “Joseph Bartscherer.” Bomb (Spring 2008) pp. 71 – 78 [ill.]
Cotter, Holland. “The Week Ahead: Art.” The New York Times (March 2, 2008) p. 4AR
Bryant, Eric. “The Indecisive Image.” ArtNews (March 2008) pp. 106 – 113 [ill.]
Mendelsohn, Adam E. “Reviews Marathon: Calendar of Flowers, Gin Bottles, Steak Bones.” Art Review (February 2008) p. 33
Ostrow, Saul. “James Welling at David Zwirner.” Art in America (January 2008) p. 124 – 125 [ill.]
Welling, James. Blind Spot no. 37 (2008)
Bowles, Fiona. “James Welling.” Dossier no. 1 (2008) pp. 118 – 119 [ill.]

 

2007     

Cotter, Holland. “Claire Pentecost, James Welling and Moyra Davey.” The New York Times (December 14, 2007) p. E31
Beshty, Walead. “Artist Projects: CMYK.” Cabinet no. 27 (Fall 2007) pp. 33, 40 [ill.]
Oritz, Charlie. “Judge These Books By Their Covers! James Welling Flowers.” New York Resident (August 6, 2007) p. 58 [ill.]
Dowell, Kathy Aron. “James Welling: Questioning The Frame.” Next Level no. 11 (Summer 2007) pp. 70 – 75 [ill.]
Schwabsky, Barry, “The 80s: A Topology.” Artforum (Summer 2007) pp. 488 – 489 [ill.]
Ogundehin, Michelle. “The July Palette.” ELLE Decoration (July 2007) pp. 20-21 [ill.]
Lange, Alexandra. “The Next Monticello.” New York Magazine (May 21, 2007) pp. 15, 90 – 95 [ill.] 
French, Leanne. “Culture Calendar: Flower Power.” Array (May – July 2007) p. 12 [ill.]
Lowenstein, Kate. “Art in the City: Flora!” The L Magazine (April 25 – May 8, 2007) p. 72 [ill.] 
“Goings on About Town: Flower Power.” The New Yorker (April 23, 2007) pp. 8, 15 

 

2006

“Roman á Clef: James Welling.” The New York Times Real Estate Magazine (Fall 2006) p. 96 [ill.] 
Mason, Brook S. “All’s Fair in Fall.” Art & Antiques (September 2006) pp. 55-61 [ill.] 
Gray, Emma. “LA Confidential.” artnet.com (August 2006) [online]
Jones, Kristin M. “Tomorrowland: CalArts in Moving Pictures.” frieze (Summer 2006) 
O’Reily, Sally. “Studio City.” frieze (July 2006) 
“All Things Cow at Hudson River Museum.” The Journal News (June 23, 2006)
Grosz, David. “Taking Abstraction to its Logical Extreme.” The New York Sun (June 13, 2006) [ill.]  
Welling, James. “Louise Lawler.” BOMB (Spring 2006)
Blind Spot no. 32 (2006) pp. 13 – 14 [ill.] 

 

2005         

“Galleries - Chelsea: The Photograph in Question.” The New Yorker (July 11 – 18, 2005) p. 20 
Mack, Joshua. “James Welling.” Modern Painters (June 2005) p. 114 [ill.]
Pühringer, Alexander. “Bilder von der Dinglichkeit der Welt.” Frame (May – June 2005) pp. 66 – 74 [ill.] 
Trembley, Nicolas. “L’explorateur.” Numéro (May 2005) pp. 32 – 33 [ill.]
“Galleries – Chelsea: James Welling.” The New Yorker (April 25, 2005) p. 22
Elcott, Noam M.. “James Welling, ‘New Work’.” Time Out NewYork (April 21 – 27, 2005) p. 83 [ill.]
Harris. “Pick Hit: James Welling.” The Village Voice (April 20 – 26, 2005) p. C43 [ill.]
“Don’t Miss! James Welling, ‘New Work.’” Time Out New York (April 14 – 20, 2005) p. 65 
Kunitz, Daniel. “Arts & Letters: Gallery-Going.” The New York Sun (April 14, 2005) p. 17
“The Marc Look: The New Eyewear Line from Marc Jacobs.” Vitals (Spring 2005) p. 38
Welling, James. “Larry Burrows, ‘Hue Reburial,’ 1969.” ARTnews (February 2005) p. 119 [ill.]
“Flowers.” Blind Spot no. 30 (2005) p. 7 [ill., cover]

 

2004     

Sheets, Hilarie. “Armand Hammer’s Orphan Museum Turns Into Cinderella in Los Angeles.” The New York Times (October 6, 2004) pp. E1, E9 
Kimmelman, Michael. “Artists Who Just Say No. To Everything.” The New York Times (June 25, 2004) p. 229
Golden, Deven. “James Welling.” BOMB (Spring 2004) pp. 46 – 53 [ill.]
Estep, Jan. “The Last Picture Show.” frieze (March 2004) pp. 97 – 98 
Fallon, Roberta. “The Big Nothing In Phillie.” artnet.com (March 2004) [online] 
Drohojowska-Philip, Hunter. “Laurels too late.” The Los Angeles Times (January 18, 2004) p. E53
Ristic, Ivan. “James Welling: Der Photograph als Medium.” Eikon no. 45 (2004) pp. 34 – 38

 

2003

Johnson, Ken. “Art in Review: James Welling, Los Angeles.” The New York Times (September 19, 2003) p. E39
Schmerler, Sarah. “Don’t Miss: James Welling, Los Angeles.” Time Out New York (September 11 – 18, 2003) p. 89
Newhall, Edith. “Art: Photography, City of Angles.” New York Magazine (September 8, 2003) p.170
“Galleria Raffaella Cortese.” Sur La Terre no. 14 (Summer 2003)
Fulco, Elisa. “In Mostra: James Welling.” Flash Art (June – July 2003) p. 154 
Miles, Christopher. “James Welling: Regen Projects.” Artforum (June 2003) p. 194 [ill.] 
Aletti, Vince. “Voice Choices/Photo: Imaging the Abstract.” The Village Voice (May 21, 2003) p. 92 
Princenthal, Nancy. “A 10-Part Hello Along the Hudson.” The New York Times (May 11, 2003) p. 20
Ollman, Leah. “Bitter Nature of Human Nature.” The Los Angeles Times (May 2, 2003)
Pola, Francesca. “James Welling.” Segno: Attualità Internazionali d’Arte Contemporanea (May – June 2003)
“James Welling.” Exhibart On Paper (May 2003)
Memeo, Francesca. “La Mostra.” La Stampa (April 4, 2003)
Immer, Silvia. “James Welling: Galleria Raffaella Cortese.” Esporate (April – May 2003) p. 24 
Tumlir, Jan. “80s Then: James Welling Talks to Jan Tumlir.” Artforum (April 2003) pp. 216 – 217, 255 [ill.]
“James Welling.” That’s Art no. 41 (April 2003) 
Treace, Bonnie Myota. “Rising to the Challenge.” Tricycle (Spring 2003) pp. 40, 42, 45 [ill.]
Ghezzi, Rosella. “Vernici: James Welling.” Vivi Milano (March 19, 2003)
Grosz, David. “Still Painting’s Sidekick.” The New York Sun (March 6, 2003) p. 16 
Horak, Ruth. “Rethinking ‘Photography I + II.’” Fotohof (2003) 
Welling, James. “An Excerpt from Jack Goldstein and the CalArts Mafia.” X no. 4 (2003) pp. 4 – 7 

 

2002

Milroy, Sarah. “Playful Pictures of Light and Texture.” The Globe and Mail (November 29, 2002) p. R4
Ziegler, Ulf. “Zwischen Begriff und Gegenstand: James Welling abstrake Fotografien seit 1975.” Frankfurter Rundschau (August 17, 2002) 
Mahoney, Robert. “Justine Kurland, Catherine Opie, Martha Rosler and James Welling at Gorney Bravin + Lee.” Time Out New York (June 27 – July 2, 2002) p. 56
Lambrecht, Luk. “De waarheid volgens James Welling.” De Morgen (April 25, 2002)
“een ode aan het licht.” De Standaard (March 7, 2002) 
Kohno, Haruko. “A Gallery Responds to 9/11.” Daily Yomiuri (January 31, 2002)
Tumlir, Jan. “Previews: James Welling, Palais des Beaux-Arts, Bruxelles.” Artforum (January 2002) p. 72

 

2001    

Loreto Mondloch, Katie. “Review: James Welling at MoCA, LA.” tema celeste (September – October 2001) p. 85
“James Welling: Photographs 1974-1999.” UCLA Spotlight (September 25, 2001) 
Aronson, Steven M.L., Architectual Digest (September 2001) p. 249 [ill.]
Myers, Holly. “Light.” LA Weekly (July 20 – 26, 2001) p. 47
“James Welling: Photographs 1974-1999.” Contemporary, The Museum of Contemporary Art (June – August 2001) pp. 2, 8
Knight, Christopher. “The Melancholy Process, History of Photography.” The Los Angeles Times (May 8, 2001) p. F2 [ill.]
Joselit, David. “Surface Histories: The Photography of James Welling.” Art in America (May 2001) pp. 136 – 143 [ill.]
Tillman, Lynne. “Portfolio: James Welling.” Artforum (May 2001) pp. 139 – 143 [ill.]
Jones, Kristin M. “James Welling at Gorney Bravin + Lee.” frieze (May 2001) p. 89, 99-100 [ill.] 
Lin-Eftekhar, Judy. “Photographer captures surreal landscapes, luminous scene.” UCLA Today (April 10, 2001)
Rogers, Sarah J. “James Welling: Photographs 1974-1999.” Contemporary (March-May 2001) pp. 8 – 9 [ill.]
Manroe, Candace Ord. “The Art of the Stairway.” Traditional Home (March 2001) pp. 148 – 149 [ill.] 
Egan, Maura. “Prize Matters.” Details (January – February 2001) pp. 124 – 131 [ill.]
Welling, James. “Wolfgang Tillmans portrait.” Details (January 2001) pp. 124, 127
Zellen, Jody. “Mining the Photographic Process.” Art International (Winter 2001) p. 40 [ill.] 
Rowley, Alexandra. “Turn, Shake, Flip.” Eyestorm (2001) p. 41

 

2000    

Aletti, Vince. “James Welling.” The Village Voice (October 3, 2000) p. 158
McNatt, Glenn. “Truth, Wonder and Photography.” The Baltimore Sun (September 14, 2000) p. 1E
Giuliano, Mike. “James Welling Finds the Complexity.” City Paper Baltimore (September 6, 2000) p. 37 
Relyea, Lane. “Review: James Welling at the Wexner Center for the Arts, Columbus, OH.” Artforum (September 2000) p. 171 [ill.]
Brooke Schleifer, Kristen. “James Welling: New Abstractions and Work from the Seventies.” Art on Paper (July – August 2000) p. 58 [ill.] 
Yates, Christopher A. “From bright to brooding.” Columbus Dispatch (May 21, 2000) 
Relyea, Lane. “James Welling: Photographs, 1974-1999.” Artforum (May 2000) p. 41 
Ollman, Leah. “Ambiguous Artifacts: James Welling and Sharon Lockhart.” The Los Angeles Times (March 3, 2000) 
Welling, James. “Los Angeles Photographs, 1976-78.” October (Winter 2000) pp. 81 – 100 

 

1999

Sonna, Birgit. “Der Janusköpfige: James Welling.” Süddeutsche Zeitung (December 6, 1999) 
Schmerler, Sarah. “Pencils of Nature: A Dialogue.” Time Out New York (July 22-29, 1999) p. 80 
“James Welling.” Wexner Center for the Arts (1999 – 2000 Season) pp. 100-101 [ill.]
Solomon, Deborah. “How to Succeed in Art.” The New York Times Magazine (June 27, 1999) pp. 38 – 41 [ill.]
Hirsch, Faye. “Working Proof: James Welling.” Art on Paper (March – April 1999) p. 56 [ill.] 
“Rethinking Genres in Contemporary Photography.” Art on Paper (January – February 1999) p. 33

 

1998    

Miller, Donald. “Intense photographic images recall Pittsburgh’s gritty past.” Pittsburgh Post-Gazette (November 28, 1998) p. D8
Shearing, Graham. “New Light on the Familiar: James Welling.” Pittsburgh Tribune Review (November 19, 1998) p. 27 
Cotter, Holland. “James Welling, Early Photographs: 1976-1985.” The New York Times (October 16, 1998) p. E37
Wahler, Marc-Olivier. “L’hypothèse du tableau vole.” Art Press (October 1998) 
Aletti, Vince. “Photo Short List: James Welling.” The Village Voice (September 29, 1998) p. 73 
Squiers, Carol. “A Slice of Light.” Artforum (January 1998) pp. 76 – 79 [ill.] 
Grynsztejn, Madeleine. “James Welling.” Forum no. 37 (1998)

 

1997    

Mitchell, Charles Dee. “James Welling at Jay Gorney.” Art in America (July 1997) p. 92 
Aletti, Vince. “Photo Short List: James Welling.” The Village Voice (March 18, 1997) p. 11
Schmerler, Sarah. “James Welling, Light Sources.” Time Out New York (March 20 – 27,1997) p. 47 
Squiers, Carol. “James Welling.” Grand Street no. 61 (1997) p. 169 [ill.] 
Welling, James. “Railroad Towns.” Grand Street no. 61 (1997) pp. 160 – 168 
Fink, Barbel. “James Welling.” Camera Austria no. 59/60 (1997) pp. 70 – 80 [ill.]

 

1996 

Williams, Gilda. “Evident / The Photographers’ Gallery.” Art Monthly (December 1996) 
Cross, Andrew. “Evident.” Great: The Magazine of The Photographers’ Gallery, London (November – December 1996) pp. 6 – 7            
Cross, Andrew. “New Landscapes: Axel Hütte & James Welling.” Creative Camera (October – November 1996) pp. 8 – 17
Berriolo, Elana and Roland Flexner. “Art in the Folds.” New Observations no. 110 (1996) p. 45 
Frank, Peter. “James Luna, Allan Sekula, Deep Surface.” LA Weekly (August 23 – 29, 1996) 
Pagel, David. “Meditations on Morality and the Depiction of Space.” The Los Angeles Times (August 22, 1996)
Silver, Joanne. “Photography Distills Nature.” Boston Sunday Herald (January 7, 1996) p. 42 
“James Welling.” BOMB no. 54 (Winter 1996) pp. 14 – 15 [ill.] 

 

1995    

Aletti, Vince. “Voice Choices: James Welling.” The Village Voice (December 19, 1995) p. 10 
Servetar, Stuart. “Art.” New York Press (December 13 – 19, 1995) p. 76
Grundberg, Andy. “James Welling.” The New York Times (September 30, 1995) 
Bonetti, David. “Gallery Watch: Rena Bransten Gallery.” San Francisco Examiner (September 22, 1995) p. C7
Auerbach, Lisa Anne. “James Welling: Regen Projects.” Artforum (March 1995)
Medeiros, Margarida. “James Welling: Módulo.” Publico (January 14, 1995) 
Medeiros, Margarida. “Paisagens e interiors.” Publico (January 7, 1995) 
Grundberg, Andy. “Beyond Description: Content in Today’s Photography.” Independent Curators: New York (1995)

 

1994    

Abrams, Janet. “The Solid Geometry of Sight,” Chicago: Arts Club of Chicago (1994)
Battarra, Enzo. “La teoria? E’ un gioco di eventi.” Il Giornale di Napoli (June 30, 1994) 
Grundberg, Andy. “Who are the Most Underrated and Overrated Artists?” ARTnews (February 1994)
Karmel, Pepe. “Out of the Ghetto.” ARTnews (April 1994)
Smith, Roberta. “Group Shows of Every Kind.” The New York Times (February 25, 1994) 

 

1993     

Upshaw, Reagan. “James Welling at Jay Gorney.” Art in America (December 1993) 
Balau, R. “James Welling: Lace Factories.” Forum International no. 19 (October-November 1993) p. 142 [ill.] 
Hume, Christopher. “Industrial Photography.” The Toronto Star (June 10, 1993) 
Hagen, Charles. “James Welling.” The New York Times (May 14, 1993)
Demarty, Marie-Pierre. “Welling entre dans l’usine.” Nord Littoral (April 16, 1993) 
“James Welling Railroad Photographs.” Blind Spot no. 1 (1993) 

 

1992

Smallwood, Lyn. “Shooting the Rails.” Seattle Weekly (September 30, 1992) 
Ament, Deloris Tarzan. “Through the lens of history.” The Seattle Times (September 24, 1992) 
Hackett, Regina. “Familiar scenes are shot with cold perfection.” Seattle Post-Intelligencer (September 24, 1992)
Michaels, Walter Benn. “Photography as Art.” (April 1992) [unpublished paper delivered at Photography and Art, Emily Carr College of Art, Vancouver]

 

1991

Schjeldahl, Peter. “At the Salon of April.” The Village Voice (May 14, 1991)
Aletti, Vince. “James Welling.” The Village Voice (May 7, 1991) 
Messler, Norbert. “James Welling: Wunder der Sichtbaren Welt.” Noema Magazine (May 1991) 
“Grandes Lignes, quand l’art entre en gare.” Beaux Arts (1991) pp. 46 – 47 

 

1990    

Bianchi, Pado. “James Welling: Photography 1977-1990 at the Kunsthalle Bern.” Kunstforum (November – December 1990) 
Loock, Ulrich. “Meanings at Our Disposal.” Parachute (October – December 1990)
Troncy, Eric. “James Welling.” Flash Art (October 1990)
Van den Boogerd, Dominic. “James Welling: Feiten en Ficties van de Fotographie.” Metropolis M no. 5 (October 1990) p. 44 
Raczka, Robert. “James Welling at Beaver College.” New Art Examiner (February 1990)
Cueff, Alain. “Et Welling aussi.” Beaux Arts no. 75 (January 1990) pp. 68 – 75

 

1989

“James Welling at Beaver College.” The Philadelphia Enquirer (October 26, 1989) 
Nesweda, Peter. “The Yearning of a Society Without History.” Der Standard (May 10, 1989) 
Faber, Monika. “Gallery Talk, 28 April 1989.” Galerie nächst St. Stephan Rosemarie Schwarzwälder Vienna (1989) [unpublished]
Haus, Mary. “150 Years of Photography.” ARTnews (April 1989) pp. 162 – 163
Princenthal, Nancy. The Print Collector’s Newsletter 20, no. 1 (March – April 1989)
Decter, Joshua. “James Welling at Jay Gorney Modern Art.” Flash Art (January – February 1989) 
Prodhon, Francoise-Claire. “James Welling at Samia Saouma, Paris.” Flash Art (1989) 
Scheuer, Daniel. “150th at f2 Snapshots of Contemporary Art Photography.” Center Quarterly: A Journal of Photography and Related Arts 2, no. 1 (1989)

 

1988    

Morgan, Robert. “Review.” Arts Magazine (December 1988)
Johnson, Ken. Art in America (July 1988) PP.  135 – 136 
Grundberg, Andy. “Provocative Photography, From Midtown to SoHo.” The New York Times (March 25, 1988)
Bankowsky, Jack. Flash Art (Spring 1988)
Ramsey, Ellen. “Rodney Graham, James Welling.” Vanguard (February 1988) 
Linsley, Robert. “In Pursuit of the Vanishing Subject: James Welling and Rodney Graham.” C Magazine (Winter 1988)

 

1987   

Relyea, Lane. “Review of show at Kuhlenschmidt/Simon Gallery.” LA Weekly (May 1987) 
Ottman, Klaus. “The Spectacle of Chaos.” Flash Art (1987)

 

1986    
Collins, Tricia and Milazzo, Richard, "James Welling: Party Favors," Kunstforum International, March/April/May
Decter, Joshua, review,  Arts, February
Foster, Hal, "Signs Taken for Wonders,"  Art in America, May
Unknown, "Gelatin Photographs,"  File Magazine, #26
Welling, James, "Galgiani's Image," to accompany "Simple Conjunctions,"    an installation by Phillip Galgiani, San Francisco Museum of Art

 

1984  

Grundberg, Andy. “The Fall from Grace of a Spiritual Guru.” The New York Times (September 2, 1984) p. 19 
Salle, David and James Welling. “Images that Understand Us: A Conversation with David Salle and James Welling.” LAICA Journal no. 40 (Fall 1984)
Johnson, Ken. “James Welling at Christine Burgin.” Art in America (July 1984)
Welling, James. “Abstract.” Effects - Magazine for New Art Theory no. 2 (1984) 
Grundberg, Andy. The New York Times (March 2, 1984)

 

1983    
Solomon-Godeau, Abigail,  In Plato's Cave, Marlborough Gallery, New York, NY, October-November

 

1982

Grundberg, Andy. “In Today’s Photography Imitation Isn’t Always Flattery.” The New York Times (November 14, 1982) p. H31 
Solomon-Godeau, Abigail. “Playing the Fields of the Image.” After Image (Summer 1982) 
Owens, Craig. “Back to the Studio.” Art in America (January 1982)