Installation view of On site
Regen Projects, Los Angeles
May 7 – June 25, 2022
Installation view of On site
Regen Projects, Los Angeles
May 7 – June 25, 2022
Installation view of On site
Regen Projects, Los Angeles
May 7 – June 25, 2022
Installation view of On site
Regen Projects, Los Angeles
May 7 – June 25, 2022
Wood shed (on improvisation)
2022
Polyurethane resin, raw Virginia cotton, dye sublimation t-shirts, housedresses, t-shirts
93 x 167 x 3 inches (236.2 x 424.2 x 7.6 cm)
In my dream I saw a landscape
2022
Polyurethane resin, raw Virginia cotton, confetti t-shirts, confetti housedresses, housedresses, t-shirts
74 x 112 x 2 inches (188 x 284.5 x 5.1 cm)
Untitled (lake)
2022
Polyurethane resin, raw Virginia cotton, dye sublimation t-shirt, t-shirt, altered housedress, altered t-shirts
74 x 55 1/2 x 2 inches (188 x 141 x 5.1 cm)
Installation view of A body, revealed
Hill Art Foundation, New York, NY
February 11 – April 30, 2022
Photo: Matthew Herrmann
Installation view of A body, revealed
Hill Art Foundation, New York, NY
February 11 – April 30, 2022
Photo: Matthew Herrmann
WE ARE HERE AND WE SEE EACH OTHER
2021
Polyurethane resin, raw Virginia cotton, dye-sublimation printed t-shirts, altered t-shirts, studio debris, carbon fiber, pine needles, tobacco root
93 x 168 x 2 inches (236.22 x 426.72 x 5.08 cm)
Photo: Jason Wyche
Installation view of Make-Shift-Future, curated by Elliott Hundley
Regen Projects, Los Angeles
March 27 – May 22, 2021
Photo: Evan Bedford
Sage
2020
Polyurethane resin, housedresses, Nike Cortez
46 x 33 x 34 inches (116.84 x 83.82 x 86.36 cm)
Photo: Jason Wyche
The Road
2019
Polyurethane resin, raw Virginia cotton, Virginia soil, Virginia twigs, Virginia pine needles, housedresses, kaftans, t-shirts, durags, altered housedresses, altered kaftans, altered t-shirts, altered garments, altered tires, scarf, guinea fowl feathers, down feathers, copper, jewelry, shoelaces, mobile phone, burlap satchel, windshield wipers, altered African fabrics, socks, Timberland boots, aluminum, steel
96 x 120 x 10 inches (243.84 x 304.8 x 25.4 cm)
Photo: Jason Wyche
Installation view of Kevin Beasley: A view of a landscape
Whitney Museum of American Art, New York, NY
December 15, 2018 – March 10, 2019
Photo: Ron Amstutz
Installation view of Kevin Beasley: A view of a landscape
Whitney Museum of American Art, New York, NY
December 15, 2018 – March 10, 2019
Photo: Ron Amstutz
Queen of the Night
2018
Polyurethane resin, housedresses, kaftans, du-rags, t-shirts, CD’s, guinea fowl feathers, clothes pins, hair rollers, hair extensions (tumbleweave), fake gold dookie chain
96 x 83 x 10.5 inches (243.84 x 210.82 x 26.67 cm)
Photo: Jason Wyche
Queen of the Night (detail)
2018
Polyurethane resin, housedresses, kaftans, du-rags, t-shirts, CD’s, guinea fowl feathers, clothes pins, hair rollers, hair extensions (tumbleweave), fake gold dookie chain
96 x 83 x 10.5 inches (243.84 x 210.82 x 26.67 cm)
Photo: Jason Wyche
Untitled Slab (cotton island)
2018
Housedresses, kaftans, t-shirts, cotton, altered garments, winter slippers, fishing net, sea shells, sea stones, coral, clothing line, polyurethane resin
83.5 x 95.5 x 7 inches (212.09 x 242.57 x 17.78 cm)
Photo: Jason Wyche
Installation view of inHarlem: Kevin Beasley, Simone Leigh, Kori Newkirk, Rudy Shepherd
The Studio Museum in Harlem, New York, NY
August 25, 2016 – July 25, 2017
Photo: Adam Reich
Installation view of Hammer Projects: Kevin Beasley
Hammer Museum, Los Angeles, CA
January 21 – April 23, 2017
Photo: Brian Forrest
Installation view of Between the Ticks of the Watch
The Renaissance Society, Chicago, IL
April 24 – June 26, 2016
Photo: Tom Van Eynde
Installation view of Between the Ticks of the Watch
The Renaissance Society, Chicago, IL
April 24 – June 26, 2016
Photo: Tom Van Eynde
Untitled (Sea)
2016
Polyurethane resin, housedresses
82 x 96 x 26.5 inches (208.3 x 243.8 x 67.3 cm)
Photo: Jean Vong
Untitled (parade)
2016
Housedresses, kaftans, polyurethane resin
87 x 72 x 48 inches (221 x 182.9 x 121.9 cm)
Photo: Oriol Tarridas
Strange Fruit (Pair 1)
2015
Nike Air Jordan 1 shoes (white and black), resin, polyurethane foam, tube socks, shoelaces, rope, speakers, hypercardiod and contact microphones, amplifier, patch cables, and effects processors
68 x 24 x 17 inches (172.7 x 61 x 43.2 cm)
Photo: Jean Vong
I Want My Spot Back
October 25 – 26, 2012
Performed as part of Some sweet day
The Museum of Modern Art, New York, NY
October 15 – November 4, 2012
Photo: Julieta Cervante
