Selected Monographs:



Blessing, Jennifer and Nat Trotman, eds., Gillian Wearing: Wearing Masks, published by Guggenheim Museum, New York, NY, 2021



Bogh, Mikkel, Jacob Fabricius, and Marianne Torp, Gillian Wearing: Family Stories, published by Hatje Cantz, Berlin, Germany, 2017

Ades, Dawn, and Sarah Howgate, Gillian Wearing and Claude Cahun: Behind the mask, another mask, published by National Portrait Gallery, London, UK, and Princeton University Press, Princeton, NJ, 2017



Wearing, Gillian, Gillian Wearing, published by IVAM Institut Vàlencia d’Art Modern, València, Spain, 2015



Deamer, David, Daniel F. Herrmann, Doris Krystof, and Bernhart Schwenk, Gillian Wearing, published by Whitechapel Art Gallery, and Ridinghouse, London, UK, 2012



Bode, Steven, Stuart Comer, and Paul Morley, Family History, published by Film and Video Umbrella, and Maureen Paley, London, UK, 2007



Campbell, Kay, and Juliana Engberg, Gillian Wearing: Living Proof, published by Australian Centre for Contemporary Art, Melbourne, Australia, 2006



Molon, Dominic, and Barry Schwabsky, Gillian Wearing: Mass Observation, published by Museum of Contemporary Art, Chicago, IL, and Merrell Publishers Limited, London, UK, 2002

Augaitis, Daina, Mark Beasley, Russell Ferguson, and Marina Roy, Gillian Wearing: A Trilogy, published by Vancouver Art Gallery, Vancouver, Canada, 2002



Bossé, Laurence, Jean-Charles Masséra, Jean-Christophe Royoux, and Angeline Scherf, Gillian Wearing: Sous Influence, published by Musée d’Art Moderne de la Ville de Paris, Paris, France, 2001

Ander, Heike, and Dirk Snauwaert, Gillian Wearing: Unspoken, published by Kunstverein Munich, Munich, Germany, 2001

Aliaga, Juan Vicente, Carl Freedman, and Marta Gili, Gillian Wearing, published by Fundacio La Caixa, Madrid, Spain, and Centro Galego de Arte Contemporanea, La Coruña, Spain, 2001

Lapa, Pedro, Gillian Wearing: Broad Street, published by Museu do Chiado, Lisbon, Portugal, 2001



Corrin, Lisa G., Carl Freedman, and Julia Peyton-Jones, Gillian Wearing, published by Serpentine Gallery, London, UK, 2000



Apted, Michael, Russell Ferguson, Donna De Salvo, John Slyce, and Gillian Wearing, Gillian Wearing, published by Phaidon, London, UK, 1999

Gillian Wearing: A Woman Called Theresa, published by Ophiuchus Collection, Hydra, Greece, 1999



Paley, Maureen, ed., Signs that say what you want them to say and not Signs that say what someone else wants you to say, published by Maureen Paley Interim Art, London, UK, 1997

Frank-Grossebner, Elisabeth, Ben Judd, Kathrin Rhomberg, and Werner Würtinger, Gillian Wearing, published by Wiener Secession, Vienna, Austria, 1997

Fibicher, Bernhard, Gillian Wearing, published by Kunsthaus Zürich, Zürich, Switzerland, 1997



City Projects – Prague: Gillian Wearing, published by The British Council, Prague, Czech Republic, 1996


Selected Catalogues and Publications:



Yang, Okkum, ed., Catastrophe and Recovery, published by National Museum of Modern and Contemporary Art, Korea, Seoul, South Korea, 2022, pp. 18, 140 – 145 [ill.]



Brugger, Ingried and Bettina M. Busse, The Cindy Sherman Effect, published by Schirmer/Mosel, Munich, Germany 2020, pp. 68 – 69 [ill.]



Goetz, Ingvild, Leo Lencsés, and Karsten Löckemann, eds., Generations, published by Hatje Cantz, Berlin, and Sammlung Goetz, Munich, Germany, 2019, pp. 180, 182 [ill.]



Hanru, Hou, ed., The Street. Where the World Is Made, published by MAXXI – the National Museum of XXI Century Arts, Rome, Italy, 2018, p. 268 [ill.]



Robb, Leigh, Versus Rodin: bodies across space and time, published by Art Gallery of South Australia, Adelaide, Australia, 2017

Emslander, Fritz, Markus Heinzelmann, Feodora Heupel, Stefanie Kreuzer, Stella Rollig, Raimar Stange, and Friederike Wappler, Duet with Artist. Participation as artistic principle, published by Verlag für Moderne Kunst, Vienna, Austria, 2017

Briegleb, Till, Arount De Cleene, Friederike Fast, Kristina Hennig-Fast, and Bart Marius, The Inner Skin. Art and Shame, published by MARTa Herford, Herford, Germany, 2017

Phillips, Sam, ed., Artists Working From Life, published by Royal Academy of Arts, London, UK, 2017

Butler, Emily, ed., Creating Ourselves: The Self in Art, published by Whitechapel Gallery, London, UK, 2017



Baur, Andreas, Amely Deiss, and Ina Neddermeyer, eds., Thicker than water. Family concepts in contemporary art, published by Snoeck Verlagsgesellschaft mbH, Cologne, Germany, 2016

Hein, Verena, Inszeniert! Spektakel und Rollenspiel in der Gegenwartskunst, published by Kunsthalle der Hypo-Kulturstiftung, Sammlung Goetz, and Hirmer Verlag, Munich, Germany, 2016, pp. 144 – 147 [ill.]

Cornell, Lauren, and Tom Eccles, eds., Invisible Adversaries, published by CCS Bard College, Annandale-on-Hudson, NY, 2016

Martineau, Paul, and Britt Salvesen, Robert Mapplethorpe: The Photographs, published by The J. Paul Getty Museum, and The Los Angeles County Museum of Art, Los Angeles, CA, 2016 pp. 292 – 293 [ill.]

Bock, John, Max Hollein, Martina Wein­hart, Anja Osswald, Lea Schleiffenbaum, and Ulf Erdmann Ziegler, ICH, published by Walther König, Cologne, Germany, 2016

Jager, Hans den Hartog, Behold the Man – 100 Years, 100 faces/ Zie De Mens – Honderd jar, Honderd gezichten, published by Museum de Fundatie, Athenaeum-Polak & Van Gennep, Amsterdam, Netherlands, 2016, pp. 190 – 191

Lambert, James, and Sharna Jackson, Nutze Deine Birne! Kunst Activity Buch, E.A. Seeman Bilderbande, Leipzig, Germany, 2016

Gale, Matthew, ed., Tate Modern: The Handbook, published by Tate Publishing, London, UK, 2016, p. 318

Fox, Dan, Jörg Heiser, and Jennifer Higgie, frieze A to Z of Contemporary Art, published by Phaidon, London, UK, 2016



Hardmeier, Daniela, Ich / Nicht ich. Selbstporträts, published by Zürcher Kunstgesellschaft/Kunsthaus Zürich, Zürich, Switzerland, 2015, pp. 52 – 53 [ill.]

Luckraft, Paul and Elizabeth Neilson, eds., Zabludowicz Collection: 20 Years, published by Zabludowicz Art Projects, London, UK, 2015, p. 3 [ill.]

Gioni, Massimiliano, ed., The Great Mother, published by Fondazione Nicola Trussardi, Milan, Italy, 2015 [ill., cover]

Ferguson, Russell, Perfect Likeness: Photography and Composition, published by Hammer Museum, Los Angeles, CA, 2015

Bezzola, Tobia, David Campany, Charlotte Cotton, et al, C Photo 10: Don’t Call Me A Photographer!, published by C Photo and Ivorypress, Spain, Madrid, p. 145

Baker, George, Ann Goldstein, Michael Maltzan, and Shaun Caley Regen, Regen Projects 25, published by Prestel, New York, NY, 2015



Hodge, Susie, How to Look at Art, published by Tate publishing, London, UK, 2014

Grachos, Louis, and Heather Pesanti, A Secret Affair: Selections from the Fuhrman Family Collection, published by The Contemporary Austin, Austin, TX, 2014



Dinse, Lotte, Beate Ermacora, and Jürgen Tabor, eds., Foreign & Familiar, published by Snoeck Verlagsgesellschaft mbH, Cologne, Germany, 2013

Bąk, Jakub, J.J. Charlesworth, Isobel Harbison, Izabela Kowalczyk, Paweł Możdżyński, and Agnieszka Pindera, British British Polish Polish, published by Ujazdowski Castle Centre for Contemporary Art, Warsaw, Poland, 2013

Angelidakis, Andreas, and Cristina Didero, eds., The System of Objects, published by Deste Foundation, Athens, Greece, 2013

Gioni, Massimiliano, ed., NYC 1993: Experimental Jet Set Trash and No Star, published by New Museum, New York, NY, 2013

Beyer, Jonas, Wilhelm Genazino, Brigitte Kölle, and Merle Radtke, Besser scheitern: Film + Video, published by Hamburger Kunsthalle, Hamburg, Germany, and Verlag der Buchhandlung Walther König, Cologne, Germany, 2013

Schneider, Claire, More Love: Art, Politics, and Sharing since the 1990s, published by Ackland Art Museum, University of North Carolina, Chapel Hill, NC, 2013

Baumann, Sabian, and Karin Michalski, An Unhappy Archive, published by edition fink, Verlag für zeitgenössische Kunst, Zürich, Switzerland, 2013



Arns, Inke, and Dieter Daniels, eds., Sounds Like Silence, published by Spector Books, Leipzig, Germany, 2012

Jiang, Xu, and Li Xiangyang, eds., Reactivation: 9th Shanghai Biennale, published by Power Station of Art, Shanghai, China, 2012

Crenzien, Helle, Michael Juul Holm, and Jeanne Rank Schelde, Self Portrait, published by Rosendahls, Esbjerg, Denmark, 2012

Gefter, Philip, Sandra S. Phillips, and Ulrike Schneider, About Face, published by Pier 24 Photography, San Francisco, CA, 2012

Durand, Régis, The Dwelling Life of Man, published by Foto Colectania Foundation, and Barrié Foundation, Barcelona, Spain, 2012

Becker, Christoph, The New Kunsthaus. Great Art and Architecture, published by Kunsthaus Zürich, Zürich, Switzerland, 2012



Ruelfs, Esther, and Toni Stooss, eds., Role Models - Role Playing, published by Hirmer Verlag, Munich, Germany, 2011

Furness, Jo-Ann, and Jefferson Hack, Dazed and Confused: Making it up as we go along, published by Rizzoli, New York, NY, 2011, pp. 216, 218 – 219

Birnbaum, Daniel, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, and Hans Ulrich Obrist, Defining Contemporary Art - 25 years in 200 pivotal artworks, published by Phaidon, London, UK, 2011, pp. 254 – 255



Bourriaud, Nicolas, Jeffrey Deitch, Massimiliano Gioni, Peter Halley, Nancy Spector, and Lynne Tillman, Skin Fruit: Selections from the Dakis Joannou Collection, published by New Museum, New York, NY, 2010

Batchen, Geoffrey, Tobia Bezzola, and Roxana Marcoci, The Original Copy: Photography Of Sculpture, 1839 To Today, published by Museum of Modern Art, New York, NY, 2010

Blessing, Jennifer, Peggy Phelan, Lisa Saltzman, Nancy Spector, and Nat Trotman, Haunted: Contemporary Photography/Video/Performance, published by Solomon R. Guggenheim Museum, New York, NY, 2010

Collins, Phil, Siniša Mitrović, Bert Rebhandl, and Angela Rosenberg, Auto-Kino!, published by Temporäre Kunsthalle Berlin, Germany, 2010

Cavallucci, Fabio, XIV Biennale Internazionale di Scultura di Carrara: Post Monument, published by Silvana Editoriale, Milan, Italy, 2010

Corris, Michael, John Dixon Hunt, and David Lomas, Art, Word and Image: 2,000 Years of Visual/Textual Interaction, published by Reaktion Books, London, UK, 2010, pp. 279, 282



Gerson, Denise Most, Through The Lens: Photography from the Lowe Art Museum, published by Lowe Art Museum, University of Miami, Miami, FL, 2009



Roberts, Rebecca, MoMA: Highlights since 1980, published by Museum of Modern Art, New York, NY, 2008, p. 164 [ill.]

Heiser, Jörg, All of a Sudden: Things that Matter in Contemporary Art, published by Sternberg Press, Berlin, Germany, 2008, pp. 201 – 203 [ill.]

Heartney, Eleanor, Art & Today, published by Phaidon, London, UK, 2008, p. 137 [ill.]

Bickers, Patricia, Print the Legend: The Myth of the West, published by The Fruitmarket Gallery, Edinburgh, Scotland, 2008

Stiles, Kristine and Peter Selz, Theories and Documents of Contemporary Art, published by University of California Press, Berkeley, CA, 2008

Manacorda, Francesco, Tom McCarthy, and Lydia Yee, Martian Museum of Terrestrial Art, published by Barbican Art Gallery, and Merrell, London, UK, 2008

b., Agnès, Collection agnès b., published by JRP|Ringier, Zürich, Switzerland, 2008



Aranzasti, José, Enrique Juncosa, and Christian Kernnedy, Irish Museum of Modern Art, published by Sala Kubo-Kutxa, San Sebastian, Spain, 2007

Roncero, Rafael Doctor, Colección MUSAC Volumen II, published by Museo de Arte Contemporáneo de Castilla y León, León, Spain, 2007

Schor, Gabriele, ed., Held Together with Water: Art from the Sammlung Verbund, published by Hatje Cantz, Ostfildern, Germany, 2007

Krystof, Doris, and Barbara J. Scheuermann, Talking Pictures: Theatricality in Contemporary Film and Video Art, published by DuMont, Düsseldorf, Germany, 2007

Kitade, Chieko, ed., Passion Complex: Selected Works from the Albright-Knox Art Gallery, published by 21st Century Museum of Contemporary Art, Kanazawa, Japan, 2007

Nochlin, Linda, and Maura Reilly, eds., Global feminisms: New Directions in Contemporary Art, published by Brooklyn Museum, Brooklyn, NY, and Merrell, London, UK, 2007, p. 67 [ill.]

Gielen, Denis, Atlas of Contemporary Art for Use by Everyone, published by Musée des Arts Contemporains au Grand-Hornu, Tournai, Belgium, August 2007, pp. 161, 385 [ill.]

Dimitrijevic, Branislav, and Sinisa Mitrovic, Breaking step/U raskoraku, published by Museum of Contemporary Art, Belgrade, Serbia, 2007



Ewing, William A., FACE: The New Photographic Portrait, published by Thames & Hudson, London, UK, 2006, p. 91

Jones, Amelia, Self/Image: Technology, Representation, and the Contemporary Subject, published by Routledge, Abingdon, UK, 2006, pp. 157 – 159

Butler, Emily, Liang Junhong, and Richard Riley, eds., Aftershock: Contemporary British Art 1990-2006, published by British Council, London, UK, 2006

Weitman, Wendy, and Deborah Wye, Eye on Europe: Prints, Books & Multiples/1960 to Now, published by Museum of Modern Art, New York, NY, 2006

Nairne, Andrew, Local Stories, published by Modern Art Oxford, Oxford, UK, 2006

Cattelan, Maurizio, Massimiliano Gioni, and Ali Subotnick, eds., Of Mice and Men: 4th Berlin Biennale for Contemporary Art, published by Hatje Cantz, Ostfildern, Germany, 2006

Barson, Tanya, Lynda Morris, and Mark Nash, Making History: Art and Documentary in Britain from 1929 to Now, published by Tate Publishing, London, UK, 2006

Melo, Alexandre, Ellipse Foundation: Contemporary Art Collection, published by Ellipse Foundation Contemporary Art Collection, Cascais, Portugal, 2006 [ill.]

Rugoff, Ralph, and Lynne Tillman, Shoot the Family, published by Independent Curators International (ICI), New York, NY, 2006

Tarsia, Andrea, ed., A Short History of Performance – Part IV, published by Whitechapel Art Gallery, London, UK, 2006

Howgate, Sarah, and Sandy Nairne, The Portrait Now, published by The National Portrait Gallery, London, UK, pp. 11, 13, 49, 153 [ill., cover]

Bollen, Christopher, and Alix Browne, Artists, published by Edition 7L, Paris, France, 2006, p. 105

Martin, Sylvia, Video Art, published by Taschen, Cologne, Germany, 2006



Bright, Susan, Art Photography Now, published by Thames & Hudson, London, UK, 2005, pp. 18, 42 – 43

Faucheret, Anne, Christine Litz, and Anna Schultz, Mouvement: des deux côtés du Rhin, published by Snoeck Verlagsgesellschaft mbH, Cologne, Germany, 2005

Blessing, Jennifer, Family Pictures: Contemporary Photography and Video from the Collection of the Guggenheim Museum, published by Gabriele Capelli Editore, Mendrisio, Switzerland, 2005, pp. 128 – 131 [ill.]

Bistolfi, Marina, and Pietro Gaglianò, eds., The Gesture: A Visual Library in Progress, published by Fabbrica Europa Foundation For The Contemporary Arts, Firenze, Italy, 2005

Grenville, Bruce, and Colin Ledwith, Body: New Art from the UK, published by Vancouver Art Gallery, Vancouver, Canada, 2005

Rugoff, Ralph, Irreducible: Contemporary Short Form Video, published by CCA Wattis Institute for Contemporary Arts, San Francisco, CA, 2005

Färber, Britta, and Ariane Grigoteit, 25 Years of the Deutsche Bank Collection, published by Deutsche Bank Kunst, Frankfurt, Germany, 2005

Richer, Grancesca, and Matthew Rosenzweig No. 1: First Works by 362 Artists, published by Distributed Art Publishers, Inc., New York, NY, 2005, pp. 394 – 395 [ill.]

De Salvo, Donna, and Gillian Wearing, pressPLAY: contemporary artists in conversation, published by Phaidon, London, UK, 2005, pp. 259 – 273, 642 – 657 [ill.]

Robertson, Jean and Craig McDaniel, Themes of Contemporary Art: Visual Art After 1980, published by Oxford University Press Inc., New York, NY, 2005, pp. 174 – 175 [ill.]



Drück, Patricia, and Inka Schube, eds., Social Creatures: How Body becomes Art, published by Hatje Cantz, Ostfildern, Germany, 2004

Blazwick, Iwona, and Carolyn Christov-Bakargiev, Faces in the Crowd: Picturing Modern Life from Manet to Today, published by Skira Editore, Milan, Italy, and Whitechapel Gallery, London, UK, 2004

Gioni, Massimiliano, and Marta Kuzma, Manifesta 5: ... with all due intent, published by Centro Internacional de Cultura Contemporánea, Gipuzkoa, Spain, 2004

Badia, Montse, Revolving Doors, published by Fundación Telefónica, Madrid, Spain, 2004

Cotton, Charlotte, The Photograph as Contemporary Art, published by Thames & Hudson, London, UK, 2004, pp. 30, 196



Goetz, Ingvild, and Stephan Urbaschek, eds., Fast Forward. Media Art Sammlung Goetz, published by Kunstverlag Ingvild Goetz GmbH, Hamburg, Germany, 2003

Aliaga, Juan Vicente, María de Corral, and José Miguel G. Cortés, eds., Micropolitics: Art and Everyday Life 2001-1968, published by Consorci de Museus de la Comunitat Valenciana, Valencia, Spain, 2003, pp. 352 – 357 [ill.]

Bonami, Francesco, and Maria Luisa Frisa, The Fourth Sex, published by Fondazione Pitti Immagine Discovery, Florence, Italy, 2003, pp. 392 – 393 [ill.]

Campany, David, ed., Art and Photography, published by Phaidon, London, UK, 2003, pp. 86, 128, 254 [ill.]

Hickey, Dave, Subjective Realities: Works from the Refco Collections of Contemporary Photography, published by Refco Group, Ltd., New York, NY, 2003

Joachimides, Christos M., ed., Outlook – International Art Exhibition Athens 2003, published by Hellenic Culture Organization, Athens, Greece, 2003, pp. 328 – 329 [ill.]



Burgess, John, Keith Coventry, Matt Hale, Paul Noble, and Peter Owen, City Racing – The life and times of an artist run gallery, published by Black Dog Publishing, London, UK, 2002

Hantelmann, Dorothea von, and Marjorie Jongbloed, I Promise it's Political, published by Museum Ludwig, Cologne, Germany, 2002

Schumacher, Rainald, and Matthias Winzen, eds., Die Wohltat Der Kunst - Post/Feministische Positionen der 90er Jahre aus der Sammlung Goetz, published by Verlag der Buchhandlung Walther König, Cologne, Germany, 2002, pp. 170 – 175

Wallis, Simon, Remix: Contemporary Art and Pop, published by Tate Publishing, London, UK, 2002



Grosenick, Uta, ed., Women Artists in the 20th and 21st Century, published by Taschen, Cologne, Germany, 2001, p. 536 [ill.]

Blistène, Bernard, Alison M. Gingeras, and Philippe Vergne, Au-dela du spectacle, published by Centre Pomidou, Paris, France, 2001 [ill.]

Pakesch, Peter, ABBILD: recent portraiture and depiction, published by Springer, Vienna, Austria, 2001

Raspail, Thierry, Biennale de Lyon Art Contemporain 2001, published by Biennale de Lyon, Lyon, France, 2001

Jean, Marie-Josée, and Enrico Lunghi, Confidences – Parce que c'était lui, parce que c'était moi, published by Casino Luxembourg, Luxembourg, and VOX, Center for the broadcasting of photography, Montréal, Canada, 2001



Vergne, Philippe, Let's Entertain: Life's Guilty Pleasures, published by Walker Art Center, Minneapolis, MN, 2000

Decter, Joshua, AutoWerke, published by Hatje Cantz, Ostfildern, Germany, 2000, pp. 7 – 8 [ill.]

Button, Virginia, and Charles Esche, Intelligence: New British Art 2000, published by Tate Publishing, London, UK, 2000

Puerile ’69, published by The Living Art Museum, Reykjavík, Iceland, 2000

Fanelli, Franco, Quotidiana: The Continuity of the Everyday in 20th Century Art, published by Castello di Rivoli, Turin, Italy, 2000



Pohlen, Annelie, Rewind to the Future, published by Bonner Kunstverein, Bonn, Germany, 1999

Art at the End of the Millennium, essay “Gillian Wearing” by Susanne Titz, published by Taschen, Cologne, Germany, 1999

The Museum as Muse: Artists Reflect, essay “Gillian Wearing” by Lillian Tone, published by Museum of Modern Art, New York, NY, 1999, p. 168

Colombo, Paolo, 6th International Istanbul Biennial, published by Istanbul Kultur ve Sanat Vakfi, Istanbul, Turkey, 1999

Bonami, Francesco, and Hans Ulrich Obrist, eds., Dreams, published by Fondazione Sandretto e Rebaudengo Arte, Turin, Italy, 1999

Rinder, Lawrence, Searchlight: Consciousness at the Millennium, published by Thames & Hudson, London, UK, 1999



Serra Zanetti, Paoloa Sega, and Maria Grazia Tolomeo, La Concienza Luccicante, published by Gangemi, Rome, Italy, 1998

Adams, Brooks, Lisa Jardine, Martin Maloney, Norman Rosenthal, and Richard Shone, Sensation - Young British Artists from the Saatchi Collection, published by Hatje Cantz, Ostfildern, Germany, 1998

Muller, Brian, UK Maximum Diversity, published by Galerie Krinzinger, Bregenz, Austria, 1998

McGonagle, Declan, A Collection in the Making, published by The Irish Museum of Modern Art, Dublin, Ireland, 1998

Wiehager, Renate, Internationale Foto Triennale/Photography as Concept, published by Hatje Cantz, Ostfildern, Germany, 1998

Sans, Jérôme, La Sphere de L’Intime, published by Le Printemps de Cahors, Saint-Cloud, France, 1998

Fibicher, Bernhard, and Andreas Litmanowitsch, White Noise, published by Kunsthalle Bern, Bern, Switzerland, 1998



Buchanan, Roderick, Tales from the City, published by Stills Gallery, Edinburgh, Scotland, 1997

Decter, Joshua, ed., a/drift, published by Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY, 1997

Gregos, Katerina, and Henry Meyric Hughes, Private Face - Urban Space, published by the Hellenic Art Galleries Association, Athens, Greece, 1997

Williams, Gilda, ed., Strange days- British Contemporary Photography, published by Charta, Milan, Italy, 1997

Adams, Brooks, and Norman Rosenthal, Sensation: Young British Artists from the Saatchi Collection, published by Thames & Hudson, London, UK, 1997

Package Holiday - New British Art in the Ophiuchus Collection, published by The Hydra Workshop, Hydra, Greece, 1997

Illes, Chrissie, and Russell Roberts, In Visible Light: Photography and Classification in Art, Science and the Everyday, published by Museum of Modern Art, Oxford, UK, 1997

Shand Kydd, Johnnie, Spit Fire – Photographs from the art world London 1996/97, published by Thames & Hudson, and Violette Editions, London, UK, 1997, pp. 68, 74, 84, 91, 187



Bauer, Ute Meta, Iwona Blazwick, Anneli Fuchs, Laura Gottingham, and Lars Grambye, NowHere, published by Louisiana Museum of Modern Art, Humlebæk, Denmark, 1996

ID, essay “Gillian Wearing” by Gregor Muir, published by Stedelijk Van Abbemuseum, Eindhoven, Netherlands, 1996, pp. 95 – 97

Bossé, Laurence, and Hans-Ulrich Obrist, Life/Live, published by Musée d'Art Moderne de la Ville de Paris, Paris, France, 1996

Görner, Veit, and Gijs van Tuyl, Full House: Young British Art, published by Kunstmuseum Wolfsburg, Germany, 1996

Bürgi, Bernhard, Playpen & Corpus Delirium, published by Kunsthalle Zürich, Switzerland, 1996

Lars, Movin, and Torben Christensen, Electronic Undercurrents: Art & Video in Europe, published by Statens Museum for Kunst, Copenhagen, Denmark, 1996

Blazwick, Iwona, and Kenji Otsubo, Toyama Now '96, published by The Museum of Modern Art, Toyama, Japan, 1996

Codognato, Mario, Artisti britannici a Roma, published by Umberto Allemandi & Co, Torino, Italy, 1996

Gregor, Muir, and Robert Hopper, The Cauldron, published by The Henry Moore Institute, Leeds, UK, 1996

Conran, Elizabeth, Penelope Curtis, and Viet Görner, Private View - Contemporary Art at the Bowes Museum, published by The Henry Moore Institute, Leeds, UK, 1996

Evans, Stuart, and Richard Shone, Made in London, published by Simmons & Simmons, London, UK, 1996 [ill., cover]

Nittve, Lars, NowHere, published by Louisiana Museum of Modern Art, Humlebaek, Denmark, 1996

Bourriad, Nicolas, Traffic, published by CAPC Musée Contemporain Bordeaux, France, 1996

Hylton, Richard, Kobena Mercer, and Andrew Patrizio, Imagined Communities, published by National Touring Exhibitions, Hayward Gallery and Arts Council Collection, London, UK, 1996

Pandaemonium: London Festival of Moving Images, 1996, published by Pandaemonium Festival Ltd., London, UK, 1996



Bonami, Francesco, Campo 95, published by Umberto Allemandi, Turin, Italy, 1995

Cork, Richard, and Rose Finn-Kelcey, The British Art Show 4, published by South Bank Centre, London, UK, 1995

Flood, Richard, Brilliant! New Art from London, published by Walker Art Center, Minneapolis, MN, 1995

Sillem, Maurits, and Andrea Tarisa, eds., Make Believe, published by Royal College of Art, London, UK, 1995

Möbius Strip, published by Basilico Fine Arts, New York, NY, 1995



Gohlke, Gerrit, Michael Haerdter, Christoph Tannert, Gilane Tawadros, and Wolfgang Welsch, Le Shuttle, published by Künstlerhaus Bethanien, Berlin, Germany, 1994



Doherty, Willie, Stuart Morgan, and Caroline Russell, BT New Contemporaries 1993, published by New Contemporaries, London, UK, 1993

Morgan, Stuart, Mandy Loves Declan 100%, published by Mark Boote Gallery, New York, NY, 1993


Selected Articles and Reviews:



Bigman, Fran. "Artful Volumes.” Bookforum (June/July/August 2022) p. 11 [ill.]



Heinrich, Will. “Spilling Secrets, but Much Is Left Unsaid.” The New York Times (November 19, 2021) p. C14 [ill.]

Dinsdale, Emily. “Gillian Wearing on masks, inhabiting disguises, and identity as performance." Dazed (November 10, 2021) [ill.] [online]

“The art of Wearing Masks: a show for our time.” The Economist (November 6, 2021) [ill.] [online]

Takac, Balasz. “The First North American Retrospective of Gillian Wearing Comes To The Guggenheim.” Widewalls (November 5, 2021) [ill.] [online]

Smith, Melissa. “5 Things to Do This Weekend: Everyday Bronzes.” The New York Times (October 28, 2021) [ill.] [online]

Mohn, Tanya. "One Face With Many Masks Gillian Wearing’s Work Probes Questions of Identity.” The New York Times (October 24, 2021) p. 34 F [ill.]

Budds, Diana. “A Diane Arbus Tribute, Graphic Blankets, and Other Things I Liked This Week.” Curbed (October 22, 2021) [ill.] [online]

Weaver, Shaye. “The second-ever statue of a real-life woman in Central Park has just been unveiled.” Time Out New York (October 20, 2021) [ill.] [online]

Mohn, Tanya. “One Face with Many Masks: Gillian Wearing’s work probes questions of identity.” The New York Times (October 24, 2021) p. F 34 [ill.]

“The Conceptual and Empathetic Art of Gillian Wearing.” The New Yorker (October 15, 2021) [ill.] [online]

Herbert, Martin. “Behind the mask? An interview with Gillian Wearing.” Apollo Magazine (March 2021) pp. 34 – 39 [ill.]



“Gillian Wearing – Lockdown | Maureen Paley.” Artangled (November 1, 2020) [ill.] [online]

Marks, Thomas, et al. “The shows must go on – what not to miss during Frieze week this year.” Apollo Magazine (October 8, 2020) [ill.] [online]

Jones, Jonathan. “Gillian Wearing's lockdown self-portraits peel back the mask and show the truth.” The Guardian (September 16, 2020) [ill.] [online]

Lloyd-Smith, Harriet. “At home with artist Gillian Wearing.” Wallpaper Magazine (September 14, 2020) [ill.] [online]

Gavin, Francesca. “The Artemisia Gentileschi effect: a surge of IRL art openings by women.” Financial Times (September 3, 2020) [ill.] [online]

Kan, George. “Dancing Alone.” The Brooklyn Rail (June 2020) [ill.] [online]

Luke, Ben. “A brush with... Gillian Wearing.” The Art Newspaper (January 9, 2020) [ill.] [online]



Snoad, Laura. “Artist Gillian Wearing creates experimental documentary about George Eliot for the BBC.” It’s Nice That (November 8, 2019) [ill.] [online]

Glentzer, Molly. “Getting old is no picnic in the art of Tacita Dean and Gillian Wearing.” Houston Chronicle (June 14, 2019) [ill.] [online]

Harris, Brian. “Previews: ‘Encore: Reenactment in Contemporary Photography,’ Getty Center.” Artforum (April 2019) p. 81 [ill.]



Harris, Gareth. “UK New Year’s Honours 2019: artists awarded include Sonia Boyce, Gillian Wearing, Tacita Dean and Alison Wilding.” The Art Newspaper (December 29, 2018) [ill.] [online]

Beer, Jeff. “This new deep fake video is both advertising and a piece of art.” Fast Company (December 11, 2018) [ill.] [online]

“Colchester gallery shows how suffragist statue created.” BBC (November 7, 2018) [ill.] [online]

Yerebakan, Osman Can. “Gillian Wearing: Life.” The Brooklyn Rail (November 1, 2018) [ill.] [online]

Black, Holly. “The Art of Catastrophe.” Elephant Magazine Issue 36 (Autumn 2018) pp. 22 – 24 [ill.]

Fullerton, Elizabeth. “Gillian Wearing: Do You Feel You Know Me a Bit Now?.” Elephant Magazine (October 18, 2018) [ill.] [online]

Schwartz, Kathy. “First Look: New Gillian Wearing Art for Cincinnati Art Museum Exhibit.” City Beat (September 17, 2018) [ill.] [online]

Cohen, Claire. “First statue of a woman in Parliament Square to be unveiled next week, following Telegraph campaign.” The Telegraph (April 16, 2018) [ill.] [online]

Aima, Rahel. “Face Off.” Art in America (April 2018) pp. 29 – 31 [ill.]

Wiseman, Eva. “Meet The New Suffragettes.” Vogue (March 8, 2018) [ill.] [online]

“Gillian Wearing’s Suffragist statue commemorates revolutionary women – and smattering of men.” The Art Newspaper (February 6, 2018) [ill.] [online]

Topping, Alexandra. “Statue of suffragist Millicent Fawcett to be unveiled in April.” The Guardian (February 6, 2018) [ill.] [online]

Wiseman, Eva. “Follow the Leaders.” Vogue (February 2018) pp. 52 – 55 [ill.]



Paleari, Paola. “Gillian Wearing: Family Stories.” Elephant Magazine (December 13, 2017) [ill.] [online]

Wearing, Gillian. “Curriculum: A List of Favourite Anythings.” Aperture (Winter 2017)

Wearing, Gillian. “Gillian Wearing, Mirror Face.” (November 2017) pp. 12, 42, 47 [ill., cover]

Hametner, Jessica-Christin. “Gillian Wearing keeps it in the family at Copenhagen’s National Gallery.” Wallpaper* (October 27, 2017) [ill.] [online]

Gadd, Stephen. “Gillian Wearing’s art is all about giving ordinary people a voice, and it works.” CPH Post (October 19, 2017) [ill.] [online]

Lee, Helena. “Five of the world's greatest female artists create original artworks for Harper's Bazaar.” Harper’s Bazaar (October 5, 2017) [ill.] [online]

“Artist unveils design for Parliament Square suffragist statue.” The Guardian (September 20, 2017) [ill.] [online]

Wearing Gillian. “52 minutes' silence.” Evening Standard Magazine (July 7, 2017) [ill., cover]

Razaq, Rashid. “Images of unity: artists design covers for ES Magazine in tribute to Londoners’ resilience.” Evening Standard (July 5, 2017)

Epps, Philomena. “Iconic YBA Gillian Wearing on the performance of everyday life.” i-D (June 14, 2017) [ill.] [online]

Pelletier, Mary. “A Conceptual Artist Pays Homage to Surrealist Claude Cahun’s Performance of Identity.” Hyperallergic (May 18, 2017) [ill.] [online]

Stone, Bryony. “We speak to Gillian Wearing about making the first statue of a woman in Parliament square.” It’s Nice That (May 10, 2017) [ill.] [online]

Bennun, David. “Behind the Mask.” 1843 Magazine (May 10, 2017) [ill.] [online]

Thompson, Jessie. “Gillian Wearing: Why she's one of Britain's best-loved contemporary artists.” Evening Standard (May 4, 2017) [ill.] [online]

Carey-Kent, Paul. “Inspired, perhaps, by the surge of the selfie, there was a glut of self-portrait shows last year, and the trend continues.” FAD Magazine (May 3, 2017)

Sansom, Anna. “Ageing Consensually.” DAMN° (May/June 2017) pp. 86 – 92 [ill.]

Brown, Mark. “Statue of suffragist to break male monopoly on Parliament Square.” The Guardian (April 13, 2017) [ill.] [online]

"Gillian Wearing announced as artist of Millicent Fawcett statue in Parliament Square.” Fawcett Society (April 13, 2017) [online]

“Dual Masquerade.” Aesthetica Magazine (April 11, 2017) [ill.] [online]

Güner, Fisun. “Inventing Masks: Gillian Wearing And Claude Cahun.” The Quietus (March 26, 2017) [ill.] [online]

Massaro, Mike. “Gillian Wearing: ‘We need to approach life with the notion we are all mentally ill’.” 52 Insights (March 23, 2017) [ill.] [online]

Durrant, Nancy. “Who was Claude Cahun?” Art Quarterly (Spring 2017) pp. 40 – 47

Wearing, Gillian. “Parallel Lives.” Porter (Spring 2017) pp. 116 – 117

Bannister, Laura. “Gillian Wearing and her Masks.” Museum Issue 6 (Spring 2017) pp. 30 – 37 [ill.]

Berner, Sooane. “Claude Cahun and Gillian Wearing: Kindred Spirits.” The Eye of Photography (March 21, 2017) [ill.] [online]

Frankel, Eddy. “Gillian Wearing and Claude Cahun.” Time Out London (March 14 – 20, 2017) p. 77

Epps, Philomena. “wearing the mask.” i-D (March 13, 2017) [ill.] [online]

Cumming, Laura. “Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask – review.” The Guardian (March 12, 2017) [ill.] [online]

Buck, Louisa. “National Portrait Gallery marks International Women’s Day by celebrating Gillian Wearing and Claude Cahun.” The Art Newspaper (March 10, 2017) [ill.] [online]

Kent, Sarah. “Gillian Wearing and Claude Cahun, National Portrait Gallery.” The Arts Desk (March 10, 2017) [ill.] [online]

Luke, Ben. “Gillian Wearing and Claude Cahun, Behind the Mask, review: Both artists are enhanced by this pairing.” Evening Standard (March 9, 2017) [ill.] [online]

Brown, Mark. “Art meets science in an exploration of Gender Identity.” The Guardian (March 9, 2017) p. 13

Brown, Mark. “Facing the future: Gillian Wearing digitally ages herself in new artwork.” The Guardian (March 8, 2017) [ill.] [online]

Hudson, Mark. “Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask, National Portrait Gallery, review.” The Telegraph (March 8, 2017) [ill.] [online]

Searle, Adrian. “Hiding in Plain Sight.” The Guardian (March 8, 2017) pp. 18 – 19

Searle, Adrian. “Gillian Wearing and Claude Cahun: Behind the Mask review – jail, gender and Jersey.” The Guardian (March 7, 2017) [ill.] [online]

Souter, Anna, Five must-see exhibitions in March 2017, The Upcoming (March 2, 2017) [ill.] [online]

Searle, Adrian. “A ghost in kiss curls: how Gillian Wearing and Claude Cahun share a mask.” The Guardian (January 8, 2017) [ill.] [online]

Dawson, Aimee. “Exhibitions, March 2017: Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask.” The Art Newspaper (January 2017) p. 13 [ill.]



McQuaid, Cate. “Revealing portraits, fast-forwarded to age 70.” The Boston Globe (December 30, 2016) [ill.] [online]

Corbett, Rachel. “Art Forensics: Back to the Future.” Modern Painters (Winter 2016/2017) p. 24 [ill.]

Blessing, Jennifer. “Gillian Wearing.” Aperture (Winter 2016) pp. 60 – 63 [ill., cover]

Smee, Sebastian. “Art as mirror of this dark moment.” The Boston Globe (November 24, 2016)

Sabine Heller. “Balancing Act.” Malibu Magazine Vol. 13, Issue 6 (November/December 2015) pp. 122 – 134

Cullinan, Nicolas, and Gillian Wearing. “A Portrait of the Artist as Claude Cahun.” Aperture (November 2016) [ill.] [online]

Eimer, Annick,. “Das Zeit Wissen-Gespräch.” Zeit Wissen no.6 (October/November 2016) pp. 46 – 51

Razaq, Rashid. “Snap! Near identical photos shot 85 years apart in new exhibition.” Evening Standard (September 29, 2016) p. 31

Rabinowitz, Sophie. “Gillian Wearing Self Portraits.” Osmos Magazine (Summer 2016) pp. 2 – 5

Wearing, Gillian. “Gillian Wearing Remembers Her Former Tutor Jon Thompson (1936-2016).” PICPUS Issue no.17 (Summer 2016)

Yates, Emily. “Brighton Festival: Exploring new directions in theatre and the visual arts.” Brighton & Hove Independent (June, 3, 2016)

Seymour, Tom. “Gillian Wearing’s A Room With a View at Brighton’s HOUSE festival.” British Journal of Photography (May 9, 2016) [ill.] [online]

Wearing, Gillian. “As seen from your window....” The Guardian (April 2, 2016) [ill.] [online]

Qizilbash, Ashraf. “It’s Always Better To Wear a Mask.” Under the Influence Issue 16 (Spring/Summer 2016) pp. 260 – 271

Pogrebin, Robin. “Philadelphia Museum of Art Finally Gets a Hopper.” The New York Times (February 25, 2016) [ill.] [online]

Harris, Gareth, and Anny Shaw. “Gillian Wearing asks for a peek through people’s windows.” The Art Newspaper (February 18, 2016) [ill.] [online]

Perlson, Hili. “Got a Room with a View? Artist Gillian Wearing Wants Your Footage.” Artnet News (February 15, 2016) [ill.] [online]



Bennett, Oliver. “Images in Motion.” Art Quarterly (Winter 2015) pp. 66 – 71

Bate, David. “Conceptualism and Art Photography.” Art Photography (Winter 2015) pp. 80 – 103

Heller, Sabine. “Balancing Act: The Uneasy Art of Gillian Wearing.” Malibu Magazine (December 2015) pp. 122 – 133 [ill.]

Duguid, Hannah. “Gillian Wearing: 'Having to talk to a group makes me very uncomfortable’.” The Independent (October 30, 2015) [ill.] [online]

Snow, Philippa. “​signs of interior life — in conversation with gillian wearing.” i-D (October 28, 2015) [ill.] [online]

Miller, Ben. “Museums at Night October 2015: Gillian Wearing on the Shy Convention at Backlit Nottingham.” Culture 24 (October 28, 2015) [online]

Skidmore, Maisie. “The Many Selves of Gillian Wearing.” AnOther (October 13, 2015) [ill.] [online]

“Spain - Valencia, IVAM: Gillian Wearing.” Mousse Magazine (October/November 2015) p. 299

Viñas, Eugenio. “Apología de la identidad humana: Gillian Wearing ilumina el IVAM con su exploración de la bajeza.” Valencia Plaza (September 28, 2015) [online]

“Agenda: Videoinstalaciones de Gillian Wearing.” Las Provincias (September 28, 2015) p. 75

Enguix, Salvador. “Gillian Wearing, tras la máscara.” La Vanguardia (September 27, 2015) p. 59

Palacios, Marta. “Rodeada de genios.” Las Provincias (September 27, 2015) pp. 100 – 101

Molina, Ángela. “Las máscaras sirven para explorar la verdad de nuestros muchos yoes.” El País (September 27, 2015) p. 34

Montes, Javier. “Gillian Wearing, Reina del Carnaval.” ABC Cultural (September 26, 2015) pp. 18 – 19

Velasco, Carmen. “El IVAM muestra el arte bajo las máscaras.” Las Provincias (September 24, 2015) p. 49

Torres, Salva. “La realidad sin mascaras de Gillian Wearing.” Valencia (September 24, 2015) p. 2

“El IVAM muestra las múltiples identidades de Gillian Wearing.” ABC (September 24, 2015) p. 75

“Las máscaras de Wearing desnudan los diferentes ‘yoes’ humanos en el IVAM.” Eldiario (September 24, 2015) [online]

Garcia, Alfons. “El IVAM regresa a la primera línea europea con los mil rostros de Gillian Wearing.” Levante (September 24, 2015) p. 57

Garcia, Alfons. “La identidad es el tema del arte nuestro tiempo.” Levante-EMV (September 24, 2015) [online]

“Todas las identidades de Gillian Wearing, al descubierto en el IVAM.” Europa Press (September 23, 2015) [ill.] [online]

“Gillian Wearing o el interés por la construcción de la indentidad.” Hoyesart (September 23, 2015) [online]

Mansergas, Ana. “Gillian Wearing en el IVAM.” Cadenaser (September 23, 2015) [online]

“Otoño de exposiciones en Valencia.” Europa Press (September 20, 2015)

Labastida, Mikel. “El Nuevo rumbo de los museos.” Las Provincias (September 20, 2015) pp. 52 – 53

Garcia, Alfons. “Máscaras contra la identidad.” Levante (September 19, 2015) p. 57

Espejo, Bea. “Gillian Wearing ‘Hablo de lo que esta debajo de la superficie de las cosas’.” El Cultural (September 18, 2015)

Labastida, Mikel. “El IVAM renueva sus instalaciones.” Las Provincias (September 1, 2015) p. 34

Borrás, Daniel. “Gillian Wearing: el arte de compartir los secretos.” El Mundo (August 6, 2015) p. 11

“Exposicions València: Gillian Wearing a l’IVAM.” Bonart (July 29, 2015) [online]

“Art in the 90’s: Scandal and business with Young British Artists.” Art Media Agency (July 23, 2015) [online]

Barnicoat, Becky. “Before they were famous: art stars on their final degree shows.” The Guardian (June 23, 2015) [ill.] [online]

Gopnik, Blake. “Daily Pic: Gillian Wearing and the Shield of Power.” Blouin Artinfo (June 5, 2014) [online]

Murray Brown, Griselda. “White Cube to Black Box.” Financial Times (May 16 – 17, 2015) p. 13

Luke, Ben. “20 Years of Collecting: Between Discovery and Invention, Zabludowicz Collection Review.” Evening Standard (May 7, 2015) [ill.] [online]

Dabkowski, Colin. “The work of art: Albright-Knox shows explore labour, portraiture.” Buffalo (May 5, 2015) [online]

Foran, Jack. “Albright-Knox exhibits their wide collection of portraiture: Beyond Portraits.” Artvoice (April 23, 2015) [ill.][online]

“Gillian Wearing at Regen Projects.” Malibu Magazine (February 2015) p. 32 [ill.]

Yerebakan, Osman Can. “Los Angeles – Gillian Wearing: “everyone” at Regen Projects Through January 24th, 2015.” Art Observed (January 24, 2015) [ill.] [online]

Searle, Adrian. “Me me meme: artists’ selfies paint the full spectrum of self-obsession.” The Guardian (January 23, 2015) [ill.] [online]

Malick, Courtney. “Everyone: Gillian Wearing at Regen Projects.” SFAQ (January 20, 2015) [ill.] [online]

Ollman, Leah. “Masks and masquerades that reveal the self.” The Los Angeles Times (January 17, 2015) [ill.] [online]

Eler, Alicia. “Gillian Wearing’s Masked Confessions.” Hyperallergic (January 14, 2015) [ill.] [online]

Muller, Robert-Jan. “Critics’ Picks: The Vincent Award 2014.” Artforum (January 8, 2015) [ill.] [online]



Wagley, Catherine. “Gillian Wearing at Regen Projects.” L.A. Weekly (December 26 – January 1, 2015) pp. 21, 23 [ill.]

“Gillian Wearing’s Multimedia Work Gets Los Angeles Exhibition.” Artlyst (December 21, 2014) [ill.] [online]

“Regen Projects Turns 25.” KCRW (December 18, 2014) [ill.] [online]

Mason, Shana Beth. “GILLIAN WEARING We Are Here.” The Brooklyn Rail (December 18, 2014)

Slenske, Michael. “Regen Projects Turns 25 and celebrates with two new shows.” W Magazine (December 12, 2014)

Miranda, Carolina A. “Datebook: Videos about secrets, photography about rising tides.” The Los Angeles Times (December 11, 2014) [ill.] [online]

Warde-Aldam, Digby. “An Art Award that Actually Rewards Talent.” Spectator (December 1, 2014)

Wearing, Gillian. “Gillian Wearing Goes Home.” The New York Times Style Magazine (November 26, 2014) p. 62 [ill.]

Milliard, Coline. “Ikon Director Responds to A Real Birmingham Family Controversy.” Artnet (November 10, 2014)

Lewis, Helen. “All public art is a political statement - the best marks a rich changing society.” The Guardian (November 2, 2014)

Neuendorf, Henri. “Does This Statue Represent the Modern Family?” Artnet News (October 31, 2014)

Ram, Aliya. “Family portrait: Art shows ‘real’ Birmingham.” Financial Times (October 31, 2014) p. 2

Dolan, Andy, and Lucy Osborne. “Two single mums (one pregnant), their children - and not a dad in sight. Birmingham’s £100k vision of the modern British family!” Daily Mail (October 31, 2014) p. 3

Okolosie, Lola. “Hooray for single mothers - and Gillian Wearing’s celebration of them.” The Guardian (October 31, 2014) [ill.] [online]

McNulty, Bernadette. “Gillian Wearing redefines Birmingham for the 21st century.” The Telegraph (October 31, 2014)

“‘Real Birmingham family’ statue unveiled outside library.” BBC (October 30, 2014) [online]

“Gillian Wearing Immortalises Real Birmingham Family in New Public Sculpture.” Artlyst (October 30, 2014)

Brown, Graeme. “New statue unveiled outside Library of Birmingham.” Birmingham Post (October 30, 2014)

Cook, William. “Why Gillian Wearing made a statue of two single mothers.” NewStatesman (October 30, 2014)

Brown, Mark. “Modern family: mums and sons immortalised in bronze.” The Guardian  (October 30, 2014) p. 13

Brown, Mark. “Ordinary Birmingham family to be immortalised in city centre statue.” The Guardian (October 29, 2014) [ill.] [online]

“New Gillian Wearing sculpture to be unveiled in Birmingham.” Arts Council England (October 28, 2014)

Beanland, Christopher. “New lease of life: How disused car parks are being transformed into cultural centres.” Independent (October 27, 2014)

“Exhibitions during Frieze week, The new shows not to miss.” Time Out London (October 14 – 20, 2014) p. 94

“Gillian Wearing Time Travels for Vincent Award.” Artlyst (September 10, 2014) [ill.] [online]

Brown, Mark. “Gillian Wearing digs up her past for tilt at Vincent Award.” The Guardian (September 8, 2014) [ill.] [online]

Aspden, Peter. “Statue of a family: by Gillian Wearing.” Financial Times (July 18, 2014) [ill.] [online]

Gopnik, Blake. “Daily Pic: Gillian Wearing and the Shield of Power.” Blouin Artinfo (June 5, 2014) [ill.] [online]

Gavin, Francesca. “Gillian Wearing: Your Views.” Nowness (June 3, 2014) [ill.] [online]

Reuter, Alicia. “Gillian Wearing.” I love you magazine no. 10 (2014) [ill., cover]

“Shortlist Announced for 50,000 Euro Vincent Van Gogh Biennial Award.” Artlyst (May 8, 2014) [ill.] [online]

Jones, Jonathan. “The top 10 drinkers in art.” The Guardian (April 1, 2014) [ill.] [online]



Fox, Dan. “Then & Now: British Art and the 1990’s.” frieze (December 2013) pp. 100 – 107

Bohnacker, Siobhan. “Picture Desk: Gillian Wearing.” The New Yorker (October 3, 2013) [online] [ill.]

Jones, Jonathan. “Will the digital age kill off art?” The Guardian (July 2, 2013)

Jury, Louise. “Trainee florist picked at random to be face of the Tube.” The London Evening Standard (June 5, 2013)

O’Hagan, Sean. “The 10 best … photographic self-portraits.” The Guardian (March 23, 2013)

Kemmerer, Allison N., and Michelle Lamuniere. “Gillian Wearing.” Exposure (Spring 2013) p. 27

Pohlen, Annelle. “Gillian Wearing Retrospektive.” Kunstforum (January 1, 2013)



Mals, Von Jasmin. “Ich-Botschaften im Namen der Kunst.” Rheinische Post (December 29, 2012)

Coolibri (December 1, 2012)

“Unter die Haut.” Der Tagesspiegel (November 29, 2012)

“Gillian Wearing zeigt ihren ersten Film.” Rheinische Post (November 14, 2012)

Kröner, Magdalena. “Hinter den Masken des Selbst.” Frankfurter Allgemeine Zeitung (October 16, 2012)

Stiftel, Von Ralf. “Wahrheiten hinter Masken.” Westfälischer Anzeiger (September 12, 2012)

Corwin, William. “In Conversation. Gillian Wearing with William Corwin.” The Brooklyn Rail (September 9, 2012)

Monopol Magazin (September 2012)

Nairne, Eleanor. “Gillian Wearing.” frieze (June – August 2012) p. 187

Jury, Louise. “A face of Liberty hangs by a thread.” Evening Standard (April 17, 2012) p. 26

Pfab, Anna-Maria. “Gillian Wearing Scenes of everyday life.” La Lettre de la Photographie (April 13, 2012) [online]

Hamilton, Adrian. “A YBA who’s still causing a big sensation.” The Independent (April 9, 2012) pp. 44 – 45

Darwent, Charles. “YBAs’ spot check.” Independent on Sunday (April 8, 2012) pp. 57, 59

Somers, Thierry. “Gillian Wearing interview.” 200 Percent Mag (April 6, 2011) [ill.] [online]

Sumpter, Helen. “Who do you think you are?” Time Out (April 5, 2012) p. 42

“Critics’ Choice; The five best exhibitions on this week.” Time Out (April 5, 2012) p. 47

Sooke, Alastair. “Authenticity that is born of artifice.” The Daily Telegraph (April 3, 2012) p. 25

Ure-Smith, Jane. “Artists who think inside the box.” Financial Times (April 3, 2012) p. 13

Güner, Fisun. “Art Review: Gillian Wearing.” Metro (April 2, 2012) p. 36

Januszczak, Waldemar. “Art: Gillian Wearing.” The Sunday Times: Culture (April 1, 2012) pp. 12 – 13

Smart, Alastair. “Art: Unmasking British reserve.” The Sunday Telegraph: Seven magazine (April 1, 2012) p. 20

Juttla, Sonia. “Stella loves...” The Sunday Telegraph: Stella magazine (April 1, 2012) p. 9

Carr, Adam. “Everything is connected in life; the point is to know it and to understand it. On the work of Gillian Wearing.” Mousse Magazine (April/May 2012) pp. 148 – 149

Sherwin, Skye. ”Reality Check.” Harper’s Bazaar (April 2012) p. 152

Hamilton, Adrian. “Inner Lives, Painful Truths.” Independent (April 2012) pp. 36 – 37

O’Reilly, Sally. “Gillian Wearing.” ArtReview (April 2012) pp. 64 – 69 [ill., cover]

Campbell-Johnston, Rachel. “The portrait behind the mask.” The Times T2 (March 28, 2012)

“Gillian Wearing.” Time Out London (March 28
, 2012)

Searle, Adrian. “Gillian Wearing: come on, you can tell me anything …” The Guardian (March 28, 2012) [ill.] [online]

“Gillian Wearing takeover: the behind the mask – the Self Portraits.” The Guardian  (March 27, 2012) [ill.] [online]

“Gillian Wearing takeover: How would you dance in public?” The Guardian (March 26, 2012) [ill.] [online]

Abbott, Kate. “Gillian Wearing takeover: welcome to a week of secrets.” The Guardian (March 26, 2012)

Singer, Reid. “Gillian Wearing is No Good at Keeping Secrets.” (March 26
, 2012 [online]

“10 Hot Things To Do Now..., 9: She’s A Winner.” Grazia (March 26, 2012) p. 141

Sherwin, Skye. “Gillian Wearing.” Guardian Guide (March 24, 2012) p. 36

Januszczak, Waldemar. “Why Damien's a small fish in Europe.” The Sunday Times, Culture Magazine (March 18, 2012)

King, Emily. “Gillian Wearing.” COS magazine (Spring/Summer 2012)

Maddocks, Fiona. “Artificial intelligence.” RA Magazine (Spring 2012)

Sooke, Alastair. “Everyone’s Got a Secret.” The Daily Telegraph (March 17, 2012) pp. 10 – 11

Adams, Tim. “I’ve Always Been a Bit of a Listener.” The Observer (March 4, 2012) pp. 8 – 9, 11

Michalska, Julia. “Too much information.” The Art Newspaper No. 233 (March 2012) p. 82

Ward, Ossian. “The year of art.” Time Out (January 19, 2012) pp.18 – 19



Enright, Robert. “Gillian Wearing: The Art of Everyday Illumination.” Border Crossings Vol. 30, No. 3, Issue 119 (2011) pp. 26 – 43 [ill., cover]

Spalding, Frances. “Artistic relations: how family portraiture changed through the ages.” The Guardian (November 11, 2011)

Malcolm, Derek. “Self Made.” Evening Standard (September 2, 2011) pp. 38 – 39

Calhoun, Dave. “Self Made.” Time Out (September 1, 2011) p. 75

Princenthal, Nancy. “Gillian Wearing at Tanya Bonakdar.” Art in America (September 2011) pp. 129 – 130

Hall, Emily. “Gillian Wearing at Tanya Bonakdar Gallery.” Artforum (September 2011) p. 346

Enright, Robert. “Gillian Wearing, The Art of Everyday Illumination.” Border Crossings (September 2011) [ill., cover] pp. 26 – 43

Somers, Thierry, and Daniel Herrmann. “Gillian Wearing at the Whitechapel.” 200 Percent Mag (August 30, 2011) [ill.] [online]

Cochrane, Kira. “A nose for the truth.” Guardian G2 (August 30, 2011) pp. 19 – 21

Grant, Adriana. “The Talent Show.” Visual Art Source (July 2011

Miranda, Carolina A. “This week: Must See Arts in the City.” WNYC (June 16, 2011)

Gopnik, Blake. “The 10 Most Important Artists of Today.” Newsweek/The Daily Beast (June 13 & 20, 2011) pp. 56 – 58 [ill.]

Ed. “Gillian Wearing: People / Helen Cole: We See Fireworks.” TWNY (This Week in New York) (June 8
, 2011)

Brand, Will. “Gillian Wearing: ‘People’ at Tanya Bonakdar.” Art Fag City (June 6, 2011)

Rooney, Kara L. “Gillian Wearing People.” The Brooklyn Rail (June 2011)

Galperina, Marina. “Artist Gillian Wearing Puts on Other People.” Flavorwire (May 25
, 2011)

Balestin, Juliana. “Gillian Wearing at Tanya Bonakdar Gallery, New York.” Purple Diary  (May 17, 2011)

Smith, Roberta. “Gillian Wearing: ‘People.’” The New York Times (May 13, 2011) p. C25

Yablonsky, Linda. “Same Difference.” Artforum (May 12, 2011) [ill.] [online]

Yablonsky, Linda. “Artifacts| Gillian Wearing’s True Stories.” New York Times T Magazine (May 12, 2011)

Hirsch, Faye. “Lawler, Wearing Put Women on Top at Gallery Week.” Art in America (May 10, 2011)

Bryant, Eric. “Gillian Wearing’s Role-Playing Games.” Artinfo (May 9, 2011)

Jared and Johanna. “Gillian Wearing.” Laura Issue 5 (2011) [ill., cover] pp. 7 – 8

Laera, Margherita. “Le Dive Dell’ Arte.” Velvet (April 2011) p. 158

Thatcher, Jennifer. “Robert Mapplethorpe: Night Work.” ArtReview (April 2011) p. 110 

Landy, Michael. “Art World Portraits.” Art of England (March 2011) p. 66

Crawley, Emma. “Robert Mapplethorpe.” Time Out (February 17, 2011) p. 50

Sperlinger, Mike. “Looking Back: Film.” frieze (January/February 2011) p. 24

Frohne, Ursula. “Maske versus Authentizität?” Ethik & Unterricht Magazine Germany (January 2011) p. 14 [ill.]

Alli, Sharma. “Behind the Front.” Garageland (January 2011) pp. 10 – 13

Beesley, Ruby. “Mechanics of Expression.” Aesthetica (January 2011) pp. 26 – 29



Calhoun, Dave. “Gillian Wearing makes the art/film crossover with ‘Self Made’.” Time Out London (October 15, 2010)

Allsop, Laura. “Calling the Shots.” ArtReview (October 2010) pp. 68 – 70

Weinberg, Lauren. “Rewind: 1970s to 1990s, Work from the MCA Collection.” Time Out Chicago (April 1, 2010)

“Tips: Gillian Wearing.” The Gentlewoman Issue 1 (Spring/Summer 2010) p. 139

Paley, Maureen. “A Letter from London.” Domus (February 2010) pp. 91 – 96 [ill.]

Sumpter, Helen. “What a Load of Rubbish!” Time Out (January 21, 2010) p. 41

Velasco, David. “Preview: The Talent Show.” Artforum (January 2010) p. 91



Thorpe, Vanessa. “Artists cast as saviours of British Cinema.” (November 22, 2009)

Rafanelli, Stephanie. “Capturing Claudia.” Harper’s Bazaar (November 2009) pp. 127 – 139

Fisher, Alice. “Maureen.” Fantastic Man (Autumn/Winter 2009) pp. 148 – 155

“Why we’re doing 10:10; Gillian Wearing.” The Guardian G2 (September 1, 2009)

Carey-Kent, Paul. “Me Myself and I.” Art World (August/September 2009) pp. 42 – 45

Gooding, Francis. “Exhibition of the Week: Summer Exhibition 2009.” Time Out (June 17, 2009) p. 44

Lennard, Mandi. “Gillian Wearing at Rivington Grill.” Colette (June 11, 2009)

“Art Round-Up.” The London Paper (June 2, 2009) p. 15

Wearing, Gillian. “The Most Inspirational Women – Voted For By You: Jade Goody.” Marie Claire (June 2009) p. 92

Lynch, Elizabeth. “Family Monument.” Sculpture Vol. 28, No. 4 (May 2009) p. 19 [ill.]

Benedictus, Leo. “Gillian Wearing’s Best Shot.” Guardian G2 (April 9, 2009) p. 25

“Artists who play with the truth: Gillian Wearing.” Plastique (Spring/Summer 2009) p. 149

Morris, Sophie. “Gilding Lily.” The Independent Magazine (January 24, 2009) pp. 22 – 25



“Art House: Gillian Wearing.” Dazed and Confused (November 2008) pp. 158 – 159

Lehrer-Graiwer, Sarah. “Gillian Wearing.” Artforum (October 2008) pp. 392 – 393 [ill.]

Zellen, Jody. “Gillian Wearing.” Artillery Vol. 3, Issue 1 (September/October 2008) p. 53

Dambrot, Shana Nys. “Gillian Wearing’s Pin Up’s at Regen Projects.” White Hot Magazine (September 2008)

Myers, Holly. “The reality behind dreams of glamour.” The Los Angeles Times (August 15, 2008) p. E22 [ill.]

“LA Premiere for Wearing Pin-Ups.” Art World (August 2008) p. 26

Machida, Nico. “Gillian Wearing.” ArtSlant (July 28, 2008) [ill.]

Velasco, David, and Gillian Wearing. “500 Words.” Artforum (July 11, 2008) [ill.] [online]

Dyer, Geoff. “The Lure of the Street,” Guardian: Review (May 31, 2008)

Beech, Dave. “Include Me Out!” Art Monthly (April 2008) pp. 1 – 4

Casadio, Mariuccia. “SELF exposure” Vogue (Italian) no. 689 (January 2008) pp. 261 – 270 [ill.]

Schwabsky, Barry. “Turner Prize: A Retrospective 1984-2006.” Artforum (January 2008) p. 277



Smolik, Noemi. “Talking Pictures.” Artforum (December 2007) p. 367

Julia, Princess. “Turner Prize: A Retrospective.” I-D (December 2007) p. 172

“Innovative Ikon gets tough.” Art World (December 2007) p.17

Wearing, Gillian. “On the Record.” ArtReview (November 2007) p. 214

Morris, Jane. “Maureen Paley: Gallery Profile.” Art World (December 2007) pp. 52 – 55

Marinos, Christopher. “Focus Greece: Dakis Joannou.” Flash Art (October 2007) pp. 100 – 101

Higgins, Charlotte. “Who’s Shocking Now?” The Guardian Weekend (September 8, 2007) p. 30

Olivares, Rosa, et. al. “Uniformes/Uniforms.” Exit No. 27 (August 2007) pp. 144 – 145, 178 [ill.]

Meneghelli, Luigi. “Gilliam Wearing: Galleria Civica.” Flash Art (July – September 2007) p. 83 [ill.]

Cavallucci, Fabio, and Christina Natalicchio. “Gillian Wearing: Family Monument.” Work (Summer 2007) pp. 39 – 49

Bosco, Orian. “Formato tv.” Work (Summer 2007) pp. 50 – 51

Darwent, Charles. “Gillian Wearing: Maureen Paley.” ARTnews (April 2007) p. 146 [ill.]

Schwendener, Martha. “Blood Unsimple: The Ties That Bind, in All Their Complexity.” The New York Times (February 20, 2007) [ill.]



Hubbard, Sue. “Even artists are getting real.” The Independent: Extra (November 2, 2006)

Clarke, Cath. “Return of the Real: Gillian Wearing’s Television Odyssey.” Art Review (November 2006) pp. 164 – 165

Ruyters, Domeniek. “Exposed and Worse.” Metropolis M (October/November, 2006) pp. 93 – 95

Schwan, Gary. “Remaking Reality and the Make-believe.” (October 22, 2006

Lippiatt, Matt. “Keeping it in the Family.” The Times London (October 3, 2006) pp. Arts 16 [ill.]

Walsh, Maria. “Gillian Wearing.” Art Monthly No. 300 (October 2006) pp. 26 – 27

Crompton, Sara. “When reality TV was the real world.” The Daily Telegraph (July 12, 2006) p. 28

“Projects: Family History, Gillian Wearing.” (July 7, 2006)

Jefferies, Stuart. “Get real.” The Guardian (July 6, 2006) pp. 18 – 21

Lack, Jessica. “Gillian Wearing: Family History, Reading.” Guardian Unlimited: The Guide (July 3, 2006)

“Gillian Wearing - Family History.” (June 20, 2006)

Bock, John, and Gillian Wearing, directed by Maurizio Cattelan. “Tarzan & Jane: Madness,” Domus (June 6, 2006) pp. 98 – 99

Gray, Louise. “Sex, Lies and Videotape – Tea with Gillian Wearing.” Blind Date (2006) pp. 94, 148 – 151, 217

Osterberg, Catherine. “The Portrait Now.” Contemporary (May 2006) p. 79

James, Sarah. “Documenting Documentary.” Art Monthly (April 2006) pp. 1 – 4

Briers, David. “Insignificance.” Art Monthly (April 2006) pp. 7 – 10

Gardiner, Juliet. “Candid Culture.” History Today (April 2006) pp. 5 – 6

“An Artistic Frame of Mind.” liverpoolcitywise (April 2006) pp. 22 – 23

Steeds, Lucy. “Local Stories, Katerina Seda.” Art Monthly No. 295 (April 2006) pp. 22 – 23

Kuhn, Nicola. “Zimmer mit Einsicht.” Tagesspiegel (March 24, 2006

Lee, David. “An obsession with art.” Ag (Spring 2006) pp. 56 – 65

Cousins, Mark. “The aesthetics of documentary.” Tate ETC (March 2006)

“The glittering prizes.” The Art Newspaper (March 2006)

Roberts, Russell. “Stranger than Fiction.” Source (March 2006) pp. 48 – 49

“A serious look at the world: Crossing the line between art and documentary.” The Daily Post (February 10, 2006

Russell Taylor, John. “The poetic truth in black and white.” times2 (February 7, 2006) p. 19

Clark, Robert. “Gillian Wearing: Family History.” Guardian Guide (February 6, 2006)

Lubbock, Tom. “Here comes everybody...” The Independent (February 6, 2006) pp. 44 – 45

“Time off: ‘Making History: Art and Documentary in Britain from 1929 to now’.” Gazette (February 4, 2006)

Cripps, Charlotte. “Art Previews: These are the days of our lives.” The Independent (January 17, 2006)

“View from the streets.” The Guardian (January 14, 2006)



Cotter, Holland. “Art Review: Irreducible Videos, Long and Short, That Can Really Move.” The New York Times (December 16, 2005)

Thatcher, Jennifer. “Review, Gillian Wearing, Snapshot, Bloomberg SPACE.” Pluk Issue 27 (November/December 2005) pp. 34 – 35

Burnett, Craig. “The Legacy of Diane Arbus.” V & A Magazine (Winter 2005 – 2006) p. 43

Gessell, Paul. “A body of art in your face.” Ottawa Citizen (November 28, 2005) pp. D1 – D2

Field, Marcus. “The Dark Art.” The Sunday Review – The Independent (October 9, 2005) pp. 20 – 23

Cripps, Charlotte. “From Gillian With Love.” The Independent Magazine (October 8, 2005) pp. 27 – 30

Herbert, Martin. “Gillian Wearing, Bloomberg.” Time Out London No.1835 (October 16 – 26, 2005) p. 42

Cavalli, Roberto. “Party Party Party.” Tatler (September 2005) pp. 155 – 157, 170

O’Reilly, Sally. “Self-reflexivity.” Art Monthly No289 (September 2005) pp. 7 – 289

Milroy, Sarah. “They sing the body eclectic.” National Post (July 30, 2005

O’Hagan, Sean. “Put me off at the strawberry.” The Observer (July 10, 2005) p. 10 

Dault, Julia. “Body Slam, Vancovers mega-celebration of the human form holds nothing back.” National Post (July 7, 2005)

Coleman, Sarah. “Interview with Gillian Wearing.” Photo Metro Vol. 16, Issue 31 (March 2005) pp. 28 – 31

Monthly No. 283 (February 2005) pp. 31 – 33

Rugoff, Ralph. “Irreducible: Contemporary Short Form Video.” CCA Wattis Institute for Contemporary Arts (2005) p. 11



Kent, Sarah. “Visage d’or.” Time Out (December 8 – 15, 2004)

Vincent, Martin. “The British Art Show.” Metro (November 24, 2004)

Ouroussoff, Nicolai. Art Fuses With Urbanity in an Aesthetically Pure Redesign of the Modern.” The New York Times (November 15, 2004)

Thomas Devine, Kelly. “Modernizing the Modern.” ARTnews (November 2004) pp. 142 – 146 [ill.]

Bush, Kate. “Young British Art: Kate Bush on the YBA sensation.” Artforum (October 2004)

Cornell, Frida. “Stillsamma Samt.” Konstperspektiv pp. 8 – 11 (September 2004)

Roos, Robbert. “Een Wereld In Het Hoofd.” Kunstbeeld (September 2004) pp. 6 – 13

Fox, Dan. “Manifesta 5 European Biennial of Contemporary Art.” frieze (September 2004)

Frigstad, Gard Olav. “Manifesta med selvtillit.” Aftenposten (Norway) p. 10 (August 2004)

“Losing Face/Saving Face.” About Face (June 24, 2004)

Velde, Paola van de. Jeugdtrauma’s en familieportretten (June 20, 2004)

Cameron, Dan. “I’m Desperate: Gillian Wearing’s Art of Transposed Identities.” Parkett Issue 70 (May 2004) pp. 90 – 107 [ill.]

Rabinowitz, Cay Sophie, and Gillian Wearing. “Gillian Wearing on her Album Series (2003).” Parkett Issue 70 (May 2004) pp. 124 – 131 [ill.]

Burn, Gordon. “The Encounter with Reality.” Parkett Issue 70 (May 2004) pp. 108 – 123 [ill.]

“Gillian Wearing.” NRC (May 20, 2004)

Wesseling, Janneke. “Wearing kijkt achter het masker.” NRC (May 18, 2004)

Huygen, Frederike. “Biechtstoel of peepshow.” Museumtijdschrift (April/May 2004)

Wetering, Geert van de. “De wanhoop van Gillian Wearing.” De Volkskrant (April 21, 2004)

Pagel, David. “Fantasy, reality: Wearing her art.” The Los Angeles Times (April 9, 2004) p. E34 [ill.]

Poppe, Ine. “Kunstmatige families.” Mr Motley – Familie Issues Nº2 (2004) pp. 54 - 59

Keijer, Kees. “Biechten aan de videocamera.” Het Parool (April 7, 2004)

AnchorAnchorHoore, Cees van. “Het duistere innerleik van de mens.” Haarlem Dagblad (April 3, 2004)

Dunn, Melissa. “Gillian Wearing Gorney Bravin + Lee.” Flash Art (March – April 2004) pp. 59 – 60 [ill.]

Kivirinta, Marja-Terttu. “Tuskallisia tunnesiteitä.” Helsingin Sanomat (March 6, 2004)

Taylor, John Russell. “Glad Hand for a Baltic Exchange.” The Times (March 3, 2004)

Schwabsky, Barry. “The Eyes Have It: Gilllian Wearing on Diane Arbus.” Artforum (February 2004) p. 125 [ill.]

The Art Newspaper (February 2004)



Sumpter, Helen. “Gillian Wearing.” ArtReview (December 2003/January 2004) p. 100

Tebbs, Paul. “Album, Gillian Wearing.” Source (Winter 2003)

Johnson, Ken. “Album.” The New York Times (December 19, 2003) p. B37

O’Reilly, Sally. “Gillian Wearing: Interim Art East End.” Time Out London (November 5 – 12, 2003)

Mcafee, Dionne. “Gillian Wearing.” Canadian Art (Fall 2003)

Aletti, Vince, Gil Blank, Louise Neri, and Charles Traub. “How have some of the questions that Meatyard was asking been approached by successive generations?” Influence Issue 1 (2003) pp. 36 – 41

Smee, Sebastian. “The art of the matter.” The Independent Magazine (October 18, 2003)

Slyce, John. “That Essence Rare: Gillian Wearing’s Family Album.” Contemporary (October 2003) pp. 26 – 30 [ill.]

Princethal, Nancy. “Gillian Wearing, Private I.” Art in America (March 2003) pp. 100 – 105 [ill.]



Smith, Roberta. “How Masks Can Amplify as Well as Conceal.” The New York Times (December 3, 2002) p. B3 [ill.]

Morton, Tom. “Everyone’s a Winner.” Tate (November/December 2002) pp. 70 – 75

Miller, Barbara. “Vancouver, British Columbia.” Art Papers Magazine (November/December 2002) p. 61 [ill.]

Gravagnuolo, Emma. “Piú forte dello scandalo.” Arte (November 2002)

“New title – Gillian Wearing, Mass Observation.” Merrell (Autumn 2002) p. 13

Craddock, Sacha. “Gillian Wearing.” tema celeste (September/October 2002) pp. 46 – 51 [ill.]

Coomer, Martin. “Vogue's galleries.” Time Out Nº1675 (September 25 – October 2, 2002)

Frankel, David. “Preview: Gillian Wearing, Museum of Contemporary Art.” Artforum (September 2002) p. 78 [ill.]

“Gillian Wearing: mass observation, MCA Chicago.” The Art Newspaper (October 2002) p. 7 [ill.]

Kihm, Christophe. “Les DJ Sont-Ils Modernes?” briseglace (June 2002)

Calhoun, Dave. “Another Thing I Wanted to Tell You’ by Gillian Wearing.” Another Magazine (Spring/Summer 2002)



Berrebi, Sophie. “Génération Sensation.” Connaissance des Arts Nº589 (December 2001)

Wainwright, Jean. “Can we talk about contemporary video and film art in terms of genres.” PLUK Issue 2 (September/October 2001)

Long, Declan. “Edge of Anxiety: Artists at the City Limits.” ssi newsletter (September/October 2001)

Rodney, Lee. “Nostalgia and Nationalism/Two London Surveys.” C International Contemporary Art Issue #70 (Summer 2001)

Newman, Michael. “The Demotic Art of Gillian Wearing.” Parachute 102 (2001)

Gualdi, Stefano. “Gillian Wearing.” Tema Celeste (May/June 2001) p. 81 [ill.]

Minelli, Michael. “Gillian Wearing at Regen Projects Los Angeles.” Documents (Spring 2001) pp. 43 – 45 [ill.]

Howarth, Sophie. “Pretty fascinating boredom.” Tate Issue 24 (Spring 2001)

Shreef, Zaria. “Semi-detached.” The Big Issue in the North (March 5 – 11, 2001)

Martin, San, and Francisco Javier. “Freedom under vigil. Artistic creation and criminal identity in 20th Century Art.” Exit (January 2001)



Myers, Holly. “Beginnings and Endings.” The Los Angeles Times (December 29, 2000) p. F32 [ill.]

Shone, Richard. “London, Gillian Wearing.” Burlington Magazine (November 2000)

Gleeson, David. “True confessions.” (November 2000)

Bishop, Claire. “Uncomfortable Observations.” Untitled Nº 23 (2000)

Vogel, Carol. “Inside Art: Beemer Shots.” The New York Times (October 13, 2000)

Gleeson, David. “True Confessions.” (October 2000)

Kent, Sarah. “Drunken exploits, (Critics Choice).” Time Out Nº1572 (October 4 – 11, 2000)

Brown, Neal. “My name is Gillian. I can turn your sad life into art.” The Independent on Sunday (October 1, 2000)

Cork, Richard. “Unmasking mystery in the mundane.” The Times (September 27, 2000)

Bishop, Claire. “The pleasure in pain.” The Evening Standard (September 27, 2000)

Riding, Alan. “Another Opening, Another Sensation.” The New York Times (September 25, 2000)

Cumming, Laura. “A staggering work…” The Observer Review (September 17, 2000)

Jones, Jonathan. “Down and out.” The Guardian Saturday Review (September 16, 2000)

Sawyer, Miranda. “Daring Wearing.” Observer Life (September 3, 2000)

“Sex & Porno.” frame (September/October 2000)

Schwabsky, Barry. “Gillian Wearing, Gorney Bravin + Lee.” Artforum XXXIX, Nº1 (September 2000)

Graham-Dixon, Andrew. “Wearing Masks.” Vogue (September 2000)

Kent, Sarah. “Brains of Britain.” Time Out Nº1560 (July 12 – 19, 2000)

Slyce, John, and Matthew Collings. “Video Art A Top Twenty.” Modern Painters (Summer 2000)

K. Scott, Andrea. “What They’re Wearing in Chelsea.” (May 3, 2000)

Viveros-Faune, Christian. “Fall Down, Get Up, No Problem.” New York Press Vol. 13, Nº19 (2000)

Basilico, Stefano. “Gillian Wearing, Drunk and A Woman Called Theresa.” Time Out (May 11 – 18, 2000)

Levin, Kim. “Village Choice: Gillian Wearing.” The Village Voice (May 16, 2000)

Townsend, Chris. “Gillian Wearing.” Hotshoe International (March/April 2000)

Bishop, Claire. “Being Boring.” Untitled Nº 21 (2000)

Müller, Katrin Bettina. “Die Lust der Maschinen.” taz (January 26, 2000)

Pilz, Michael. “Frau Hase und der schreckliche Voyeur.” Die Welt (January 19, 2000)

Lützow, Gunnar. “Zugriff von allen Seiten.” Berliner Morgenpost (January 15, 2000)

Mercer, Kobena. “Ethnicity and Internationality.” Third Text Nº49 (2000)

Gorucheva, Tania. “This Other World of Ours.” Flash Art (January/February 2000)



“The British Unveil Another World.” The Russia Journal (December 6 – 12, 1999)

Rushton, Steve, and John Tozer. “Gillian Wearing.” Camera Austria International Nº 68

Gallez, Florence, “Nukes, Lovers Get Their 15 Minutes.” The Moscow Times (November 19, 1999)

Müller, Donka. “Rewind to the Future.” Bonner (November 1999)

“Previews: Rewind to the Future.” Contemporary Visual Arts Issue 26 (1999)

Thrift, Julia. “Gillian Wearing, Interim Art.” Time Out Nº1525 (November 10 – 17, 1999)

Cumming, Laura. “Gillian Wearing, Interim Art.” The Observer (November 7, 1999)

Grant, Simon. “All about love.” The Guardian Guide (October 16 – 20, 1999)

Jones, Jonathan. “What a scream.” The Guardian Guide Saturday Review (October 23, 1999)

Collings, Matthew. “Rabble rousing.” Vogue (October 1999)

Gladstone, Neil. “Book Marks: Gillian Wearing.” Nylon Premier Issue (1999)

“Polaroid Diary.” The Observer Magazine (May 2, 1999)

Bennett, Oliver. “Exhibitionist.” The Independent Magazine (May 1, 1999)

“Wears well.” i-D Nº 186 (May 1999)

Greenberg, Sarah. “Gillian Wearing v. Saatchi, The artist claims the ad man stole her idea.” The Art Newspaper Nº 91 (April 1999)

Takano, Yuko. ”99 What’s New?” Figaro, Japan Nº 150 (1999)



Sanger, Daniel. “Declaration of Independents: Seven People who choose to be Different.” Shift (December/January 1999) [ill., cover]

Allen, Vaughn. “Hide and seek.” The Big Issue in the North Nº 241 (December 28, 1998 – January 3, 1999)

DiPietro, Monty. “Artist asks, ‘What’s your sign?’” The Japan Times (October 24, 1998)

Kino, Carol. “Cutting Edge, but comfy.” The Atlantic Monthly (November 1998)

Stern, Edward. “Translating the Big Idea into Japanese.” Asashi Evening News (October 22, 1998)

Neumaier, Otto. “Alles bekennen... Gespräch mit Gillian Wearing.” noëma art journal Nº 49 (October/November 1998)

“Picture.” frieze Issue 42 (September/October 1998)

Williams, Gilda. “Wah-Wah: The Sound of Crying or the Sound of an Electric Guitar.” Parkett Nº 52 (1998) pp. 146 – 149

Buck, Louisa. “VW bugs Wearing.” The Art Newspaper (July/August 1998)

Miles, Anna. “Pictura Brittanica, Te Papa Museum, Tongewara.” Artforum XXXVI, Nº 10 (Summer 1998)

McGann, Paul. “VW ad firm stole my ideas, claims artist.” The Independent (June 12, 1998)

Carol Midgley. “VW ad rips of my work, says artist.” The Times (June 12, 1998)

“Turner Prize Winner issues legal threat to BMP over VW ads.” Campaign (June 12, 1998)

Coleman, Sarah. “Interview with Gillian Wearing.” photo metro Vol. 16, issue 149 (1998)

T. Turner, Grady. “Gillian Wearing.” BOMB (Spring 1998)

Del Re, Gianmarco. “Why would a businessman say 'I’m deperate'? A-Z of Gillian Wearing.” Flash Art Vol. XXXI, Nº 199 (March/April 1998)

Slyce, John. “Wearing a Mask.” Flash Art Vol. XXXI, Nº 199 (March/April 1998)

Smith, Roberta. “Art of the Moment, Here to Stay.” The New York Times, Arts and Leisure (February 15, 1998)

Cork, Richard. “Wearing her heart on the sleeve.” The Times (January 13, 1998)

Israel, Nico. “Gillian Wearing.” Artforum (January 1998)

Princenthal, Nancy. “Gillian Wearing.” Art in America (January 1998)

Campbell-Johnston, Rachel. “Wearing: her heart on her sleeve.” The Times/metro (January 3 – 9, 1998)



Lillington, David. “Voyeuristiche Pleziertjes – Interview Gillian Wearing.” Metropolis M Nº6 (December 1997/January 1998) pp. 51 – 57

Coleman, Sarah. “London Rundown.” Photo Metro Vol. 15, Issue 143 (1997) pp. 32 – 33

Riding, Alan. “No Sexism, Please; They’re British.” The New York Times (December 29, 1997)

Johnson, Boris. “Portrait of the artist of silent nuances.” The Daily Telegraph (December 8, 1997)

Fuller, Wendy. “Modern art? This is worthy of Constable.” The Express (December 3, 1997)

Searle, Adrian, and Nicholas Serota. “Turner Prize winner: Gillian
Wearing’s arresting image.” The Guardian (December 3
, 1997)

Thorncroft, Anthony. “Artist brushes paint aside to win Turner Prize.” The Financial Times (December 3, 1997)

Ginn, Kate, and Terri Judd. “Constable picture wins the Turner (no, not that Constable).” Daily Mail (December 3, 1997)

Alberge, Dalya. “Moving pictures take Turner Prize.” The Times (December 3, 1997)

Lister, David. “Uproar as video entry snaps up the Turner.” The Independent (December 3, 1997)

Reynolds, Nigel. “’Frozen Policemen’ video wins Turner Prize.” The Telegraph (December 3, 1997)

Glaister, Dan. “Silence is Golden for Turner winner.” The Guardian (December 3, 1997)

Wearing, Gillian. “Kelly and Melanie.” Elle (December 1997) pp. 84 – 89

Lewis-Smith, Victor. “Kylie at arm’s length as she hits topless C.” The Evening Standard (November 14, 1997)

Goldberg, Vicki. “The Artist Becomes a Storyteller Again.” The New York Times (November 9, 1997)

Buck, Louisa. “Life, art and the Turner women.” The Evening Standard (October 28, 1997)

Kimmelman. “Gillian Wearing.” The New York Times (October 24, 1997)

Greene, David A. “Kids.” Village Voice (October 21, 1997)

Slyce, John. “The Odds on the Turner Prize.” Flash Art (October 1997)

Jobey, Liz. “A rat race?” The Guardian Weekend (October 4, 1997)

Collings, Matthew. “The New Establishment.” The Independent Sunday Review (August 31, 1997)

Murphy, Fiona. “A shopping sensation.” The Guardian Weekend (September 27, 1997)

Kimmelman, Michael. “Gillian Wearing at Jay Gorney.” The New York Times (September 26, 1997)

MacMillan, Ian. “Signs of the Times.” Modern Painters (Autumn 1997)

Hoge, William. “Arriving in New York After Taking Off in London / Video Maker with a Taste for Secrets.” The New York Times (September 14, 1997)

Ronson, Jon. “ORDINARILY SO. Jon Ronson on documentary film-making and Gillian Wearing.” frieze Issue 36 (September/October 1997)

Feldman, Melissa E. “Gillian Wearing at Interim Art.” Art in America (July 1997) p. 102

Fiedler, Peter-Alexander. “Diesen Sommer baden wir in der virtuellen welt.” TLZ Treffpunkt Nº 672 (July 26, 1997)

Schierz, Kai Uwe. “Verführung der Kirschtorte.” Thüringen Nº 30 (July 26, 1997)

Laws, Roz. “The art of making a £10,000 video.” (1997)

“The ‘failure’ from Brum who made it to the top.” Sunday Mercury Birmingham (July 13, 1997) p. 13

Dahan, Eric & Lefort, Gerard. “Par dela le corps gay et lesbian.” Liberation Cahier Europride (June 28 – 29, 1997)

Buck, Louisa. “Three cheers for art that shatters complacency.” The Express (June 19, 1997)

Alberge, Dalya. “All-women shortlist takes Turner by surprise.” The Times (June 18, 1997)

Reynolds, Nigel. “The Turner shortlist is for women only.” Daily Telegraph (June 18, 1997)

Glaister, Dan. “A woman’s place - in the gallery.” The Guardian (June 18, 1996)

Stringer, Robin. “The all woman Turner Prize and not a painting in sight.” The Evening Standard (June 17, 1997)

Blazwick, Iwona. “City nature.” Art Monthly No. 207 (June 1997) p. 10

Dorment, Richard. “Out of the mouths of babes.” The Daily Telegraph (May 21, 1997)

Coomer, Martin. “Gillian Wearing, Chisenhale.” Time Out Nº 1396 (May 21 – 28, 1997)

“Wearing their heart on her sleeve.” The Art Newspaper Nº 70 (May 1997)

Searle, Adrian. “Bring on the naked dwarf.” The Guardian (May 6, 1997) G2, p. 14

Lyttelton, Celia. “Indecent Exposures.” Esquire (May 1997) p. 34

Higgie, Jennifer. “Gillian Wearing.” frieze Issue 33 (March/April 1997) p. 80

Ebner, Jorn. “Tramdeutung und Befragen.” neue bildende kunst (February/March 1997) p. 80

Williams, Gilda. “New Work.” Art Monthly No. 203 (February 1997) pp. 26 – 27

Gibbs, Michael. “ID - An International Survey on the notion of Identity in Contemporary Art.” Art Monthly No. 203 (February 1997) pp. 34 – 36

Judd, Ben. “Interview with Gillian Wearing.” Untitled No. 12 (Winter 1996/1997) pp. 4 – 5



Wearing, Gillian. “Guest: Gillian Wearing.” Documents sur l’art Nº 9 (1996) pp. 41 - 66

Kent, Sarah. “New Work, Interim Art.” Time Out (December 11 – 18, 1996)

Muir, Gregor. “Sign Language.” Dazed and Confused No. 25 (1996) pp. 52 – 55

Garner, Lesley. “Cops on top in Cauldron.” Daily Express (August 2, 1996) p. 40

Usherwood, Paul. “The Cauldron.” Art Monthly Nº 198 (July/August 1996) pp. 30 – 31

Walters, Guy. “State of the Art.” The Times Magazine (July 20, 1996)

Hall, James. “Letter From London - Towers of London.” Artforum (Summer 1996) pp. 31 – 33

Buck, Louisa. “Silver Scene.” Artforum (Summer 1996) pp. 34 – 36

Bang Larsen, Lars. “Traffic.” Flash Art Nº 189 (Summer 1996) pp. 126 – 127

Glaister, Dan. “A woman’s place - in the gallery.” The Guardian (June 18, 1996)

Bickers, Patricia. “The Young Devils.” Art Press Nº 214 (June 1996) pp. 34 – 35

“Fashion Model Gillian Wearing.” Switch no. 3 (April 1996) pp. 13, 26 – 39

“Imagined Communities.” Blueprint (1996)

Masterson, Piers. “Imagined Communities.” Art Monthly Nº 194 (March 1996)



Januzczak, Waldemar. “Cool Britannia.” The Sunday Times-Culture Section (December 3, 1995)

“These are the Rising Stars of 96’.” Independent-Weekend Section (December 30, 1995)

Cork, Richard. “Forthcoming Attractions.” The Times Magazine (November 18, 1995)

Corrigan, Susan. “Get the Picture, British Art's Next Superstars.” I-D Magazine (December 1995)

Kastner, Jeffrey. “Brilliant.” Art Monthly (December/January 1995)

Garnett, Robert. “The British Art Show.” Art Monthly (December/January 1995)

Tomkins, Calvin. “London Calling.” The New Yorker (December 11, 1995)

Smith, Roberta. “Some British Moderns Seeking to Shock.” The New York Times (December 1995)

MacRitchie, Lynn. “Shock Artists.” Financial Times (November 17, 1995)

Patrizio, Andrew. “Hayward Shoot Out.” Galleries Guide (September 1995)

Hall, James. “Butterfly Ball.” The Guardian (November 14, 1995)

Searle, Adrian. “British Art with Attitude.” The Independent (November 14, 1995)

Feaver, William. “Where Theres a Wilt…” Observer Review (November 19, 1995)

Barratt, David. Hayward Gallery Art Monthly (November 1995)

Gayford, Martin. “Youth, formaldehyde and the spirit of the age.” The Telegraph Magazine (November 11, 1995)

Currah, Mark. “Group Show; Interim Art.” Time Out (October 11, 1995)

Morrish, John. “Wildlife, Martyrs to their art.” Telegraph Magazine (October 7, 1995)

Searle, Adrian. “Faces to Watch In The Art World.” Independent (September 26, 1995)

Hall, James. “Western Security.” Guardian (September 1995)

Currah, Mark. “Action Replayed.” Time Out (September 20, 1995)

Harvey, Will. “Bodies of Work.” Observer Life Magazine (September 9, 1995)

Cavendish, Dominic. “Gallery Gunslingers on a Shoot to Thrill.” Independent (September 11, 1995) p. 6

“Wearing, Gillian, Hommage to the Woman with the Bandaged Face who I saw Yesterday Down Walworth Road.” Blocnotes Numero 9 (1995) pp. 18 – 19

“A Short Love Story by Gillian Wearing.” Nummer 3 (September 1995) p. 81

Bonaventura, Paul. “Profile: Wearing Well.” Art Monthly Nº 184 (March 1995)

Faure Walker, Caryn. “Signs of the Times.” Creative Camera (February/March 1995)

Landesman, Cosmo, and Simon Rogers. “Talking Pictures.” The Big Issue Nº 116 (February 6 – 12, 1995) pp. 12 – 14

Kent, Sarah. “Make Believe.” Time Out (February/March 1995) p. 46

“British Art: Don't Knock It.” Independent Weekend (June 24, 1995) pp. 1, 4



Lillington, David. “Real Life in London.” Paletten Nº 219 (April 1994) p. 12

Searle, Adrian. frieze issue 18 (September/October 1994) pp. 61 – 62

Muir, Gregor. World Art Magazine Inaugural U.S Edition (November 1994) p. 117

Jaio, Miren. “Cinco Artistas Inglesas: Voces En El Espacio.” Lapiz Nº 106 (October/November 1994) pp. 12 – 19

Currah, Mark. Time Out Nº 1245 (June 29 – July 6, 1994) p. 50

Craddock, Sacha. The Times (June 14, 1994)

Savage. “Jon,Vital Signs.” Artforum (March 1994) pp. 60 – 63

Bush, Kate. “Vox Pop.” Untitled London (1994)

Harpers Magazine Vol. 288, Nº. 1728 (1994) p. 21

Searle, Adrian. “Vox Pop.” Time Out (January 5 – 12, 1994) p. 42



Feaver, William. “Treasures in the Wendy House of the Lost Boys.” The Observer (July 4, 1993) p. 59

Guha, Tania. Time Out (1993)

Archer, Michael. “O Camera O Mores.” Art Monthly (1993)

Stallabrass, Julian. “Power to the People.” Art Monthly (1993)

Graham-Dixon, Andrew. “That Way Madness Lies.” The Independent (1993)

Flash Art Italy (1993)

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