Cooper, Ashton. “Sue Williams, 303 Gallery.” ArtReview (May 2017) p. 125 [ill.]
Smith, Roberta. “From Afar, It’s Calligraphy. Up Close...” The New York Times (April 7, 2017) p. C22 [ill.]
Holmes, Jessica. “Sue Williams.” The Brooklyn Rail (April 1, 2017) [ill.] [online]
“Galleries – Chelsea: Sue Williams.” The New Yorker (March 20, 2017) pp. 10, 12 [ill.]
Hegert, Natalie. “Trauma Turned Abstract: The Painterly Evolution of Sue Williams.” Mutual Art (December 14, 2016) [ill.] [online]
“Sue Williams: Business and the Power of Humor”.” NeueJournal (January 26, 2016) [ill.] [online]
Akel, Joseph. "Sue Williams: WTC, WWIII, Couch Size." ArtReview (April 2014) p. 121 [ill.]
Schwabsky, Barry. "Sue Williams: 303 Gallery." Artforum (April 2014) p. 258 [ill.]
Morse, Trent. "Sue Williams, 303." ARTnews Vol. 113, No. 3 (March 2014) p. 96 [ill.]
Knight, Christopher. "'80s Flashback Worth the Trip." The Los Angeles Times (February 26, 2014) p. D13 [ill.]
Johnson, Ken. "Sue Williams." The New York Times (January 31, 2014) p. C24 [ill.]

Kurczynski, Karen, "Drawing Is the New Painting," Art Journal, Spring 2011, pp. 92 - 110

Princenthal, Nancy, "Sue Williams," Art in America, December 1, 2010,
Burton, Joanna, "Sue Williams: 303 Gallery," Artforum, December 2010, p. 251
Smith, Roberta, "Sue Williams 'Al-Qaeda Is the CIA,'" The New York Times, Friday, October 22, 2010, p. C23
Lowman, Nate, "Nate Lowman Interviews Sue Williams,", September 17, 2010

Smith, Roberta, "Project for the New American Century," The New York Times, p. C32, October 10, 2008 (ill.)
Boucher, Brian, "Sue Williams," Art in America, November 2008, No. 10, p. 180 (ill.)

Barden, Lane, "Make Oil Paintings, Not Oil Wars," Artillery, March 2007, p. 28, ill.
Smith, Roberta, "Visions That Flaunt Cartoon Pedigrees," The New York Times, March 2, 2007, p. B25.

Thomas, Kelly Devine, "Say it with Flowers – or Gourds, Goats, Fur Cups, or Fried Eggs," Art News, September 2006, p. 116, ills.
Cohen, David, "Art as a Four-Letter Word Gallery-Going," The New York Sun, July 20, 2006
Larson, Kay, "Top 10 Trends: Beautiful Mutants," ARTnews, February 2006, pp. 106-109, ill.

Hudson, Suzanne, "Sue Williams," Artforum, December 2005, p. 276, ill.
Gaasch, Cynnie, "Juicy Cool," Art Voice, July 21-27, 2005, p. 18-19.

Taylor, Brandon, Art Today, Laurence King Publishing LTD: London, pp. 158 - 159, ill.
Burnett, Craig, "The Family Reunion," ArtReview, International Edition V2N6, pp. 34-35, ill.

Woodard, Josef, review, "New Social Art Order," Santa Barbara Newspress, pp. 5 & 8, ill.
Myers, Holly, review, "Sexually Explicit, in That Very Abstract Way," The Los Angeles Times, March 28, 2003, p. E26, ill.
Worman, Alex, "L.A. Confidential,", ills.
Pagel, David, "Questions, Few Answers," Los Angeles Times, April 23, 2003

Burton, Johanna, review, Time Out NY, May 16-23, No. 346, p. 73
Review, The New Yorker, May 6, p. 18
Smith, Robert, "A Profusion of Painting, Very Much Alive", The New York Times, May 10, p. E31
Glueck, Grace, review, The New York Times, May 3, p. E39
Schwabsky, Barry, "Abjection by Other Means", Art in America, January, No. 1, p. 92
Viveros-Faune, Christian, review, New York Press, May 1-7, p. 26
Sjostrom, Jan, review, Palm Beach Daily News, April 17. p.1

Kimmelman, Michael, "In a Cheerful Groove, With a Plan and Serendipity", The New York Times, Friday, December 28, p. E41
V Magazine, No. 11, May-June, p.40, ill.
("Mom's Foot Blue and Orange," 1997), MOMA, February, p. 40

"Line Dance", review, New York, December 4, 2000, p. 134
The New Yorker, review, December, 2000
Kimmelman, Michael, review, New York Times, December 1, 2000
Schwendener, Martha, review, TimeOut New York, Issue 271, November 30 - December 7, 2000, p. 91
Shimada, Junko, review, Studio Voice, Japan, September, Vol, 297, p. 36
"Reconfiguration", The New Yorker, July 24, p.14
Solomon, Deborah, "Art Girls Just Wanna Have Fun", The New York Times Magazine, Jan 30, p. 39

Turner, Grady T., "Spinning Figures", Flash Art, No. 208, October Pollack, Barbara, Artnews, November, p. 46
Schade, Christopher, review of "Negotiating Small Truths', Austin American- Statesman , September 18
Maura Reilly, review, Art in America, February p. 115

Smith, Roberta. review. The New York Times, October 30
Review. The New Yorker, October 26 & November 2
"Under the Influence", New York Magazine, November 2

Nesbit, Molly, "Touched", Parkett, No. 50/51
Dannatt, Adrian, "Sweet Williams", Parkett, No. 50/51
Camhi, Leslie, "Domstic Horrors", Parkett, No. 50/51
Smith, Roberta. review. The New York Times, January
Goodman, Jonathan. "Sue Williams at 303", review, Art in America, May
Schwendener, Martha. review. Flash Art, XXX no. 193, March-April
Stevens, Marc. "The Ends of Art", New York Magazine, New York, March 31
Saltz, Jerry. review. Time Out New York, January
Schjeldahl, Peter. "Painting Rules", Village Voice, September 30
Muster, Michael. Review. New Art Examiner, April

Schjeldahl, Peter. "Shock of the Good", Village Voice, December 31, No. 53
McKenna, Kristine. "After Darkness, Sue Williams Discovers Softer Hues of Life", Los Angeles Times, March 30
Hofleitner, Johanna. "Auf Den Leib Geschrieben (Written on the Body)", Flash Art, March-April, p.49
Gonzales-Day, Ken. review. Art Issues, May

Schwabsky, Barry. review. Artforum, January
Hapgood, Susan. Art in America, January

Rimaneli, David. "Beyond Victimology", The New Yorker, Nov.,14
Bonami, Francesco. Group Shows, Flash Art, Summer 1994, p.65
Levin, Kim. Choices, Village Voice, November 15

Perretta, Gabriele. Review, Flash Art, (Italian Edition), XXVI #178, p. 115
Moore, Catriona. "Cunts with Attitude, Acting Out in the Gallery", Art & Text, September, p. 34 -37
Bonami, Francesco. Spotlight, Flash Art, (Italian edition), Anno XXVI - #177
Helfand, Glen. "Changing the Subject", SF Weekly
Edelman, Robert G.. Review, Artpress, September, p. 87
Bonetti, David. "Artists find fresh ways of looking at the human torso", San Francisco Examiner, p. E-11
Baker, Kenneth. "Sue Williams' In Your Face Art", San Francisco Chronicle, July 25, page 45-46
Pagel, David. Review of show at Stuart Regan Gallery, Artforum International, January, p. 104.
Heartney, Eleanor. "Identity Politics at the Whitney", Art in America, May

Lebovici, Elizabeth. "Le Whitney de New York a l'heure Clinton", Liberation, April 24, p.31
New Observations, Issue # 96, July/August, p. 3
Larson, Kay. "What A Long, Strange Trip", New York, p.71 - 72
Princenthal, Nancy. "Going to Extemes: Violence in Contemporary Sculpture"
Averra, Josefina. Interview, Lacanian Ink, #7, Spring/Summer, p. 110
"Guest Room with a View", Paper Magazine, February, p.16
Sculpture, March/April, p. 58-61
Rian, Jeff. "What's All This Body Art?", Flash Art, January/February, p.50 Barden, Lane. "Body Language", Artweek, January 7th, p. 23

Halle, Howard. "Oh Baby," Grand Street #43, p. 153-67.
Rugoff, Ralph. "It's a Bash', LA Weekly, December 4, p.47
Kandel, Susan. "Hurtful Laughter", Los Angeles Times, November 12,
Cameron, Dan. "Reverse Backlash", Artforum, November, p 70 – 73, cover
Cottingham, Laura. "Painted Bad", Frieze, June/July/August, p 32-36
Smith, Roberta, "An Angry Young Woman Draws A Bean On Men", The New York Times (Arts & Leisure), May 24th, p. 25
Hess, Elizabeth. "Spiritual America", The Village Voice, May 19th, p. 101
Smith, Roberta. The New York Times, May 15th, p. C24
Cameron, Dan. "The Changing Tide", Art & Auction, January

Kimmelman, Michael. review, The New York Times, November 1, p. C16
Hess, Elizabeth. "Death to the Masters", The Village Voice, October 22
Holst, Lise. review, Art in America, Summer
"Men vs. Women", Los Angeles Times, January 11th

Humphrey, David. "Hair Piece", Art Issue, February
Saltz, Jerry. "Twisted Sister", Arts Magazine, May

Williams, Sue. "Project for BOMB magazine, September
Levin, Kim. "Choices", The Village Voice, July 11th
Smith, Roberta. The New York Times, June 30th
The New Yorker, July 10
Miller, John. "Sue Williams", Artforum, September
Decter, Joshua. Arts Magazine, October

Smith, Roberta. The Village Voice, September 4th

Catalogs and Books:

Fink, Arthur, and Beatrix Ruf, eds., Collecting Lines – Drawings from the Ringier Collection, published by JRP|Ringier, Zürich, Switzerland, 2016
Bovier, Lionel, Johanna Burton, and Ruth Erickson, Sue Williams, published by JRP|Ringier, Zürich, Switzerland, 2015
Ammer, Manuela, Achim Hochdörfer, and David Joselit, eds., Painting 2.0: Expression in the Information Age, published by Prestel, London, UK, 2015
Dünser, Severin, Agnes Husslein-Arco, and Luisa Ziaja, eds., Flirting with Strangers: Encounters with Works from the Collection, published by 21er Haus, Vienna, Austria, 2015
Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015
Gioni, Massimiliano, ed., NYC 1993: Experimental Jet Set Trash and No Star, published by New Museum, New York, NY, 2013
"Oppenheimer Collection," published by Nerman Museum of Contemporary Art, Overland Park, KS, 2007, p.156, ill.
"Comic Abstraction: Image-Breaking, Image-Making," published by the Museum of Modern Art, New York, NY, 2006, pp. 120-125, ills.
"Fast Forward: Contemporary Collections for the Dallas Museum of Art," published by the Dallas Museum of Art, Dallas, Texas, 2007, p. 318, ill.

"Ellipse Foundation: Contemporary Art Collection," published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, Oct 2006, ill.
"No. 1: First Works by 362 Artists," edited by Grancesca Richer and Matthew Rosenzweig, published by D.A.P., 2006, p. 407, ill.
"Sue Williams: Art for the Institution and the Home," published by Verlag der Buchhandlung Walther König, Köln, 2006

"CAP Collection", published by Arlène Bonnant et al., Dublin, Ireland, pp. 302-7, ills
"Artists' Books Revisted," curated by Matthias Herrmann, published by Secession, Vienna, 2005

"Sue Williams: Second Chances and More", (exh. cat), published by Kukje Gallery with text by Barry Schwabsky
"North Fork/South Fork: East End Art Now," published by The Parrish Art Museum, Southampton, NY, p. 78, ill.

"Sue Williams: Art for the Institution and the Home", (, Secession, Vienna, Austria, and IVAM, Valencia, Spain, with texts by Dan Cameron and Jaun Carlos Román
"Sue Williams: A Fine Line", Palm Beach ICA, (exh. cat), curated by Michael Rush, text by Barry Schwabsky
"Social Strategies: Redefining Social Realism," published by Pamela Auchincloss/ Arts Management, New York, NY, pp. 64 – 65, ill.

"Art and Feminism," edited by Helena Reckitt, text by Peggy Phelan, London Phaidon Press,2001, p.24, 160

"Sue Williams", 303 Gallery, New York, (exh. cat)
"Sue Williams", exhibition catalogue, Galeria Joan Pratts, Barcelona, Spain
Cottingham, Laura, "Combien de "sales" féministes faut-il pour changen une ampoule? antiféminisme et art contemporain", Éditions Tahin Purty, Lyon, France, p. 49
"There Is Something You Should Know; EVN Sammlung", Ostereichischen Galerie Belvedere, Vienna, Austria (, text by Paul Katzberger, p. 39
"Catalago de la Coleccion de Arte Contemporaneo, Fundacion 'la Caixa'", Madrid, Spain, p. 160

"Negoitiating Small Truths", exhibition catalogue, curated by Annette DiMeo Carlozzi, Jack S. Blanton Museum of Art, p. 102
"Works by Women Artists from the Logan Colelction", San Francisco Museum of Modern Art, San Francisco, CA
"Negotiating Small Truths," published by Jack S. Blanton Museum of Art, The University of Texas at Austin, pp. 100-105, ills

"Pop Surrealism", exhibition catalog, The Aldrich Museum of Contemporary Art, Ridgefield, CT
"A Noir," by Franca Sozzani, published by Editions Assouline

"Speak art: the Best of Bomb Magazine's I nterviews with Artists," edited by Betsy Sussler, published by G + B Arts International
"Birth of the Cool", exhibition catalog, Kunsthaus Zurich, Switzerland
"1997 Biennial Exhibition", exhibitioncatalog, Whitney Museum of American Art, NY
"Impressionist, Modern and Contemporary Art", exh. catalog, Sotheby's, NY
"Art on Paper", exhibition catalog, curated by Amy Cappellazzo, Weatherspoon Art Gallery, Greensboro, North Carolina
"A House Is Not a Home", exhibition catalog, curated by Bo Nilsson, Rooseum, Center for Contemporary Art, Malmo, Sweden
"a/drift", exhibition catalog, curated by Joshua Decter, Center for Curatorial Studies, Bard College

"Sex and Crime", catalog, Sprengel Museum, Hanover

"1995 Biennial Exhibition", exhibition catalog, Whitney Museum of American Art, New York, NY
"Imperfect", exhibition catalog, NYPOP, UMass Amherst and Tyler Galleries, Temple University, MA
"Oltre La Normalita Concentrica", catalog, Gianni Romano, Communune di Padova, Padova,Italy
"25 Americans: Painting in the 90's" , catalog, Milwaukee Art Museum, WI
"Pittura Immedia", catalog, Neue Galerie am Landesmuseum Joanneum Graz, Austria
"Auf Den Lieb Geschrieben", catalog, Kunsthalle im Museums Quartier, Austria
"Coicido y Crucido", catalog, Museo Nacional Centro De Arte Reina Sofia, Spain

"Bad Girls", catalog, ICA, London, England
"Furor", book by Daniel Wilhem & Sabine Kaufmann, Voltare Journal, 1994, Geneva, Switzerland

"1993 Biennial Exhibition", catalog, Whitney Museum of American Art, New York, NY
"Bad Girls", catalog, essays by Cherry Smyth and Laura Cottingham, Institute of Contemporary Arts, London, England
"Out of Town", catalog, Kaanert Art Museum, Illinois
"Playing House", catalog, Nathalie Karg, New York, NY
"They Eat Shit", book by Sue Williams, published by San Francisco Art Institute, San Francisco, CA

"Presenting Rearwards", exhibition catalogue, Rosamund Felsen Galleryd, Los Angeles, CA

Awards and Grants

Guggenheim Fellowship